Black and white photograph entitled “E.J. Harrung and an experimental pot of optical glass” Duplicate of no 157 On back of image in ink: “36 Prof. Hartung” On front of image in ink: “36”

Black and white photograph entitled “G.A. Ampt and E.J. Hartung and experimental pots of opitcal glass” Duplicate of no. 158On back of image in ink: “37 L to R: G.A. Ampt and Prof. Hartung”, “1886-1953 see ADB Vol 7” On front of image in ink: “37”

Black and white photograph of young male examining optical glassOn back of image in pencil“29” On front and back of image in ink: “29”

Black and white photograph showing male hands preparing glass for fusing. Same photo as 144. On front of image in ink: “24” On back of image in pencil: “No. 24 Glass Preparation for fusing” On back of image in ink: “24”

Black and white photograph Dick Huey at work assembling plate glass for making gla blocks. Same photo as 147 On front of image in ink: “27” On back of image in pencil: “No 27” On back of image in ink: “27”

A double hinged photo frame, brass and glass. Features photo of a small child sitting in a pram and a slightly older child holding the side of the pram. Circa approx. 1800's. Second photo in the frame is of four females sitting in front of a garden backdrop. Three of the females are quite young, the fourth is possibly the mother, all are dressed in white.

Detachable bicycle lamp made of metal and with a globular glass light on a square metal box with a bracket for attaching to the front of the bicycle.

Clothing. Black silk-satin fabric, mid-calf length dress, gathered from the waistline. A black, pleated cummerbund encircles the waist, fastening at the left side with three metal hooks, and hand stitched loops. Long set in sleeveshave a fine piping around the arm holes, and have a hand stitched neatening to finish. Shoulder seams are also piped. A long, narrow collar of lace, bound in 2.5 cm satin edging, attaches almost to the waistline-finishing just 9 cm above the waist. A 'bib front' attached at the right side to the bodice lining, attached to the eaistline, and closing on the left hand shoulder side, with metal hooks, and hand stitched loops. Bodice closes over the top with a metal press-stud. Front bodice has three tiny pleats on each shoulder seam and gathers into the waistline seam. Fine georgette fabric, backed with fine net fabric, is with tiny glass beads, and forms the top of the 'bib front'. Fine beading of tiny beads outlines the high round neck. Larger glass beads and silky lace trim the lower 'bib front'. The lg sleeves are gathered lightly at the shoulder, which isoutlined with fine piping. Cut as a straight piece of fabric, a rectangular 'wing effect' at the wrist, is lightly gathered into a 13 cm deep lace cuff, fastening with two metal hooks, and hand-stitched eyes. Sleeves are lined with fine fabric.costume, female, black silk satin dress

4 pages from the 'Mining and Geological Journal', July 1938. Front page is an index to figures in the graptolite collection. 'Numbers in brackets are taken from the Fossils Register of the Mines Department Museum, Melbourne, and refer to the specimens in the Museum.' Lancefieldian, Bendigonian, Chewtonian, Castlemainian, Yapeenian, Middle Ordovician, Upper Ordovician, Gisbornian, Estonian and Bolindian categories are described. The numbers on the BHS fossil collection relate to the numbers/names on the page. Two following pages illustrate the fossil types within the major categories. Small sign with pages ' 'Fossils, Bendigo & /surrounding Districts' was with the fossil display in a glass display cabinet, ex Museum of Mines Museum, Bendigo.

Sepia photograph of nine men. Four men seated in front row. Five men standing hehind. A handwritten sign in front of the men says 'BENDIGO'. There are mining tools beside them and one man is holding a wine bottle and pouring wine into a glass. There are tents in the background. Written on the back in red ink 'To Mackay and the Bendigonian Young Bendigonians in the West Christmas Day 1896 at Rocky Bay A Doughty C Wilkinson D Manners C Cudey S Nestor John Downes A McAllister J Burtonclay R Kuhlkens

Clothing. Oval in shape, 4 cms deep at the back, and slightly flattened to 2 cms deep at the front. Deep brown straw on the outside, with a slight sheen, deep blue straw on the inside with a glossy finish. A fine elastic is attached at each side, to hold the hat in place. A band of stiffening lines the inside of the back, to hold the shape. Attached to the front of the hat is a 51 cm long, deep brown ostrich feather. A cluster of seven deep red (one loose) glass bead 'berries' and a scrunch of dark red velvet, hold the feather in place. The feather passes over the top of the pill box and extends an extended 30 cms over the back edge, in a sweeping, gracious curve.costume accessories, female, straw pill box hat with feather

Coloured slide transparency. Image is of a male and a female standing in front of a bench wearing white lab coats. He is holding a glass beaker containing a dark liquid and pouring it into a white funnel into another glass beaker. The female has her back to camera with her left arm raised. She is holding something that is obscured. On the bench top are many glass beakers and bottles. The words Organic lab McCrae St Peter Ellis and Judith Daniel filtrations are handwritten along the bottom border.Kodachrome Transparencyslide, bendigo, bendigo institute of technology

Postcard: on front, hand coloured drawing of the interior of W.A. London's Pharmacy, Pall Mall, Bendigo. Glass cabinets and shelving holding bottles, on both sides of the store. At rear, a counter and two bentwood chairs. On back of card, written in pencil 'I love somebody I know, And I love somebody I know'. In address space : Mrs B Wallace, Euton Court, Seacombe Gr., Brighton. Letter accompanying the donation states that the child who wrote on the back of the post card was my half-sister Elizabeth Joan Haine Wallace (born 1923, died 1997) ... our grandparents, George and Emily Wallace, lived at Kamarooka Estate near Hunter, north ofBendigo. Catherine Wallace. 'Made in Germany' on back of card.bendigo, business, w.a. london pharmacy, pall mall

Clothing. Three quarter length sleeves, finished on the outside with a peak, outlined with tiny pink, glass beads-13 cm long. The inner side of the sleeve has three rows of gathering 13 cm long. A peaked collar at the front neckline is also edged with tiny pink glass beads, and tapers in shape at the back opening. This opening is 56 cm long and fastens with 1.2 cm covered buttons and loops, (31 buttons in total). The back centre panel is peaked at the lower edge. Side panels are ggathered at the side seam, and also as they join the front and back centre panels. Circular skirt. A beaded floral motif is stitched to the centre front panel, midway between neck edge and waist. Centre panels extend below the waist at both front and back. An underarm ''protector panel'' under the left armhole with printed motif. Tiny glass beads, beaded flower panels. On underarm protection panel a circular shaped printed label reads: PERFECT FITTING GUARANTEED HYGENIC, REGD. ''ADMYRA''. MADE IN ENGLAND, RUBBER LINED 1585 3- DRESS SHIELDS COTTON AND RUBBER.costume, female, ladies cream synthetic fabric dress

Object. Clear rectangular glass jar with black bakelite lid, label on front advertising original contents which was Mac Robertson's Cinderella Bon Bon's 1 lb (pound) in weight. Beautiful label in black with red border and gold stamped decoration. Full of starch? Chalk?.249 G919 Mac Robertsons.domestic equipment, containers, mac robertson's cinderella bon bons

Object. (1) Clear glass bottle with red and sand coloured labels front and back extolling the virtues of Eichorn's Remedy. (2) Box in same colour scheme intended to contain above bottle. (3) 3 oz bottle priced at 5/- (Shillings).Eichorn's Remedy Pty Ltd, 11c Castlereagh St, Sydney. Is 512.medicine, first aid, eichorn's remedy

Beam balance (gold scales) made by Oertling - London. The balance is in a case made of mahogany and fully glassed, it has two draws. The brass scales are built into the case. The maker's name is present on the base of the scale. There is a brass knob that fits in the front to make adjustment to the scales and also on either side of the exterior case to set the top of the scales. There are two front draw, the left one is missing the drawer knob.mining, equipment, scale, ludwig oertling (1818-1893) was born near hamburg and gained his apprenticeship in instrument-making with his brother johann. he immigrated to london in 1840, where he joined instrument-maker and assayer george makins (1815-1893). oertling collaborated with makins and built his first balance, which was "a twin-column assay type with a light lattice beam". by 1851, the year of the great international exhibition of the works of all nations, oertling had established his own instrument-making business, employed five instrument-makers, and by 1861, ten staff were engaged in designing and making instruments, principally analytical balances. oertling's first twin-column beam balance was the prototype for all oertling assay balances that were produced during the next century and exported to the british colonies: australia, new zealand, canada, south africa and india, to europe and america.

Colour photo: Metropolitan Hotel, Bendigo. Two storey cream coloured stone building, brown verandahs. Arched windows, stained glass just visible. 'Metropolitan' sign centre front. Power pole on corner, directly on verandah edge. Cambrian Press sign just visible on RH side, Hargreaves Street. On rear of photo: 'Aulsebrook & Martin Pty Ltd., Photographers, 6 Ruth St., Golden Square 3555 Phone 054 437565bendigo, buildings, metropolitan hotel, hargreaves street

Large round cedar cased wall clock with black hands and Roman numerals on a white painted metal dial pan. Time only with a chain driven fusee movement, brass bezel with flat glass. 1 side and 1 bottom inspection doors, top and bottom wall securing hooks, front of clock secured to case with wooden pegs. Brass pendulum with circular brass bob, rating nut and suspension spring. Written on clock face 'Joseph & Co., Sandhurst' (Bendigo).Joseph & Co Sandhursthorology, clocks, joseph & co

Wall clock in a round cedar case with a single black stationery hour hand and moving brass dial, black Roman numerals surrounded by a brass outer ring with a stippled look, brass bezel painted black with flat glass, 1 side and 1 bottom inspection doors, top hook for hanging, front of clock secured to case with wooden pegs. Brass pendulum with bob. Time only Fusee chain driven movement. Dial engraved 'James Murray & Co Inventors Melbourne & Royal Exchange London.James Murray & Co Inventors Melbourne & Royal Exchange Londonhorology, clocks, one handed, horology-clocks-james murray & co

Photograph. Harry Biggs Collection. A faded black & white photo of an unknown family comprising 2 women, 2 men & a child are standing in front of a weather board home with a high picket fence. The house has a corrugated iron roof and the front door has glass inset into it. Two dogs are with the family.person, group, personal/portrait, harry biggs collection, unknown family in front of house.

Slide. Bendigo Views. Front entrance to the Sacred Heart Cathedral. It has a number of steps leading up to double doors. Above the doors is a five panel stained glass window. There is a stone fence both sides of the steps and some shrubs behind the fence.slide, bendigo, bendigo views, bendigo views

Collingwood Technical School trained apprentices in many trades. CTS was also invlved in Training Schemes during the late 1930s and during World War II. These photographs depict some of the machines and machine parts built in class. These are high quality professional photographs taken circa 1940-1943. At this time , CTS was part of the Defence Training scheme. These photographs are a visual record of this scheme.6 black and white photographs mounted on brown card. Photographs depict various aspects of lathe work undertaken during the Defence Training Scheme, 1940-43. Also a smaller photograph of a Moultar Thread Milling Machine 1941.Each photograph has a hand written caption on the back. Captions: 1. Finished surface plates for R.A.A.F. / standing on trestle after scraping. Stack of / others in background waiting for scraping. 2. Lathe bodies in foreground, with machined / parts of lathes in middle distance, and milling / cutters, gauges and bearings in background. 3. Frames of glass splitting machines, thread / rectifying machines, and two types of milling / machine vises made in technical schools. 4.View of engineering machine shop. Carbon dioxide / freezing box in foreground, and stack of / surface plates for RAAF in middle / distance. 5.Fan geared lathes, 6 inch centres, with / self-contained motor drives, made for / cartridge factory. To be used for making / this 6.Freezing of cast iron surface plates / in layers of solid carbon dioxide / blocks. Smaller photograph has a handwritten note on the reverse: 'this photograph shows how, with the aid of a 3ft. extension mounted in front of the tool box, on which Mr. Grubb sen. is seated, these large milling machine bases ... machinists at Collingwood Technical School. A Strang, Principal 21.4.1941'. collingwood technical school, cts, apprentices, students, defence training scheme, lathes, machinery, machine parts, nmit,

sepia toned oval photograph of a group of 14 men seated and standing back row dressed in aprons and work clothing with pitch fork and broom, front row seated dressed in suits and ties with hats, mounted on card with gold border and framed with a gold wooden frame with glassperson, group, adults, male group

"ST. PETER'S CHURCH, DAYLESFORD Last Sunday his Grace the Archbishop confirmed a large number of children at St. Peter's Church, Daylesford. His Grace was assisted by Rev. J. J. Malone, P.P. The congregation included a large number of worshipers from outside districts. A short address delivered by the Archbishop was attentively listened to, and many were the expressions of congratulation extended to his Grace upon his recovery from the indisposition which had incapacitated him from active work recently. At the conclusion of Confirmation the children were treated to refreshments on the lawn in front of the presbytery A large number of parishioners dined with Fr. Malone, and the Archbishop renewed former acquaintanceships. In the evening a mission was opened by the Rev. J. O'Brien and Rev. J. Brown, of the Redemptorist Order. The mission will be concluded on Sunday next. The exercises have been well attended. The interior of this beautiful Gothic church has recently undergone complete decoration, and one of the features that have, received special attention is the stained-glass. The windows consist of eight- two-light with trefoil piece of tracery, and in each is designed one of the following figures:—St, Francis of Assisi, St. Francis Xavier, St. Augustine, St. Monica, St. Stanislaus, St. Aloysius, Our Lady, St. Joseph, St. Patrick, St. Bridget, St. Agnes, 'St. Rose of Lima, St. Ignatius, St. Vincent de Paul, St. Alplionsus Liguori, St. Thomas Aquinas. The figures are set, in medallions formed with richly designed Gothic ornament in the form of crockets surmounted by a cross and crown, while in the tracery immediately above the windows is a monogram of the names of the saints. The figures are richly coloured in glorious antique glass, with the ornamental detail in lovely mellow tones of old gold and pale yellow stains. The whole effect is rich and at the same time restrained in colour. At the base of each window is written the name of the donor. The whole of the work was designed and executed by Messrs. Brooks, Robinson and Co. limited, at their stained-glass studios, Elizabeth-street, Melbourne. The scheme is an original treatment, but at the same time strictly orthodox and Gothic in style. One feature of the work which must be apparent to those who are interested in stained-glass decoration is the maximum effect obtained with a minimum of expenditure." (Melbourne Advocate, 4 December 1909) A number of coloured photographs of the stained glass windows from the interior of St Peter's Catholic Church, Daylesford. The photographs were taken on the day of the 150th anniversary celebrations.brooks, robinson and co, stained glass, st peter's daylesford, church, daylesford, st alplionsus liguori, st thomas aquinas, religion, st agnes, st rose

Copy of a Heritage Trade & Services Directory Edition 1, dated April 2001. Compiled by City of Greater Bendigo Heritage Advisory Committee. Front cover has an oval picture of part of a building with scaffolding in front of it. Listed are: Architectural Hardware; Architects; Blacksmiths; Brickwork - General; Builders; Castings - Iron and Non Ferrous Metals; Cement Decoration and Rendering; Chimney Pots; Chimney Restoration; Chimney Sweeps; Colour Consultant; Concrete - Pre-cast; Damp Control; Drafting Service; Fabric; Fencing; Fire Mantels and Inserts; Floor Coverings; Furniture Restoration and French Polishing; Garden Renovations; Glass - Etching; Glass - Leadlighting; Guttering, Galvanised Iron and Sheet Metal Work; Interior Decorating; Joinery and Carpentry; Light Fittings; Masonry Cleaning; Paint; Painters and Decorators; Paint Stripping; Plasters and Associated Products; Resurfacing - Enameling; Resurfacing - Powder Coating; Restumping and Underpinning; Roof Restoration - Iron; Roof Restoration - Slate; Roof Restoration - Terracotta; Second Hand Materials; Stone - Quarries and Cutting; Stonemasons; Tile Layers; Tiles; Turning and Verandah Roofing.bendigo, history, long gully history group, the long gully history group - heritage trade & services directory, heritage advisory committee, city of greater bendigo