Born: St Petersburg, Russia 1873; Arrived: Sydney, New South Wales, Australia 1887; Lived and worked: England, France, Wales, Egypt, Palestine 1900-1921; Died: Cobbity, New South Wales, Australia 1930NationalismGift of Mrs E.E. Ledger, 1982Rural landscape with four horses and riders jumping a fence. Image is in black and white colour. Dark stained, gold and grey brushed timber frame.Recto: Signed "GEO.W.LAMBERT" in black watercolour in l.r.c of composition; Not dated; Not titledpainting, rural, horses, animals, figures, fence, jump, tree

Invitation from the Commonwealth Government to ceremonies connected with the opening of Parliament House in Canberra on 9 May 1927. Visiting Australia for this purpose were the Duke and Duchess of York (later King George VI and Elizabeth the Queen Mother).Card, folded in half, printed in blue and gold. Affixed inside is a reproduction of a landscape painting Canberra 1927 by Harold B Herbert (1892-1945).The invitation was issued to 'W Nicoll Esq'royal visits, duke and duchess of york, opening of parliament house canberra

The painting was purchased from the Eltham Outdoor Art Show. Smith endeavours to capture mood, atmosphere and light in this work by heightening and intensifying the imagery where possible. Smith is concerned with expressing a 'sense of place' inherent in the subject matter. Painting of a landscape at dusk with dirt walking track and trees somewhere in Eltham. Oil on composition board. Moulded frame. Painted in the 'Western Realist Tradition'. Signed 'HARRIS SMITH/84' Hand painted in capitals in red paint; bottom right. eltham, painting, landscape, smith, evening

Three colour photos of Pioneer Walk located between Main & Church Streets Stawell, photos taken in November 1992. One photo is of Big Hill and the other two of people and scenes and mining in Stawell.Three colour photos of collages decorating a walkway. The scenes are of people, building and landscapes. Copies also found in Album 4, p.49-50.151 Stawell History Mural, eft panel. Nov. 1992 151 Stawell Mural in Pioneer Walk Nov/92 151.1 Stawell Mural, center section Big Hill view. Nov.1992stawell

Huttley - MartinB/W: Landscape: Steel roof, 2 chimneys, weatherboard. Fence wood uprights, wire - wooden pailing gate. Garden front to back"Burnside" Stawell West Family Homehuttley, martin

Image of The Federal Woollen Mills mills display from the 'Made in Australia' Exhibition held at the Geelong in July 1928. The exhibition was organised by the manufacturers sectional committee of the Geelong Chamber of Commerce and Manufactures. Over 50,000 people attended the exhibition, making the exhibitors and organisers delighted at the result.Black and white photograph of a Federal Woollen Mills display in a landscape format. The exhibit featured draping fabrics and a suited man in the left hand edge.Center of display - The Federal Woollen Mills Pty Ltd. Geelong. Famous Federalia Fabricswool, woollen mills, wool manufacture, federal woollen mills, 'made in australia' exhibition, geelong

Yields information about the BTPS depot c1975 and its surrounds.Digital image of No. 27, 38 and 14 on the BTPS Depot fan c1975. Shows the track layout prior to landscaping and the long grass on the south side.trams, tramways, btps, depot, tram 27, tram 38, tram 14

Gordon Ford landscape design at entrance to Nerreman Gateway.Roll of 35mm colour negative film, 7 strips Fuji 100eltham, gordon ford, nerreman gateway, nerreman park estate, ryans road, streets

Gordon Ford landscape design at entrance to Nerreman Gateway.Roll of 35mm colour negative film, 7 strips Fuji 100eltham, gordon ford, nerreman gateway, nerreman park estate, ryans road, streets

Gordon Ford landscape design at entrance to Nerreman Gateway.Roll of 35mm colour negative film, 7 strips Fuji 100eltham, gordon ford, nerreman gateway, nerreman park estate, ryans road,streets

Gordon Ford landscape design at entrance to Nerreman Gateway.Roll of 35mm colour negative film, 7 strips Fuji 100eltham, gordon ford, nerreman gateway, nerreman park estate, ryans road,streets

Gordon Ford landscape design at entrance to Nerreman Gateway.Roll of 35mm colour negative film, 7 strips Fuji 100eltham, gordon ford, nerreman gateway, nerreman park estate, ryans road,streets

Gordon Ford landscape design at entrance to Nerreman Gateway.Roll of 35mm colour negative film, 7 strips Fuji 100eltham, gordon ford, nerreman gateway, nerreman park estate, ryans road,streets

Gordon Ford landscape design at entrance to Nerreman Gateway.Roll of 35mm colour negative film, 7 strips Fuji 100eltham, gordon ford, nerreman gateway, nerreman park estate, ryans road,streets

Gordon Ford landscape design at entrance to Nerreman Gateway.Roll of 35mm colour negative film, 7 strips Fuji 100eltham, gordon ford, nerreman gateway, nerreman park estate, ryans road,streets

Gordon Ford landscape design at entrance to Nerreman Gateway.Roll of 35mm colour negative film, 7 strips Fuji 100eltham, gordon ford, nerreman gateway, nerreman park estate, ryans road,streets

Gordon Ford landscape design at entrance to Nerreman Gateway.Roll of 35mm colour negative film, 7 strips Fuji 100eltham, gordon ford, nerreman gateway, nerreman park estate, ryans road,streets

Landscape photograph of Kew and Fairfield. Undated but possibly 1930s.View of Latrobe Course from the Kew side of the River Yarra. River in middle foreground. Aged pine tree central foreground. Inscribed reverse: "M Holmes"kew (vic.), latrobe golf course

Bob Kelly paints landscapes of culturally significant sites along the Mornington Peninsula and depicts these locations as he imagines they originally were before colonisation. Using traditional Western painting techniques, Kelly records the underlying spirit of the Peninsula from a Wathaurong perspective. Chinaman’s Creek in Capel Sound (Rosebud West) was an important watercourse that originally ran from Wonga (Arthur’s Seat) down through Tootgarook Swamp into Port Phillip Bay. It was a great fresh water and food source and home for many Boonwurrung people. Since settlement over 170 years ago, the creek has been drained, blocked, reconstructed and damaged. Kelly depicts a lush green landscape in which the clean creek water winds through the surrounding vegetation of spinifex grasses and gum trees, the background hills are abundant with trees, untouched from man's intervention. Using painstaking detail, Kelly records each blade of grass and ripple on the surface of Chinaman’s Creek. His attention to detail serves to powerfully reimagine this important cultural site, returning it to its former pristine state, and reinvigorating its role as a key place of sustenance for the Indigenous populations of the Peninsula. Chinaman's Creek was a finalist in the 2017 Bayside Acquisitive Art Prize.oil and acrylic on canvaslandscape, creek, trees, chinaman's creek, painting, indigenous, robert kelly, bayside acquisitive art prize, bob kelly, wathaurong, rosebud, arthur's seat, tootgarook swamp, port phillip bay, boonwurrung

The nine postcards in this set were donated together and date to the early 1900s. All but one postcard in this set shows images of Warrnambool, in the Western District of Victoria; the other has a London image. The postcards were all printed in Great Britain according to that country’s postal regulations. The fronts of all cards have titles printed in red. Most of the images on the cards are attributed to photographer Joseph Jordan and belong to the Jordan Series. The back of these cards has an outline for a postage stamp, a vertical dividing line and a heading on each side of the line to separate the Correspondence from the Address. Postcards or ‘correspondence cards’ appeared in Britain in 1894. They were plain cards with a space for the message on one side and an address on the other; regulations didn’t allow anything but the address to be written on the ‘address’ side. In 1902 the British regulations then allowed a picture to be printed on the front and the address on the back, so messages had to be written on the picture side. Soon, the regulations changed and the back was divided for a message and the address. Ozone Hotel, Warrnambool – Construction of Warrnambool’s Ozone Hotel and Coffee Palace on the corner of Koroit and Kepler streets began in 1890. The luxury venue included ballrooms, dining rooms, a theatre and a tower. In 1929 it burnt to the ground in a spectacular fire. Joseph Jordan - Joseph Jordan was born in 1841 in Leicester England. When he was 16 he joined the 7th Queen's Own Hussars and was sent to India at the outbreak of the mutiny. He took part in the relief of Lucknow and remained in India for eleven years. It was during this time that he became interested in photography. He was posted to New Zealand and later came to Victoria, becoming a sergeant major of the Mounted Rifles. In the mid-1880s he came to the Western district where he was responsible for establishing units of the Mounted Rifles in various country towns such as Dunkeld, Mortlake, Panmure, Bushfield, Koroit etc. He resigned from the army in 1889 and set up a professional photography studio in Liebig Street, Warrnambool. He became very well known in the Western District for family photographs, official photographs of local councillors and groups as well as views of local scenery. In 1891 he photographed the wrecked barque ‘Fiji’ at ‘Wrecks Beach’ near Princetown. His business was taken over by his son Arthur around 1917. Joseph was a keen rifle shot and in 1924 he donated the "Jordan Shield" as a prize to the Victorian Rifle Association. He was made a "Life Honorary Member" of the Warrnambool Returned Soldiers League and in 1933 he was recognised as being the oldest living soldier in Victoria. Joseph died in 1935 aged 95.This postcard of the Ozone Hotel and Coffee Palace is significant for its connection to the Victorian-era hotel. The hotel was a luxury facility that attracted visitors to the town by sea, rail and road. The postcard also represents the short period in which the hotel operated and the notable, unforgettable event of its burning to the ground. Out of the set of nine postcards in this donation, this card is the only one that includes the location of Warrnambool on the back. It is also the only one with text within the outline for the postage stamp and with headings in this font. Joseph Jordan is a significant figure in Warrnambool history as he helped to establish early units of the Mounted Rifles (G Company) in local towns during the late 1880's and later, photographed local scenes, groups and citizens of early Warrnambool.Postcard, one of nine, landscape orientation, coloured print within an oval border and mauve-toned shading. The cameo image is of a grand three-storey building on a street corner with a tall turret, shorter turrets, and arches on the verandas. The back has inscriptions and outlines for a postage stamp. There is no correspondence written on the card. Jordan Series, printed in Great Britain.Front, in red: “Ozone hotel, Warrnambool” Back in black: “Jordan Series” “POST CARD” “PRINTED IN GREAT BRITAIN” “For correspondence” “The Address only to be written here”flagstaff hill maritime museum, flagstaff hill maritime village, flagstaff hill maritime museum and village, maritime museum, warrnambool, great ocean road, warrnambool and district, warrnambool scenes, local scenes, views of warrnambool, joseph jordan, jordan series, jordan photography, postcard, souvenir, correspondence, cameo postcard, landscape, ozone hotel and coffee palace, ozone hotel, warrnambool hotel, destroyed by fire, coffee palace

Fromelles - The Final Chapters - How the buried diggers were identified and their lives reclaimed.Soft cardboard cover. Gold / white / black print on front, spine & back. Illustrated front to back, photos of field of poppies in landscape with 4 soldier's portraits in soft sepia tones in the sky of the landscape. 262 pages, cut, plain, off white. Between pages 134 - 135 are an illustrated collection of photos in black / white / colour / sepia on glossy white paper.book, fromelles

UnknownPrint of a landscape scene in upper half of print. In a blue and orange sky are three roundels with (l-r): an indigenous soldier (c. WWII) overprinted with red and yellow, a depiction of the view of Earth from space, and a curled snake in reds and browns. In the landscape scene are line-drawn figures, a montage of items of modern technology and a child-like drawing of houses and cars in garages.Front: 26/30 (lower left) "Unentitled" (lower centre) Rex Davies Vicki Gordon Bruce Robert Peagram Maria Gibbs P. Tsernjavski Barb Sharrock (lower left) (pencil) Back: (no inscriptions)