Digital TIFF file Scan of 35mm Ilford FP4 black and white transparencyeltham railway station, hurstbridge line, red rattler, tait train

Digital TIFF file Scan of 35mm Ilford FP4 black and white transparencyeltham railway station, hurstbridge line, red rattler, tait train

Digital TIFF file Scan of 35mm Ilford FP4 black and white transparencyeltham railway station, hurstbridge line, red rattler, single motor carriage, tait train

Digital TIFF file Scan of 35mm Ilford FP4 black and white transparencyeltham railway station, hurstbridge line, red rattler,tait train

Digital TIFF file Scan of 35mm Ilford FP4 black and white transparencyeltham railway station, hurstbridge line, red rattler, single motor carriage, tait train

Eltham Central Park viewed through the bridgeDigital TIFF file Scan of 35mm Ilford FP4 black and white transparency435m, eltham central park, eltham trestle bridge, hurstbridge line, panther place, red rattler, tait train

Digital TIFF file Scan of 35mm Ilford FP4 black and white transparencyeltham trestle bridge, hurstbridge line, red rattler, tait train

Digital TIFF file Scan of 35mm Ilford FP4 black and white transparencyeltham trestle bridge, hurstbridge line, red rattler, tait train

Roll of 35mm colour negative film, 2 stripsFuji 100activities, cameron lodge, mount macedon

Roll of 35mm colour negative film, 2 stripsFuji 100activities, cameron lodge, mount macedon

Roll of 35mm colour negative film, 2 stripsFuji 100activities, cameron lodge, mount macedon

Roll of 35mm colour negative film, 2 stripsFuji 100activities, mount macedon, margaret helen

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .3) A tintype portrait of a woman, attached to a card. little gem, tintype, woman, unidentified woman, women

The tintype (or ferrotype or Melainotype) was produced on metallic sheet (not, actually, tin) instead of glass. The plate was coated with collodion and sensitized just before use. It was introduced by Adolphe Alexandre Martin in 1853. The most common size was about the same as the carte-de-visite, 5.5cm x 9.0cm, but both larger and smaller ferrotypes were made. The smallest were "Little Gem" tintypes, about the size of a postage-stamp, made simultaneously on a single plate in a camera with 12 or 16 lenses. They were often produced by travelling photographers, and were cheaper than Ambrotypes so made photography available to working classes, not just to the more well-to-do. The print would come out laterally reversed (as one sees oneself in a mirror). Being quite rugged, tintypes could be sent by post. Tintypes were eventually superseded by gelatin emulsion dry plates in the 1880s, though street photographers in various parts of the world continued with this process until the 1950s. (Above information abridged from http://www.rleggat.com/photohistory/history/tintype.htm) The firm of Gove and Allen opened in Sydney in 1880 and were responsible for the belated popularizing of the gem tintype in Australia. The firm traded as both The American Gem Studio and The American Studio. Others franchises were opened in Melbourne, Ballarat and Sandhurst (Bendigo). The Sandhurst branch closed in 1882 and Adelaide in 1884. All Gove and Allen studios had ceased trading by 1885. The studio addresses were: 23 King William St, Adelaide; 324 George St, Sydney; 95 Swanston St, Melbourne; Howard Place, Sandhurst; 7 Queen St, Brisbane; The card mounts used in Gove and Allen studios in Australia are identical to those used in America. They were initially made of plain white card with embossing around the oval image opening in the mount while some also had simple geometric and floral printed designs as well. Although Gove and Allen studios produced the majority of gem tintypes in Australia, other studios offered them including: - London, American & Sydney Photo Company, 328 George St, Sydney; - David Edelsten, 55 & 57 Bourke St, Melbourne; - Burman's Portrait Rooms, St. George's Hall, 209 Bourke St, Melbourne; - Bell's Gem Portrait Studio, 57 Bourke St East, Melbourne; - R. H. Kenny, Bridge St, 6 Sturt St Ballarat; - Marinus W. Bent, Sandhurst (Bendigo); - George Fisher, Victoria; - Anson Brothers, Hobart Town. (Abridged information from http://members.ozemail.com.au/~msafier/photos/tintypes.html) .8)A tintype portrait of a man's head, attached to a card. The cheeks have been hand coloured.little gem

Black and white photographic postcard showing Bath from Pulteney Bridge and the Pump Room, Bath.chatham family archive, bath, pump room

Blue foolscap government report relating to the Chinese on the jim Crow (Daylesford) Goldfield.chinese, john ferres, daylesford, jim crow goldfield, petition

Blue Foolscap printed document relating to a Crown Lands Bill Petition ordered by the Legislative Assembly to be printed on 21 August 1857.crown land, petition, emerald hill, robert anderson, james eville

Red hard covered book of 844 pages, with 77 maps and 83 illustrations.world war, stretcher, sinai, palestine, gallipoli, turks, light horse, gaza, chetwode, allenby, beersheeba, archibald murray, camels, ambulances

The Popular Encyclopaedia Vol 2 Edited by Annandale, Charles Publisher Blackie & Son Ltd Date 1885flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, book, the popular encyclopaedia vol 7, annandale, charles

This medal commemorates the coronation of King George VI and Elizabeth as monarchs on the British throne, to be held on May 12th, 1937. The medal is one of over 300,000 distributed to school children as a memento of the occasion. The obverse shows the busts of King George VI and Elizabeth facing left. The reverse shows Victoria's Coat of Arms, the official heraldic symbol, with the Southern Cross on a shield, above it is a kangaroo facing left and holding a crown. The supporting figure on the left holds an olive branch of 'peace' and the supporter on the right holds a cornucopia horn of 'plenty', together representing the text on the ribbon between them 'Peace & Planty' symbol of 'prosperity'. On May 7th, 1937 each school child in Victoria, Australia, received a medal commemorating the upcoming coronation of King George VI and Elizabeth, to be held on May 12th, 1937. medals totalling 318,200 were distributed to scholars in 2,781 Victorian schools. Each school received a letter from the Governor, Lord Humingfield, detailing the significance of the occasion. Lessons on the day focused on the meaning behind the medal, and children recited their Allegiance to the King, saluted the flag bearing the Union Jack and Southern Cross, and sang Australila's then National Anthem "God Save the King", which today is sung as the Royal Anthem. The medal is significant for connecting Victoria, and Australia, to the British Commonwealth and the sovereignty of the British throne, in Australia's post-Federation years. It shows the importance placed by the Government of Australia in educating the generation of students in 1937 about Australia's place in the Commonwealth and the history of Australia. The history of the medal is socially and politically significant, reflecting the evolution of changes in Australian society.Medal or medallion, bgilt rass, with claw and ring on top. The obverse has the bust of a female and male, co-joined, and the reverse has the Coat of arms of the State of Victoria, which includes a kangaroo above a shield and a supporting figure on either side of the shield. Inscriptions are on both sides of the medal. The medal commemorates the coronation of their Majesties, King George VI and Queen Elizabeth, on May 12th 1937.Obverse, around the circle: "KING GEORGE VI & QUEEN ELIZABETH" Reverse, around the circle: "TO COMMEMORATE THEIR MAJESTIES' CORONATION / MAY 12TH 1937" Reverse, within the Coat of Arms: "VICTORIA" "PEACE & PROSPERITY" flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, medallion, medal, commemorative, king george vi and elizabeth, 1937, 12-05-1937, students in victoria, schools in victoria, 7-5-1937, victoria's coat of arms, peace & prosperity, british monarch, british throne, british commonwealth, numesmatics, coil, student, victorian student

.1) General Sir John Monash, G.C.M.G., K.C.B., V.D., C.B., D.C.L., LL.D., stands in a garden setting in his dress uniform. .2) Major-General John Monash, G.O.C. 3rd Australian Division, photographed at his headquarters at Glisy, in the Villers-Bretonneux Division.armed services, music, john monash

H.H. Smith was a Principal of the Ballarat Technical Art School.Four oversize folio books with numerous plates printed on collotype from photographs specially taken from the carving direct.On cover of .4) "Presented to the Ballarat Technical School Library by H.H. Smith Nov, 1941"eleanor roww, wood carving, museums, french wood carving, h.h.smith, ballarat techncial art school, ballarat technical art school library

Five copies of The School Newspaper. .1) No. 659, 01 August 1956 .2) No. 660, 01 September 1956 .3) No. 651, 01 March 1957 .4) No. 652, 01 April 1957 sheep, wool, melbourne olympics, swimming, frank beaurepaire, murray rose, airways in australia, bali, shoes, anzacs, paper, aviation, southern cross, furniture, antarctica, school, education, school newspaper

Relates to the history of the agriculture industry in VictoriaCream paper, foldout tables, 24 pagesagriculture, department of agriculture, victoria, wheat, growers guides, wheat rust, d martin

The Ballarat Technical Art School was part of the Ballarat School of MinesA soft covered book of 58 pages called the Ballarat School of Mines and Industries Prospectus A. Contents includes teaching staff, school hours, curriculum, fee list, Travelling concessions, school library, classification of subjects. scholarships, list of examiners, full science courses Includes images Staff of the Ballarat School of Mines and Students at work in Turning and Fittingballarat school of mines, ballarat technical art school, design, modelling, figure drawing, fashion plate drawing, black and white illustration, wood carving, lettering, art metal work, retouching, architecture, architectural diploma, draughtsmen's courses, art teachers' courses, outdoor sketching classes, photography, building construction, architectural drawing, ticketwriting, signwriting and decorating, dressmaking, needlework, art teachers' certificate., student activities

Victorian Institute of Occupational Safety and Health (VIOSH) Australia is the Asia-Pacific centre for teaching and research in occupational Health and safety (OHS) and is known as one of Australia's leaders in the field. VIOSH has a global reputation for its innovative approach within the field of OHS management. University of Ballarat is a predecessor institution of Federation University Australia. Federation University VIOSH Australia students are safety managers, senior advisors and experienced OHS professionals. They come from all over Australia and industry. Students are taught active research and enquiry; rather than textbook learning and a one-size fits all approach. VIOSH accepts people into the Graduate Diploma of Occupational Hazard Management who have no undergraduate degree – on the basis of extensive work experience and knowledgeTimber framed colour photograph with name plate containing the names of everyone.Typed name plate with all the namesviosh, viosh australia, occupational health and safety certificate course, jacqueline bebensee, jeff benham, michael buchan, steven cameron, stephen dohnt, leslie ferguson, derek foster, don gillies, sue hardy, kay hevey, kevin hill, shane innes, rick loveridge, lee magnussen, colin mcnab, dennis olmstead, carolyn osswald, andrew pearce, sue pickering, jane raju, daniel ryan, michael simons, david taylor, mark westwood