28 sheets contained within a folded buff coloured cover secured with folded metal clips and washers, titled "Air Brakes for Tramways". Published by the Westinghouse Brake & Saxby Signal Co. Ltd. of 82 York Road, Kings Cross London in 1933/34. Contains various data sheets for various Westinghouse brake system components. Cover sheet with index. Air brakes for Tramways - June 1934 - fold out sheet and single sheet - DP12. Interconnection of air and magnetic track brakes - June 1934 - fold out sheet and a single sheet - DP12a Motor Driven Air compressor - type DH - March 1933 - four sheets - DP1 Air Compressor type E13 - June 1934 - two sheets - DP18 Electric compressor Governor's - ES16, ES16C and NS16 - April 1934 - six sheets - DP7 Drivers Brake Valve No. 9 - July 1934 - one sheet - DS7 Improved self lapping Driver's Brake Valve - October 1933 - two sheets - DP27a Westinghouse Air brake cylinders - April 1934 - two sheets -DP35 Quick Release Valve - June 1934 - 1 sheet - DS18 Double Check Valve - July 1934 - 1 sheet DS8 Double Check Valve No. 19 - June 1934 - 1 sheet DS8a Conductors Emergency Valves - June 1934 - 2 sheets - DP37 Pneumatic Sanding apparatus - July 1934 - 1 sheet DS11 Safety Valve Type N - June 1934 - 1 sheet DS17. Contents scanned to COTMA Web site 5/2/2011."Colin Rutledge" stamped on top of page 1 and date stamp of "The Westinghouse Brake Co. Ltd. Melbourne 17 Dec 1934" on front cover.trams, tramways, westinghouse, tramcar brakes, compressors, governors, equipment

This is a collection of nine directories published by the City of Warrnambool dating from 1952 to 1992. They contain descriptions of the municipality and lists and details of services, social and community facilities for the period covered.These directories give snapshots of the City of Warrnambool for the years covered and will be useful for research.[.1] 16 pages printed with black and white photographs. The cover is cream card with writing in blue printing and the city of Warrnambool crest in the top left corner. [.2] 16 pages printed with black and white photographs. The cover is yellow card with writing in blue printing and the city of Warrnambool crest in the top left corner. [.3] 8 pages printed with pale yellow feathered design edges on either side of the text. The cover is cream with writing in Blue print and the pale yellow feathered pattern. A coloured City of Warrnambool seal is in the centre top third of the front cover. [.4] A single sheet of buff coloured light weight card folded in half to make a booklet. Black printing with a black Warrnambool crest in the top centre. [.5] 36 page booklet. The cover is of white shiny card with printed purple text. [.6] 96 page booklet. The cover has black printed text and red stylised cartoon like drawings representing different aspects of the community. [.7] 32 page booklet. The cover is of cream card printed with a 5mm wide green line across the front and back. Black ink drawings of Warrnambool landmarks by P Bryant feature on the cover and the Warrnambool City seal is in the bottom right hand corner. [.8] 20 page booklet of white paper with black text printing. There is a photo of the Tourist information centre on the rear cover. The Warrnambool city crest on the front cover which has a black geometrical edging design. [.9] 24 page booklet of white paper with black text printing. The front cover has the Warrnambool city crest in the top left hand corner and a photograph of the Lake Pertobe playground in the bottom two thirds. The back cover has a photo of the Warrnambool Saleyards. [.1] City of Warrnambool Victoria, Australia [.2] City of Warrnambool Victoria, Australia [.3] City of Warrnambool [.4] City of Warrnambool Organisations taking part in the Community Life of the City of Warrnambool 1952 [.5] Warrnambool Directory of Social Services [.6] Community Information Directory Warrnambool and District 1981 [.7] Community Information Guide 1991/1992 City of Warrnambool [.8] Citizens' Information Handbook for 1976-1977 [.9] Citizens' Information Handbook for 1977-1978 warrnambool, warrnambool city directory, warrnambool community organisations

Dark green hardcover register, buff binding on spine and corners, two hundred and seventy pages. 'Minute Book' written in gold print on spine of book. Written in blue pen on inside front page: ' The Great Columbian Mining Company No Liability' Minutes entered date from 30th March 1904 to 6th September 1911. Minutes signed by James Hedley. Documents inserted in minute book, additional to minute content: 1. List of unpresented cheques (no date on list) 2. Petition by John William Allen, Manager, Bank of Victoria, View Street, Bendigo to 'wind up' the Great Columbian Mining Co. Dated 18th September, 1911. 3. From Great Columbian Mining Co., Inglewood, Butler and Sons account 4. List of Great Columbian Mining Company N.L. shareholders 5. Mine Manager's Report half year ending 6th September 1911 6. Directors' Report, 6th September 1911 7. Two letters from Fred. Douglas Jones, Barrister and Solicitor, Albion Chambers, Bendigo regarding cheques 'being returned unpaid' by Bank 8. Judgement from County Court Bendigo, 19th September, 1911, against the Great Columbian Mining Company, defendant. Plaintiffs, George Victor Lansell; George Wooten Lansell and Richard Hartley Smith Abbott 9. McColl and Rankin, Legal Managers, Accountants, invoice to Great Columbian Mining Co., 31st December 1911. 10. Letter, J. Stagg, Inglewood to McColl and Rankin, re settling up of accounts for the Great Columbian Mining Co., Inglewood 11. Great Columbian liquidation, Ingleoowd, Feb 19th. 1912 to R.A. Rankin Esq., re sale catalogue articles. Enclosed Mr. Butters charge for hire of horse and dray ((not in book) Signed J. Cavanaugh 12. Invoice from McColl and Rankin to the Great Columbian Co., for cash advances, 31st December 1912 13. Great Columbian Mining Co., statement of having received 'one receiver and mountings in good condition' signed McCulloch Carrying co., L. Lee, 5/2/12 14. Account Richard Linton, Manufacturers Agent, Queen Bridge Square, Melbourne to Great Columbian Mining Co., Inglewoodbendigo, mccoll and rankin, margaret roberts, great columbian mining company, inglewood,

This majestic peacock embodies technical achievement, skill and ingenuity of artisans during the 19th century. It is now known as the 'Loch Ard Peacock' and was designed and modelled in 1873 by Paul Comolera (1818-1897), and fired in one piece at the Minton factory at Stoke-on-Trent in the United Kingdom in 1875. The peacock has been portrayed in symbolic motifs and has figured heavily in folktales and fables since antiquity, and many cultures around the world see it as a symbol of beauty, rebirth and power. Wealthy Victorians, loved majolica, and the large peacock would have been the ultimate home accessory, as a conservatory ornament – combining their desire for nature, the exotic and vibrant colours. The peacock model was listed in catalogues by Minton & Co. for a retail price of 35 guineas or sold as a pair for 90 guineas. Minton & Co. was founded in 1793 by Thomas Minton (1765–1836) and became famous pottery and porcelain manufacturers. Comolera was a French artist and sculptor, renowned for dramatic naturalistic forms, and life-size renditions of birds and animals that won him admiration in public and artistic circles. He was employed by Minton & Co. from 1873 to 1880, and the life-sized peacock became his best known work. Comolera, kept a live peacock loaned from the nearby Duke of Sutherland's Trentham Hall Estate in his studio, to create a life-size model of fine buff earthenware model, which was then hand painted in brilliantly coloured green and blue glazes to mimic the peafowl’s dazzling plumage. There are no surviving production records, but according to documents in the Minton Archive, nine peacocks were made by Comolera. However, today some historians now believe that twelve were fired at the Minton factory, research is still on-going. These peacocks were so admired that the Minton & Co. used them as exhibition showpieces at International Exhibitions in London, Paris, and the United States of America, assuring the company had a worldwide reputation. So, when Melbourne hosted an International Exposition in 1880, Minton & Co. sent out ceramics, tiles and in particular, this peacock was intended to be part of their exhibit in the British Court in the Exhibition Building, built in the Carlton Gardens. The early dispatch date (1878) indicates that the company may have intended to exhibit their wares including the peacock at the 1879 Sydney International Exhibition, but the company did not take up this option. The ship that Minton & Co. used to bring the peacock and their other wares to the Australian colonies was the ill-fated Loch Ard, which sunk after striking Mutton Bird Island near Port Campbell, Victoria in calm foggy weather in June 1878 on the final leg on the ships journey to Melbourne. The loss of 52 lives made it one of Victoria’s worst shipwrecks. Therefore, this peacock never made it to the grand exposition in Melbourne, as Minton & Co. had planned. Charles McGillivray dragged this peacock, still in its original packing case onto the beach in the gorge just two days after the Loch Ard went down. The peacock was rescued unscathed apart from a chip on its beak (only repaired in 1988). After a disagreement with Melbourne Customs Officer, Joseph Daish, McGillivray stopped his salvage operations, leaving the peacock on the beach. The second salvagers were James Miller and Thomas Keys. Miller was a member of the firm Howarth, Miller and Matthews, Geelong, who had brought the salvage rights to the Loch Ard wreck on 10 June. When Miller and Keys arrived at the wreck site, a storm had washed many of the salvaged goods including this peacock back into the sea. The two men found the peacock in its case ‘bobbing along in the water’, and pulled it back to the beach. To ensure the peacock wasn't washed out to sea again, Miller and Keys hauled the packing case containing the peacock up the gorge's cliff face to the top, ready to be transported. In an interview in 1928, Keys claimed that at the time of the rescue the head had broken from the body. This account was proven to be true in 1988, following the birds display in Brisbane. This peacock began its life in Australia, not in grandeur of an International Exhibition as intended, but in the hallway of a simple domestic house in Geelong. It appears Minton &Co. did not attempt to buy this peacock back. Florence Miller, daughter of James Miller (Loch Ard salvage rights holder), later remarked that the only item of real value rescued from the wreck had been the peacock and that this had been kept by her father in the family home for many years, and became a treasured family possession. As such, this 'Loch Ard peacock' was almost forgotten and mistaken with other Minton peacocks around the world. Florence tried to sell the peacock due to financial difficulties in the 1930s but was unsuccessful. While attempting to sell the peacock, it was displayed in the window of the Argus newspaper office on Collins Street, and at the National Museum on 1st June 1935, the date of the 57th anniversary of the Loch Ard wreck. As a result, the peacock again attracted public attention with books, newspaper and magazine articles being published telling the story of its survival from a shipwreck. After Miller's death, the peacock remained in an antique dealer's shop in Melbourne for many years until it was bought at auction by Frank Ridley-Lee, in the 1940s, who displayed the bird at his home in Ivanhoe/Heidelberg. The peacock remained in the hands of the Ridley-Lee, until it was offered for sale in 1975 as part of Mrs Ridley-Lee's estate. In 1975, an advertisement in Melbourne newspaper, the Age announced the sale by auction of the art collection of the Ridley-Lee estate that included this peacock. The peacock was not sold at this time, as the reserve price of $4500 was not met. This news was passed on to the board of the newly created Flagstaff Hill Maritime Village. Urgent efforts were made to raise the necessary funds through fundraising by the Warrnambool City Council and public donations. The Fletcher Jones Company and the Victorian Government contributed half of the of the cost. On 9 September 1975, the peacock was purchased by Flagstaff Hill Maritime Village, and it found a new home at the maritime museum. Since, it has only left Warrnambool twice. Firstly, in 1980 at the centenary celebrations of the Royal Exhibition Building in Melbourne, and secondly, in 1988, the peacock was given pride of place at the entrance to the Victorian Pavilion at the Brisbane World Expo, acknowledging that this Minton majolica peacock is the most significant shipwreck object in Australia. The Minton majolica peacock is considered of historical social and aesthetic significance to Victoria and is one of only a few 'objects' registered on the Victorian Heritage Register (H 2132), as it is a most notable and rare object associated with the Minton factory of the 1870s and works by the celebrated sculptor Paul Comolera along with the wreck of the Loch Ard on the Victorian coastline. This Minton peacock is historically significant for its rarity; it was one of only 9-12 known to exist. The shipwreck of the Loch Ard is also of significance for Victoria and is registered on the Victorian Heritage Register Ref (S 417). Flagstaff Hill has a varied collection of artefacts from Loch Ard and its collection is significant for being one of the largest accumulation of artefacts from this notable Victorian shipwreck. The collections object is to also give us a snapshot into history so we can interpret the story of this tragic event. The collection is also archaeologically significant as it represents aspects of Victoria's shipping history that allows us to interpret Victoria's early social and historical themes. The collection is historically significant is that it is associated, unfortunately with the worst and best-known shipwreck in Victoria's history. The peacock, resplendent in polychrome glaze, stands perched on a rocky plinth decorated with vines, leaves, flowers, blackberries and wild mushrooms. The peacock’s breast is cobalt blue; the wings and legs are in naturalistic colours. The tail is a mass of feathers coloured in green, ochre blue and brown — a fantastic display of artistry and Minton expertise. Inscribed at the base :P Comolera, and a Minton & Co. design number: 2045.flagstaff hill, warrnambool, maritime museum, shipwreck coast, loch ard, loch ard gorge, peacock, paul comolera, victorian heritage register, minton peacock, minton & co., stoke upon trent, bird figures, mintons, ceramics, international expositions, majolica, naturalistic, staffordshire

Richard Kennedy (1826-1903), a wholesale , retail and manufacturing chemist in Timor Street, came to Warrnambool in 1880 and had what was described in "Cyclopedia of Victoria' as the "largest and best appointed pharmacy in Victoria'. Kennedy was Vice President of the Pharmaceutical Society of Victoria, on the Pharmacy Board and was prominent in community affairs in Warrnambool. He was for some time President of the Mechanics Institute and the Warrnambool Hospital and a foundation member of the Warrnambool Bowls Club. He also made locally perfumes with many varieties named after people or events of the time-Federation, Nellie Melba etc.. His pharmacy building in Timor Street and his house 55 Canterbury Road "Ivanhoe" still stands (2019) The use of a lighthouse in his advertising and on his bottles is of particular interest. W.D.H.S. has Kennedy bottles in its collectionThese labels are of great significance as they were produced for a pharmacist of note in Victoria and Warrnambool. .1 Rectangular paper label adhered to a piece of pink card. It features a lighthouse and small sailing ship in the centre of a red circle with black and white text, Surrounding the circle is text and decorations of flowers on an olive green background. The label is torn on the bottom right hand corner. It is adhered to a piece of pink card. .2 Light green label featuring a lighthouse in a circle underneath which is a scroll with text, There are finely drawn curly decorations and further text. It is adhered to a piece of pink card. .3 Similar to .2 with different text .4 Similar to .2 and .3 with different text .5 Similar to .2,.3,.4 with different text .6 Similar to .2,.3,.4,.5 with different text 6.1Similar to .2,.3,.4,.5,.6 with different text 6.2 Turquoise label with a gold diagonal wide band with text. The label features a lighthouse in a circle , there are decorations of leaves, and curls. The white and black text is stylised, especially the name of the manufacturer. .7 Buff coloured rectangular card adhered to a piece of pink card. The dark green text is surrounded by a decorative border. .8 White rectangular featuring a blue coloured lighthouse and detailed black text .9 White rectangular label with black detailed text surrounded by a border. .10 Similar to 6.2 with different text, adhered to white paper. .11 identical to .10 but adhered to pink card. .12 White rectangular card with black and red text .13 identical to .12 .14 Three joined pale blue labels with dark blue text. The central label is larger than the other two which are equal in size. One of the smaller labels in upside down. All have borders. .15 Identical to .14 excepting it is adhered to white card .16 White rectangular label with black text. It features a lighthouse, decorations of leaves and a variety of styles and fonts of the print. It is adhered to a piece of pink card. .17 Identical to .16 excepting it is adhered to white card. .18 Identical to .17 .19 Rectangular white label with red and black detailed text adhered to a piece of white paper .20 Identical to .19 excepting it is adhered to a piece of pink card. .21 Rectangular white label with grey text , a decorative border and further decorations adhered to a piece of white card. .22 Identical to .21 but not adhered, .23 Identical to .21 , adhered to white card .24 Identical to .22 .25 Square white label with red and black text. and a red border. .26 White rectangular label with dark green text and border. .27 Small white rectangular label with gold text adhered to a piece of white paper .1 LECTAR THE MIGHTY HEALTH RESTORING LIFE PRESERVER NERVE TONIC .2 POPULAR FAMILY MEDICINES CARBOLIC OIL POISON FROM R. F. KENNEDY& CO PHARMAISTS WARRNAMBOOL .3 As for .2 FRIAR'S BALSAM in lieu of CARBOLIC OIL .4 As for .2, .3 GLYCERINE in lieu OF FRIAR'S BALSAM .5 As for .2,.3,.4 Paregoric, Peppermint, Aniseed and Laudanum. POISON in lieu of GLYCERINE .6 As for .2,.3,.4,.5 CAMPHORATED OIL in lieu of Paregoric,Peppermint, Aniseed and Laudanum .6.1 As for .2,.3,.4,.5,.6 PARRISH'S FOOD . in lieu of CAMPHORATED OIL Dose- Adults 1/2 to 1 teaspoonful 6.2 Pure BENZINE FROM R. F. KENNEDY AND CO. Pharmaceutical Works WARRRNAMBOOL .7 LINSEED OILR.F KENNEDY & CO. Wholesale and Manufacturing Chemists WARRNAMBOOL .8 the primary text is : THE ALSATIAN INFLUENZA MIXTURE A section of the ensuing text is ; "For EXHAUSTION, LOSS OF APPETITE , NEURITIS and GENERAL RUN DOWN it will be found a Powerful Tonic." .9 Dr Law's PILE OINTMENT Directions ............... R.F KENNEDY & CO Wholesale and Manufacturing Chemists WARRNAMBOOOL 10. As for .2,.3,.4,.5,.6.6.1 VASELINE in lieu of BENZINE .11 Identical to .10 .12 COLOURED WITH TUMERIC. Labelled in accordance with the "SALE AND USE OF POISONS ACT" POISON R.F. KENNEDY & CO. Chemists WARRNAMBOOL APPROXIMATELY 7 GRAMS .13 Identical to .12. .14 Central label "THE CURE" FOR CORNS R.F. KENNEDY &CO manufacturing Chemists WARRNAMBOOL .Small label PROPRIETORS OF THE. CELEBRATED . CURE FOR TOOTHACHE . Small label PROPRIETORS OF The Sulpho- Thymol Soap, For Eruptions and Irritations of the Skin. .15 Identical to .14 .16TASTELESS ITALIAN CASTOR OIL OF THE PUREST QUALITY. Adults Dose one to two tablespoonfuls . Children half to one tablespoonful. IMPORTED BY R.F. KENNEDY&CO. Manufacturing Chemists Timor ST. Warrnambool .17 Identical to .16 .18 Identical to .16 .19 PURE REDISTILLED EUCALYPTUS OIL OF EXTRA STRENGTH & PURITY DEODORANT & DISINFECTANT FROM R.F. KENNEDY & CO'S Pharmaceutical Works Warrnambool ( Much more detail) .20 Identical to .19 .21,.22,.23,.24 PURE Refined SALAD OIL FROM R.F. KENNEDY & CO.MANUFACTURING CHEMISTS WARRNAMBOOL .25 Brilliantine AN ELEGANT AND FRAGRANT PREPARATION FOR THE HAIR, MOUSTACHE, OR WHISKERS. PROPRIETORS R.F. KENNEDY & CO. WARRNAMBOOL .26 Directions.--- To be applied to the irritable parts two or three times daily R.F. KENNEDY & CO., Chemists, Warrnambool .27 R.F. KENNEDY & CO. Manufacturing and Dispensing Chemists WARRNAMBOOL chemists, pharmaceutical society of victoria, mechanics institute, warrnambool, warrnambool hospital, warrnambool bowls club

Used in Building Studies at Ballarat School of Mines. The sander used to sand rough timber smooth, remove old finish from wood, put a bevel on a door, reduce the thickness of timber, dress up a poor saw cut. Also used for back cutting miter cuts for neater joints and for polishing and cutting.Stainless steel with rollers and sanding plate. Hand held. Continuous loop of sandpaper would be mounted.Maker's Plate: MILLER FALL TOOLS CATALOG 830 3 INCH BELT SANDER MODEM "C" USE 3" X 21" BELT 230/250 VOLTS 3 AMPS 25-60 CYCLES MADE IN USA PATENT 2,991,595 MILLER FALLS COMPANY, GREEFIELDS, MASS. TO CHANGE BELT PULL LEVER DIRECTION OF BELT ballarat school of mines, building studies, david flintoff, timber, smooth, miter cuts, polishing, buffing, thinning

Ill (maps), p.326non-fictionOver The Top is based on Harry Hartnett's diaries, which his family gave to Chris Byrett, a lawyer and WWI buff. It details the battles, the long marches and the recoveries with many amusing anecdotes which kept the men smiling and eased the tiredeness of the daily grind.world war 1914-1918 - campaigns - western front - personal recollections, henry george hartnett

Ill, p.272.non-fictionFrom ancient times to the Bay of Pigs and the Falklands War, military history has been marked as much by misjudgements and incompetence as by gallantry and glory. Such blunders have sometimes ended in tragedy, sometimes in farce - such as the English troops, supposedly marching on Cadiz in 1625, who instead got drunk in a salt marsh. And sometimes they have ended in triumph, despite all the odds. In this fascinating and entertaining collection, author Geoffrey Regan not only recounts some of the staggering stories, but also highlights the kinds of difficulties that can lead to military disaster. His anecdotes encompass every aspect of warfare from the insanity of commanders to the provision of inadequate supplies. This entertaining and instructive book will appeal to the military buff and general reader alike. military art and science - history, military history