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Broadmeadows Historical Society & Museum
Document - Invitation
Opening of Broadmeadows Town Hall, 1964Invitation to the opening of the Broadmeadows Town Hall in the presence of Arthur Calwell, leader of the federal opposition.Invitation white card - Gold city of Broadmeadows Logo, Black Printing (Copperplate and print) Typed namesBottom right corner (blue biro) 440501broadmeadows town hall, city of broadmeadows, opening, r.k evans, a.a calwell m.p. -
Bendigo Military Museum
Magazine, Herald Gravure for Sun News Pictorial, Aircraft, 7.1959
Item in the collection of Arthur Thomas MANLY No 431130 RAAF. Refer Cat No 3710 for his service details.Australian civilian aircraft magazine. Front cover has a colour photo of a V Bomber (UK) taking off. Printed at top in yellow: AIRCRAFT Printed at bottom on L in white: TWO SHILLINGS Printed at bottom on R in white: JULY 1959magazine, aircraft -
Glen Eira Historical Society
Album - Album page, Murray Street, Circa 1972
This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. 63 and 117 Murray Street houses are extant (Google maps image capture Dec 2018).Victorian Heritage Database - HO131 63 Murray Street Caulfield https://vhd.heritagecouncil.vic.gov.au/places/35569 (as of 14/08/2021) "Marston" at no. 63 Murray Street, Caulfield South, was built by J.E. Guest, a contractor resident in nearby Downshire Road, in 1889-90, presumably as a speculative venture together with the extant house at adjoining No.61. It is aesthetically significant. It is aesthetically significant (Criterion E) as an exceptionally richly ornamented medium sized Boom period villa in Caulfield South, being unusual in this respect in its locale and comparing with nearby "Sprouston" at 19 Blanche Street (1887). Important contributory elements include the polychrome brickwork, frieze and verandah including the half timbered gablet which would have been stylistically innovative in its day.Page 139 of Photograph Album with two landscape photographs of two different houses in Murray Street. Handwritten: 63 MURRAY STREET [under top photo] / 117 MURRAY STREET [under bottom photo] / 139 [bottom left]trevor hart, garden, verandah, murray street, elsternwick, victorian style, houses, marston, house names, j e guest, verandahs, polychrome bricks, cast iron work, chimneys -
Nillumbik Shire Council
Print (Lithograph) Alice Blanch CHEHOVSKI, Alice B. (Blanch) Chehovski, Dunmoochin. Pugh's Gate, before the Fire, / Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Black and white lithograph on paper depicting the elaborate stone and wrought iron (open) gate/ entrance to Pugh's artist colony 'Dunmoochin' situated at Cottles Bridge. Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, gate, fire, lithograph -
Nillumbik Shire Council
Print (Lithograph) Alice Blanch CHEHOVSKI, Alice B. (Blanch) Chehovski, Dunmoochin, Sunlight, / Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Black and white lithograph on paper depicting the elaborate stone and wrought iron (open) gate/ entrance to Pugh's artist colony 'Dunmoochin' situated at Cottles Bridge.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, sunlight, lithograph -
Nillumbik Shire Council
Print (lithograph) Alice Blanch Chehovski, Alice B. (Blanch) Chehovski, Dunmoochin, Pugh's Garden, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white (very dark image) detailing Clifton Pugh's garden at Dunmoochin.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, garden, lithograph -
Nillumbik Shire Council
Alice Blanch CHEHOVSKI, Alice B. (Blanch) Chehovski, Dunmoochin, Print Studio, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white depicting the Print Studio at Dunmoochin.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, studio, lithograph -
Nillumbik Shire Council
Print (lithograph): Alice Blanch CHEHOVSKI, Alice B. (Blanch) Chehovski, Dunmoochin, Artist's Gallery, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60. This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white detailing the Artist's Gallery at Dunmoochin, located within bush surrounds at Cottles BridgeBottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, gallery, lithograph -
Nillumbik Shire Council
Print (lithograph): Alice Blanch CHEHOVSKI, Alice B. (Blanch) Chehovski, Dunmoochin, Gate 1, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her Mother took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60. This lithographic print is one of a set of ten produced at Dunmoochin.Lithographic print in black and white depicting Gate # 1 at Dunmoochin. Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, gate 1, lithograph -
Nillumbik Shire Council
Print (lithograph): Alice Blanch CHEHOVSKI, Alice B. (Blanch) Chehovski, Dunmoochin, Pond Reflecting Pugh, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white depicting bushland and a pond reflecting light.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, pond, lithograph -
Nillumbik Shire Council
Print (lithograph): Alice Blanch CHEHOVSKI, Alice B. (Blanch) Chehovski, Dunmoochin, Evening at Pugh's Garden, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Print - lithographBottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, garden, evening, lithograph -
Nillumbik Shire Council
Print (Lithograph): Alice Blanch Chehovski, Alice B. (Blanch) Chehovski, Dunmoochin, Interior Pugh's House, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white (dark image) detailing the interior of Clifton Pugh's house at Dunmoochin. Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, interior, house, lithograph -
Nillumbik Shire Council
Print (Lithograph): Alice Blanch Chehovski, Alice B. (Blanch) Chehovski, Dunmoochin, My Cottage, Printed 2004
Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60. This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white (very dark image) depicting Chehovskis' cottage at Dunmoochin. Small cottage, bushland and shrubs.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, cottage, lithograph -
Orbost & District Historical Society
scythe handle, Early 20th century
Scythes were used with a long sweeping movement which made them much less tiring for labourers to use than reaping hooks or sickles though they still involved great physical labour and considerable skill to perfect. Both hands were in use and the operator did not have to bend his back to reach down to the crop. Scythes were not used as often on farms after the mechanisation of harvesting. They were still used for cutting awkward shaped small plots and for opening a path for the tractors. This item is an example of a tool used by the early settlers of the Orbost district. A curved wooden scythe handle with two nailed grips attached with metal rings. There is no blade. There is a metal hook at the bottom.scythe agricultural tool farming -
Orbost & District Historical Society
jar, late 1800's
This item is an example of a glass food container used by an early Australian food manufacturing industry.A wide necked clear glass jar. It is seamed and has a circle on the base. There are some manufacturing signs near the bottom.In a diagonal banner across the glass - JONATHON REEVE PTY LTDglass jar jonathon-reeve food pickles-condiments -
Orbost & District Historical Society
Christmas card, c.1914-1918
This postcard was hand-embroidered in France and sent to Australia during World War I. A large piece of silk would be hand-embroidered by French women with the same pattern 20 times or so, then the large completed piece would be sent to a factory to be cut up and the individual pieces mounted on card. They had varying themes and patterns, greetings such as happy birthday or thinking of you, featuring butterflies, flowers and sometimes patriotic flags of allied countries involved in the war. They were marketed to troops to send home to female members of the family and girlfriends. It was estimated 10 million silk postcards were produced in Europe between 1915 and 1919. During World War 1 postcards were a welcome means of personal communication for many people. Most information came from newspapers or broadcasts.A small Christmas postcard of fabric with embroidery of flowers around the British flag and "Happy Christmas" sewn along the bottom."I am still going well & strong Love to all Maurie"ww1-correspondence ww1 postcard -
Flagstaff Hill Maritime Museum and Village
Weight Holder
Scale weight holder for a Beam Scale, brass. Has hook on top and large ball at bottom. Length 220mmflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, weight holder -
Bendigo Military Museum
Certificate - INSTRUMENT OF SURRENDER - JAPANESE
Facsimile of the Instrument of Surrender of the Japanese Forces in New Guinea, New Britain, New Ireland, Bougainville and adjacent Islands. Part of the "Kevin John Herdman" No. 397661 Collection. See Catalogue No. 5942P for details of his service.Large rectangular certificate with text in black type. Various fonts used for text. Japanese writing on bottom of page.japanese surrender, ww2, certificater, kevin john herdman -
Nhill Aviation Heritage Centre
Memorabilia - Morse Key
Possibly a training keyMorse Key with sounding coil and wire connectors. Mounted on a wooden box with removable bottom panel retain by screws.nonemorse key, -
Lara RSL Sub Branch
Book, Reach For The Sky The Story of Douglas Bader DSO., DFO Paul Brickhill
The story of Douglas Bader his life and military career Blue cardboard covers with paper pages. On the spine red and gold print with gold stars at the top and bottom of writing Inscription to Thelma Has pictures and illustrationspaul brickhill, douglas bader, battle of britain, tangmere, 23rd sqadron -
Ballarat Clarendon College
Medallion, Dux of Junior School 1923
Medallion awarded to Robert McIntyre Buchanan, Dux of Ballarat College Junior School 1923. Robert (25/07/1909 - 1/11/1998), son of Mr R McI Buchanan Town Hall Hotel, Brother of Jack and George; entered Ballarat College 14/2/1922. Socially significantLocket-style medal with chain ring at top, gold on silver shield with ornate wreath around sides and bottom. Inscribed on front: R B / 1923 Inscribed on back: R M Buchanan / DUX / JNR SCHOOL / BALLARAT / COLLEGE Stamped on back: STG. SILVERrobert-mcintyre-buchanan, dux, ballarat-college-junior-school -
Lara RSL Sub Branch
Book, The Eigth Army, Post 1943
Eighth Army September 1941 to January 1943 Prepared for the War Office by the Ministry of Information The Army at War pictorial accounts of the battles in North Africa. The army was made up of men from England, Scotland, Australia, New Zealand and India106 page booklet with picture of soldier in battle gear on front and 1/6 in bottom right hand cornereighth army, north africa, alamain, tobruk, 1941 - 1943 -
Bendigo Military Museum
Photograph - PHOTOGRAPHS WW2, C WW2
John Donald (Jock) VX19003 enlisted in the 2nd AIF on 29.5.40, served in Middle East, POW briefly in Syria then captured by Japanese in Pacific. Discharged from the army on 11.4.1946 in 2/2nd Pioneer Batt with the rank of Pte. Refer to Cat. No. 3385 re book on 2/2nd Pioneer Bn. .1) & .2) Photo, colour enhanced, portrait of a soldier in slouch hat, on the bottom is a colour patch with inscription between. .1) & .2): "Private John Donald (Jock) VX19003".photographs, pow, 2/2nd -
Bendigo Military Museum
Photograph - PHOTOGRAPH WW2, FRAMED, 1941
William Patrick SHEPHERD No VX66586 enlisted in the 2nd AIF on 26.11.1941 age 25 years 10 months at RRD Royal Park. Transfers to A.A.S.C on 3.12.1941 then posted to 2/10th Ordnance W/Shops, embark for Malaya 10.1.1942 arriving Singapore 26.1.1942, listed Missing 16.2.1942, listed as POW 13.4.1943, dated 28.9.1945 listed as deceased whilst POW, cause not stated 5.6.1945. A letter to Mrs Sheperd dated 18.1.1946 states died of Malaria. This was from Japanese records mostly. William died on the Sandakan Death March Borneo.Photo B & W portrait of W.P Sheperd in uniform no hat. Photo taken with his Regt No. Display at bottomphotography - photographs, military history, sandakan, borneo -
Bendigo Military Museum
Photograph - PHOTOGRAPH VIETNAM, FRAMED, 1968
Photo taken by Geoff Murray No 3411521, Vietnam 3 Cav Regt 27.11.67 to 22.10.68, Survey Corp 15.10.69 to 15.10.70. Refer 638P.Colour photo, Vietnam showing an APC in the jungle. Label at bottom details time and place, frame is black wood.fsb coral, vietnam, apc’s -
Bendigo Military Museum
Container - VALISE, 1939 - 45
Black leather nurse's valise with carry handle, gold coloured clasps and four studs on bottom. 1939-45.military equipment, personal effects-travel goods, nursing, valise -
Bendigo Military Museum
Photograph - PHOTOGRAPH WW2 FRAMED, June 1940
Harry Atkin No VX21935 enlisted in the 2nd AIF on 4.6.40 age 33 years. He served in 2/2nd Pioneer Batt as part of the 7th Div AIF. Returning from the Middle East they landed in Java with what was to be called “Black Force” with other units. The Japanese invaded on 28.2.42 but were ordered to lay down their arms a day after the Dutch surrendered on March 8. In the 2nd 2nd Pioneers 865 were taken POW of which 258 died in captivity. Harry was taken POW and was discharged from the 2nd AIF on 10.1.46.Photograph B & W showing a portrait with Regt Number at bottom and height on the right, Private Harry Atkin VX21935.photographs, atkin, pow -
Glenelg Shire Council Cultural Collection
Functional object - Diver's Weight, n.d
From the Port of Portland AuthorityDiver's lead breast weight (circular) with two attachment ropes at top, at bottom and a lifting rope in centre of weightdiving weight, diving, maritime, marine, port of portland authority archives -
Glenelg Shire Council Cultural Collection
Slide - Slide - Cashmore Airport, Portland, 1980s
Coloured slide. Concrete pipe on bottom of hole. Connected from top one end to a circular concrete 'something'.portland airport, cashmore airport, construction -
Glenelg Shire Council Cultural Collection
Slide - Slide - Construction Portland/Cashmore Airport, c. 1980
Coloured Slide. Deep, narrow trench, running S-7N middle of slide. Copper piping in bottom of trench.