From the Chapman family photograph albumPhotograph on card backing Infant boy sitting in tartan dress with lace apron and white tied up booties. Bob

from the collection of Bette JonesA cream filet lace collar, handmade. Scalloped edge to a squared shape of back of collar. Roses and leaves design.costume, female

From the collection of Bette JonesV neck sleeveless blouse with a lace panel front. Nylon back fastened with hook and eye. Elastic waist.costume, female

160cm wooden doll made from two clothes pegs painted and dressed in cotton and lace. Dolly pegs.handcrafts, country crafts

White lawn bust bodice with Torchon lace at V neck line and sleeves. Drawstring waist. Buttoned frontcostume, female underwear

Small leaflet type book - Practical Lace Making Illustrated - 13th Edition Price sixpence (Copy right)handcrafts, lacemaking, books, technical

For the wedding of Dorothy Williams in 1958Lawn panties, cream colour with lace on leg area, threaded through with pale blue ribbon (bloomer type)costume, female underwear

Purchased for the 'Little Shop on the Hill' at Burke Road CamberwellGivoni is one of Australia's largest dressing gown, sleepwear and daywear producers. Givoni was started by Stan and Malca Givoni in 1947. Don Givoni, their son, took over from them and built the company into a major clothing manufacturer with factories based in Victoria. Now owned and managed by a third generation son, the company continues to pride itself in delivering top quality merchandise. The designers at Givoni create beautiful sleepwear and daywear, encompassing classic style, quality, attention to detail and great value for money.'Givoni' Green & light grey patterned dressing gown with lace on collar, long sleeves, made of polyester and cotton.'Givoni'costume, female nightwear, female

Beige 100% nylon ladies knickers, 42cm wide leg. 6cm deep lace trim on hem line.Maggie Tcostume, female underwear

Cream silk camisole. Cream embroidered flower. Cream crochet on neck and sleeveless edge. Lace edging at waistcostume, female underwear

Long white cotton Nightdress with wide cotton lace at square neckline and edge of sleeves. Pin tucking at waist.costume, female nightwear

Cream square necked collar of silk voile trimmed with cotton fillet machine lace. Probably used on a dress.costume accessories, collar accessories

Cream christening gown with silk underskirt. Fine lace and mesh dress with puff sleeves and white ribbon at bodice.costume, infants'

Evening Bag made of ecru maltese lace lined in aqua silk and aqua ribbon with pull through ties.costume accessories, female

Flesh coloured step-in girdle, satin and lace in front with zip at side, satin panel at back. Four suspenders.On label = Marcel Worth Size 18 Style 1591 Nylon Elastine.costume, female underwear

Cardboard box with 4 animals printed on card with pre-punched holes for sewing around (no sewing laces included)See photochildren, sewing, hobby

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. White cotton machine made net bolero with tambour work and a chemical lace medallion inserted centre backfashion and textiles collection - kew historical society, lace, women's clothing

This wedding dress belonged to Rayleen Haig OAM, nee Janetzki, who married Donald Haig in Geelong on 15 August 1964. The dress was designed for Rayleen and made by Deon's of Melbourne, which specialised in wedding gowns (she believes it was above Sportsgirl in Collins Street). It cost about one hundred pounds. The reception was held in the Carlton Hotel, Geelong. A longtime local resident, Rayleen was a Brighton councillor (1983-92) and mayor (1989-90). She was awarded the OAM in 2007 for "service to local government and to the community through health, historical and aged care organisations, particularly within the City of Bayside, and to the National Council of Women of Australia".Cream silk dress with boat neck, short sleeves and back zip. Guipure lace flowers on sleeves and skirt.wedding dress, rayleen haig, rayleen janetzki, donald haig, deon's of melbourne, brighton council, mayor

black and white photograph of 2 storied building with wrought iron lace verandahs with horse and carts and carriages outsideStar of the West Hotel Port Fairy--on reverse - Postcardstar of the west, hotel, sackville street, bank street, cars, carts, carriages, horses

A long white lace embroidered patterned cotton table runner for use on a table or sideboard. It has scalloped edging.table runners, table linen, table accessories, tableware, household textiles

Handknitted/embroidered by Isobel McNamara- Handknitted woollen baby singlet - Lace pattern with Floral embroidery - Button fastening on both shoulders (shell or plastics?)Nilknitting, baby clothing, embroidery

This bodice was part of the wedding outfit worn by Grace Burland at her marriage to John Henty Hindson in 1912. Her husband's grandfather, Francis Henty, was the youngest son of Thomas Henty, who with his family, their retainers and property moved to the Australian colonies between 1829 and 1832. In 1834, Francis’ older brother, Edward, sailed from Launceston in Van Diemen’s Land to what was to become Portland in the western part of Port Phillip District [Victoria]. Francis, together with the first flock of Merino sheep [in Victoria], followed some months later. The first and second generations of the Henty family established vast pastoral properties in the Western part of the Port Phillip District. Francis Henty managed ‘Merino Downs’ near Casterton, while also living in his retirement at ‘Field Place' in Kew.The Henty Collection of nineteenth and twentieth century clothing, including outerwear and underwear, was collected, stored and exhibited over time by female family members descended from Francis and Mary Ann Henty. During the twentieth century, items from the collection were modelled in two fashion parades by various descendants [1937, 1959]. The items in the collection are historically and aesthetically significant, with provenance provided by oral and written tradition within or held by the family. A number of the items in the collection are very rare survivors, and provide researchers with the evidence needed to reconstruct the lives of notable women in the Port Phillip District [later Victoria] during the nineteenth and early twentieth century.Silk crepe wedding bodice decorated with Mechlin lace, pearls and jet, which was worn by Grace Burland at her marriage to John Henty Hindson in 1912. A report in Punch [12 September 1912] described her outfit as “... white crepe de chene finished with Mechlin lace and pearl trimming; also pearl crescent brooch (gift of the bridegroom' s mother).” Mechlin lace or Point de Malines is an old bobbin lace, one of the best-known Flemish laces, originally produced in Mechelen, Belgium. Used for women's clothing, it was popular until the first decade of the twentieth century. The high silk net neckline is finished with pearls. These are repeated on the loose fitted diagonal ornamentation on the front and back which is finished with pearl and jet beading. Similar ornamentation finishes the elbow length sleeves. [The wedding skirt is not part of the donation]. wedding dresses, women's clothing, fashion -- 1910s, bodices, grace burland

Clothing. Women's white cotton full length half petticoat.Centre back opening (25 cm) fastened with cotton tape ties attached to edges of waistband(4cm). Skirt of petticoat shaped by darts around waistline and pleats at centre back. Hemline edged with 1 cm scalloped lace. Flounced layer at bottom of petticoat (38 cm) has two horizontal 1 cm ribbon strips, a zig zag lace insert (6 cm wide) and scalloped broderie lace edging (8 cm). Ribbon insert lace along the top edge of the flounced layer is threaded with pink 1 cm ribbon. Ribbon tied with a bow at front on LHS.costume, female, women's white cotton half petticoat

Clothing. Child's white linen waisted nightdress. Scooped round neckline with casing and lace trim. V shaped broiderie lace insert below neckline with 2 cm fabric trim on each side. open at waist. Skirt tightly gathered into casing at waist. Skirt has inverted V shaped insert at centre front from waist to hem. Overlay on each side with decorative stitching. Item is trimmed with two rows of 1.5cm lace. Double layer cap sleeves of broiderie lace with scalloped edges.Centre back opening (33cm) fastened with cotton tape ties at neckline and waist. Fold over collars at back neckline (12cmX 4cm).costume, children's, child's nightdress

Belonged to the Gleghorn family. May Gleghorn married George Walter A'Vard. May's sister married Robert ColemanVEMU1695.1 Tapestry of coloured chain of flowers on a beige background. Top and bottom brass supports, with the bottom one holding a suspended brass bell. VEMU1695.2 Display board of 11 lace doilies, made of crochet and linen. VEMU1695.2 Display board of 7 lace doilies, made of crochet and linen.

This blouse shows excellent workmanship and is very decorative. It is not every-day-wear, but would have been worn for special occasions.This blouse is an example of the needlework skills of women in the late 19th and early 20th centuries.A woman's black blouse or top made of shot silk and with panels of black lace. It has long sleeves which are trimmed with lace at the wrist. Down the front of the garment is a pleated panel with the fine pleats travelling cross-ways. Inside are metal stays which preserve the shape and are now rusty. women's-clothing silk-lace

sepia toned photograph of five females, three children on left and two adolescents. Four with lace up boots, child on right with shoes. All wearing dark dresses, four with lace coillars. All are bareheaded. Eldest holds book at her lap. Stone fence ? And creeper in backgroundperson, group, girls