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Robin Boyd Foundation
Slide, Robin Boyd, 1966
Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘67 in Montreal. In 1966 Boyd travelled to Far North Queensland and the Northern Territory for research – the Expo exhibits included a coral display, a large rock feature made from Australian sandstone and a native plant garden.Colour slide in a mount. Aerial view on the way to Alice Springs, Northern Territory, AustraliaMade in Australia / 8 / DEC 66M4northern territory, slide -
Robin Boyd Foundation
Slide, Robin Boyd, 1967
Colour slide in a mount. View of Port Phillip Bay, Nepean Highway, Olivers Hill, Frankston, VictoriaMade in Australia / 20 / JUN 67M1 / Encircled 44 (Handwritten)slide, robin boyd -
Robin Boyd Foundation
Slide, Robin Boyd, 1969
Colour slide in a mount. View of sea, unknown locationMade in Australia / 34 / JUL 69M2slide, robin boyd -
Robin Boyd Foundation
Slide, Robin Boyd, 1969
Colour slide in a mount. Aerial view of Melbourne, Victoria, AustraliaMade in Australia / 5 / MAY 69M2slide, robin boyd -
Robin Boyd Foundation
Slide, Robin Boyd, 1969
Colour slide in a mount. Aerial view of Melbourne, Victoria, AustraliaMade in Australia / 6 / MAY 69M2slide, robin boyd -
Robin Boyd Foundation
Slide, Robin Boyd, 1970
Robin Boyd was appointed Exhibits Architect for the Australian Pavilion at Expo ‘70 in Osaka and travelled to Osaka several times in 1969-1970. Boyd designed the innovative Space Tube, which had over 25 exhibition boxes, projecting from it. Amongst the topics covered were Australian scientific innovation (including brain research, immunology, Antarctic research, Snowy Mountains Hydro-Electric Power Scheme, rainmaking, and the night sky), Australian sport, house interiors, car manufacturing, Australian music and art, and Japanese-Australian relations.Colour slide in a mount. General view Osaka Expo '70, Japan, with Australian Pavilion in the backgroundMade in Australia / 13 / MAY 70M3expo 70, osaka, robin boyd, slide -
Winchelsea and District Historical Society
Collection photos, J W (Jack) McClelland, Circ.1915
A series of photos taken in the Otways circ. 1915 showing aspects of the logging operations The actual logging operations are show including logging , transport and mill operations. Also shown are views of the forest at that time including scenic attractions. The life style of the workers is covered showing both the working and living environments. The photos were taken by J W (Jack) McCleland on glass and copies were made available to the Winchelsea Historical Society by a descendant. The collection shows the working and living environment of workers in the timber industry in the early 1900'sSeries of 70 photos from glass plates showing logging by Hendy & Sons near Mt Sabine and views of the Otways. Taken around 1915Nilotways, timber, henry, sabine mcclelland, rail, photo, -
Robin Boyd Foundation
Document - Manuscript, Robin Boyd, Melbourne: 2001 AD, 1969
Searing critique on the public apathy of the environment in which we live, as well as the dichotomy of the professional view of the city and suburbs. Boyd imagines what Melbourne might be like in year 2001.Original manuscript of an article published as 'Melbourne 2001 AD' in "The Australian", 05.03.1969. This is the second of a series of three articles about Melbourne published on consecutive days (see D022 and D024).Typewritten (c copy), quarto, 7 pagesmelbourne, trams, flies, road congestion, robin boyd, manuscript -
Robin Boyd Foundation
Document - Manuscript, Robin Boyd, Melbourne: Symbol of Our Split Image, 1964
A look at Melbourne within a two month span: before and after and opposing views. Discusses Melbourne's good and poor buildings, planning, arts, aesthetics etc. Melbourne does however maintain an image and individuality when compared with other cities.Original manuscript of an article published as ‘Melbourne: The symbol of Australia’s split personality’in "The Australian", 01.09.1964. Typewritten (c copy), pencil edits, quarto, 4 pagesmelbourne, urban character, city, architecture, buildings, australian image, australian culture, robin boyd, manuscript -
Robin Boyd Foundation
Document - Manuscript, Robin Boyd, Mr Claudio Alcorso
Gives four reasons why the introduction of creative design was a "dismal failure", ranging from conservative department store buyers to an unsupportive government. (It is not clear if this is Boyd's view or that of Alcorso, the managing director of a textile company.)Typewritten (c copy), quarto, 1 pagemodern design, textiles, robin boyd, manuscript -
Robin Boyd Foundation
Document - Manuscript, Robin Boyd, The Exhibitionist Expo, 1970
Boyd discusses the exhibition buildings in Expo 70, Osaka, saying that they fall into two distinct categories, sophisticated or naive. Boyd is critical that Japan did not present a view of the future, which might have been expected of it. This manuscript was published under the title ‘Expo and Exhibitionism’ in 'Architectural Review 'Vol.148, No.882, August 1970.Original manuscript of article titled ‘Expo and Exhibitionism’ published in 'Architectural Review' Vol.148, No.882, August 1970, pp. 99 -100 & 109 &110.Typewritten (c copy), foolscap, 3 pages. (2 copies)osaka, expo 70, expo 67, archigram, metabolism, japanese architecture, kenzo tange, noriaki kurokawa, takamitsu azuma, sumitomo pavillion, takara pavilion, gas pavillion, yoshizawa ryusei, robin boyd, manuscript, ohm2022, ohm2022_31 -
Robin Boyd Foundation
Document - Manuscript, Robin Boyd, New Life For Our Cities, 1965
Boyd asks "What sort of cities do we want?" Various alternatives were discussed at the 14th Royal Institute of Architects convention 1965. The theme of the convention was Civic Development, accompanied by a public exhibition "Man in the Street". A fairly clear definition of the ideal shape for our urban character emerged. It was accepted that congestion, dullness and ugliness would become even more of a problem. Boyd offers a bird's eye view of the nature of our cities as we move progressively outwards.Original manuscript of an article published as ‘New life for Cities. The choice – metropolitan excitement or Canberra order?' in The Australian, 10.4.1965.Typewritten (c copy), quarto, 6 pagesroyal institute of architects convention 1965, australian cities, arthur odell, john overall, robin boyd, manuscript -
Robin Boyd Foundation
Document - Manuscript, Robin Boyd, Canberra, 1966
Boyd starts with a vivid description of the pomp surrounding the announcement of the name for Australia's national capital on 12 March, 1913. The history of the development of a national capital, and its design is given, along with the significance of the public landscaping. Includes captions for three Canberra views."The City Among The Hills", in The Book of Melbourne and Canberra, The Griffin Press, Adelaide 1966, pp 32-33.1 Typewritten, 2 Typewritten (c copy), quarto, 12 pages. (Two copies)Reverse P10 has caption in pencilcanberra, walter burley griffin, leslie wilkinson, national capital development commission, canberra landscape, ebenezer howard, garden city, robin boyd, manuscript -
Robin Boyd Foundation
Document - Manuscript, Robin Boyd, Skyline and Houses, c. 1963
Boyd's view of the development of Australian architecture's progression over the years and the slowly forming identity of Australian architecture.Typewritten (c copy), quarto, 5 pagesmodern australia, o-y-o (on your own) flats, robin boyd, manuscript -
Robin Boyd Foundation
Painting, Asher Bilu, Solstar, 1968
Robin Boyd most likely saw Solstar at Asher Bilu's exhibition at South Yarra Gallery in September 1968. In November 1968, Robin Boyd arranged for the loan of this painting from South Yarra Gallery to Australian Pavilion at Expo '70 in Osaka, where Boyd was appointed Exhibit Architect. It hung in the bedroom over a bed, containing a life-size cut-out figure by Bruce Petty, in the Model House Interior exhibit on modern living in the Space Tube. On its return from Expo, the painting was in transit at the Boyd's home in Walsh Street and they liked it so much that they decided to buy it. Solstar originally hung on the wall at the end of the galley kitchen. The artwork at the Boyd's home in Walsh St has been moved several times over the years. Solstar now hangs above the dining table, but at the time of Solstar's acquisition, the Boyds hung the painting "Winter Triumphant" (1920) by Penleigh Boyd, Robin Boyd’s father, above the dining table. In early 2021, Asher and Luba Bilu visited Walsh St to view Solstar again. Asher was extremely happy with how the painting looked and its condition 53 years after painting it. He requested it be hung a little higher and he returned in April to make some minor restorations to remove scratches. Silver mixed media with large black circular area in the central lower half. On reverse has the title: Solstar/A. Bilu/Arrow showing which way up. Unsigned on the front.asher bilu, penleigh boyd, expo 70, osaka, robin boyd, south yarra gallery, walsh st artwork, ohm2022, ohm2022_13 -
Robin Boyd Foundation
Functional object - Bookends
Boyd designed the exhibition for the opening of the Australian Chancery in Washington DC held in June 1969. He designed six cylindrical clear acrylic display cases. One of these exhibits used an anamorphic optical illusion, using compressed images which had normal proportions when viewed through a lens of the half-cylindrical display cases. These bookends were designed as a small scale model for the Chancery exhibition. Placing the disc (item F158) underneath the adjacent two half-cylindrical bookends demonstrates how the bookends behave as a lens.Two half cylindrical acrylic prismsaustralian chancery, walsh st furnishings, robin boyd, ohm2022, ohm2022_3 -
Robin Boyd Foundation
Functional object - Anamorphic disc
Boyd designed the exhibition for the opening of the Australian Chancery in Washington DC held in June 1969. He designed six cylindrical clear acrylic display cases. One of these exhibits used an anamorphic optical illusion, using compressed images which had normal proportions when viewed through a lens of the half-cylindrical display cases. The bookends (item F157) were designed as a small scale model for the Chancery exhibition. Placing this disc underneath the adjacent two half-cylindrical bookends demonstrates how the bookends behave as a lens. This model was created for the House of Ideas exhibition, made by a University of Melbourne, Melbourne School of Design Masters student.Anamorphic image on circular discaustralian chancery, robin boyd, ohm2022, ohm2022_3 -
Robin Boyd Foundation
Photograph - Transparency
Boyd designed the exhibition for the opening of the Australian Chancery in Washington DC held in June 1969. He designed six cylindrical clear acrylic display cases. One of these exhibits used an anamorphic optical illusion, using compressed images which had normal proportions when viewed through a lens of the half-cylindrical display cases. The bookends (item F157) were designed as a small scale model for the Chancery exhibition. Placing the disc (item F158) underneath the adjacent two half-cylindrical bookends (item F157) demonstrates how the bookends behave as a lens.Photocopy of a image on a transparencyaustralian chancery, robin boyd -
RMIT Design Archives
Architectural drawings
Architectural perspective drawing featuring aerial view of the Chancery at the Australian High Commission, Kuala Lumpurink, acetate -
RMIT Design Archives
Architectural drawings, Proposed Extension to Boatshed for Melbourne University Sports Union
Site Plan and View from North-Westink, acetate -
RMIT Design Archives
Design drawings
Designed for Toyota AustraliaDrawing featuring Toyota car body side viewink, paper -
RMIT Design Archives
Design drawings
Designed for Toyota AustraliaDrawing featuring Toyota car body side viewink, paper -
RMIT Design Archives
Design drawings
Designed for Toyota AustraliaDrawing featuring Toyota car body side viewink, paper -
Robin Boyd Foundation
Book, J. M. Richards, A Critic's View, 1971
SoftcoverNonnemodern architecture, 1970s' architecture, public role of architect, walsh st library -
Robin Boyd Foundation
Newspaper - Clipping, Sun-Herald, 1500 Staff needed to run our opera house.... conductor's view' and 'Boycott Feared by Architects’, 15.5.1966
The first article describes the opinion of the British conductor Sir Malcolm Sargent to his visit to the Sydney Opera House. The second article, by Tony Pratt, discusses a possible boycott of Australian architects in competitions to be decided at the annual meeting of the International Union of Architects' International Contents Committee. Robin Boyd’s desk cupboard contained two exercise books (item D482.1-D482.2) and assorted articles, essays and other material regarding the building of the Sydney Opera House, inserted inside the front cover of Walkabout magazine, July 1966 (item P1377). This publication is one of those inserts. Many of these were collected by Boyd’s eldest daughter, Mandie, who recalls that her father was writing a book, but was very disillusioned with the way the entire Opera House saga unfolded.sydney opera house, utzon, sydney opera house project, walsh st library -
Robin Boyd Foundation
Book, eds Various, Chemistry: A Structural View, 1966
HardcoverPencil markings throughoutscience, walsh st library -
Robin Boyd Foundation
Book, Longmans, Looking at Life: 'New Statesman' View, 1964
SoftcoverJohn Davies Perry House 1965walsh st library -
Robin Boyd Foundation
Book, Jill Ker Conway, The Road from Coorain: Recollections of a harsh and beautiful journey into adulthood, 1989
Hardcover w/Dust JacketBlue ballpoint handwritten inscription, first page: 'Patricia and John, / To keep home in your minds - / Much love, / Mary / September 1989' Printed cardboard flyer c. DL size with full colour print on one side and black and white printed text on the back. Flyer for Sotheby's 'Fine Australian Paintings' viewing held in Melbourne 26th November 1990. Printed adhesive mailing label affixed addressed to 'Mr John Davies / 290 Walsh Street / SOUTH YARRA / VIC / 3141'. Full colour image of painting on front: William Blamire Young, "The Prima Donna Awaits Her Cue", 81.5 x 41cm, Estimate $36,000|40,000australian biography, australian women, jill conway, smith college, australian history, walsh st library -
University of Melbourne, Burnley Campus Archives
Plan, 25 Wakanui Street, 1996
Plans for a garden at 25 Wakanui Street by Holmes Design. (1) Point Location Data showing plumbing fixtures. (2) Tracing paper and paper copies Dwg No 13 Site Inventory & Analysis 4/6/96. Scale 1:100. (3) Coloured tracing paper and paper copies, Dwg No 15 Preliminary Plan 6/6/96. Scale 1:100. (4) Tracing paper and paper copies Dwg No 16 Section View Backyard 6/6/96. Scale 1:50. (5) Photocopy of Certificate of Title and Sewerage.wakanui street, holmes design -
University of Melbourne, Burnley Campus Archives
Photograph - Black and white print, Aerial View of Burnley Campus, 1977
... river glenferrie road east swan street aerial view ...Framed enlargements. (A) Burnley College and surrounding suburbs showing the nearly constructed Freeway, the College in the bend of the Yarra River, Glenferrie Road to the East Swan Street to the North. (B) Enlargement of (A) showing detail of Burnley College.burnley college, suburbs, freeway, yarra river, glenferrie road, east swan street, aerial view