Paper program for Melbourne Theatre Company performing at the Athenaeum Theatre March to September 1977; coloured cover; 24 p. includes articles about the play and the actorsmelbourne theatre company, season 24, march to september 1977, athenaeum theatre, the school for scandal, juno and the paycock, the wild duck, the merchant of venice, the fall guy, the club, ashes, russell st theatre, rodney fisher, ray lawler, mick rodger, john sumner, university of melbourne

Cover is card 300gsm with painting converted to blue tones on front and back with white semi gloss paper pages 100gsm - 37 pages plus 3 page index and maps on inside of front and back coversnon-fictionA history in recollections and photographs of the Doreen district of Victoria, Australia

PHOTOGRAPH OF PUPILS AT SOUTH CLUNES SCHOOL NO. 136. WHICH CLOSED IN 1923. LATER THE BUILDING BECAME A KNITTING MILL, AND IS NOW A BOTTLE MUSEUM.SEPIA PHOTOGRAPH OF CLUNES PRIMARY SCHOOL, MOUNTED ON CARDBOARD, WHEN IT WAS SOUTH CLUNES SCHOOL. LATER IT BECAME A KNITTING MILL.Hand written on paper and glued to the cardboard mounting; Horace Williams, Evelyn Dowielocal history, photographs, schools 136, primary school

CLUNES KNITTING MILL WAS ORIGINAL THE SOUTH CLUNES SCHOOL. SITUATED ON TALBOT ROAD CLUNES - LATER SCHOOL CLOSED AND PUPILS WERE TRANSFERRED TO NORTH CLUNES SCHOOL..1 BLACK AND WHITE POSTCARD PHOTOGRAPH OF CLUNES KNITTING MILL AND EMPLOYEES STANDING IN FRONT OF BUILDING .2 REPRODUCTION COPY OF THE ABOVE PRINTED ON MATTE PHOTOGRAPHIC PAPER.1 Hand written in blue ink on reverse; Clunes knitting mill employees, by May Grant also printed circular stamp in purple ink "Printed by H. Maddicks Daylesford"photographs, schools, 136 knitting mill, south clunes school

NORTH CLUNES SCHOOL NO 1552 WITH PUPILS STANDING IN FRONT OF DOOR AT INFANT ROOM.0.1 SEPIA PHOTOGRAPH MOUNTED ON CARDBOARD OF CLUNES PRIMARY SCHOOL NORTH CLUNES NO. 1552. 0.2 PHOTOCOPYHAND WRITTEN ON PAPER AND CLUED TO CARDBOARD; PAT HARVEY, MAY DAVIES, UNKNOWN THOMPSON (NTH CLUNES), ETHEL COWAN, CROZIER, ELSIE WALLACE, UNKNOWN CALLABY, DOT SHRIGLEY, OLLIE MCDONALD, DOLLY CAMPBELL, BARBARA GALLOWAY, UNKNOWN COON, RITA HAWKES, MORGAN (HEAD MASTER), UNKNOWN JANE, LISSIE HAWKES, UNKNOWN LEWIS, MABEL SIMMONS, RUBY CHAPMAN, UNKNOWN JORDAN, BURNS, BOYS; BILL WILLIAMS, CHRIS HAYES, SAM BREADMORE, DICK MADDERN, DOWIE, RALPH BROWN, WATSONphotography, clunes primary school, school 1552

ORIGINAL PHTOGRAPH OWNED BY MRS. LENA COOK, OF CASTLEMAINE ROAD , CRESWICK.1 SEPIA PHOTOGRAPH MOUNTED ON CARDBOARD OF SCHOOLCHILDREN AND THEIR TEACHER- TOURELLO SCHOOL STANDING OUTSIDE TOURELLO POST OFFICE .2.3.4 ENLARGED BLACK AND WHITE PHOTOGRAPHS OF THE ABOVE PRINTED ON MATTE PHOTOGRAPHIC PAPER.1 Handwritten on reverse in blue biro; Lily Sanderslocal history, photography, photographs, schools - tourello

ORIGINAL PHOTOGRAPH OWNED BY MRS. LENA COOK OF CASTLEMAINE ROAD, CRESWICK..1 BLACK AND WHITE PHOTOGRAPH MOUNTED ON CARDBOARD OF SCHOOLCHILDREN AND TEACHERS - TOURELLO SCHOOL .2 ENLARGED BLACK AND WHITE REPRODUCTION OF THE ABOVE PRINTED ON MATTE PHOTOGRAPHIC PAPERlocal history, photography, photographs, schools - tourello

.1 ORIGINAL PHOTOGRAPH OF CLUNES. H.E.S.. NO. 1552, GRADES 1&2 .2.3 REPRODUCTION COPIES OF ABOVE PRINTED ON MATTE PHOTOGRAPHIC PAPERON REVERSE OF PHOTOGRAPH HAND WRITTEN IN BLACK PEN; Dec 1950local history, photography, photographs, schools, 1552

.1 ORIGINAL PHOTOGRAPH OF PUPILS OF CLUNES STATE SCHOOL NO.1552. GRADES 1 & 2, 1955 .2 BLACK AND WHITE REPRODUCTION OF THE ABOVE PRINTED ON MATTE PHOTOGRAPHIC PAPERlocal history, photography, photographs, schools, 1552

MISS JAMES , A FORMER CLUNES RESIDENT TAUGHT AT STONEY CREEK SCHOOL 1906 - 1912. THE SCHOOL NESTLED IN THE BUSHLAND MISS JAMES TAUGHT AT CLUNES TILL 1930'S IN THE STONEY CREEK SCHOOL YARD, MISS JAMES AND STUDENTS LAID ROCKS IN THE SHAPE OF AUSTRALIA WHICH PROBABLY STILL REMAINS..1 BLACK AND WHITE PHOTOGRAPH SCHOOL STUDENTS AT STONEY CREEK SCHOOL IN THEIR GARDEN WITH TWO ADULTS IN BACKGROUND SCHOOL CLOSED IN 1916 .2 Envelope with provenance of the Stoney Creek School provided with the donation of the photographSAT PAPER ON REVERSE SIDElocal history, photography, photographs, schools, stoney creek

PHOTOCOPY OF TOURELLO PRIMARY SCHOOL PUPILS 1940..1 SEPIA PHOTOGRAPH COPYOF TOURELLO PRIMARY SCHOOL PUPILS AND TEACHER MR. RICHARDS .2 BLACK AND WHITE REPRODUCTION OF ABOVE PRINTED ON MATTE PHOTOGRAPHIC PAPERSTATE SCHOOL TOURELLO 1940. Hand written; Aub Richards Teacher Back Row B Clarkson, M Leneghan, G Anderson, J Leneghan, J Canny, L Kinnersly, J Leneghan, W Anderson Front g Coutts, R Kinnersly, L Leneghan, R Leneghan, E Canny, W Cook, A Andersonschools - tourello, tourello primary school pupils 1940, tourello primary school, 1940

.1 .2 REPRODUCTION PHOTOGRAPHS PRINTED ON GLOSS PAPER OF STUDENTS AT CLUNES STATE SCHOOL 1552 1 CLASS.Printed on reverse; Shire of Talbot and Cluneslocal history, photography, photographs, schools 1552

BLACK AND WHITE PHOTOGRAPH MOUNTED ON CARDBOARD, TAKEN OF STUDENTS AT CLUNES STATE SCHOOL NO. 1552Hand written on reverse C MORGAN Clunes Hand written on paper glued to cardboard; Illegible Harvey, Ida Harvey, Florrie Harden, Katie Jones, unknown Coon, Barbara Galloway, Sam Breadmore, unknown Andrews, Dick Maddern, Bill Dowie, unknown Harden, Bill Williams, Chas Hayes, Hawkes girlslocal history, photography, photographs, schools, 1552

Slawa Horowitz-Duldig) was both an artist and a designer, and both aspects of her practice are represented in the collection. There is an archive of approximately 255 drawings by Slawa dating from 1917 until 1922. Slawa’s sketchbooks from this period provide an insight into her early training and demonstrate the artist’s early interest in portraiture. A number of the drawings have been framed, but the majority remains 'in situ'. Slawa was a student at the Viennese Kunstschule für Frauen und Mädchen (the Viennese Art School for Women and Girls) (KFM) from 1917 until 1921, and in 1922 she became a student of Anton Hanak. The KFM School had been established in 1897 as a private school, and it was highly regarded both for its teaching staff and academic curriculum. By 1918 it had introduced stringent admission policy similar to those of the Austrian Academy of Fine Arts, and obtained government funding for its academic program, and began to focus on students seeking to pursue careers as professional artists. In 1921 when Slawa applied to the Austrian Academy of Arts for a place in its program, her application was unsuccessful, as her work was considered advanced, and a place in the third or fourth year of the program was not available. In 1922 she became a private student of Anton Hanak. Many of the portrait images from this early period concentrate on capturing the physical appearance of the face of the model. A number of these studies, in which the subject is not identified, display an academic approach to the genre. Her technical skills in capturing precise facial features of the model, the expression of eyes and the texture of hair are evident. These drawings were perhaps completed in the studio of the KFM School. There are also portraits of friends and family members, including her sister Rella and others, perhaps parents and grandparents, who have yet to be identified conclusively. It is these images of family and friends that particularly demonstrate Slawa’s confidence with pen, charcoal and crayon on paper. Amongst the group are several portraits that indicate the artist’s interest in conveying the inner psyche of a subject, as well as capturing a likeness. Ann Carew 2016The drawings from this period give us an insight into the artist’s early training, and the teaching methods of Viennese Kunstschule für Frauen und Mädchen, one of the first professional art schools for women in Vienna. The drawings and sketchbooks have artistic, interpretative and research significance as records of the art education of women in Vienna in the early 20th century. Ann Carew 2016Charcoal over pencil sketch on paper of Slawa's sister Rella.Artist signature in the bottom left corner.

Walter Withers was a significant Australian landscape artist and a member of the Heidelberg School of Australian Impressionists. In 1903 Withers bought 'Southernwood', a house on 2½ acres (1 ha) at Eltham, to which he added a studio. Because of ill health, he lived during the week at his studio in Oxford Chambers, Melbourne, and on weekends and holidays with his family at Eltham until his death in 1914. The Eltham rail bridge is a unique and valuable historic relic of an earlier steam locomotive transport era in the Diamond Creek Valley and has long formed an important part of a magnificent Eltham landscape. When built in 1902 it was close to the terminus point of the Heidelberg-Eltham rail extension, on the route of the proposed Diamond Valley Railway that was then planned to continue much further up the valley towards Kinglake. This bridge is situated in attractive river-valley parkland amidst the tall and spreading manna gums and candlebarks of the Diamond Creek Valley. The Alistair Knox Park river-valley landscape, of which the timber trestle bridge is an important visual component, has been classified by the National Trust. Large manna gum and candlebark trees adorn the adjacent creek banks, and historic Shillinglaw Cottage is also part of this much-prized Eltham landscape. Eltham is home to a historic wooden railway trestle bridge. Mainly of timber-pier and timber-beam construction, but varied by a few longer steel-joists spans on timber piers at the main stream channel, this substantial bridge has almost two hundred metres of timber deck. Built in 1902, it is the only railway bridge of predominantly timber construction that is still in regular use as an integral part of Melbourne's metropolitan electric railway network and one of extremely few timber rail bridges in the State that still carry trains. Apart from its important continuing social function as a carrier of rail transport for the Hurstbridge line, this impressive bridge and its beautiful parkland environs contribute much to the character of Eltham township and that town's special reputation as an historic centre of environmental and conservation concerns. This section of the Diamond Creek Valley was the subject of a Walter Withers painting in the earliest years of the twentieth century and has strong historic links with our Heidelberg School of painters. Watercolour painting on paper of Eltham's Trestle Bridge in the middle of the day. A small section of the wooden bridge is located to the left of the painting. The focus is predominately on the wattle, manna gum and candlebark trees that is to the right of the bridge. The golden hues typically represent the australian sunlight and landscape. "W.W" in gothic script on the lower right side of the painting. Not dated. withers, eltham, trestle bridge, railway, watercolour

"Instruction Paper No.110: Reading Working Drawings 3rd ed"- International Correspondence Schools Ltd."Instruction Paper No.110: Reading Working Drawings 3rd ed"- International Correspondence Schools Ltd.textile industry - education, international correspondence schools ltd

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