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Glenelg Shire Council Cultural Collection
Clothing - Town Crier's Coat - Syd Cuffe, 1888-1995
Syd Cuffe was the Portland Town Crier from 1983 to 2013. The role of Town Crier was created for Syd Cuffe in 1983 in the lead up to Portland’s 150th anniversary celebrations held in 1984-85. 200 items from Mr. Cuffe’s estate were donated to the Glenelg Shire Cultural Collection. The items relate to his town crying activities and community work across the Shire and further afield.Syd Cuffe's Town Crier's coat. Navy blue, pure wool, trimmed with gold ribbon and braid on collar, cuffs and lower front pockets, gold diagonal stripes on front, gold buttons (Australian Military Force)syd cuffe, portland town crier, ceremonial regalia, coat -
Glenelg Shire Council Cultural Collection
Postcard - Postcard - Police escort for Duke of Gloucester, Portland, 1934
HRH Prince Henry Duke of Gloucester came to Australia in late 1934, and to Victoria in time for the Centenary Celebrations (of pastoral settlement of the Port Phillip District, beginning with the Hentys settlement at Portland Bay on 19 November 1834). From Trove - 20 November 1934 Historic Portland was the scene yesterday of unprecedented celebrations when the Duke of Gloucester arrived from Tasmania to join in festivities marking the beginning of Victoria's second century. A great crowd estimated at more than 60,000 people watched the re-enactment of the landing of Edward Henty, Victoria's first permanent settler, on November 19, 1834.Black and white photograph rows of men in formal dress with white jodhpurs, dark coats and white hats. Five rows in all, with one man at the front. Buildings in the background. Police escort for Duke of Gloucester, Portland, 1934Front: (no inscriptions) Back: Police escort for Duke of Gloucester Portland 1934royal visit, 1934, duke of gloucester -
Whitehorse Historical Society Inc.
Clothing - Infants' coat, 1950
Made by donor for her children in the 1950sA cream viyella coat with Peter Pan collar, smocking on either side of press-stud opening with buttons. Smocking in cream with pink and blue rosebuds below yoke. Long sleeves have shaping darts and smocking at wrist.costume, infants' -
National Vietnam Veterans Museum (NVVM)
Card - Card, ID, Membership card R.G.Harris
Red Membership Card - coat of arms on front with State of South Australia". Inside is blue & white membership card - member of RAAF Airmens Club O.T.S Rathmines signed by Mr. G Jones - Chairmen Airmen's Committeemembership card, raaf -
Bendigo Historical Society Inc.
Legal record - Abbott collection: Factories and shops act 1896
Twenty five pages booklet. On the front page under the coat of arms of Victoria the words: Anno Sexagesimo Victoriae Reginae. No. 1445 An act to amend the Factories and Shops Act 1890 and for other purposes, 28th July, 1896Writing in pencil of the front: 8 points (?) numbered 1 to 8 leaves not cat. as numbers 3 and 7 are alikeact of parliament, factories and shops act, 1896 -
City of Greater Bendigo - Civic Collection
Memorabilia - Two sets of six spoons, 0145.1; c.1991. 0145.2; c. 1987
Alec Sandner was a Strathfieldsaye Shire Councillor from 1982 -1987, Strathfieldsaye Shire President from 1985 – 86 and Mayor of COG Bendigo 2011 - 2012. Helen Sandner served as mayoress during Alec's time on Council. Two sets of six silver spoons with Shire of Strathfieldsaye coat of arms at top of each handle. Each set in a separate red velvet presentation box. 0145.1 Presented to Helen Sandner. 0145.2 Presented to Alec Sandner. 0145.1 Presented to / Helen Sandner, / in recognition of / her services to / the Shire of Strathfieldsaye / 1988 - 1991 0145.2 Presented to / Alec. Sandner / by the Shire of Sthrathfieldsaye, / in recognition of / his 5 years service as a Councillor / with the shire of Strathfieldsaye. / 4th August. 1987sandner collection, mayor alec sandner, helen sandner, shire of strathfieldsaye, president of strathfieldsaye shire, city of greater bendigo mayor -
Bendigo Historical Society Inc.
Document - CLARKE CERTIFICATE OF APPRECIATION, 1984
A certificate of appreciation presented by the Public Works Department to William Albert Clarke for 36 years service, on buff coloured paper with black script and a coat of arms, under glass in a wooden frame, signed by the Minister & Director General.civic mementoes, presentations, public works department -
Bendigo Historical Society Inc.
Document - CARD - R. R. ANDERSON
White business card with black printing. City of Bendigo Coat of Arms in top left corner. The name - R. R. Anderson with qualifications under it, CE,FIE,Aust,MTPL,MRAPI. Also occupation and phone number.document, card, r r anderson -
Bendigo Historical Society Inc.
Photograph - GROUP PHOTO - 6 WOMEN, 1 MAN, APPROX. 1940'S
Black and white photo - image shows group of 6 women and one man. Women dressed in dresses, one with coat, and hats. Man on RH side dressed in suit, tie, wing-type formal collar. No markings.person, group, 6 women, one man, bendigo, group0, 1940's -
Bendigo Historical Society Inc.
Photograph - PORTRAIT OF A LADY
Small full length portrait of a lady standing and holding a hat in her hands. She is wearing a long high neck dress with a three quarter length coat over it. The skirt has two rows of pleats at the hem.C. Nettleton, 20 Madeline Street, North Melbournephotograph, portrait, female, portrait of a lady -
Bendigo Historical Society Inc.
Photograph - HARRIS COLLECTION: MALE PHOTO, Late Ninteenth Century
16.5 cm x 10.5 cm Black & White photograph. Bearded head & shoulders male aged approx late 40's. Coat, beard obscuring collar. Hand written caption on reverse, 'Mr Stilwell'.photograph, person, male -
Stawell Historical Society Inc
Photograph, Mr David Scallan & his Wife -- Studio Portrait
Portrait of David Scallan & his Wife. David Scallan was a mining broker. David was also the first Shire President 1864 - 65. In 1864 he was a member of the Roads Board. Also, the first Committee of Management of Central Park. One of the main Stawell inner streets is Scallan St.Photograph of a woman and gentleman standing in a studio setting. Womans frock has a frilled skirt with long sleeves. Gentleman had light coloured trousers with a long dark coat buttoned at the neck. c 1865 - 70'sstawell -
Montmorency/Eltham RSL Sub Branch
Sheet, Ground Mk VII, c.1918
This rubberised waterproof sheet was introduced in 1917 and intended primarily for lying on or wrapping around bedding rolls but it also served as a rudimentary rain coat. Combining two of these sheets made a very primitive bivouac shelter. They soldiered on well into the 1960s in all theatres of war.Waterproof groundsheet/cape, green rubberised material. waterproof -
Greensborough Historical Society
Photograph - Digital image, Greensborough Railway Station [2], 1930-1940
Photograph of Greensborough Railway Station, early 20th century, showing train and group of young people on platform. A car parked outside the Roy House on Main Street Greensborough [opposite the future entrance to the Greensborough Plaza] This photo is from the Lorraine Coates Collection.An early photograph of Greensborough Station.Digital copy of black and white photograph.greensborough station -
Robin Boyd Foundation
Decorative object - Boyd family crest
Martin Boyd had the Boyd Coat of Arms made to adorn his home at “The Grange”. Penleigh Boyd salvaged it just prior to The Grange’s demolition circa 1958. Its ‘rescue’ and installation at Walsh St is mentioned in Brenda Niall’s “The Boyds” page 339.White-painted timber, oval shape, three roses at the top, three rows of squares, and a crescent at the base.walsh st miscellaneous, robin boyd, boyd family, ohm2022, ohm2022_20 -
Port Melbourne Historical & Preservation Society
Programme, Josh Burns MP, Federal Member for Macnamara, Port Melbourne Anzac Day Commemorative Service 2023, April 2023
The pamphlet was distributed to attendees at the Beach Street service. Dignitaries included Nina TAYLOR MP, State Member for Albert Park, Josh BURNS MP, Federal Member for Macnamara, Cr Heather CUNSOLO, Mayor of Port Phillip and Colonel Sharon COATES CSC.The four page program has a white cover with the image of a field of poppies across the lower section and the name of local member in lower left corner. It was produced in support of our Returned Services League for the Port Melbourne Anzac Day Commemorative Service held on Monday 25 April 2023 am at the Beach Street Memorial. The information "Close to the piers where our troops embarked Corner of Bay & Beach Street, Port Melbourne.'r.s.l, josh burns, nina taylor, cr heather cunsolo, colonel sharon coates, anzac day -
Ballarat Diocesan Historical Commission
Irish Belleek porcelain ware, Breakfast set, c. 1930s
This breakfast set consists of various pieces and was owned by Bishop Daniel Foley and has his personal Coat of Arms printed upon each piece. Bishop Daniel Foley was Bishop of Ballarat from 1916 to 1942 and was cousin to Daniel Mannix Archbishop of Melbourne.This is the only known Belleek crested porcelain breakfast set within Western Victoria.Belleek Breakfast set with Bishop Daniel Foley crest c. 1930. Consists of tea and coffee set and 5 egg cups.glazed transfer ware with printed crest. Stamped 3rd black markbelleek, porcelain, crested china, daniel foley -
Lara RSL Sub Branch
Postcard, H.M.A.S Australia, 1940's
as an attachment a newspaper article 18th September 1940 from Ron Gregory from HMAS Hobart letter of thanks for a comfort parcelCardboard and paper with postcard in the middle On the front page is H.M.A.S Australia and coat of arms Inside Seasons Greetings to E.R Chief & PO from Ch/Sts & Necks Mess On Postcard at Port Chalmers New Zealandhmas australia, hmas hobart, postcard, 1940, gregory ron, australian comfort fund -
Ballarat RSL Sub-Branch Inc.
Trench craft - Engraved Shells (x2)
This object relates to Bert Albert DAY. He was born on 1/01/1882 in Vancouver, CANADA. Bert Albert served in the AIF (6498) enlisting on, 11/08/1916 in Williamstown, VIC before being discharged from duties with the 8TH BATTN as a Army Non-Commissioned DVR (GNR) on 24/01/1920. Bert Albert DAY was not a prisoner of war. His next of kin is Dulcie DAY (Wife).Engraved with Australian Coat of Arms and No. 6498 DVR B A DAY 8th Bat. A.I.F. Letter from Avis BRITTAIN d/of B A DAY and copies of Death & Funeral Noticesfirst world war (ww1), 1914 - 1918, craft, ballarat rsl, ballarat -
National Wool Museum
Book, Knitting, Patons Classic Series no. 2
This book was owned by the late Dr Elizabeth Kerr and was donated to the Museum by the executor of her estate, Margaret Cameron. It was produced by Coats Patons and contains knitting patterns for mens and womens raglan sleeved cardigans. The photos were taken at the Chateau Tahbilk winery at Nagambie in Victoria.Patons / CLASSIC / SERIES / 2 / CARDIGAN WITH / RAGLAN SLEEVES / High & Medium Button / with and without Collar / BLUEBELL, PAT- / ONYLE, TOTEM, / MOHAIR & JET / 25c 2'6knitting handicrafts - history, coats patons (australia) limited, knitting, handicrafts - history -
Stawell Historical Society Inc
Photograph, Gaslight, Drinking Fountain
7135: THE DEDICATION PLAQUE IN THE GASLIGHT AND DRINKING FOUNTAIN. 7135A SHOWING THE ENTIRE LIGHT AND FOUNTAIN STRUCTURE. 7135B: SHOWING THE GASLIGHT ATOP THE STRUCTURE. 7135C: SHOWING THE COAT OF ARMS ON ONE PANEL, THE OTHERS CONTAIN THE STATES NAMES, PARTIAL VISIBLE ARE S. AUSTRALIA AND QUEENSLAND. 4 Colour Photographs of the Inauguration of the Australian Commonwealth January 1 1901. Monumentmonuments, federation -
Kew Historical Society Inc
Document - Invitation to the Opening of the Parliament of the Commonwealth by His Royal Highness the Duke of York and Cornwall, Tom Carrington, 1901
The Correspondent for The Argus on 10 May 1901 described the opening on 9 May as: "The Parliament of the Commonwealth was opened yesterday by the Duke, of Cornwall and York, under a Commission signed by Queen Victoria and subsequently endorsed by King Edward VII. The ceremony was marked by the splendour and solemn impressiveness which befitted its historic importance. An immense assemblage of spectators, drawn mainly, of course, from this state, but in part also from each of the other federated states, and including representatives of other portions of the British Empire and of foreign powers, thronged the spacious, stately, and joyously decorated edifice. The picture was magnificent. It must have printed itself indelibly on the sensitive minds of the thousands of Australians who were privileged to behold it. We may assume that artists will reproduce it in worthy and imperishable forms, and that from generation to generation it will be familiar in the households of the Commonwealth. Our children's children, we may gladly say to-day, will not be ashamed of the function which inaugurated the self-governing rights of the southern British Nation. Nothing was omitted which could add to the grandeur and significance of the occasion. In a broad sense the proceedings were perfectly intelligible to the vast and sympathetic gathering, though the natural limits of a single human voice had to be accepted. The King's son, with his consort and the Governor-General and Lady Hopetoun by his side, and supported by the Governors of the states and other eminent personages, fulfilled his doubly-attested Commission with a simple dignity and a modest manliness altogether admirable. The ceremony was a brilliant spectacle, and, in its sentiment and suggestiveness, an inspiration to a loyal and patriotic people."The document design has artistic and aesthetic merit. While it is not rare, it is representative of the kinds of formal designs used for the Australian Commonwealth celebrations at the time of Federation, and is in excellent condition. Such items as this invitation have local, state and national historic significance as mementoes of a key moment in Australia's history. Locally, the invitation is part of a group of Federation-related items issued to James Maitland Campbell (and his wife). Campbell was three times mayor of Kew in the second half of the 19th Century and the owner of Ramornie in Pakington Street, one of the significant extant mansions in Kew.A colour lithograph mounted on card which is an invitation to the Opening of the First Commonwealth Parliament of Australia, 9 May 1901. The invitation was sent to Mr J.M. & Mrs Campbell. John Longstaff and Norman Lindsay’s design for the invitation includes symbolic female figures and coats of arms of the British and Australian Commonwealth. The central figure represents Justice. At her feet a crown and sceptre are laid, ‘to denote that the monarch will always acquiesce in laws passed by Parliament, provided they are just.’ On the left appears a figure of Britannia, above the royal coat of arms and in front of the white cliffs of England; on the right is a female figure representing Australia, with one hand out-stretched and above the Australian Coat of Arms. Behind her is a pastoral scene; she stands beneath a gum tree. At the top is a border of waratahs; on the left is a border of oak. The six states are represented in shields at the bottom of the card.Front, printed. gold ink: "Opening of the Parliament of the Commonwealth By his Royal Highness The Duke of Cornwall and York / The Government of Victoria requests the honour of the presence of / Mr. J . M. and Mrs. Campbell (handwritten / At the Celebrations in Melbourne in connection with the Opening of the Parliament of the Commonwealth of Australia."parliament of australia -- 1901, royal exhibition building -- melbourne (vic), james maitland campbell -
Southern Sherbrooke Historical Society Inc.
Photograph - Currie family in front of Puffing Billy
Members of Currie Family stand in front of Puffing Billy. A middle aged man stands on left. He is wearing a light-coloured three-piece suit and no hat. Next is a woman in a dark coat and wide-brimmed hat. Beside her is a taller woman in a coat with three large buttons at the waist and it is closed all the way to her neck. She is wearing a mid-dark hat. On the right of the group is an older woman in a coat over a light-coloured dress. Her hat has a decoration at the front. She is wearing glasses and T-bar shoes. In front of her adults are two boys, both in shorts. The taller boy is wearing a double-breasted jacket and has a shoulderbag strap across his. The shorter boy is wearing a jumper. People are leaning out of the train and also dangling their legs out. -
Federation University Historical Collection
Object, School of Mines Ballarat Lapel Badge, c1920s
Tertiary education at Ballarat began with the establishment of the School of Mines in 1870, making it Australia's third oldest tertiary institution. Classes began in surveying, mathematics, chemistry and a decade later they included metallurgy, assaying and geology. The technical division provided such programs as wool classing, plumbing and bricklaying. In 1967, it was split into three separate institutions, Ballarat School of Industries, Ballarat Technical School, and Ballarat Institute of Advanced Education. Then in 1976 the Ballarat Institute of Advanced Education became into Ballarat College of Advanced Education. The Ballarat School of Industries and Ballarat Technical School became the School of Mines and Industries, Ballarat (SMB). In 1998, the Ballarat School of Mines and Industries and the Horsham-based Wimmera Institute of TAFE merged with the University of Ballarat. The university merged with Monash University's Gippsland (Churchill) campus in 2013 and the merged schools are now the Federation University AustraliaThese Coat of Arms of the School of Mines Ballarat are circular lapel badges and are made of sterling silver and enamel. The circular disc is attached to a long pin. 1). The enamel is yellow, green and blue 2). The enamel is white, yellow, green and blueOn face - Ingenio Effodere Opesschool of mines ballarat, school crest, lapel pins -
Bendigo Military Museum
Photograph - PHOTOGRAPHS, RAAF WW2, c.1940 - 1941
Photos, Alan Gillespie LONG No 18793 RAAF. Refer Cat No 3298 for his Service History..1) Photo sepia tone showing an airman in uniform, great coat & forage cap. Re A G LONG. .2) Photo, sepia tone showing an airman in uniform, Sgt stripes & Bomb Aimers badge over pocket..2) On rear in pencil: "This is a proof taken in N.Y. (New York)"photography-photographs, military history - airforce, raaf -
Bendigo Military Museum
Article - CARTOON, FRAMED, 1985
Appeared in the Bendigo Advertiser on ANZAC Day 1985. Black coloured powder coated metal frame with glass. Black & white enlarged copy of an Ian Glanville cartoon referencing the Boer War Statue. Three male figures appear with some later additions made in black ink. Top centre: “Glanville's Glimpses” Rear on white label in black ink: “THIS IAN GLANVILLE CARTOON APPEARED IN THE BENDIGO ADVERTISER ANZAC DAY 1985, REFERRING TO THE BOER WAR STATUE. IN 1998 THE BAYONET WAS REMOVED AFTER IT WAS NOTED A BAYONET WAS INCLUDED IN THE SCABBARD OF THE SOLDIERS EQUIPMENT. DONATED BY MR ALAN HOLMES JULY 2001” illustrations - prints, military history - army, 1985 -
Tatura Irrigation & Wartime Camps Museum
Functional object - Baby carrier, Helene Hoefer, 1940's
Made by Helene Hoefer nee Sawatzky for her daughter Trude, now Glenk and her son Ulrich. Used whilst interned in camp 3.Pink floral cotton baby carrier. Narrow lace frill around the top and on the waist coat like front which has 3 buttonholes but no buttons. There are 4 button holes and 3 buttons at the bottom. 2 long tieshelene hoefer nee sawatzky, trude glenk nee hoefer, ulrich glenk, baby carrier -
Tatura Irrigation & Wartime Camps Museum
Artwork, other - Carved Wooden Boy, 1940's
Handmade by internee in Camp 3 for his son. Painted by Georg Hoffmann in Camp 1Wooden silhouette of boy dressed in blue coat, red scarf, red shorts, green hat and large grown boots on a green triangular shaped base. Character from "Seven League Boots" from Grimms Fairy Talesbox - wooden carved, drescher w, drescher p, hoffmann g, camp 3, camp 1, tatura, ww2 camps 1 and 3, handcrafts, woodcarving, toys, general -
Tatura Irrigation & Wartime Camps Museum
Painting - Painting - Watercolour, Kurt Winkler, The Happy Groom, 1942
Kurt Winker was born in Germany in 1902 and was a survivor of the "Arandora Star". He was sent to Australia on the "Dunera" where he was interned at Tatura 1940-1945.Profile head and shoulders portrait of probably a male internee dressed as a woman. Wearing a straw hat with netting around it. Rimless glasses. A green scarf around the neck that looks like plaid or tartan and a pink/burgundy coloured coat.Tatura Summermodel 1941 on mat board above the painting "The Happy Groom" Kurwin 42 on mat board under the painting Tatura 42 on bottom left hand side of paintinginternee, groom -
Brighton Historical Society
Coat, circa mid-1950s to early 1960s
Raoul Couture was a high-end fashion house based in Flinders Lane from around 1955 until 1964. Established by designer Ralph Samuel, who also owned Hartnell of Melbourne (circa late 1940s-1971), Raoul was the business's premium label. The head designer was Leonard Legge, who later worked for Prue Acton. Brighton Historical Society holds a small collection of Hartnell and Raoul Couture garments, including a Gown of the Year Award-winning dress donated by Ralph Samuel.Red felted wool coat with red silk lining, fastening centre front with four large square-shaped buttons. Single vent/slit up centre back to waist. Loosely belted back with single button fastening.Label, inner collar: "raoul couture / MELB"raoul couture, melbourne designers, flinders lane, ralph samuel, leonard legge, hartnell of melbourne