Showing 4813 items
matching patterns
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Bairnsdale RSL Sub-Branch Inc.
Rising Sun hat badge, Australia, late 19th century
The first Rising Sun badge design is by no means a mirror image of the Trophy of Arms on which it is thought to be designed. But it comes close to being a mirror image of part of the badge worn by the Victorian Cadet Forces circa1890. (WWW.diggerhistory)SignificantRising Sun Badge Seven star with crown surmounted by the word "Australia". First Pattern Hat BadgeSeven Sun Star raidiating lines Australia inscribed over crownaustralia -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Belt, Web, 1937 Pattern
Standard Army issue item from 1937. In service during and after World War 2. Web belt, 1937 pattern with brass buckles and keepers. Original finish - not treated with blanco, paint etc.uniform, webbing, belt, equipment -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Holster, pistol, Probably early 20th century
Pistol holster, 1937 pattern, webbing construction with brass fittings, painted black. With lanyard, black paintedaccoutrements, field equipment, pistol holster -
4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Rain Coat, 1971
Unit issue item during 1970'sRaincoat, Army issue, plastic material in green and black camouflage pattern. Folds into a pocket when not in use.DSN 8415-66-021-5442. Maintenance Instructions. Size Mclothing, rain coat, uniform -
Orbost & District Historical Society
billiard cue, first half 20th century
This item was part of the display in the Slab Hut (Orbost Visitor Information Centre). It was probably used at the Orbost Men's Club.This item is associated with the Orbost Men's Club.A tapered wooden stick which has an embossed diamond pattern at the top end. The cap for the butt is missing.cue-billiards orbost-mens-club -
Cheese World Museum
Jug, Willow pattern milk jug
The Percy Uebergang family lived at Tooram Park, Allansford from 1912 until 1992. Percy and Myrtle Uebergang's children were twins, Ray and Joyce born in 1926 who lived at Tooram Park until their deaths, Ray in 1986 and Joyce in 1992. Neither Ray nor Joyce married and following the death of her brother Joyce set up the Ray and Joyce Uebergang Foundation which supports the local community. This milk jug is part of the collection of items given into the care of the Cheese World Museum. Uebergang catalogue No.H557 Tall white round china jug with a 'Blue Willow' pattern. The handle has a 'twisted rope' design.H557allansford, uebergang, jugs, food and drink consumption, containers, willow pattern -
Anglesea and District Historical Society
Hair Comb, 1907
Silver hair comb with curved pierced frame and engraved scroll pattern. Comb has 6 tines. Silver marks: WB & S; crown; lion passant; date letter Phair comb, silver, william batt & sons, sheffield -
Wheen Bee Foundation
Publication, XXII. International Apicultural Congress Munich 1969 (Organiser: Association of Institutes For Bee Research)
A5 size yellow ring folder with black Apimondia symbol & white honeycomb pattern 188 pagesAttended by Gretchen Wheen -
RMIT Design Archives
Textile - Textile Design Sample
The Polish born artist, designer and filmmaker, Stanislaus Ostoja-Kotkowski (1922-1944), who arrived in Melbourne in 1949 on the 'Fairsea', a ship carrying displaced persons from Europe and the Baltic States. He sought employment in architectural and design practices, and also enrolled in classes at the National Gallery School. From 1952 until 1953 Ostoja-Kotkowski had a brief, but productive, period working as a designer in the Prestige Fabric Design Studio in Melbourne. Ann Carew, 2017The textile design has aesthetic significance as an example of the early Australian work of noted emigre artist, designer and filmmaker, Stanislaus Ostoja-Kotkowski, and it has historical significance for its association with the Prestige's Textile Design Studio, and the studio's art director, Gerhard Herbst. Small sample of pale green rayon fabric with a bold, repeating geometric pattern printed in black and white.emigre, polish, design, textile design, rmit design archives -
Friends of Westgarthtown
Doily
Circular crochet doily with scalloped edges, in 12 parts. Consecutive circular patterns radiating from the centre.No visible markingshandcraft, crochet, doily, mat, handcrafted -
Tatura Irrigation & Wartime Camps Museum
Book - handcraft, Zweiter Band, Schachenmayr Lehrbuch Der Handarbeiten Aus Wolle, 1937
Appears to be a book of patterns for hand crafts using wool. Written totally in German. Yellow hard cover.Schachenmayr Lehrbuch Der Handarbeiten Aus Wolle A Stamp - N. Arnot POG 573 Jerusalem - Palestinebook, handcraft, camp 3, internee, wool craft -
Benalla Art Gallery
Painting, Elioth GRUNER, Summer shade, c. 1916
Born: Gisborne, New Zealand 1882; Arrived: Sydney, New South Wales, Australia 1883; Died: Sydney, New South Wales, Australia 1939Heidelberg SchoolGift of Mrs E.E. Ledger, 1975Rural farm landscape with wagon, animals and building. Gold patterned moulding with grey velvet insert frame.Recto: Signed "E. GRUNER" in black paint in l.r.c of composition; Not dated; Not titledpainting, rural, wagon, chicken, animals, wheel, fence, trees, farm, australian art -
Wangaratta RSL Sub Branch
Framed Print, HMAS Sydney
HMAS Sydney built by Swan Hunter and Wigham Richardson Ltd., Wallsend on Tyne, United Kingdom Launched 22 September 1934 Engaged and sunk Bartolmeo Colleom 19 July 1940. On 19 November 1941 South West of Carnarvon Western Australia she was lost at sea with all hands after engaging the German raider Kormoran. On 19 November 1941, HMAS Sydney, a light cruiser of the Royal Australian Navy with an impressive record of war service, was lost following a battle with the German raider HSK Kormoran in the Indian Ocean off the Western Australian coast. The loss of the Sydney with its full war complement of 645 remains Australia’s worst naval disaster. The Kormoran was also sunk, but 317 of its crew of 397 were rescued. The fate of the Sydney remains one of Australia’s greatest wartime mysteries; even the location of the wrecks was not established until 2008.Black plastic frame with moulded pattern with grey mount containing photograph of ship and Sydney Harbour BridgeBanner - HMAS Sydney HMAS Sydney built by Swan Hunter and Wigham Richardson Ltd., Wallsend on Tyne, United Kingdom Launched 22 September 1934 Engaged and sunk Bartolmeo Colleom 19 July 1940 Lost at sea with all hands 19 November 1941 South West of Carnarvon Western Australia after engaging the German raider Kormoran. hmas sydney, ww2 -
Wangaratta Art Gallery
Textile, Tim Gresham, Resonance in Ochre, 2012
Wangaratta Art Gallery Collection. Acquired with the assistance of The Robert Salzer Foundation.A small hand-woven tapestry featuring a jagged line pattern in shades of blue on a ochre coloured background.tim gresham, tapestry, weaving -
Stawell Historical Society Inc
Memorabilia - Realia
China Vase Style Tooth-brush Holder. Matched to bedroom set. Cream Green Floral Patternstawell -
Stawell Historical Society Inc
Textile - Costume and Accessories, c1930
Embroidered Calico Tray Cloth with Willow Pattern Cup and Sauder. Bound with Blue Binding. Mrs Trickeystawell clothing material -
National Wool Museum
Quilt
History of quilt unknown.Quilt, covered in a brown and floral patterned cotton fabric, machine and hand stitched with black knitted insert.quilting history, running stitch group, running stitch collection, quilting - history -
Stawell Historical Society Inc
Footwear - Costume and Accessories, c1920
Pair pastel patterned Brocade Evening Shoes. Strap & button on instep. Waisted heel. McClure Collection.stawell clothing material -
Numurkah & District Historical Society
Red & white rubber thongs
White rubber things with red trim on side & underneath of sole, and on the straps. Lined pattern on straps and solesthongs, shoes, footwear, flipflops, -
Federation University Art Collection
Bookplate, 'Ex Libris John Gartner'
John Gartner was a fine printer and publisher, an author, a noted philatelist, and also collector of Australian banknotes and coins. He was born on 16 July 1914 and was largely self-educated, leaving school at fourteen for work following the death of his father. Gartner developed a strong interest in the history of typography and printing and was apprenticed at the Advocate where his father had been a linotype operator. Aged 17, Gartner bought a hand press and some fonts of type, and in 1937 acquired a platen press from which he set and printed his private press books, published under the imprint of The Hawthorn Press. Gartner had a strong collection of Australian bookplates. He also looked at the work of artists overseas and commissioned personal plates. He subsequently built an international collection with preference for artists who printed from wood. His initial searches were in Belgium and Holland.(http://www3.slv.vic.gov.au/latrobejournal/issue/latrobe-84/t1-g-t7.html) The solid shapes of printmaking materials fan out in a pattern around the centrally placed intials J GPencil signature bottom rightprintmaking, bookplate, australian bookplate design award, keith wingrove memorial trust -
Federation University Art Collection
Artwork- Ceramics, Asker, Coralee, 'Untitled Green' by Coralee Asker, 2000
This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Two stoneware clay with crystalline glaze forms with relief pattern on surface made from fabric impression.art, artwork, corolee asker, ceramics -
8th/13th Victorian Mounted Rifles Regimental Collection
Equipment - Bandolier
Light Horse Troopers carried 80 rounds of ammunition ammunition in pouches on leather sash over shoulder. A further 40 rounds was in pouches on belt and on occasions a second bandolier was slung round horse's neck making a total of 200 rounds.Leather bandolier, light horse pattern. Eight ammunition pouches held 80 x .303 rounds.bandolier, light horse, ammunition -
Flagstaff Hill Maritime Museum and Village
Pattern
Pattern wooden, black 11.5 diam at base x 16H-maybe part of axle/wheel assemblyflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Bright & District Historical Society operating the Bright Museum
Bowl
Reconstructed, but incomplete, white ceramic bowl with a blue shell pattern over all surfaces except the base.bowl, ceramic, tableware, aldo gios -
Flagstaff Hill Maritime Museum and Village
Pattern
Pattern-hound span round wooden object with three spokes one at top and two at either side flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Orbost & District Historical Society
cake stand, late 19th century
This item was donated as a display item for the Slab Hut (Orbost Information Centre). Quadruple silverplate items were four times as heavily plated with silver as standard items. Quadruple plate hollowware was some of the highest quality made during the latter part of the 19th century.This item clearly has an aesthetic significance as silver cake baskets were a common sight in upper-class households in the 18th and early 19th centuries.A silver plated cake plate on a pedestal with a handle. It has a pattern of flowers and birds etched into the top of the plate.SIMPSON HALL MILLER & Co. Quadruple platesilver-plate cake-stand tableware domestic -
Orbost & District Historical Society
hand mirror, first half 20th century
Celluloid was the first plastic. The first Celluloid experiments began in 1856 by Alexander Parkes in Birmingham, England. Later in the same year, he patented his invention "Parkesine". By 1868, no advancement was achieved, and Parkes' labor and efforts were ended. In 1869, Englishman Daniel Stills created a company called Xylonite to experiment and create a product similar to Parkesine. These efforts ended in 1874 when Stills went bankrupt. Celluloid was made into toiletry articles, novelties, photographic film, and many other mass-produced goods. Its popularity began to wane only toward the middle of the 20th century, following the introduction of plastics based on entirely synthetic polymers. This item is an example of a personal effect made from celluloid.A creamy yellow xylonite backed hand mirror with a narrow handle. The back is decorated with a swirling pattern (initials?). -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Bayonet
Bayonet Turkish model RI, 1898 pattern, Mauser calibre 7.65mm. Uses a German Seitengewehr blade.weapon -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Webbing
PATTERN 37 Webbing complete with Pistol Holster & Ammunition Pouch X Sgt. R. Andrews VX145887equipment, ww2, army -
Running Rabbits Military Museum operated by the Upwey Belgrave RSL Sub Branch
Bandolier
Shortened from 9 pouches. 1903 Pattern, used by the Light Horse. Horse neck mounted. (incomplete)equipment, c ww1, army