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Flagstaff Hill Maritime Museum and Village
Functional object - Lantern Glass, Nier Feuerhand, 1933
The Feuerhand lantern works were established in Beierfeld in the Saxon Ore Mountains. Called Erzgebirge in German or Krušné hory in Czech, is a mountain range in the south of Saxony in Germany known for its craftwork. Lantern production began in the area by Hermann Nier who ran a plumber's workshop around the 1870s and made lanterns, amongst other things. In the town of Beierfeld, also well-known for its metalworking were the brothers Hermann and Ernst Nier who founded a modern production centre for hurricane lanterns manufacture in 1893. Five years after the foundation, the company Frankonia (Albert Frank metalware) bought up the production site and the brothers Nier became production managers. Owing to differences with Frankonia, Hermann Nier finally started its hurricane lantern factory "Hermann Nier Feuerhandwerk" in 1902. In the same year, he applied for a patent for the manufacturing of lanterns using the stamping and folding techniques with tinning by hot-dipping and without hand-soldering. In 1914 the trademark "Feuerhand" was registered for all products as a utility model of the German Reich in German: "Deutsches Reichs-Gebrauchsmuster" (DRGM) and in 1920 the round Feuerhand emblem was added to the brand. Finally, in 1926 the patents, as well as the trademark "Firehand", were also registered in the USA. The manufacture of the well-known small hurricane lanterns the “Baby Series” complete with fireproof borosilicate glass from the Firma Schott firm from Jena started in 1933. Between 1918 and 1938 Nier Feuerhand became the biggest producer of hurricane lanterns in the world. Production continued until 1990.A significant item that demonstrates from its fabrication a manufacturing process that was far in advance of its time and that influenced the production of lanterns from many other manufactures around the world. These types of lanterns made by Feuerhand around the early 20th century are now sought after by collectors.Small round lantern replacement glass called "Feuerhand" Superbaby Model. Design No 58162.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, hurricane lamp glass replacement, glass, hurricane lamp, feuerhand lantern, jena glass works -
Flagstaff Hill Maritime Museum and Village
Functional object - Lantern Glass, Nier Feuerhand, 1933
The Feuerhand lantern works were established in Beierfeld in the Saxon Ore Mountains. Called Erzgebirge in German or Krušné hory in Czech, is a mountain range in the south of Saxony in Germany known for its craftwork. Lantern production began in the area by Hermann Nier who ran a plumber's workshop around the 1870s and made lanterns, amongst other things. In the town of Beierfeld, also well-known for its metalworking were the brothers Hermann and Ernst Nier who founded a modern production centre for hurricane lanterns manufacture in 1893. Five years after the foundation, the company Frankonia (Albert Frank metalware) bought up the production site and the brothers Nier became production managers. Owing to differences with Frankonia, Hermann Nier finally started its hurricane lantern factory "Hermann Nier Feuerhandwerk" in 1902. In the same year, he applied for a patent for the manufacturing of lanterns using the stamping and folding techniques with tinning by hot-dipping and without hand-soldering. In 1914 the trademark "Feuerhand" was registered for all products as a utility model of the German Reich in German: "Deutsches Reichs-Gebrauchsmuster" (DRGM) and in 1920 the round Feuerhand emblem was added to the brand. Finally, in 1926 the patents, as well as the trademark "Firehand", were also registered in the USA. The manufacture of the well-known small hurricane lanterns the “Baby Series” complete with fireproof borosilicate glass from the Firma Schott firm from Jena started in 1933. Between 1918 and 1938 Nier Feuerhand became the biggest producer of hurricane lanterns in the world. Production continued until 1990.A significant item that demonstrates from its fabrication a manufacturing process that was far in advance of its time and that influenced the production of lanterns from many other manufactures around the world. These types of lanterns made by Feuerhand around the early 20th century are now sought after by collectors.Small round lantern replacement glass called "Feuerhand" Superbaby Model. Design No 58162.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, hurricane lamp glass replacement, glass, hurricane lamp, feuerhand lantern, jena glass works -
Flagstaff Hill Maritime Museum and Village
Functional object - Hurricane Lantern, Nier Feuerhand, Between 1915-1920
The Feuerhand lantern works were established in Beierfeld in the Saxon Ore Mountains. Called Erzgebirge in German or Krušné hory in Czech, is a mountain range in the south of Saxony in Germany known for its craftwork. Lantern production began in the area by Hermann Nier who ran a plumber's workshop around the 1870s and made lanterns, amongst other things. In the town of Beierfeld, also well-known for its metalworking were the brothers Hermann and Ernst Nier who founded a modern production centre for hurricane lanterns manufacture in 1893. Five years after the foundation, the company Frankonia (Albert Frank metalware) bought up the production site and the brothers Nier became production managers. Owing to differences with Frankonia, Hermann Nier finally started its hurricane lantern factory "Hermann Nier Feuerhandwerk" in 1902. In the same year, he applied for a patent for the manufacturing of lanterns using the stamping and folding techniques with tinning by hot-dipping and without hand-soldering. In 1914 the trademark "Feuerhand" was registered for all products as a utility model of the German Reich in German: "Deutsches Reichs-Gebrauchsmuster" (DRGM) and in 1920 the round Feuerhand emblem was added to the brand. Finally, in 1926 the patents, as well as the trademark "Firehand", were also registered in the USA. The manufacture of the well-known small hurricane lanterns the “Baby Series” complete with fireproof borosilicate glass from the Firma Schott firm from Jena started in 1933. Between 1918 and 1938 Nier Feuerhand became the biggest producer of hurricane lanterns in the world. Production continued until 1990.A significant item that demonstrates from its fabrication a manufacturing process that was far in advance of its time and that influenced the production of lanterns from many other manufactures around the world. These types of lanterns made by Feuerhand around the early 20th century are now sought after by collectors.Monarch style Lantern painted black. Made in Germany has Freuerhand, manufactures logo on filler cap and top of lamp centre postflagstaff hill, warrnambool, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, hurricane lantern, kerosene lamp, feuerhand lantern works, albert frank metalware, hermann and ernst nier -
Kew Historical Society Inc
Certificate, Town of Kew, Thomas Evan Rand : Roll of Honor of the Town of Kew, 1918
Thomas Evan Rand was born at Hawthorn. He enlisted for service during World War One as an almost 20 year old engineering student, serving with the Australian Flying Corps.A commemorative certificate documenting the war service of Thomas Evan Rand of ‘Urangeline’, Barkers Road, Kew. Thomas Rand was an engineering student when he enrolled as a private in the Australian Army. He embarked on HMAT Orsova A67 on 16 March 1916. He was enlisted in the No 1 Squadron, Flying Corps. The formal certificate records that ‘ Thomas Evan Rand served Australia and the Empire in the Great War and in grateful recognition of his voluntary response to his Country’s Call his name is inscribed on the Roll of Honor of the Town of Kew’. The then Mayor and Town Clerk signed the certificate. [Kew did not become a ‘City’ until 1921]. The certificate highlights emblems and symbols of Australia and Great Britain, and includes the coats of arms of the allies in the war. The certificate is customised with two black and white photographs of Kew: the rotunda in the Alexandra Gardens at left, and boating on the Yarra River at right.Thomas Evan Rand served Australia and the Empire in the Great War and in grateful recognition of his voluntary response to his Country's Call his name is recorded on the Roll of Honor Town of Kew on behalf of the Mayor, Councillors and Burgesses. 1.8.18. E.P. Wynne [Mayor] H. Harrison [Town Clerk]roll of honor (kew), thomas evan rand, world war one, thomas rand, urangeline, kew, australian flying corps, alexandra gardens, wwi, yarra river -
Bendigo Military Museum
Uniform - JACKET AND TROUSERS, SERVICE DRESS, ARMY, Australian Defence Industries, 1980
1. Jacket, khaki colour, wool/polyester fabric, service dress style with gold colour plastic buttons with metal shank and split rings. Buttons have raised emblem RAEME. Collar, shoulder epaulettes, four front pockets, top two with buttons and two metal press studs on flap, lower button down flap. Two lapel badges - metal RAEME. Rank insignia patch on sleeves - crown - Warrant Officer 2nd class. Green colour polyester fabric lining with white cotton manufacturers label. 2. Trousers, khaki colour, wool/polyester fabric, service dress style with fob pocket, two side pockets and one pocket. Green colour polyester fabric lining to waist and pocket with manufacturers white cotton label inside one back pocket.Manufacturers information on labels - black ink print. 1. & 2. "CARBONE APPAREL/ VICTORIA/ ^/ DRY CLEAN ONLY/ RE-PRESS USING IRON AND/ DAMP CLOTH OR MEDIUM/ TO HOT STEAM IRON/ CREASE UPPER HALF OF LAPEL ONLY/ SERVICE NO./ NAME" Handwritten blue ink pen "11.6.80/ ENNST G.A." uniform, army, service dress -
Bendigo Military Museum
Uniform - JACKET, SERVICE DRESS, SAME BROWNE BELT, ARMY, Australian Defence Industries, 1966
3. Sam Browne Belt issued to "V101972 LT. E. HUMPHREYS" - AR AUSTRALIA 31/8 - 1970.1. Jacket - Khaki wool/polyester fabric, Service dress style with belt, silver colour plastic buttons with shank and split pin. Buttons have raised emblem - Armoured Corps. Collar, shoulder epaulettes with silver "1AR" Metal insignia badge - 1st Armoured Regiment; four front pockets, top two with buttons and two metal press studs on flap, lower with flap. Two lapel badges, metal, Armoured Corps. Green colour polyester fabric lining with white cotton manufactureres label - inside right. 2. Belt, Khaki colour wool/polyester fabric, with brass colour metal buckle, brown plastic buttons and leather belt keepers. 3. "Sam Browne" belt, consists of waist belt and shoulder strap, brown colour leather with brass buckle, studs and keepers.1. Manufacturers information on label. Black ink print "E.W. P/LTD/SOUTH AUSTRALIA/1966/ ^/SIZE 42 LONG/ CLASS 8505/66-019-8493/ ARMY NO/ NAME/ DRY CLEAN ONLY/ REPRESS USING IRON AND DAMP/ CLOTH OR MEDIUM TO HOT/ STEAM IRON/ CREASE UPPER HALF OF LAPELS/ ONLY" Handwritten blue ink pen "V101972 LT E. HUMPHREYS/ 1-AR AUSTRALIA/ 31/8 - 1970" uniform, army, service dress, sam browne belt -
Bendigo Military Museum
Uniform - JACKET, SERVICE DRESS, ARMY
1. Jacket - khaki colour wool/polyester fabric Service dress style with belt. Buttons - dull gold coloured metal with shank with raised emblem and lettering. Crown, map of Australia and "AUSTRALIAN MILITARY FORCES". Collar, shoulder epaulettes with three metal rank insignia pips. Gold and red crown, officer pip, Letter "R" = Lieutenant Colonel Retired. Four front pockets - top patch pockets with button closure flap. Lower - inset pockets with button closure flap. Khaki colour cotton sateen fabric lining body of jacket, brown strip lining to sleeves. White cotton manufacturers label on lining inside below collar. 2. Belt - khaki colour wool/polyester fabric service dress style. Copper colour metal buckle with two pins. Leather belt keepers and brown plastic buttons.Manufacturers information on label - dark brown ink print. 1. "M.TX".uniform, army, service dress -
Bendigo Historical Society Inc.
Map - HUSTLER'S ROYAL RESERVE NO 2 CO. - LONGITUDINAL SECTION OF THE HUSTLER'S ROYAL RESERVE NO 2 CO
Longitudinal Section of the Hustler's Royal Reserve No 2 Co. on the Hustler's Line of Reef Bulletin No 33, Plate No VIII. Note - Plates 4, 8, 13, 20, 26 & 31 form a Longutudinal Section from Fortuna Hustler's to Hustler's Consols Mine. Mines mentioned are the Hustler's Royal Reserve No 2 Main Shaft, Hustler's Royal Reserve No 2 Park Shaft, Royal Hustler's, Imperial Hustler's, Great Extended Hustler's Freehold and the Great Extended. Section shows depth of levels, datum lines and height of sill above sea levelyield in ozs od gold. Geological Survey of Victoria emblem. H. Herman, Director, W. Dickson, Secretary for Mines and The Hon. J. Drysdale Brown MLC, Minister for Mines and signed by H S Whitelaw, Underground Survey Office Bendigo, September 1913. This item has not been scanned or photographed.mining, parish map, hustler's royal reserve no 2, longitudinal section of the hustler's royal reserve no 2 co, hustler's royal reserve no 2 (main shaft), hustler's royal reserve no 2 (park shaft), royal hustler's, imperial hustler's, great extended hustler's freehold, great extended, geological survey of victoria, underground survey office bendigo, h s whitelaw, h herman, w dickson, the hon j drysdale brown -
Bendigo Military Museum
Uniform - JACKET, TROUSERS - RAN
RAN Winter Ceremonial Officer's Uniform - black colour wool/polyester fabric. 1. Jacket - double breasted style with six buttons, collar, one inset, left breast pocket, two inset lower pockets with flap. Collar with two lapel metal badges - gold colour - Coat of Arms, Australia. Shoulder patch - black fabric, gold lettering "AUSTRALIA". Sleeve rank insignia patch fabric - Coat of Arms Australia = Warrant Officer. Buttons - gold colour metal buttons with shank with raised emblem lettering. Queens Crown, Anchor and "AUSTRALIA". Lining - black colour, polyester cotton fabric. Two concealed pockets. 2. Trousers - with fob pocket, two inset side pockets, one inset back pocket. Belt loops nylon/metal zipper fly and metal hook closer.Manufacturers inscription on back of buttons "STOKES & SONS/ VICTORIA"uniform, ran -
The Ed Muirhead Physics Museum
Slides, Test with box
8 micrometer (microscope) test slides stored in wooden box with storage slots. Cardboard label inside box: “From Melbourne University Physics Dept Museum. Probably Grayson trials or William Stone” “ Microrulers/W S” on lidOn box: “Micronmemters W.S.” On 43.2: unlabeled, with glass rectangle 30x10mm cemented on microslide On 43.3: red and gold emblem/”Micronmemter 100 and 1000 in an inch” On 43.4: “Depth 0.10 mm; contents of 4 squares 0.001 C.mm ” On 42.5: unlabeleed square 9 x 7 mm. On 43.6: “1/100 1/500 inch” On 43.7: “200/inch 500/ inch 1000/ inch 2000/ inch” On 43.8: “1/100 1/500 inch” On 43.9: “Heavy lines up to 70,000. Higher Lines broken up” : “120X”(??) -
Colac RSL Sub Branch
Badge - 3 Badges, a) Sailors, Soldiers & Airmen TB Association of Victoria badge. b) R.S.S.A.I.L Womens Auxiliary badge. c) RSL Womens Auxiliary Key Ring
RSL paraphernaliaMedium significancea) Small round red, blue and gold cap badge with gold crown on top with a light green background b) Round blue and silver brooch type badge with a crown on top c) Round key ringa) Front:- Gold Army, Airforce and Navy emblems. Rear on a blue background. Gold lettering TB Sailors, Soldiers & Airmen Association of Victoria. Gold crown with 99 on a light ground background. Rear:- Swann & Hudson. Frankston. 3862 b) Front:- Australian Flag on a Silver background. Womens Auxiliary. R.S.S.A.I.L. Crown with 99 on a green background Rear:- Swann & Hudson. Frankston c) Front:- Australian Flag on a Gold background. Gold lettering around the rim, "Women' s Auxiliary. RSL on a blue background with a red crown on top Rear:- blankassociation badges -
Clayton RSL Sub Branch
Medal, cc 1920's
Instituted by King George V in 1919 to mark the end of World War I and record the service given. The British War Medal 1914-20 was awarded as follows: Navy: 28 days mobilised service in Australia, at sea or overseas during prescribed periods. Army: Entered theatres of war during specified periods or left places of residence and rendered approved service overseas. Mercantile Marine: Awarded to the men and women of the Mercantile Marine who served at least six months at sea between 4th August 1914 and 11th November 1918. Licensed Pilots, Fishermen and crews of Pilotage and Lighthouse Authorities' Vessels, and of Post Office Cable Ships were also eligible. Those eligible also included members of women's organisations; persons on the staffs of military hospitals and members of recognised organisations who handled sick and wounded; and members of other duly recognised or other authorised organisations as specified in medal regulations. The qualification period of service between 5 August 1914 and 11 November 1918 was later extended to cover post-war mine clearance and service in Russia during 1919 and 1920. The ribbon has a wide central watered stripe of orange, flanked by two narrow white stripes, which are in turn flanked by two black pin-stripes, further flanked by two outer stripes of blue. The colours have no particular significance. The medal is cupro-nickel with the effigy of George V on the obverse. The reverse has an image of St George on horseback trampling underfoot the eagle shield of the Central Powers, and a skull and cross-bones, the emblems of death. Above this is the risen sun of victory. The years 1914 and 1918 are contained on the outside edge medal.GEORGIVS V BRITT OMN:REX ET IND:IMP: 2186 FRASER, Thomasbritish war medal, medal, first world war, world war one, ww1 -
National Wool Museum
Book - Wool Classing Exercise Book, 1937-38
The story of 90 years of wool classing between father & son begins in 1936, when a young boy by the name of Stanley James Hucker walked through the doors of the Gordon Technical School in Geelong. Born in 1921, Stanley was 15 years of age when he began his 3-year course in Wool Classing. 30 years later, Stanley’s second son Denis completed the same 3-year wool classing course. Beginning in 1966, Denis attended the same Gordon Technical School and walked the same halls as his father before him. Stanley finished his course in 1938. He went back to the family farm in Lake Bolac for a brief period before enrolling in the Second World War. At the completion of the war, Stanley returned home and married before gaining a soldier settler allotment, north of Willaura. This enabled Stan to use his wool classing knowledge. He ran between 1,500 and 2,000 sheep for many years, while his wool classer stencil also allowed him to go out and class at various sheds around the area. He held his stencil from 1938 until he retired at the age of 60 in 1981. On retirement, his second son Denis was working in the district, managing a local property while also leasing land himself. Upon his father’s retirement, Denis had the opportunity to lease his father’s farm, an opportunity he could not refuse. Denis had finished his wool classing course at the Gordon Technical School in 1968, graduating dux of his class. He began working with a local contractor and started classing wool in his team. Denis gained a great deal of experience working as part of this team in big sheds of up to 8 stands servicing between 10 & 20,000 sheep. It was not all smooth sailing for Denis however, and he soon learnt an important lesson. Class wool the way you’re taught, don’t listen to the owner standing over your shoulder. At a clip of Corriedales near Casterton, Denis was pushing too many fleeces into the line of fine wool. This resulted in a notice from the Australian Wool Exchange (AWEX) “mixing counts too much, submit three clips for inspection”. Denis was able to submit 3 clips with no further complaints, however, this proved a valuable lesson he would never forget over his long career classing wool. In the early 1980s, when Denis was leasing two properties including his father’s, things were going well until drought struck. February 1983 was the date of the Ash Wednesday bushfires, and saw Melbourne have three days over 40 °C for only the second time on record. This period saw Denis give away farming, turning towards contracting work instead. After the difficult times of the early 1980s, the next two decades were a good time for the sheep industry. 15 micron wool was selling for prices between 4 to 5,000 cents per kilo, double what you’d expect for the same wool in 2022. In 1995 a single bale of wool sold for a million dollars. This was a good time for Denis too. His contracting work saw him employing local shearers and shed staff. His team was involved with the shearing and classing of more than 130,000 sheep. After 20 years of contracting, it was time for Denis to transition into the next phase of his life. He gave up independent contracting, preferring instead to return to being a member of someone else’s team. In 2018, having completed 50 years of wool classing, it was time to call it a day and retire completely. At the annual Gordon Wool School Old Students Association dinner held in 2018, Denis was presented with his 50 years as a registered wool classer stencil awarded by the Australian Wool Exchange (AWEX). This is a rare honour achieved by few. As of February 2020, a total of 430 wool classers had achieved this 50-year milestone. For Denis however, his proudest achievement is achieving 90 years of wool classing with his father. The National Wool Museum is proud to share the collection of objects gained from 90 years in the wool classing industry by Stanley and Denis. This ranges from Stanley’s first stencil and Wool Sample book, started when he first attended the Gordon in 1936. The collection concludes 90 years later with Denis’ 50 years of wool classing Stencil. The collection contains many more objects, all telling the story of these 90 years, and the hard work invested by this dedicated father and son duo. This is the fourth in a series of 5 wool classing exercise books. They were written by Stanley Hucker in his time at the Gordon Technical College from 1936-1938. This book begins in a white cover with blue ink illustrations and writing. It has a centrepiece-coloured emblem of King George VI & Queen Elizabeth with flags of the Union Jack & Australia in background. Internally, the book is handwritten on yellowed pages with blue lines for the assistance in clarity of handwriting. The pages are also surrounded by a margin of red pen. The exercise book’s content is about wool studies relating to the health and productivity of wool sheep. It is handwritten. A selection of pages have been photographed to give an impression of the information taught in classes, 90 years ago. This includes information about: - Wool scouring - Shearing - Lamb marking - Breeding - Fellmongering - Comparison between wool and artificial fibres - Characteristics of good wool - Wool selling methods - Established studs in Victoria - Award rates (1937-38)Front Cover. Wording, printed and handwritten. “CORONATION / EXERCISE BOOK / NAME Stanley Hucker / GRADE SUBJECT Wool / SCHOOL Gordon Front Cover. Illustration’s colour, printed. King George VI & Queen Elizabeth with flags of the Union Jack & Australia in background.gordon institute geelong, wool classing, 1930s sheep farming, 90 years wool classing between father & son -
Melbourne Tram Museum
Decorative Object - Coaster set, Paul Stephen-Daly trading at Louchrilau Nominees Pty Ltd, c1980
Set of 6 drink coasters, with a felt back gold plastic front with an impression of a Melbourne tram contained within a black finished cardboard box. Each coaster has the imprint of the MMTB emblem. The coasters feature: Z3 class - 1980 - has a Stephen Daly trademark logo on the rear. W2 class - 1927 A class - 1910 - 11 R Class - 1266 (Melbourne cable tram) - 1885 X class - 1924 T class - 1917 Produced by Paul Stephen-Daly trading at Louchrilau Nominees Pty Ltd, with address details and contact phone number (6 digits) and a telex number. Given it has a Z3 included, date late 1970's early 1980's. An internet search for the name shows a number of coasters produced by the same person on sale as collectables. See also Reg Item 2856 for another set of 5 and the A and the X class trams.trams, tramways, souvenirs, melbourne -
Bendigo Historical Society Inc.
Award - HARKNESS COLLECTION: FRAMED SHIELD
Large shield in wooden frame and under glass. The shield itself comprise two parts. On the larger, covered in blue material, the pictures of Abraham Harkness and nine other councillors. To the right we have J.H Abbott, A.S. Bailes, D.B. Lazarus, H.M. Marks, H.S. McGowan, W. Honeybone, S. Ryan, J.P. Carolin, J.R. Hoskins. The picture are oval in shape in a silver frame. Mayor Harkness is at the top. The picture are on a blue material and around a wodden shield, this shield possibly silver has the emblem of the City of Bendigo and the inscription: presented to Councillor Abraham Harkness by the Mayor, Councillors and citizens to mark their appreciation of the satisfactory manner in which he filled the high and honourable position of mayor of the City of Bendigo for the years 1897/8 and 1898/9. S.H. McGowan (Mayor) W. Honeybone (Town Clerk). Town Hall, Bendigo December 20, 1899. F.N. Prescott, Bendigo.bendigo, history, mayor harkness, from dudley house. stored at bendigo art gallery from 2000. returned to bhs 03/02/2023 -
Bendigo Historical Society Inc.
Document - VIKKI SPICER COLLECTION: BENDIGO OPERATIC SOCIETY PRODUCTION PROGRAMME BOOKLET, 6th November, 1964
Bendigo Operatic Society Programme Booklet Production 'Brigadoon.' Cover Cream, Black Text Dark Pink Scotch Thistle Emblems & Highland Piper. Performed at The Capital Theatre View Street Bendigo November 6th, 1964 for a five night season. Arranged by J.C. Williamson Theatres Ltd. Music Frederick Loewe. Book & Lyrics Alan Jay Lerner. Musical Director Max O'Loghlen. Producer Cid Ellwood. Songs Include: 'Brigadoon,' 'Down in MacConnachy Square', 'The Love of My Life,' ''I'll Go Home With Bonnie Jean,' ''From This Day On,'' Cast: Leonard Carr, Ferd. Lorenz, Victor White, Jack Werry, Douglas Sayle, Bronwyn Cornwall, Reginald Boromeo, Ian Beckwith, Graham Filcock, Joan Crane, James Watson, Heather Lindhe, Mary Speedy, Peter Ivarsen, George Steele, Fred Trewarne, Colin Cairns, Bert Donovan, Annette Beckwith.Arthur Hocking Printclubs and associations, theatre, bendigo operatic society -
Bendigo Historical Society Inc.
Leisure object - WEDDING/BRIDAL HORSE-SHOE WITH KEWPIE DOLL
Wedding/bridal horse-shoe(s) and associated Kewpie doll and branch of buds/leaves. Doll - Probably celluloid with jointed (shoulder only) arms and attached satin supporting band with a single branch of buds/leaves; Horse-shoe #1 - (cardboard?) shaped horse-shoe covered with narrow ribbon; edges of shoe have imitation pearls (some missing); supportive ribbon attached to either side of shoe; Horse-shoe #2 - slightly padded and covered horseshoe with attached 'sprig' of buds and leaves; attached to one end of horse-shoe is a triangular material 'emblem' with black border, and gold 'bar' on a central white background; Buckle made of mother-of-pearl; small length of narrow ribbon; four separate pieces of 'twigs' with buds and pearls attached. This collection presented in a plastic (modern era) box with cotton wool padding - inscribed with previous catalog number of U2664)costume accessories, female, wedding -
Bendigo Historical Society Inc.
Document - ARMY/NAVY CHRISTMAS CARD, December 1917
Australian Imperial Navy Christmas Card, 1917. Embossed cream colored card with Army/Navy emblem in gold, below are the Union Jack and Australian Red Ensign flags, below the flags is a gold cannon. Inscription inside is on paper which is on paper held in place with twisted heavy cotton, grey or may have been blue, and has been twisted for effects and a 6cm length of wool tied in the bow on the left side of card. Printed inscription reads Christmas, 1917. May the coming days be your happiest days, And your happiest days be your longest. Copyright. Kind Remembrances and Every Good Wish for a very Happy Christmas and Prosperity in the New Year. From (signed) Bdr J Swatton. 11th Brigade, A.F.A. Circle on left page half red and half blue to represent the 11th Brigade. (AFA: Australian Field Artillery). Markings: signature of Bdr J Swatton.personal effects, greeting cards, christmas card - aust armed sevices -
Bendigo Historical Society Inc.
Clothing - ALLAN MONAGHAN COLLECTION: BRIGHT RED BLAZER, 1974
1974 Commonwealth Games jacket - New Zealand. Bright red single breasted wool blazer. Front opening fastened with three 1.7 cm red plastic buttons. Four external front pockets with fold over rectangular flaps. Two breast pockets 11 cm X14cm. LHS breast pocket has white embroidered square emblem with letters N2 in each corner. Two below waist pockets 22 cm X 16 cm. Body of blazer lined with red satin. Two internal pockets in the lining with slit openings. Blazer has centre back 32 cm vent from hem and half belt (fabric) 31 cm X 5.5 cm across centre back above the vent.Long straight sleeves are lined with white satin and have 7.5 cm vents at wrist with two decorative 1.5 cm red plastic buttons. Hanging tape at inside back of neck.Labels inside RHS front ''SABRE'', another Granui product. Made in N2'' ''42'' ''Pure Virgin Wool'' ''XTH British Commonwealth Games 1974''. ''Monaghan'' written on lining of RH sleeve (Pen).costume, male, bright red jacket -
Keilor East RSL Sub Branch
Medal - Civilian Service Medal 1939-45
Replica medal with pale lime green with red centre ribbon, mounted on promotion card with notes.Promotional card reads: The Governor-General awards the Civilian Service Medal 1939-1945 on the recommendation of the Prime Minister or delegate. / The Civilian Service Medal 1939-1945 is bronze and portrays the Southern Cross surrounded by golden wattle , Australia's floral emblem. / The Southern Cross represents Australia and the golden wattle represents the civilian population joining in defence of the country. / The medal ribbon has three vertical bands. The central band is ochre to represent the soil of Australia. / The two outer bands are green for the land and food production. The two white stripes on the ribbon represent communication and construction. civilian, 1939-45, australian -
Flagstaff Hill Maritime Museum and Village
Domestic object - Sewing machine in cabinet, Ward Brothers (G & S Ward), ca. 1933
The donor inherited this Wardana machine from her mother, who bought it in about 1933 and used it to sew garments for her sister's dressmaking business in Frankston, Victoria. The donor often used this machine until she purchased an updated model. There were originally three Ward Brothers who owned the North Melbourne sewing machine business but they had a falling out. This machine's decals on the map of Australia only include the two remaining brothers. The Ward Brothers, G & S Ward, established their sewing machine business in North Melbourne in 1888. The cabinets and ironwork of the machines were made in Australia and the Ward Bros. imported their machines from overseas manufacturers in England, America and Germany. The assembled machines were sold under brand names that included Ward, A.N.A. the patriotic-sounding Australian Sewing Machine Company. The "Wardana" was one of their brands.This sewing machine was fabricated in Australia from imported parts from England, giving a snapshot into the early manufacturing industries that were operating at the time just after Federation.Sewing machine in a wooden cabinet with iron foot-operated cast iron treadle mechanism. The hinged cabinet top opens out to form a worktop. The sewing machine lifts out of the cabinet to sit level with the worktop, resting on two supports within the cabinet. The lockable cabinet door opens from right to left revealing fitted shelves and spikes for spools and bobbins. The gold-painted maker's name is cast into the black treadle. The machine has its original instruction book, oil can, and eighteen accessories in an enclosed cardboard box. The round shallow oil bottle has a rubber dispensing tube. Colourful decals decorate the black body of the machine. Inscriptions include a Serial Number stamped on the bed of the machine. The Wardarna Central Bobbin machine was made in England for the Ward Brothers of North Melbourne.TREADLE: cast into metal ACROSS THE TOPE AND ON THE FOOTPLATE "WARD", "WARD" SERIAL NUMBER stamped into oval plate "28383" DECAL: (Map of Australia ) with images of [two brothers] , "WARDANA" above (logo of the rising sun) DECAL: (Decorative floral design with heraldic-like emblems) above "MADE IN ENGLAND" ARM: "WARDANA" PEDESTAL: "C.B." (representing Central Bobbin) "MADE IN ENGLAND" "MADE IN ENGLAND / FOR / WARD BROS / NORTH MELBOURNE" BOOK TITLE: "Instructions for Treadle Machine" ACCESSORIES: some have indecipherable embossed stamps OIL BOTTLE base: (image of log and short lines radiating from a central inscription (indecipherable)sewing machine, domestic, wardana, ward bros., central bobbin, made in england, north melbourne, c.b., flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, treadle sewing machine, home industry, clothing, dressmaking, clothing manufacturer -
Kiewa Valley Historical Society
Cards - Royal Antediluvian Order of Buffaloes x8 (A - H) plus 4 (I - L), 1950's
The Royal Antediluvian Order of Buffaloes is an organisation that started in 1822 in the United Kingdom. It aids members, their families, dependents of former members and other charitable organisations. Membership is open to all males over the age of 18 years. The R.A.O.B. had lodges in the Kiewa Valley including Rocky Valley, Kiewa and in Tawonga as well as in nearby towns indicating that it was a popular organisation at the time. Lodge Officers are listed on each card.8 Cardboard R.A.O.B., G.A.B. Cards folded in half each with an emblem on the centre front and all with a date of meeting at the bottom. Card A - Blue from Yackandandah, Nov. 1953; Card B - Pink from Myrtleford, March 18th; Card C - Pink from Rocky Valley, July 1955; Card D - Pink from Kiewa (Foundation and Opening) Feb. 1955; Card E - Pale blue from Wodonga, Oct. 1958; Card F- Blue from Kiewa, April 1956; Card G - Blue from Rocky Valley, July 1956; Card H - Blue from Rocky Valley, May 1958. Card I-cream from Tawonga and Rocky Valley. April 1957.Card J -beige from Rocky Valley and Tawonga January 1954. Card K-Beige from Rocky Valley and Tawonga February 1956. Item L - Invitation pink December 1957 from Rocky Valley. Signatures on the invitationr.a.o.b., royal antediluvian order of buffaloes, charity organisation, lodge organisation, tawonga lodge, rocky valley lodge, kiewa valley lodges -
Kew Historical Society Inc
Certificate, Town of Kew, Roll of Honor of the Town of Kew : George Norman Pockett, 1918
George Norman Pockett, who was awarded the certificate was the son of George Pockett , who with his brother designed a number of public parks in Melbourne. George Pockett Snr. was the first curator of the Alexandra Gardens in Kew. (see Comment below)Rolls of Honor were awarded to returned soldiers at the end of the First World War by many towns and cities. This framed certificate awarded to George Norman Pockett by the Town of Kew is one of two held in the Collection. The item is well-provenanced, and through the formal use of emblems and images in the design allows us to make judgements about social and cultural values in the period.Framed Illuminated Certificate: A commemorative certificate documenting the war service of George Norman Pockett of 18 Cobden Street, Kew. George Pockett enrolled at the age of 23 on 5 October 1915, as an engineer in the Australian Army. He embarked on HMAT Wiltshire A18 on 18 November 1915. His rank was that of Warrant Officer Armament Artificer in the 4 FAB [Field Artillery Brigade]. The website of the Australian War Memorial records that he was mentioned in dispatches. The formal certificate records that ‘George Norman Pockett served Australia and the Empire in the Great War and in grateful recognition of his voluntary response to his Country’s Call his name is inscribed on the Roll of Honor of the Town of Kew’. The then Mayor and Town Clerk signed the certificate. [Kew did not become a ‘City’ until 1921]. The certificate highlights emblems and symbols of Australia and Great Britain, and includes the coats of arms of the allies in the war. The certificate is customised with two black and white photographs of Kew: the rotunda in the Alexandra Gardens at left, and boating on the Yarra River at right.George Norman Pockett served Australia and the Empire in the Great War and in grateful recognition of his voluntary response to his Country's Call his name is recorded on the Roll of Honor Town of Kew on behalf of the Mayor, Councillors and Burgesses. 1.8.18. E.P. Wynne [Mayor] H. Harrison [Town Clerk]george norman pockett, first world war - memorabilia - certificates, town of kew (vic), kew war memorial - roll of honor, wwi -
Bendigo Historical Society Inc.
Clothing - DRESS
Cream coloured full length cotton and lace dress with elbow length sleeves, Unlined bodice with high round neckline. Two lace panels at front to form crossover with Vshape filled in with lace panel to neckline. Back centre opening extending from neckline to 30cm below waist. Lace panel at back angling diagonally to LHS across opening. Seven press stud fasteners on bodice, hook and eye at waist. Four press stud fasteners on skirt. Sleeves cut as part of bodice - no seams. Sleeves edged with fine gathered lace. Skirt made from three panels. Two sections are of fine emblems, edged with a wide band of lace with scalloped edges. Third panel is of fine cotton on the LHS. This panel has fine vertical pintucks from the waist to below hips. A band of folded satin ribbon circles the waist with two large ribbon flowers - one LHS of back and one LHS of front(10cm diameter). Possibly a wedding dress.costume, female, dress -
Bendigo Historical Society Inc.
Book - AILEEN AND JOHN ELLISON COLLECTION: THREE DECADES
Book titled "Three Decades" Blue cover with gold lettering. On the front the emblem of the State Electricity Commission of Victoria 1921. The book has 192 pages. Three Decades - the story of the State Electricity commission of Victoria from its inception to December 1948. With a Foreword by The Hon. T. T. Hollway, Premier of Victoria. with 150 illustrations published by Hutchinson & Co. Ltd. First published March, 1949. Contents: Foreword - Chapter 1: The stage is set. Chapter 2: The commission is born - Chapter 3: Electricity from Yallourn coal - Chapter 4: Water power and growth to 1939 - Chapter 5: The war years and Kiewa - Chapter 6: Post war problems and rationing - Chapter 7: the spirit of Yallourn - Chapter 8: looking ahead organisation and finance - Chapter 9: Briquettes from Yallourn coal - Chapter 10: Transport, workshops, stores, purchasing - Chapter 11: The human side - Chapter 12: From power system to consumer - Chapter 13: Research, communications, regulations - Epiloguebooks, technical, electrical -
Bendigo Historical Society Inc.
Document - INVITATION, 1974
Official invitation to Miss L J Parry from The Council of the Royal Historical Society of Victoria. A large cream coloured card printed with the Royal Historical Society emblem in gold in the upper section and printed with the following words in black script: In the distinguished presence of His Excellency Major-General Sir Rohan Delacombe Governor of Victoria and Lady Delacombe, The President Mrs E W Tipping and the Council of the Royal Historical Society of Victoria in association with the Matthew Flinders Bicentenary Citizens Council invites Miss L J Parry to the Matthew Flinders Oration by Professor Joseph Burke, "The Enlightenment: Foundations of Australian Art and Science" on Tuesday 19 March 1974 at 8:00pm in the Great Hall, National Gallery of Victoria St Kilda Rd Melbourne. In the lower left hand corner is printed RSVP 8th March The Director RHSV 459 Collins St 3000 and in the lower right hand corner Please present this card at door Admits two persons.event, official -
Bendigo Historical Society Inc.
Document - INVITATION, 1974
Official invitation to Bendigo Historical Society from The Council of the Royal Historical Society of Victoria. A large cream coloured card printed with the Royal Historical Society emblem in gold in the upper section and printed with the following words in black script: In the distinguished presence of His Excellency Major-General Sir Rohan Delacombe Governor of Victoria and Lady Delacombe, The President Mrs E W Tipping and the Council of the Royal Historical Society of Victoria in association with the Matthew Flinders Bicentenary Citizens Council invites Bendigo Historical Society to the Matthew Flinders Oration by Professor Joseph Burke, "The Enlightenment: Foundations of Australian Art and Science" on Tuesday 19 March 1974 at 8:00pm in the Great Hall, National Gallery of Victoria St Kilda Rd Melbourne. In the lower left hand corner is printed RSVP 8th March The Director RHSV 459 Collins St 3000 and in the lower right hand corner Please present this card at door Admits two persons.event, official -
Bendigo Military Museum
Uniform - MESS DRESS - RAAF, 2006
For Service History Refer Cat No. 7877.6.1. Jacket - dark blue colour wool/polyester fabric. Mess Dress style winter collar and long lapels, shoulder epaulettes with Sqn Leader Rank slides - crown and wings. Three rank stripes and "AUSTRALIA" in gold metal and fabric. Gold colour plastic buttons with shank and metal pins. Raised emblem, crown and wings - RAAF. Lining dark blue polyester fabric. White cotton manufacturers label. 2. Trousers - dark blue colour wool/polyester fabric. Fob pocket, two inset side pockets and one back inset pocket. Nylon and metal zipper fly with metal hook closer. Dark blue polyester fabric lining to waistband and pockets. Manufacturers label. 3. Belt - black colour polyester/cotton webbing with metal slide buckle. 4. Cummerbund - dark blue colour elastic fabric, broad sash with hook and loop (Velcro) tape to adjust length. Manufacturers label.Manufacturers information - black ink print. 1. "TRANS TAILORING/ CANBERRA/ EST. 1994/ JOB NO./ RANK/ NAME/ 70% WOOL 30% POLY/ DRY CLEAN ONLY/ REPRESS WITH DAMP CLOTH/ DO NOT SITO SET." 2. "R76/ADA/ 66-2009/ NSN: 8405 66 146 6560/ SIZE: 100S /WAIST: 100 SEAT: 115/ SERVICE NO:/ NAME:/ LAUNDRY INSTRUCTIONS/ 70% WOOL 30% POLYESTER/ DRY CLEAN ONLY/ REPRESS WITH DAMP CLOTH/ WARM IRON/ DO NOT SIRO SET. 4. "ADI/^ /VIC 1992/ 8440.66.035.3818/ SIZE 38" Handwritten black ink pen. 1. "4573/ SQNLDR/ WRIGHT" 2. S. WRIGHT.uniform, raaf, mess dress, winter, s. wright -
National Wool Museum
Work on paper - Men's Official Occasions Uniform Design Drawings, Wendy Powitt, c. 1992
A set of laminated A3 sketchbook pages depicting designs for the 1992 Barcelona Olympic Men's Official Occasions Uniform designed by Wendy Powitt. On the 1992 Barcelona Olympic Games donor Doug Pleasance wrote- The 1992 Barcelona Olympic Games saw an evolutionary change in designer selection. A Declaration of Interest Form was communicated to over forty potential designers. The task and especially tight timelines that were involved deterred many aspirants, however, there remained eight designers with the potential we were seeking. These eight designers were paid $3,000 per submission and the winning designer, Wendy Powitt, was paid $15,000. For the first time the judging panel included two athletes, one male swimmer and one female basketballer, their influence was pivotal. The Official Uniform was used for both travel and official functions. This included a tailored blazer and trouser/skirt set (all water repellent) by Fletcher Jones in pure olive green faille fabric by Foster Valley, a cotton PE formal shirt by Pelaco, pure wool knitwear by Spangaro, a printed wool tie by TD Noone, wool nylon socks by Holeproof and footwear by Hush Puppy.8117 .1 - A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Men's Official Occasions Uniform. The main drawing shows the design for black suit pants and blazer, a yellow shirt with a white collar and a floral printed tie. Two detail drawings appear at the top of the page depicting the Australian emblem in detail as well as the suit jacket and shirt. 8117.2 - A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Men's Official Occasions Uniform. The main drawing shows the design for a pair of black trousers, a yellow button up shirt with a white collar and cuffs and a floral printed tie. Around the main image are three smaller drawings depicting the detail of the trousers, belt clasp and black shoes. 8117.3 - A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Men's Official Occasions Uniform. The main drawing shows the design for a pair of trousers, a green knit, button up vest, a yellow shirt with a white collar and cuffs and a floral printed tie. On this design there is also a small swatch of yellow fabric attached as well as a small detail drawing of the knit vest behind the right shoulder of the man depicted. 8117.4 - A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Men's Official Occasions Uniform. The main drawing shows the design for a pair of trousers, a yellow button up shirt and a printed striped tie. 8117.5 - unnumbered - A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Men's Official Occassions Uniform. The main drawing shows the design for black suit pants and blazer, a yellow shirt with a white collar and a floral printed tie. Two detail drawings appear at the top of the page depicting the Australian Emblem set on top of stripes in detail as well as the suit jacket and shirt. 8117.6 - A laminated A3 sketchbook page depicting a design for the 1992 Barcelona Olympic Men's Official Occassions Uniform. The main drawing shows the design for black shorts and floral button up shirt, belt, lace up shoes with socks and pocket detail.1992 barcelona olympics, sport, athletes, fashion, design, artwork, drawing, uniform -
Flagstaff Hill Maritime Museum and Village
Functional object - Lamp, circa 1878
This Flying Angel lamp bracket was recovered from the wreck site of the steam sailing ship, "Loch Ard", which sank near Port Campbell, Victoria in 1878. It formed part of the ship's cargo. The 'flying angel' lamp was, for a time, displayed in the St Nicholas Seamen's Church at Flagstaff Hill. The design was very appropriate to the Missions to Seamen, being associated with the emblem of the 'flying angel' on the Missions' to Seamen's flag. Brief history of the Loch Ard: The vessel Loch Ard was constructed on the Clyde River in Scotland in 1873 for the prestigious Loch Line of colonial clipper ships, designed for the Australian run. She sailed from England on 1 March 1878 carrying 37 crew, 17 passengers and a diverse general cargo ranging from luxury items to bulk railway iron. On 1 June 1878, emerging from fog and hearing too late the sound of breakers against the tall limestone cliffs, the vessel struck the southern foot of Mutton Bird Island and sank in 23 metres of water. Of the fifty-four people on board only two survived, one young male crewman, Tom Pearce, and one young female passenger, Eva Carmichael. A century later, despite the pounding seas and the efforts of looters, the wreck site continued to provide ample evidence of the extraordinary range of goods being imported into the Colony of Victoria in the post-Gold Rush era. Flagstaff Hill divers in the 1970s reported finds of “Bottles of champagne, window panes, rolls of zinc, barrels of cement, iron rails, clocks, lead shot, corrugated iron, lead, marble, salad oil bottles, ink bottles, copper wire, gin bottles, rolls of carpet, floor tiles, copper rivets, gas light fittings, pocket knives, toys, crystal chandeliers, beer mugs, cutlery, candles sticks, wick scissors, cow bells, and sauce bottles.” The lamp bracket is significant for its connection with the wreck of the sailing ship, Loch Ard, in 1878. Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Gas lamp, brass, single burner, wall-mounting bracket, delicately crafted. Ornate decoration features bust of an angel with up-swept wings, or 'flying angel'. Recovered from the wreck of the Loch Ard.Noneflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, lamp fitting, shipwreck artifact, 1878, shipwreck cargo, household effects, 19th century lighting, angel lamp, loch ard lamp, angelic lamp, lighting at sea, marine technology, ship's lighting, flying angel, gas lamp, maritime archaeology, port campbell