Showing 5627 items
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Ambulance Victoria Museum
Vehicle, motor, ambulance, Chevrolet, 1942
This vehicle is a Chevrolet but was fitted out as an ambulance at Fisherman's Bend, near Melbourne, Victoria by General Motors Holden. It was used by the Royal Australian Air Force during the Second World War. Purchased by Metropolitan Ambulance Service in 1989 from a Military Museum. This vehicle appeared in the filming of the movie "The White Mouse" (the story of Nancy Wake, French Resistance worker in the second World War). It also appeared in the film "Blonde" (the life of Marilyn Monroe). Four-wheeled vehicle used as ambulance. Body painted grey and cream, chrome radiator and bumpers.Vehicle registration number 15170-Hchevrolet, general motors holden, fisherman's bend, ambulance, motor vehicle, raaf (royal australian air force), second world war -
Ambulance Victoria Museum
Mannequin, CPR training, Ambu, Circa 1985
Used by Rural Ambulance Victoria for cardio pulmonary resuscitation (CPR) training. The inscription Swan Hill T.A.E. indicates that object was used at Swan Hill by either Rural Ambulance Victoria or perhaps by another owner at some point.Head and torso mannequin with grey plastic travel case. Mannequin has electronic reader at base.SWAN Hill T.A.E. rural ambulance victoria -
Ambulance Victoria Museum
Jacket, Uniform, Flight Sister, Air Ambulance Victoria, Circa 1960s
Worn by Air Ambulance Victoria female flight nurses who flew in fixed wing air ambulance aircraft providing in-flight care of patients. Probably used between the 1960s and 1980s.This item is one of only two in the museums collection and the object is probably one of very few in existence.Grey button up jacket with half wing Air Ambulance Victoria logo on left breastAir Ambulance Victoria flight nurse, air ambulance victoria -
Wangaratta High School
Electric Typewriter, 1976-1992
First electric typewriter at Wangaratta High SchoolIBM Golf Ball Electric Typewriter Grey Plastic body with a keyboard in the front with a missing key. IBM -
Wangaratta High School
Telephone
ALCATEL Tochfone Telephone Cream corded telephone body and handset with grey buttons and coiled cordTouchfone -
Bendigo Historical Society Inc.
Domestic Object - CANDLE STICK HOLDER
Enamelled candle holder with finger handle, black and grey speckled with remnants of cream paint on base.lighting, candle, candleholders, k45 -
Tennis Australia
Ball, Circa 1960
An unbranded grey tennis ball. "GRUEB' written on ball in brown marker. Materials: Rubber, Felttennis -
Queen Victoria Women's Centre
Award Certificate, Victorian Community History Awards 2014, 2014
Framed certificate. Yellow accents. Black text. Grey scale photo of six men in background. 'Victorian Community History Awards 2014. Commendation. Or the best presentation of history which uses non-print media. This project can include multimedia exhibitions, radio, Cd/DVD, phone apps, websites, digital video/podcasts or online applications. Multimedia History Award. Queen Victoria Women's Centre Centenary Digital Timeline Website Queen Victoria Women's Centre.'awards -
Queen Victoria Women's Centre
Newsletter, Q Magazine - The Queen Vic Centre Shilling Fund, September 1996
A4 Printer paper. 8 pages. Navy and taupe on white. Grey scaled images throughout. newsletters, historical site, cultural structures and establishments, fundraising events -
Queen Victoria Women's Centre
Newsletter, Q Magazine: The "Centre of Attention", c. November 1997
The newsletter was attempting to reach out to the stakeholders and friends to ask the Australian Government to grant the centre tax destructibility status. Launch of Emily's list in the centre. Monash University Research Group for Women's Mental Health launch at the centre.A4 Printer paper. 8 pages. Navy and taupe on white. Grey scaled images throughout.cultural structures and establishments, newsletter, historical site, fundraising -
Queen Victoria Women's Centre
Newsletter, Q Magazine: Your Centre... ... a "signpost" to many paths, c. December 1998
Celebrating the first ear of the QVWC. A4 Printer paper. 8 pages. Navy and taupe on white. Grey scaled images throughout.newsletter, historical site, cultural structures and establishments -
Queen Victoria Women's Centre
Newsletter, Q Magazine: Yor place in the city!, c. July 1998
Notice of the appointment of a new chair to the Trust, Jan Parkes. A4 Printer paper. 8 pages. Navy and taupe on white. Grey scaled images throughout.governance, cultural structures and establishments, newsletter -
Stawell Historical Society Inc
Memorabilia - Realia, Stainless Steel Imperial Yard Measure. Shire of Stawell Weights & Measures
12 inch rule. Stainless Steel Imperial yard Measure stored in a grey Wood Box.Rustless / Chesterman Sheffieldstawell, standards -
Beechworth Honey Archive
Publication, Box-Ironbark in Victoria's State Forests, Silviculture reference manual No. 4 (Dept of Economic Development, Jobs, Transport and Resources) Peter Fagg & Owen Bassett, 2015
Soft cover book, white & grey cover with photos of ironbark flowers & forest 137 pages -
National Wool Museum
Textile - Dress, Tina Knitwear, 1980-2000
Part of a selection of garments knitted by ‘Tina Knitwear’. Tina Knitwear was a successful made to order knitwear business in Brighton from the mid-1960s to around 2010, run by Assunta and Franco Liburti. Daughter Melissa Persi writes: Our parents Assunta (Mum) and Franco (Dad) Liburti ran a successful made to order knitwear business in Brighton from the mid-1960s to around 2010. Assunta was affectionately known to her family as Assuntina, therefore the business was named "Tina Knitwear" after her. Assunta and Franco were born in the beautiful seaside town of Terracina in Italy in 1933 and 1930 respectively. As was so common in Italy in the 1950s, Assunta who was in her late teens and early twenties learnt the intricate skills of machine knitting, dressmaking and pattern making. Franco on the other hand, learnt the building trade with his 2 brothers and specialised in bricklaying and tiling. As was so common after the war, Assunta and Franco yearned for a better life so they decided that they would get engaged and then migrate to Australia to be married and raise their family in Australia, a land of much opportunity which they no longer felt their beloved Italy held for them. Assunta migrated to Australia first in 1957 and later Franco joined her in 1958 where they were married. For the first few years, Franco (also known as Frank) worked as bricklayer /tiler on buildings such as the Robert Menzies building at Monash University in Clayton and various buildings in the Melbourne CBD. Assunta on the other hand put her machine knitting skills to use working in factories doing piece machine knitting for various knitwear companies. The hours were long, the conditions were difficult, and travel was onerous without a car. After their 2 older children were born, it was decided that dad would leave the building trade and they would start their own made to order knitwear business. That way they could work from home and raise their family together. Mum taught dad everything he needed to know so he could operate the knitwear machinery. They purchased COPPO knitting machines from Italy and a Linking machine from Germany. Initially they had a knitwear shopfront in Bay Street Brighton where a store assistant would take the orders and client’s measurements and Assunta would then make the garments from a small workshop in their home. Unfortunately, the assistants were not skilled dressmakers and often measurements and orders were incorrectly taken. Assunta being the perfectionist and highly skilled machinist that she was, decided that she needed to oversee the entire process from meeting the client, to taking their order, right thru to the fittings and completion of the garment. It therefore made sense that they should close the shop front and run their business from their own home in Brighton and hence “Tina Knitwear” was born. Together, for more than 40 years they ran their very respected and successful business and were well known in the Bayside area. They specialised in made to order knitwear for both men and women using mainly pure wool (from Patons, Wangaratta Mills, Japan and Italy) but also lurex and estacel. Over those years, many of their clients became their close friends. It wasn't unusual for clients to come to order garments and then end up in the kitchen chatting over a cup of Italian espresso coffee and homemade biscuits. Some of their clients were especially memorable and became lifelong friends. Mrs Connell was a dear friend of mum’s, each year she would buy tickets for the “Gown of the Year” fashion show. She would insist on taking Assunta and her 2 daughters so that we could see the latest fashions. Then there was their dear friend Ms Griffiths. She had been a Matron nurse at the Queen Victoria Hospital when she met my parents in the 1970s. She returned to live in New Zealand in the 1980s but came back to Melbourne every year to stay for 2 weeks with the sole purpose of visiting my parents (she adored them) and order garments. For those 2 solid weeks, mum and dad would only knit for Ms Griffiths and she would go back to New Zealand with at least 5 or 6 new outfits. I actually think she enjoyed mum’s homemade pasta almost as much as her new clothes! Over the years, my parents learnt to speak English very well given that majority of their clients were not Italian speaking. Their oldest child John born in 1960 learnt to speak English with the help of those clients who were such a big part of our childhood. Mum and dad always went above and beyond to ensure their clients were satisfied. Mum was an absolute perfectionist and it showed in her attention to detail and the quality of their beautiful work. You only need to look at the garments that have stood the test of time or speak to their clients to know that this is true. Their clients would always comment on how well their clothes would last and much of their clients came via word of mouth and recommendations. Occasionally there would be disagreements because mum had found an error in dad's knitting (either a wrong stitch or a sizing mistake mainly) and would ask him to redo a piece, he would argue back saying that it was fine, but we always knew who would win the argument and that the piece would get remade! Similarly, we recall discussions where mum would ask dad to find a particular colour of wool in the garage where the stock was kept. He would try to convince her that they were out of stock of that colour and that the client should choose a different colour. She would insist they had it and then after hours of searching, he would return into the house sheepishly holding the wool! Our childhood is full of beautiful memories of mum and dad always being present, clients coming and going, mum humming her favourite songs as she worked often late into the night and sometimes, we even fell asleep to the hum of the machinery. They put their heart and soul into "Tina Knitwear" and took pride in providing only the best quality garments for their clients. In Italian there is a saying “lei ha le mani d’oro” which literally translated means “she has hands of gold”. Franco enjoyed his work but for Assunta, it was more than just work and there is no better way to describe her skills, passion and dedication to her machine knitting… she truly did have “hands of gold”. We will forever be grateful that our parents’ life journey gave us the opportunity to live in a home filled with creativity, dedication and passion, amazing work ethic and mutual respect, lifelong friendships and a lifetime of love. Grey marle princess seam dress with v neck, centre back zip and long sleeves. knitwear, clothing, italy, migrants, brighton, knitting machine, linking machine, garments, business, family, community -
Tarnagulla History Archive
Ticket: Tarnagulla Fair, 1966
Donald Clark Collection.A grey 'Admit One' ticket used at the 1966 Tarnagulla Fair, held on 24th September, 1966. -
Melbourne Legacy
Slide, Toys, 1963
Colour slide of toys displayed near a Christmas tree. Three legatees are talking to seated ladies. One of the legatees is Frank Doolan. The toys were part of an arrangement with the Department of Education. Schools would produce the toys, often in wood work classes and they were donated to Legacy and Carry On. The toys were given to Junior Legatees at the Government House Christmas Party. Excess toys were passed to a dozen additional charities. The scheme started in 1949 and by 1962 over 8,200 toys were donated, from 201 schools. The total to that date was over 72,500 toys. It appears to be 1963 as there was space for the tally to be completed. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of toys donated to Legacy in the 1960s.Colour slide of legatees, a Christmas tree and toys, in a white plastic mount and grey mount on the reverse.toys, department of education, toy appeal -
Melbourne Legacy
Slide, Toys, 1963
Colour slide of school boys in a school work room where toys are being made. The toys were part of an arrangement with the Department of Education. Schools would produce the toys, often in wood work classes and they were donated to Legacy and Carry On. The toys were given to Junior Legatees at the Government House Christmas Party. Excess toys were passed to a dozen additional charities. The scheme started in 1949 and by 1962 over 8,200 toys were donated, from 201 schools. The total to that date was over 72,500 toys. It appears to be 1963 as there was space for the tally to be completed. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of toys being made and donated to Legacy in the 1960s.Colour slide of school boys sitting on workbenches, in a white plastic mount and grey mount on the reverse.toys, department of education, toy appeal, school boys -
Melbourne Legacy
Slide, Toys, 1963
Colour slide of school boys in white aprons in a school work room where toys are being made. The toys were part of an arrangement with the Department of Education. Schools would produce the toys, often in wood work classes and they were donated to Legacy and Carry On. The toys were given to Junior Legatees at the Government House Christmas Party. Excess toys were passed to a dozen additional charities. The scheme started in 1949 and by 1962 over 8,200 toys were donated, from 201 schools. The total to that date was over 72,500 toys. It appears to be 1963 as there was space for the tally to be completed. Was with many other slides taken in the 1950s and 1960s. The slides have been photographed to make digital images and moved to archive quality sleeves. In many cases the original images were not well focussed and the digital image is the best available.A record of toys being made and donated to Legacy in the 1960s.Colour slide of school boys working at workbenches, in a white plastic mount and grey mount on the reverse.toys, department of education, toy appeal, school boys -
Melbourne Legacy
Slide, Legacy Appeal, 1960s
A slide image of two corgi dogs next to a Legacy Appeal poster. The image on the poster was used in 1962 so would have been at a fundraising event or Legacy event from around that time.A record of an event in the 1960s.Colour slide of two dogs next to a Legacy Appeal poster, in a grey Hanimount cardboard frame.fundraising, legacy week -
Trafalgar Holden Museum
Vehicle - Holden model FB sedan, 1960 - 1961
The FB was promoted as being longer, lower, more spacious and more powerful than the FC model, but in reality it was only slightly so on each count overerall length was 5.5 inches (140 mm) greater, although the wheelbase remained the same. The engine bore was still 3 inches (76 mm), the last model with that specification. Engine capacity was 138 cubic inches (2.16 L) but the compression ratio was raised. However, the resulting extra 4 brake horsepower (3 kW) of power did not compensate for the greater weight of the FB, so performance was inferior to that of its predecessor. Changes were also made to the brakes, front coil springs, air cleaner and clutch. Obvious styling differences were the lower bonnet, finned rear mudguards with new taillights (on the sedans and wagons only) and a wrap-around windscreen. Seating was improved, as was the instrument panel. A refinement of the FC model but appearance significantly changed with a wraparound windscreen, lower bonnet and finned rear guards.. This vehicle was purchased in NSW The interior was in excellent condition bur required extensive exterior work to bring it back to its original condition, It had a mileage of 8500. A refinement of the FC model but appearance significantly changed with a wraparound windscreen, lower bonnet and finned rear guards. It was the first Holden with acrylic paintwork.Two tone grey body , four door FB Holden sedan. Finned rear mudguard,. Holden Special Registered number 63452-Hholden, automobile, 1960, car -
Parks Victoria - State Coal Mine - Wonthaggi
Notebook, "Victorian Railways Notebook", C 1950's
Notebook used to record bags of horse feed at the different mine areas.Dirty brown cardboard cover, grey binding tape on spine. Black text on front cover.Victorian Railways. Notebook 1875-49 -
Melbourne Tram Museum
Ephemera - Ticket/s, Tramway Board, Trip Slip - cable tram Bell Punch type, late 1910's
Used by a cable tram conductor to record the number of 2d fares collected from passengers. The Bell punch recorded the number of times a hole was punched in the slip. They were used by the cable trams until the mid-1920s when they were phased out and replaced by "flimsy" paper tickets. The item has been punched many times. Printed for the Tramway Board (1916 to 1919). Has space for 44 journeys. On one side, has space for the name Line, Date, Badge, car, time of starting, and signature, if a student conductor. Printed for use in the down direction. See item 7425 for an example in the Up Direction.Demonstrates a Cable Tram tram Conductors record of the trips sold/fare collected.Ticket - Trip Slip - cable tram Bell Punch type - grey card, 2d fare.See abovetrams, tramways, tickets, cable trams, bell punch, tramway board, tb -
Heidelberg Golf Club
Booklet - Annual Report, Heidelberg Golf Club, Lower Plenty: Annual report, Year ended January 31st, 1961, 08/04/1961
Annual report of the Heidelberg Golf Club. Includes annual report, balance sheet and accounts to 31/01/1960. Annual General Meeting held 08/04/1961.Annual reports found in this collection begin in 1933-34.24 page document. Typed text and black and white photographs. Bound in grey card cover annual reports, financial reports -
Heidelberg Golf Club
Booklet - Annual Report, Heidelberg Golf Club, Lower Plenty: Annual report, Year ended January 31st, 1964, 22/02/1964
Annual report of the Heidelberg Golf Club. Includes annual report, balance sheet and accounts to 31/01/1964. Annual General Meeting held 22/02/1964.Annual reports found in this collection begin in 1933-34.24 page document. Typed text and black and white photographs. Bound in grey card cover annual reports, financial reports -
Linton Mechanics Institute and Free Library Collection
Book - Novel, Phillpotts, Eden, Sons of the morning, 1900
458 p. : frontispiece illustration. Grey cover, title and author's name embossed in gold on spinefictioneden phillpotts, fiction -
Linton Mechanics Institute and Free Library Collection
Book - Short stories, Lucy, Henry W, The miller's niece : and some distant connections, 1896
336 p.: plain blue/grey cover, title and author's name embossed in gold on spinefictionshort stories, fiction, henry w. lucy -
Linton Mechanics Institute and Free Library Collection
Book - Novel, Payn, James, Lost Sir Massingberd : a romance of real life, [n.d.] [1885]
328 p. : embossed dark grey cover, title and author's name embossed in gold on spine.fictionjames payn, fiction -
Linton Mechanics Institute and Free Library Collection
Book - Novel, Waltmore, Iain, No Doubts After Friday by Iain Waltmore, 1961
Romance novel.Hardcover book, 186 pages. Book has a grey cover with gold embossed text on spine.fictionRomance novel.iain waltmore, romance, fiction -
National Wool Museum
Folder, sample
Weaving samples folder: 3 "FANCY WOOLLEN" patterns with 1 green, 1 grey and 1 brown checked cloth samplesJonas Zoirbbis (ink) FANCY WOOLLENweaving textile industry textile design, weaving, textile industry, textile design