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City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Tool - Farm Machinery, Horse-drawn Plough Potato Digger, c1900
Circa late 1800s early 1900s a horse-drawn plough, potato digger, is one example of the implements that were widely used by early market gardeners in the Shire of Moorabbin. The flat plate, seen to the right of the photo, dug down into the ground below the potatoes and "scooped" them up. Behind the plate, two driving chains on cogs, (these chains are missing from our exhibit), then "rocked' the dug potatoes to loosen the soil from the "spuds". The potatoes were then harvested by hand. Very large tracts of land in the Shire of Moorabbin were planted with potatoes. Harvesting commenced in October, into November and on into December. Potatoes were a necessary food staple. The market gardeners were always in a rush to be first to get their potatoes to market, and hence the best price. Some market gardeners were so keen to be the first to market, (and get the most money), that they dug their potatoes "green" (or new). The only downside of this practice was that these early potatoes had to be handled with extreme care as their skins were very loose, and came off easily - so decreasing their profits.As well as taking their produce to the Melbourne and St Kilda markets, they also sent produce off to Sydney markets. It is interesting to note that a group of Chinese market gardeners were the first to access the Sydney market. .Following the 'Dendy's Special Survey' 1841 and the Crown Land Sale of 1852, land allotments were sold to pioneer settlers who established market gardens in the area of Moorabbin Shire. During the 1850s gold-rush population boom the number of market gardeners increased significantly spreading throughout the Moorabbin Shire. Potatoes were considered a staple foodstuff, so crops were regularly sown throughout the whole Moorabbin area. Circa late 1800s early 1900s. A horse-drawn plough potato digger is an example of the machines used by early market gardeners in Moorabbin Shiremelbourne, sydney, markets, vegetables, potato, dendy henry, st kilda, market gardeners, gold rush, moorabin, chinese gardeners, ploughs -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Photograph - Farm Machinery, Plough, single mull-board, c1900
Circa late 1800's to early 1900s. A horse-drawn furrow plough was the most common type of agricultural implement used by the pioneer market gardeners, in Moorabbin Shire, of the 1800s and continued on into the 1940s when motorised tractors came into use. This plough is an example of a single-mullboard plough which would have been pulled by horse. The long handle was used to lower the silver plate, (mullboard), to the chosen depth of soil. Following 'Dendy's Special Survey' of 1841 and the Crown Land Sale in 1852, land allotments were bought by pioneer settlers who established or rented allotments for market gardens in the area and they supplied produce to the markets in St Kilda and Melbourne. During the gold-rush of the 1850s the rapidly increasing population of Melbourne saw a huge demand and a rise in prices for all foodstuffs, including the vegetables and fruit grown in the Shire of Moorabbin. An "Oliver" single mull-board plough in good condition with faded manufactures markings on shaftsPainted on shaft "MANF'D BY/OLIVER CHILLED PLOW WORKS/Southend Ind. USA/" Engraved on blade " 13 OLIVER"brighton, moorabbin, plough, dendy henry, east bentleigh, market gardens, horse drawn plough, plow, mullboard -
Phillip Island and District Historical Society Inc.
Photograph
Part of collection of Photographs donated to the Museum by the family of the late Mr. Jack Jenner (1977)Black & White Photograph of an Original Farm DrayLabelled: Original Farm Dray in which McIlwraith Family came to Phillip Island in January 1869.local history, photography, photographs, slides, film rural industry, farm machinery, view cowes, black & white photograph, jack jenner, farm dray, mcillwraith family, phillip island -
Greensborough Historical Society
Photographs, Linesmen 1950s, 1950c
Photograph 1 shows 5 men (linesmen) on lunch break. (L-R) Stan Hassett, unknown, possibly Charlie Barnett, Jock Petrie, unknown. Photos 2 and 3 show the crew erecting power poles.These photos are significant as they show some Greensborough men at work, and the method of erecting power poles before heavy machinery was used.3 black and white photographs. Subject is electrical linesmen and the erection of electricity poles.sec, linesmen, power poles, state electricity commission, stan hassett, charlie barnett, jock petrie -
Greensborough Historical Society
Photograph - Digital Image, Mystery mine photographs: Steam plant for crusher, 1935c
Steam plant for ore crusher,.An interesting collection of photographs, the connection to Greensborough remains a mystery. Digital copy of 2 black and white photographs, two of 30 photos of mining operations.Photos have no markings or dates. Donor unknown.tasmania, mines and mining, mining machinery -
Greensborough Historical Society
Photograph - Digital Image, Mystery mine photographs: Washing table for ore concentrate, 1935c
Washing table for ore concentrate..An interesting collection of photographs, the connection to Greensborough remains a mystery. Digital copy of 2 black and white photographs, two of 30 photos of mining operations.Photos have no markings or dates. Donor unknown.tasmania, mines and mining, mining machinery -
Greensborough Historical Society
Photograph - Digital Image, Mystery mine photographs: Shed lined with hessian, 1935c
This photograph shows a shed lined with hessian and a water tank in the shed..An interesting collection of photographs, the connection to Greensborough remains a mystery. Digital copy of black and white photograph, one of 30 photos of mining operations.Photos have no markings or dates. Donor unknown.tasmania, mines and mining, mining machinery -
Greensborough Historical Society
Photograph - Digital Image, Mystery mine photographs: Checking sediment in washing table, 1935c
This photograph shows one worker checking sediment in washing table, while a man in a suit looks on..An interesting collection of photographs, the connection to Greensborough remains a mystery. Digital copy of black and white photograph, one of 30 photos of mining operations. Some fading on this photograph.Photos have no markings or dates. Donor unknown.tasmania, mines and mining, mining machinery -
Greensborough Historical Society
Photograph - Digital Image, Mystery mine photographs: Building staff quarters, the start, 1935c
This photograph shows the start of building workers huts at the mine site..An interesting collection of photographs, the connection to Greensborough remains a mystery. Digital copy of black and white photograph, one of 30 photos of mining operations. Photos have no markings or dates. Donor unknown.tasmania, mines and mining, mining machinery -
Greensborough Historical Society
Photograph - Digital Image, Mystery mine photographs: Building staff quarters, with tripod, 1935c
This photograph shows the start of building workers huts at the mine site, with a tripod set up to lift the building components...An interesting collection of photographs, the connection to Greensborough remains a mystery. Digital copy of black and white photograph, one of 30 photos of mining operations. Photos have no markings or dates. Donor unknown.tasmania, mines and mining, mining machinery -
Greensborough Historical Society
Photograph - Digital Image, Mystery mine photographs: Building staff quarters, nearing completion, 1935c
This photograph shows the workers huts at the mine site, nearing completion, with several completed huts in view..An interesting collection of photographs, the connection to Greensborough remains a mystery. Digital copy of black and white photograph, one of 30 photos of mining operations. Photos have no markings or dates. Donor unknown.tasmania, mines and mining, mining machinery -
Greensborough Historical Society
Photograph - Digital Image, Mystery mine photographs: Building staff quarters with men outside, 1935c
This photograph shows the workers huts at the mine site, nearing completion, with men standing outside..An interesting collection of photographs, the connection to Greensborough remains a mystery. Digital copy of black and white photograph, one of 30 photos of mining operations. Photos have no markings or dates. Donor unknown.tasmania, mines and mining, mining machinery -
Greensborough Historical Society
Photograph - Digital Image, Mystery mine photographs: Workers at top of shaft, 1935c
This photograph shows workers at the mine site, at the top of the mine shaft. A ladder can be seen at centre of photo..An interesting collection of photographs, the connection to Greensborough remains a mystery. Digital copy of black and white photograph, one of 30 photos of mining operations. Photos have no markings or dates. Donor unknown.tasmania, mines and mining, mining machinery -
Greensborough Historical Society
Photograph - Digital Image, Mystery mine photographs: Workers posing for the camera, 1935c
This photograph shows workers posing for the camera - one with a pan and the other with a large rock on his shoulder..An interesting collection of photographs, the connection to Greensborough remains a mystery. Digital copy of black and white photograph, one of 30 photos of mining operations. Photos have no markings or dates. Donor unknown.tasmania, mines and mining, mining machinery -
Greensborough Historical Society
Photograph - Digital Image, Mystery mine photographs: Panning, 1935c
This photograph shows a worker panning in the creek..An interesting collection of photographs, the connection to Greensborough remains a mystery. Digital copy of black and white photograph, one of 30 photos of mining operations. Photos have no markings or dates. Donor unknown.tasmania, mines and mining, mining machinery -
Greensborough Historical Society
Photograph - Digital Image, Mystery mine photographs: Builing the crusher plant, 1935c
Building the crusher plant (two angles). Hopper (centre left) to feed crusher..An interesting collection of photographs, the connection to Greensborough remains a mystery. Digital copy of 2 black and white photographs, two of 30 photos of mining operations.Photos have no markings or dates. Donor unknown.tasmania, mines and mining, mining machinery -
Greensborough Historical Society
Photograph - Digital Image, Mystery mine photographs: Crusher plant with walls, 1935c
Crusher plant with walls and winch track right of centre to pull truck to hopper at top.An interesting collection of photographs, the connection to Greensborough remains a mystery. Digital copy of 2 black and white photographs, two of 30 photos of mining operations.Photos have no markings or dates. Donor unknown.tasmania, mines and mining, mining machinery -
Greensborough Historical Society
Photograph - Digital Image, Mystery mine photographs: Shaft and pulley, 1935c
Shaft and pulley bring ore out of mine and tip into cart (two views).An interesting collection of photographs, the connection to Greensborough remains a mystery. Digital copy of 2 black and white photographs, two of 30 photos of mining operations.Photos have no markings or dates. Donor unknown.tasmania, mines and mining, mining machinery -
Greensborough Historical Society
Photograph - Digital Image, Mystery mine photographs: Shaft and pulley 2, 1935c
Shaft and pulley bring ore out of mine and tip into cart (two views).An interesting collection of photographs, the connection to Greensborough remains a mystery. Digital copy of 2 black and white photographs, two of 30 photos of mining operations.Photos have no markings or dates. Donor unknown.tasmania, mines and mining, mining machinery -
Greensborough Historical Society
Photograph - Digital Image, Mystery mine photographs: Inside the 10-head crushing plant, 1935c
This photograph shows inside the 10-head crushing plant.An interesting collection of photographs, the connection to Greensborough remains a mystery. Digital copy of black and white photograph, one of 30 photos of mining operations. Photos have no markings or dates. Donor unknown.tasmania, mines and mining, mining machinery -
Greensborough Historical Society
Photograph - Digital Image, Mystery mine photographs: Dairy herd on the property, 1935c
This photograph shows a dairy herd on the property.An interesting collection of photographs, the connection to Greensborough remains a mystery. Digital copy of black and white photograph, one of 30 photos of mining operations. Photos have no markings or dates. Donor unknown.tasmania, mines and mining, mining machinery -
Federation University Historical Collection
Document - invoice, Invoices made out to the Ballarat School of Mines, 1898
A number of invoices made out to the Ballarat School of Mines. .5) William Barrett, Mining and Agricultural Blacksmith .7) Federal Iron Works - J.T. Vercoe .10) Endean and Wilson bicycle agents, makers and repairers. invoices, ballarat school of mines, endean and wilson, bicycles, federal iron works, j. millers "machinery" yard, j. vercoe, william barrett, ironmonger -
Federation University Historical Collection
Book, Samuel Hughes F.G.S., CE, A Treatise on Waterworks for the Supply of Cities and Towns, 1882
Light green embossed fabric bound hardcover book with gold title. 413 pages.N.F. Barret hand written on outer pagesgeological formation, sewerage, springs, pumping machinery, wells, bores, reservoirs, drainage, bagshot sand, filter beds, geology of england, cornish engines, waterworks -
Federation University Historical Collection
Article - Article - Decal designs for machinery, ZILLES COLLECTION: Decal stencils for parts of a cutting machine
Zilles Printers was begun by Lewis Zilles in the early 1930s. It was in McKenzie Street Ballarat. His son Jeffrey also became a printer - letterpress, offset and screen printer. The business became Zilles Printers/Graphics and was in Armstrong Street and later Bell Street Ballarat. Stencil has sections relating to various parts and functions of a cutting machine. These labels / decals would be placed at appropriate parts for the safe operation of the machine.Frosted sheet with black labelled sectionszilles printers, ballarat, machine, labels, decals, cutter height, choke, cutter, park brake, transmission, throttle, turn right, turn left -
Federation University Historical Collection
Magazine - Photograph - Black and White, Berry, Anderson & Co, Ballarat Courier Special Christmas Edition, 1916
A magazine supplement of the Ballarat Courier containing articles, images and advertisement. Images include: St Patrick's Day March, Eight Hour Day procession Advertisements include: Morris undertaker, Olivers, Miller, Hanrahan's Hotelst patrick's day, ballarat townscape, st patrick's day parade, ballarat st patrick's day parade, ballarat courier, hanrahan, morris, labour day, 8 hour day, eight hours day procession, st patrick's day procession, mrs captain ellis, picture palace, grenville college, berry united company ullina, lewis s. smith architect, bolster brothers, buninyong butter factory, aquatic carnival, george e. deeble machinery, cape nelson portland, jelbarts, jelbart's telescope, lin hillman, presbyterian church snake valley, miss a.m. abrams, berry anderson and co, j.a. reynolds, maypole, w.f. coltman, ballarat boot palace, ben nevis elmhurst, jonathan reeve, victorian producers co-operative, r.u. nicholls, f.w. barnes and son, ballarat steam laundryballarat water reserves, yarra river warburton, erskine river lorne, john bray, eden studios, lake wendouree -
Blacksmith's Cottage and Forge
Book, Day, Day Book, 20 January 1920 to 27 April 1921
This book contains information relating to daily work conducted by Charles Edwards, Blacksmith, during period 20th January 1920 to 27 April 1921. It lists customer names, types of work done and costs involved. The written X indicates whether work was paid in full.This books contains historical information relating to peoples names and industries in the Bacchus Marsh district and the work performed for them by the blacksmith during the period mentioned. Most of work relates to shoeing horses, repairs to horse drawn vehicles, repairs to farm machinery/tools and some work on cars.Cardboard covers - green marbled design with black spine. Account type book with red ruled columns. Hand written names, jobs, charges and dates.On the inner cover - Mrs C Edwards, Main Street, Bacchus Marshbook, blacksmith, day, customers, clients, charles edwards -
Flagstaff Hill Maritime Museum and Village
Functional object - Music stand, Early 19th Century before 1860
Thomas Sheraton (1751-1806) appears to have been the first to record the written term “Canterbury” music or magazine stand. In his Cabinet Dictionary of 1803 he refers to “a small music stand” with divisions for holding loose sheet or bound volumes of music. The music stand designed to hold sheet music came into fashion in the late 18th Century in England and was often crafted from mahogany, rosewood or walnut. They were seen as status symbols since music was practiced exclusively by the upper classes of society. In a period when printed music was more widely available and disseminated due to more affordable printing techniques, modern sheet music was very popular and therefore storage for such favoured tunes became a luxury and an opportunity for innovative design by cabinet makers. The Classical period of music, from about 1750 to 1820 and the Romantic Period from around 1815-1910 was the golden age of classical music. And it was at this time that The Canterbury often accompanied the piano in the parlour with styles ranging from Georgian simplicity to Victorian exuberance. Social activities of colonial Victoria would have included evening gatherings of family and friends around the piano to enjoy performances or sing along together with from old and up-to-date music sheets. The Canterbury would also be an elegant and practical place to also store newspapers, magazines, posters and drawings from overseas. The news from ‘home’ would be enjoyed by all. THE INSCRIPTION “Jack Morse” Morse. In 2010 Mr Jack Morse was recognised as one of the “people who have contributed to the long term development of Flagstaff Hill Maritime Village”. He was a member of the Flagstaff hill Planning board and a Current Life Member and had been awarded a Certificate of Service and the provision of an Annual Family Membership for life by Flagstaff Hill. The Morse’s family business, Morse’s Engineering, closed in 2010. It was considered “One of Warrnambool’s longest operating businesses with roots dating to 1883 with the design and manufacture of coaches and buggies, progressing to automotive repairs and later specialising in under-vehicle work” The Canterbury appears to have been handmade prior to 1860 as the dovetails are handmade and there are no saw marks on the drawer sides or back as well the sides. Also the back has small nicks indicating a hand plane or drawer knife was used rather than a saw blade to size the material. Additional indications are that the spindles are slightly different in size meaning they were handmade individually not mass produced. From these indicators the writer believes that the item was made before 1860 as machinery was only used after this date to produce furniture. As yet no individual maker can be attributed to this item, however it is a significant piece historically and is quite valuable if a known maker can be associated with the Canterbury. The item highlights a time in our social history when music played an everyday part in people’s lives as the only entertainment families could enjoy together in their own homes. A Canterbury music stand, having three compartments consisting of twenty turned spindles supporting the slat dividers. A drawer, with two turned wooden handles, is fitted below. The music stand has turnip style turned feet. The drawer front and carcass of the stand are veneered rosewood over a mahogany carcass. The underlined words "Jack Morse" are handwritten underneath the drawer bottom.Hand written inscription on underneath the drawer bottom "Jack Morse".flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, canterbury, music rack, magazine rack, music stand, magazine stand, 19th century furniture, occasional furniture, frederick cornwallis, jack morse, morse’s undercar, music, thomas sheraton, regency furniture, music canterbury -
Flagstaff Hill Maritime Museum and Village
Machine - Treadle Lathe, 1920-1923
The lathe-making business incorporated in 1902 as Drummond Bros Ltd originated in the fertile mind of Mr Arthur Drummond, said to have been living at that time at Pinks Hill, on the southern edge of Broad Street Common, west of Guildford. Mr Drummond, whose accomplishments included several pictures hung in the Royal Academy, was unable to find a lathe suitable for use in model engineering. In 1896 he designed for himself a ‘small centre lathe … which had a compound slide rest with feed-screws and adjustable slides’. He also designed and built ‘lathes of 4.5 inch and 5 inch centre height, which had beds of a special form whereby the use of a gap piece was eliminated but the advantages of a gap-bed lathe were retained’. Assisted by his brother, Mr Frank Drummond, who had served an apprenticeship to an engineering firm at Tunbridge Wells, the first lathes were made in a workshop adjoining Arthur Drummond’s house. The demand that speedily built up led to the decision to form a company and manufacture the lathes for sale commercially. Land was acquired nearby, at Rydes Hill, and the first factory built. The enterprise was a success, and the company quickly established ‘a high reputation in this country and abroad for multi-tool and copying lathes, and gear-cutting machines’. Other lathes were added to the range, including the first of the ’round bed’ machines for which the firm became widely known. A Drummond 3.5 inch lathe was among the equipment of Captain Scott’s 1912 expedition to the South Pole, and large numbers of 3.5 inch and 4 inch designs were exported to Australia, Canada and India. By the outbreak of war in 1914, 5 inch, 6 inch and 7 inch screw cutting lathes, arranged for power drive, were on sale. Large orders were received from the government for 3.5 inch lathes, for use in destroyers and submarines, and 5 inch lathes for the mechanised section of the Army Service Corps. The latter were used in mobile workshops. The factory worked night and day to supply the forces’ needs, until production was disrupted by a fire which destroyed a large part of the works in May 1915. As soon as rebuilding was complete work restarted. At the end of the war the entire production was being taken by the Government departments, a special feature being a precision screw lathe, bought by the Ministry of Munitions in 1918. Between the wars Drummond Bros Ltd introduced new machines for the motor vehicle, and later the aircraft industry, and the works were extended on many occasions to fulfill the increasing orders. The Maxicut multi-tool lathe (1925), designed for high-production turning operations, was one of the first machines of this type to be built in England. It was followed (1928) by an hydraulic version for turning gear blanks, and similar work. Further developments provided machines which, during the Second World War, turned all the crankshafts and propeller shafts for Bristol engines. Others, ordered by the Ministry of Supply were employed in turning shells, and many other specific needs of vehicle and aircraft manufacture were catered for by new types of Drummond lathes. Production of the small centre lathes ceased during the war when the company needed to concentrate on building multi-tool lathes and gear shapers. After the war a completely new Maxicut range was introduced, replacing the older versions, and fully automatic. The types were continually developed, and new versions manufactured until the end of the company’s life in 1980. The disappearance from the scene of Mr Arthur Drummond in 1946, and the end of the company’s autonomous existence in 1953 when the company was acquired by William Asquith Ltd, which was in turn bought by Staveley in 1966, meant that the factory at Rydes Hill became one – albeit very effective – part of a large national engineering company. Achievements at the Guildford works during its last years included the development of automated Maxicut gear-shapers in what was ‘probably the most fully automated gear shop in the country’, while a machine from Guildford was sent to the Osaka Fair in 1962. In 1963 an agreement was signed with Hindustan Machine Tools for the manufacture of Maxicut gear-shapers in state owned factories in Bangalore and Chandigarh. During 1963 the two largest multi-tool lathes ever made in the UK were installed in Ambrose Shardlow’s works in Sheffield for handling cranks up to 14 foot long. In 1976 Drummond lathes were included in Staveley’s £14,000,000 installation in Moscow of an automated production line for Zil motor cars. Up to the end invention continued at Guildford: a new Drummond Multi-turn memory-controlled machine was shown at the International Machine Tool Exhibition in 1977. This could not save the works from the pressures of the late 1970s, and Staveley Industries closed its Guildford site in 1980.An early example of a lathe that was designed primarily for the hobbyist model maker. It is in good condition and sought today by collectors as many of it's attributes were innovative at the time and lead to further development and incorporation of some of its features into more industrial models of production machinery. Lathe, round bed, treadle powered lathe, Drummond Type A, Serial number and maker's inscription. 1920-1923, Made by Drummond Brothers in Guildford, Surrey, England. Lathe is complete with Chuck, Tool post and Tail Stock in situ (30 extra parts)"MADE BY DRUMMOND BROTHERS LIMITED - PATENT TEES - RYDE'S HILL n GUILDFORD SURREY", "Serial Number 01470," "L44" or "L45 " flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, lathe 1920-1923, round bed lathe, treadle lathe, drummond type a, guildford surrey, drummond brothers guildford surrey england, tread'e -
Flagstaff Hill Maritime Museum and Village
Instrument - Ship Log, Early 20th Century
In times past the only way to measure a ship’s speed was to throw a wood log into the water and observe how fast it moved away from the ship. In the 16th century, the log was fastened to a rope knotted at set intervals. The log was thrown over the stern (back) of the vessel and a crew member counted the number of knots that were paid out in a set time. From this, they could estimate the vessel's speed through the water. This was known as streaming the log and is also the derivation of the knot as a measurement of nautical speed. Various manufacturers of nautical equipment had sought over the years to perfect the operation of determining a ship's speed and it wasn't until Thomas Walker and his son Ferdinand developed a mechanical system that eventually made this task became easy for marine navigators. Thomas Walker & Son were internationally renowned in the manufacturing of ship logs the founding father, Thomas Walker (1805–1871), an engineer in Birmingham, patented his mechanical log in 1878 which was a recording instrument that attached to a rail at the stern of a vessel connected by a long cord with a rotor which was towed behind the ship. The instrument dial then recorded the distance travelled. Thomas Walker first went into business to manufacture stoves at 58 Oxford Street Birmingham. Walker’s self-feeding stove was widely lauded at the Paris Exhibition of 1855, winning a prize medal and kickstarting the first of many notable innovations for the Walker family's manufacturing business. However, it wasn’t until working on an earlier ship’s log model invented by his Uncle that Thomas Walker became interested in the further development of this device, used to ascertain a ship’s speed. Walker continued to improve on the common log for the company of Massey & Sons and these improvements were deemed revolutionary. This log became a firm favourite of the West India Association (a British-based organisation promoting ties and trade with the British Caribbean), being the most common log in use for two generations. It took until 1861 for Thomas Walker and his son, Thomas Ferdinand Walker (1831-1921) to patent the first Walker log of many. Together, with the introduction of the A1 Harpoon Log two years later, they established the Walker Log Business as a force to be reckoned with. By his passing in 1871, Thomas Walker Snr had not only founded a family business with considerable staying power but also instilled a tradition of public service. Having sat as a representative on the Birmingham Town Council for 15 years and played an active role in public works, he was soon given the nickname of ‘Blue Brick Walker’. Much like his father, Thomas Ferdinand Walker changed the face of the maritime industry. His patent of 1897, the ‘Cherub’ log, was a notable departure from the past providing a far more accurate reading and replacing the majority of logs of the age. They were the first to produce an electric log (Trident) and the Walker factory was one of the first to introduce the 48-hour work week for employees.The ship log was invented and made by a significant marine instrument maker and innovator of machinery. It demonstrates the huge leap taken to improve navigational accuracy at sea with an instrument that was in use for decades.Ships Log, Walker Trident electric motor, in wooden box with instructions inside box. The motor dial with electric cord is still inside box.Inscription "Admiralty patent number 3332" and "Walker Trident Electric Ship Log (Mark III), 15-25 volt". On top of lid, hand written, is "G TAYLOR"flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ships log, thomas walker & son, electric ships log, marine navigation, thomas ferdinand walker, ship log -
Flagstaff Hill Maritime Museum and Village
Equipment - Company seal embosser, Unknown
The former Albion (West) Woollen and Worsted Mills is a functional structure which has been built in stages, possibly dating from the 1880s, with the earliest sections near to the Barwon River.The Worsted mill operated for about 50 years and at its peak employed around 500 people. In 1973 the mill merged with the British John Foster and Sons Company under some controversial stock and shareholding issues. The mill continued for a short period before closing at a time when much of the Australian textile industry was finding it difficult to compete with overseas operations. In the 30 plus years after the closure, the site was used for several ventures, including the Mill Vintage Markets and a vehicle trim manufacturing operation. In 2011 the site was purchased by Little Creatures of Western Australia to become their main brewery for the eastern states of Australia. Now owned by the Lion Group, Little Creatures started their 60 million dollar transformation of the old mill in 2012. Finally, in 2013 these former walls of industry were soon rattling away to the sounds of a different type of industry, as the first bottles of beer made their way out of the Geelong Little Creatures Brewery. The remaining building of the former Albion Woollen and Worsted Mills has historical significance as one of Geelong's major woollen mills. The venture has operated on the same site for more than a century. The Albion Woollen Mill was one of the four key sites along with Victoria, Barwon and Union Mills that was established in the late 1860s to mid-1870s. These mills were in constant operation on the west side of the Barwon Bridge over the last century and led to Geelong's fame as milling and scouring locality. The Albion Mill was probably the most successful survivor of the early private company operations. It was regarded as a model mill in the late 1880s and was, from all accounts, well-planned and organised with machinery on a par with the great mills of England. It produced high-quality tweeds. Together with the (now demolished) Union Mill it was regarded as the borough's principal industry over the 1870-1900 period and was one of Australia's most significant producers of tweed by 1900. These two mills were more successful, competitive and long-lived than the Barwon and Victoria Mills. The remaining building form is an important reminder of the private ventures of both the Albion and Union Mills and represents a key site of spinning, carding and finishing as well as scouring and dying that occurred in the lower section near to the river. The loss of the adjacent former Union Mill is unfortunate because the complex, together with the former Collins Union Mill office building, was an important reminder of the success of these industries and the reputation they earned for the Geelong region as a centre for quality textile products. Company seal embosser hand operated matte black & brass colour Western District Worsted Mills emblem on frontflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village