Showing 4537 items
matching germans
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Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Deliberations [Beratung] 1895, Kathe Kollwitz
German 1867 - 1945Etching K.25 vii, rejected version for Plate 3 in the Weavers Cycle -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Weavers on the March, Kathe Kollwitz
German 1867 - 1945Etching K.32 iv b, Plate 4 in the Weaver's cycle -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Onslaught [Sturm] 1897, Kathe Kollwitz
German 1867 - 1945Etching and emery, K. 33 v b, Plate 5, Weavers cycleEstate Stamp -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - The Ending [Ende], Kathe Kollwitz
German 1867 - 1945Etching, aquatint , emeryK.37V, Plate 6, Weavers cycle -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Woman at the Cradle [Frau an der Wiege] 1897, Kathe Kollwitz
German 1867 - 1945Etching K.38 iii DLater version -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Hamburg Tavern [Hamburger Kniepe] 1901, Kathe Kollwitz
German 1867 - 1945Soft - ground Etching K. 58 -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Uprising [Aufruhr] 1899, Kathe Kollwitz
German 1867 - 1945Etching K.44, related to the Weavers cycleArtists estate stamp l.r -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - The Downtrodden [Zertretene] 1900, Kathe Kollwitz
German 1867 - 1945Etching, K.44 B ii: larger, r/hand portion of cut-down plate -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Death and Woman [Tod und Frau] 1910, Kathe Kollwitz
German 1867 - 1945Etching and emery through-press process, K.103 viii bPrinters marks -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - The Ploughers [Die Pfluger] 1906, Kathe Kollwitz
German 1867 - 1945Etching and aquatint. K .94 ix b, Plate 1, Peasant War cycleInscribed 21 in plate l.l -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Inspiration [Inspiration] 1905, Kathe Kollwitz
German 1867 - 1945Etching and through-press process, K.91 ixb -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Almost Whetted [Beim dengein]1905, Kathe Kollwitz
German 1867 - 1945Etching, K.90 xiib, Plate 3, Peasant War cycle 1921 reprintInscribed in Plate 1921; artists stamp -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Outbreak [Losbruch], Kathe Kollwitz
German 1867 - 1945Etching, K.66 xi, Plate 5 Peasant War cycleSigned and dated l.r -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Battlefield [Schlachtfeld] 1907, Kathe Kollwitz
German 1867 - 1945Etching/textile trough press, K.96 xi, Plate 6, Peasant War cycle -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - The Prisoners [Die Gefangenen] 1908, Kathe Kollwitz
German 1867 - 1945Etching/textile through-press, K.98 xi, Plate 7, Peasant War cycle -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Bust of Working Woman with Blue Shawl 1903, Kathe Kollwitz
German 1867 - 19453-colour Lithograph -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Woman's Head [Frauenkopf], Kathe Kollwitz
German 1867 - 1945Soft-ground etching K.68Inscribed in type under image -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Woman's Head Downcast [Gesenkter Frauenkopf] 1905, Kathe Kollwitz
German 1867 - 1945Soft ground etching K. 77Signrd l.r in pen; appears to later version of woman downcast -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Pregnant Woman [Schwangere Frau], Kathe Kollwitz
German 1867-1945Etching and soft-ground etching K.108 vi bInk stamp signature l.r -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Mother with Child in Arms, Kathe Kollwitz
German 1967 - 1945Drypoint and soft-ground etching, K.110 -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Self-portrait with hand on brow [Selbstbildnis mit der Hand an der Stirn] 1910, Kathe Kollwitz
German 1867 - 1945Etching K.106Inscribed beneath image -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Tod. Frau and Kind [Death, Woman and Child], Kathe Kollwitz
German 1867 - 1945Etching and through-press, K.113Later imprint -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Fallen in Battle [Gefallen] 1921, Kathe Kollwitz
German 1867 - 1945Second version lithographSigned -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Tribute to Karl Liebknnecht [Gedankblatt fur Karl Liebknecht] (part) 1919, Kathe Kollwitz
German 1867 - 1945Etching K.137VA b -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Self-portrait [ Selbstbildnis] 1921, Kathe Kollwitz
German 1867 - 1945Etching K.155 vii -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - The Rousing Orator [Der Agitationsredner], Kathe Kollwitz
German 1867 - 1945Lithograph K.224Signed and illeg.inscriptions. -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Christ Nailed to the Cross c. 1504 - 1505, Albrecht Durer
German 1471 - 1528Woodcut [Small woodcut 'Passion']Initialled in plate -
City of Moorabbin Historical Society (Operating the Box Cottage Museum)
Personal Effects, safety razor blade 'King Gillette'', 20thc
King Camp Gillette observed in 1902 that as existing, relatively expensive, razor blades dulled quickly and needed continuous sharpening, a razor whose blade could be thrown away when it dulled would meet a real need and likely be profitable. Safety razors had been developed in the mid-19th century, but still used a forged blade that dulled and rusted. In the 1870s, the Kampfe Brothers ( Germany) introduced a type of safety razor Gillette improved these earlier safety-razor designs, and introduced the high-profit-margin stamped razor blade steel blade. Gillette's innovation was the thin, inexpensive, disposable blade of stamped steel. Gillette's safety razor retailed for a substantial $5 half the average working man's weekly pay — yet sold by the millions. The most difficult part of development was engineering the blades, as thin, cheap steel was difficult to work and sharpen. This accounts for the delay between the initial idea and the product's introduction. To sell the product, Gillette founded the American Safety Razor Company on September 28, 1901 (changing the company's name to Gillette Safety Razor Company in July 1902). Gillette obtained a trademark registration (0056921) for his portrait and signature on the packaging. Production began in 1903, when he sold a total of 51 razors and 168 blades. The following year, he sold 90,884 razors and 123,648 blades, thanks in part to Gillette's low prices, automated manufacturing techniques and good advertising. By 1908, the corporation had established manufacturing facilities in the United States, Canada, England, France and Germany. Razor sales reached 450,000 units and blade sales exceeded 70 million units in 1915. In 1918, when the U.S. entered World War I, the company provided all American soldiers with a field razor set, paid for by the government, and as they were allowed to take them at discharge they continued their use of this product thus ensuring future sales. The company continues in the present day as the Gillette brand of Procter & Gamble, USA. Throughout the 20thC most men used this type of safety razor with disposable stainless steel razor blades to shave their beards prior to the introduction of affordable electric razors in 1960'sA blue packet of unused 'King Gillette' safety razor blades.on top of packet; Press with thumb / and snap end open / GILLETTE QUALITY THE / SAME THE WORLD OVER / FACTORIES IN / USA / CANADA , GREAT BRITAIN / MEXICO , FRANCE / COLUMBIA, GERMANY / BRAZIL, SPAIN / ARGENTINA, AUSTRALIA / GILLETTE TRADE MARK / KING C GILLETTE / RED. TRADE MARKS / GILLETTE (AUST.) PTY. LIMITED / MELBOURNE / DE 2023 / MADE IN AUSTRALIA / shaving equipment, safety razors, gillette king, proctor & gamble, moorabbin, bentleigh, cheltenham, -
Bendigo Military Museum
Postcard - POSTCARDS, PHOTOGRAPHIC WW1, c.1914 - 1918
Black & white photos of WWI battle scenes in Europe. Seven Daily Mail battle pictures, black & white. Official war photos, Series VIII. No 57 Wounded. Tommy to Photographer: I'm not a German! No 58 Black Watch Pipers Playing to the Captors of Longueval. No 59 The Burial of two British Soldiers on the Battlefield. No 60 A Fag After a Fight. No 62 British Machine Gunners Wearing Gas Helmets. No 63 Tommy at Home in German Dugouts. No 64 A Big Mine Exploding.postcards - photographs, military history, passchendaele barracks trust -
Lara RSL Sub Branch
Card & Envelope, Raphael Tuck & Sons,Ltd.Publishers to the King and Queen, Australian Comforts Fund Xmas & New Years Greeting Card 1918-19, Circa 1918-19
Small Christmas card produced for the Australian Comforts Fund, Christmas 1918. Christmas & New Years Greetings, 1918-19, with scenes of battles at Villers-Brettonneux and Hamel, and views of a captured tank and a 14cm. gun. Produced by Raphael Tuck & Sons, Publishers to the King and Queen.These cards were sent by service personal serving overseas to family members back home.l Sent by J.L.Mcintre while on active service in France to his loved ones back home.Christmas card with blue and black lettering Australian Comforts Fund Christmas & New Years Greetings, 1918-19, Produced by Raphael Tuck & Sons, Publishers to the King and Queen. The card depicts four scenes from the First World War: Australians Advancing from Villers-Brettonneux August 8th 1918, A German tank captured by the Australians near Villers-Brettonneux, Capture of Hamel Village July 4th 1918 by Australians assisted by a detachment of Americans, Captured by The Australians a 14 C.M. German Naval Gun intact with its Train & Equipment.Australian Advancing from Vlllers-Brettonneux.August 8th 1918. From Original specially painted for the Australian Comforts Fund by Captain Will Longstaff.A.I.F.War Artist.