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Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1938
Sepia toned photograph of two motor cars each with LELSC banner on bonnet. Lifesaving reel beside car. Jack Harbeck standing with one foot on running board of single seater car. Esplanade Paynsville Victoriagenealogy, transport -
City of Kingston
Photograph - Digital image, Sepia, c. 1910
This image has been taken at the side of St Matthew's Church, Cheltenham. Sepia toned image of cricket team. There are twelve (12) people in the photograph, including two men lying down at the front, with cricket bats in their hands. While it appears to be a men's team, there are three young boys in the back row.sport, cricket, cricket club, cheltenham, cheltenham cricket club, st matthew's church -
Bendigo Military Museum
Map - MAP, HUON GULF AREA, Aust Survey Corps et al, Aug 43
Refer Cat 5547 - Matheson.This is a single sided map, printed in colour. Scale 1:253,440, 4 miles to an inch, grid squares are 10mm x 10mm. Top right side shows Finschafen. Top centre is Lae, Middle is Salamau. Bottom is Lasanga Island. Top left vicinity is Nadzab and Markham River.There are four "corner" marks in pencil. Two on land and two out in the gulf.ww2, new guinea, map -
Vision Australia
Functional object - Object, Mayhew music indicator, c. 1968
This device assists blind music teachers to teach music notation to the sighted, by using a braille dial. Created by Percival Mayhew in the 1920-1930's, it consists of a wooden frame with a window, behind which is a sliding list of 63 staff notations and 17 sol-fa tones. To use, the teacher sits behind the indicator (to align the Braille scale of signs) whilst the student sits in front of the window and views the printed version. Black vinyl carry case has been created for transporting device.Wooden board with window for visual display and two double-sided paper cards and black vinyl carry case'The Mayhew Music Indicator' on front.adaptive devices, music teaching -
Mont De Lancey
Gramophone needles, Gramophone Co. Ltd
His Masters Voice - Soft tone.Green tin with picture of dog and gramophone on front, containing approximately 200 English gramophone needles. Used in gramophones which played 78 rpm shellac records.styluses (audio), gramophones -
Bendigo Military Museum
Photograph - PHOTOGRAPHS, c.WW1
John Brownless No 6317, 4th FAB. Refer Cat No 21 for his service details..1) Sepia tone photo showing group of 6 soldiers in uniform holding placard. J BROWNLESS left front row. .2) Studio portrait sepia tone in uniform minus hat of J BROWNLESS..1) On placard at bottom: MERRY CHRISTMAS From Francephotography, military -
Flagstaff Hill Maritime Museum and Village
Equipment - Forceps, 20th century
Surgical forceps have been used in various forms from ancient times and have evolved into a indispensable instrument for modern surgeries. Forceps are surgical instruments for the practice of medicine which are used for grasping, holding, and manipulating tissues and objects during surgical procedures. Ancient Origins Surgical instruments, including forceps, have been use since man first started working with tools. Ancient civilizations, like Egypt, Greece, and Rome, had physicians who used rudimentary forceps made of bronze or iron. The forceps of the ancient world were often simple in design, with two arms that could be squeezed together to grasp objects. They were primarily used for tasks like extracting foreign bodies or handling tissues. Middle Ages and Renaissance During the Middle Ages, medical knowledge and surgical techniques experienced a decline in Europe. While the Roman empire enjoyed remarkably advanced medical care and practices, its collapse left a vacuum that led to a loss of a centralized medical knowledge and a disruption of education and trade. At the same time, religious superstitions suppressed medical inquiry. With many of the medical texts of Hippocrates and Galen and others lost, the medical practice experienced a decline. However, surgical forceps continued to be used in various forms, albeit with limited advancements. With the Renaissance period came a revival in medical knowledge and innovation. Ambroise Paré, a French surgeon of the 16th century, is credited with introducing improvements to the forceps design, making them more versatile and effective. 18th and 19th Centuries Innovators The 18th and 19th centuries marked a significant period of advancement in surgical instruments, including forceps. The famous French Surgeon Jean-Louis Petit introduced forceps with curved tips, making them more suitable for specific procedures. John Hunter, a Scottish surgeon, designed forceps with fine tips, allowing for more delicate and precise manipulation during surgeries. Joseph Lister, a pioneer of antiseptic surgery, emphasized the importance of cleanliness and sterile instruments during surgical procedures. This led to advancements in forceps sterilization techniques, which greatly improved patient outcomes. Modern Era The late 19th and early 20th centuries saw the development of a wide variety of specialized forceps for different surgical procedures. Advances in metallurgy and manufacturing techniques allowed for more intricate and delicate designs. As surgery became more specialized, forceps were tailored to suit specific procedures, such as neurosurgery, ophthalmology, and gynecology. Contemporary Advances In recent decades, surgical technology evolves continuously. Many surgical procedures are now performed using minimally invasive techniques, which require specialized instruments. Modern surgical forceps are typically made of high-quality stainless steel, stainless steel alloy, or titanium. They come in various shapes, sizes, and designs, each suited to specific surgical tasks. Some forceps have serrated jaws for a better grip, while others have delicate tips for fine tissue manipulation. Modern Forceps The history of surgical forceps is a story of innovation, adaptation, and continuous refinement. From ancient origins to the modern era, these instruments have evolved alongside medical knowledge and surgical techniques, playing a crucial role in improving patient outcomes and advancing the field of surgery. https://www.wpiinc.com/blog/post/history-evolution-of-forceps These forceps were donated to Flagstaff Hill Maritime Village by the family of Doctor William Roy Angus, Surgeon and Oculist. It is part of the “W.R. Angus Collection” that includes historical medical equipment, surgical instruments and material once belonging to Dr Edward Ryan and Dr Thomas Francis Ryan, (both of Nhill, Victoria) as well as Dr Angus’ own belongings. The Collection’s history spans the medical practices of the two Doctors Ryan, from 1885-1926 plus that of Dr Angus, up until 1969. ABOUT THE “W.R.ANGUS COLLECTION” Doctor William Roy Angus M.B., B.S., Adel., 1923, F.R.C.S. Edin.,1928 (also known as Dr Roy Angus) was born in Murrumbeena, Victoria in 1901 and lived until 1970. He qualified as a doctor in 1923 at University of Adelaide, was Resident Medical Officer at the Royal Adelaide Hospital in 1924 and for a period was house surgeon to Sir (then Mr.) Henry Simpson Newland. Dr Angus was briefly an Assistant to Dr Riddell of Kapunda, then commenced private practice at Curramulka, Yorke Peninsula, SA, where he was physician, surgeon and chemist. In 1926, he was appointed as new Medical Assistant to Dr Thomas Francis Ryan (T.F. Ryan, or Tom), in Nhill, Victoria, where his experiences included radiology and pharmacy. In 1927 he was Acting House Surgeon in Dr Tom Ryan’s absence. Dr Angus had become engaged to Gladys Forsyth and they decided he would take time to further his studies overseas in the UK in 1927. He studied at London University College Hospital and at Edinburgh Royal Infirmary and in 1928, was awarded FRCS (Fellow from the Royal College of Surgeons), Edinburgh. He worked his passage back to Australia as a Ship’s Surgeon on the on the Australian Commonwealth Line’s T.S.S. Largs Bay. Dr Angus married Gladys in 1929, in Ballarat. (They went on to have one son (Graham 1932, born in SA) and two daughters (Helen (died 12/07/1996) and Berenice (Berry), both born at Mira, Nhill ) Dr Angus was a ‘flying doctor’ for the A.I.M. (Australian Inland Ministry) Aerial Medical Service in 1928 . The organisation began in South Australia through the Presbyterian Church in that year, with its first station being in the remote town of Oodnadatta, where Dr Angus was stationed. He was locum tenens there on North-South Railway at 21 Mile Camp. He took up this ‘flying doctor’ position in response to a call from Dr John Flynn; the organisation was later known as the Flying Doctor Service, then the Royal Flying Doctor Service. A lot of his work during this time involved dental surgery also. Between 1928-1932 he was surgeon at the Curramulka Hospital, Yorke Peninsula, South Australia. In 1933 Dr Angus returned to Nhill where he’d previously worked as Medical Assistant and purchased a share of the Nelson Street practice and Mira hospital from Dr Les Middleton one of the Middleton Brothers, the current owners of what was once Dr Tom Ryan’s practice. Dr L Middleton was House Surgeon to the Nhill Hospital 1926-1933, when he resigned. [Dr Tom Ryan’s practice had originally belonged to his older brother Dr Edward Ryan, who came to Nhill in 1885. Dr Edward saw patients at his rooms, firstly in Victoria Street and in 1886 in Nelson Street, until 1901. The Nelson Street practice also had a 2 bed ward, called Mira Private Hospital ). Dr Edward Ryan was House Surgeon at the Nhill Hospital 1884-1902 . He also had occasions where he successfully performed veterinary surgery for the local farmers too. Dr Tom Ryan then purchased the practice from his brother in 1901. Both Dr Edward and Dr Tom Ryan work as surgeons included eye surgery. Dr Tom Ryan performed many of his operations in the Mira private hospital on his premises. He too was House Surgeon at the Nhill Hospital 1902-1926. Dr Tom Ryan had one of the only two pieces of radiology equipment in Victoria during his practicing years – The Royal Melbourne Hospital had the other one. Over the years Dr Tom Ryan gradually set up what was effectively a training school for country general-practitioner-surgeons. Each patient was carefully examined, including using the X-ray machine, and any surgery was discussed and planned with Dr Ryan’s assistants several days in advance. Dr Angus gained experience in using the X-ray machine there during his time as assistant to Dr Ryan. Dr Tom Ryan moved from Nhill in 1926. He became a Fellow of the Royal Australasian College of Surgeons in 1927, soon after its formation, a rare accolade for a doctor outside any of the major cities. He remained a bachelor and died suddenly on 7th Dec 1955, aged 91, at his home in Ararat. Scholarships and prizes are still awarded to medical students in the honour of Dr T.F. Ryan and his father, Dr Michael Ryan, and brother, John Patrick Ryan. ] When Dr Angus bought into the Nelson Street premises in Nhill he was also appointed as the Nhill Hospital’s Honorary House Surgeon 1933-1938. His practitioner’s plate from his Nhill surgery states “HOURS Daily, except Tuesdays, Fridays and Saturday afternoons, 9-10am, 2-4pm, 7-8pm. Sundays by appointment”. This plate is now mounted on the doorway to the Port Medical Office at Flagstaff Hill Maritime Village, Warrnambool. Dr Edward Ryan and Dr Tom Ryan had an extensive collection of historical medical equipment and materials spanning 1884-1926 and when Dr Angus took up practice in their old premises he obtained this collection, a large part of which is now on display at the Port Medical Office at Flagstaff Hill Maritime Village in Warrnambool. During his time in Nhill Dr Angus was involved in the merging of the Mira Hospital and Nhill Public Hospital into one public hospital and the property titles passed on to Nhill Hospital in 1939. In 1939 Dr Angus and his family moved to Warrnambool where he purchased “Birchwood,” the 1852 home and medical practice of Dr John Hunter Henderson, at 214 Koroit Street. (This property was sold in1965 to the State Government and is now the site of the Warrnambool Police Station. ). The Angus family was able to afford gardeners, cooks and maids; their home was a popular place for visiting dignitaries to stay whilst visiting Warrnambool. Dr Angus had his own silk worm farm at home in a Mulberry tree. His young daughter used his centrifuge for spinning the silk. Dr Angus was appointed on a part-time basis as Port Medical Officer (Health Officer) in Warrnambool and held this position until the 1940’s when the government no longer required the service of a Port Medical Officer in Warrnambool; he was thus Warrnambool’s last serving Port Medical Officer. (The duties of a Port Medical Officer were outlined by the Colonial Secretary on 21st June, 1839 under the terms of the Quarantine Act. Masters of immigrant ships arriving in port reported incidents of diseases, illness and death and the Port Medical Officer made a decision on whether the ship required Quarantine and for how long, in this way preventing contagious illness from spreading from new immigrants to the residents already in the colony.) Dr Angus was a member of the Australian Medical Association, for 35 years and surgeon at the Warrnambool Base Hospital 1939-1942, He served as a Surgeon Captain during WWII1942-45, in Ballarat, Victoria, and in Bonegilla, N.S.W., completing his service just before the end of the war due to suffering from a heart attack. During his convalescence he carved an intricate and ‘most artistic’ chess set from the material that dentures were made from. He then studied ophthalmology at the Royal Melbourne Eye and Ear Hospital and created cosmetically superior artificial eyes by pioneering using the intrascleral cartilage. Angus received accolades from the Ophthalmological Society of Australasia for this work. He returned to Warrnambool to commence practice as an ophthalmologist, pioneering in artificial eye improvements. He was Honorary Consultant Ophthalmologist to Warrnambool Base Hospital for 31 years. He made monthly visits to Portland as a visiting surgeon, to perform eye surgery. He represented the Victorian South-West subdivision of the Australian Medical Association as its secretary between 1949 and 1956 and as chairman from 1956 to 1958. In 1968 Dr Angus was elected member of Spain’s Barraquer Institute of Barcelona after his research work in Intrasclearal cartilage grafting, becoming one of the few Australian ophthalmologists to receive this honour, and in the following year presented his final paper on Living Intrasclearal Cartilage Implants at the Inaugural Meeting of the Australian College of Ophthalmologists in Melbourne In his personal life Dr Angus was a Presbyterian and treated Sunday as a Sabbath, a day of rest. He would visit 3 or 4 country patients on a Sunday, taking his children along ‘for the ride’ and to visit with him. Sunday evenings he would play the pianola and sing Scottish songs to his family. One of Dr Angus’ patients was Margaret MacKenzie, author of a book on local shipwrecks that she’d seen as an eye witness from the late 1880’s in Peterborough, Victoria. In the early 1950’s Dr Angus, painted a picture of a shipwreck for the cover jacket of Margaret’s book, Shipwrecks and More Shipwrecks. She was blind in later life and her daughter wrote the actual book for her. Dr Angus and his wife Gladys were very involved in Warrnambool’s society with a strong interest in civic affairs. Their interests included organisations such as Red Cross, Rostrum, Warrnambool and District Historical Society (founding members), Wine and Food Society, Steering Committee for Tertiary Education in Warrnambool, Local National Trust, Good Neighbour Council, Housing Commission Advisory Board, United Services Institute, Legion of Ex-Servicemen, Olympic Pool Committee, Food for Britain Organisation, Warrnambool Hospital, Anti-Cancer Council, Boys’ Club, Charitable Council, National Fitness Council and Air Raid Precautions Group. He was also a member of the Steam Preservation Society and derived much pleasure from a steam traction engine on his farm. He had an interest in people and the community He and his wife Gladys were both involved in the creation of Flagstaff Hill, including the layout of the gardens. After his death (28th March 1970) his family requested his practitioner’s plate, medical instruments and some personal belongings be displayed in the Port Medical Office surgery at Flagstaff Hill Maritime Village, and be called the “W. R. Angus Collection”. The W.R. Angus Collection is significant for still being located at the site it is connected with, Doctor Angus being the last Port Medical Officer in Warrnambool. The collection of medical instruments and other equipment is culturally significant, being an historical example of medicine from late 19th to mid-20th century. Dr Angus assisted Dr Tom Ryan, a pioneer in the use of X-rays and in ocular surgery. Stainless steel forceps, angled handles, ring shaped tips From the W.R. Angus Collection.'2' stamped on two parts.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, dr w r angus, dr ryan, surgical instrument, ent ear nose throat surgery, t.s.s. largs bay, warrnambool base hospital, nhill base hospital, mira hospital, flying doctor, medical treatment, forceps, surgery, medical history -
Ballarat Tramway Museum
Photograph - Colour Photograph/s, Austin Brehaut, 23/09/2004 12:00:00 AM
Colour print of No. 661 near St Aidans Drive, with one black swan and two cygnets in the grass adjacent to the Lake area. Photo taken by Austin Brehaut, on Kodak Royal Paper with a label giving details on the rear.On a label on the rear of the card: "One and two halves, please." "Near St Aidan's Drive 23.9.04"st aidans drive, lake wendouree, swans, tram 661 -
Mt Dandenong & District Historical Society Inc.
Photograph, Visitors Picnicking in the Vicinity of Mountjoy c1920, c1920
An unnamed group comprising a woman , two men and two girls sitting in the grass with Mountjoy Guest-house in the distance.Black and white blurred photograph showing a woman, two men and two children sitting in the grass below a building.guest house, mountjoy -
Flagstaff Hill Maritime Museum and Village
Domestic object - Iron
Self Heating Family Charcoal Iron. Box iron with wooden handle and brass finger guard. The finger guard has two round emblems and the inscription "Awarded To T & G Clark & Co" on it.Two emblems within circles plus the inscription "Awarded To / T & G Clark & Co. on the finger guardflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, iron, self heating iron, coal iron, laundry, family charcoal iron, t & g clair & co -
Ballarat Heritage Services
Photograph - Colour, Clare Gervasoni, Facade of the Former Sebastopol Town Hall During Building Works, 2018, 12/03/2018
The old Sebastopol Town Hall was erected in 1868 and opened on 19 March, 1869. The newer Town Hall was rebuilt in the 1950s and opened on 20 December 1960. The building was demolished except for the facade to build a new library in Sebastopol. The $2.8 million redeveloped Sebastopol Library Community Hub opend its doors to the community on Wednesday 2 January, 2019. This major redevelopment has transformed the City of Ballarat’s Library and Maternal and Child Health services into a vibrant modern community hub, Photographs of the facade of the former Sebastopol Town Hall, and the remains fo the old Sebastopol Town Hall revealed during renovations in 2018. The two white poles, donated by former mayors are also depicted. The two white poles at the front of the biulding include a plaque "Presented by the mayor Cr F.W. Miller, 1934"sebastopol, sebastopol town hall, sebastopol civic centre, sebastopol community centre, f.w. miller -
The Beechworth Burke Museum
Photograph, c.1870
This photograph was taken in approximately 1870 and depicts four male miners standing in mining sluice at the Three Mile Goldfields. These men are wearing typical attire for 1870s gold miners. They wear white shirts, tan coloured pants with water proof shoes and most of the men are wearing an apron to prevent their clothing from becoming too dirty from the mud. Each man is wearing a wide brim hat and hold large wooden tools used for sorting through the sluice. Three of the four men have full beards. The photograph was donated to the Burke Museum by R. Ziegenbein before 2001 but the photographer and the individuals captured in the photo are unknown. The image depicts the landscape of the Three Mile Goldfields during a period when open cut sluicing was undertaken to reach gold. Open cut sluicing is a method used to extract gold and other precious metals from beneath the surface of the earth. This technique involved the use of high-powered hoses which broke down the soil enabling miners to come along and search this soil for gold. After the gold rush of the early 1850s, diggers had to enlist the assistance of heavy machinery and techniques like hydraulic sluicing in order to reach gold because the surface alluvial gold had already been discovered and removed. This heavy machinery was not used until after 1853. The Three Mile Goldfields was a site of rich alluvial gold deposits located about 5 km south of Beechworth in Victoria. Today, the location of this gold deposit is called Baarmutha. It was a popular area for gold mining in the 1850s but became largely abandoned by the following decade. In 1865, a man named John Pund recognized that the area could be potentially rich if a better water supply could be obtained. He secured a 15 year license with three other miners. Within the next five years, these men had constructed 19 km of water race going from Upper Nine Mile Creek to Three Mile Creek. By 1881, these four men had delivered 950,000 gallons to the Three Mile Sluicing area which is depicted in this photograph. Pund was later go into partnership with John Alston Wallace who would become owner of the Star Hotel in Beechworth. The Three Mile sluicing location continued to be operational until 1950. Sluice box workers were a vital part of gold mining regardless of how inefficient they were in the recovery of gold. After using hydraulic sluicing to cut away the earth, miners would use the big wooden boxes depicted in the image to catch the earth which would then be sifted for gold. However, accidents would occur often which would result in the gold washing away and unable to be recovered. It was not a very efficient system because the gold, which was alluvial and thus very fine, would often pass through the sluice box undetected.The search for gold is ingrained into the history of Victoria and therefore, images like this one which portray an open cut sluicing site can reveal important information for society and technology for the date when the photograph was taken. This image is of important historical significance for its ability to convey information about sluicing and the methods used to find gold in the late 1800s and early 1900s. It also shows a location where sluicing was undertook which provides insight into the impact of sluicing on the environment at a time when it was done. Images, like this one, of Australian gold rush history can reveal important information about the social and environmental impact of this period. This image depicts diggers standing in a mining location and therefore, this image has the capacity to reveal or support significant information for researchers studying the fashion and social status of diggers in Australia in approximately 1870. It can also provide information on the landscape of Australia in this period and the impact of mining for gold on both society and the Australian landscape. The Burke Museum is home to a substantial collection of Australian mining photographs which can be used to gain a deeper understanding into life on the gold fields, technology used in mining, the miners themselves and the impact of the gold digging on the environment.Sepia toned rectangular photograph printed on matte photographic paper and mounted on board.[illegible] about 1870 / 97 2514.1 / 2594 30three mile goldfields, goldfields, 1870, 1870 gold, australia, australian landscape, miners, gold miners, diggers, gold diggers, beechworth, victoria, sluice box workers, sluicing, sluice, mining -
Bendigo Military Museum
Photograph - PORTRAIT PHOTOGRAPH, Vincent Kelly Bendigo, C.1942
Roy Leslie Thurlow, refer Thurlow collection Cat No 4688PPhotograph sepia tone of a soldier in uniform with a beret on, backing is fawn coloured cardboard,On front, “Vincent Kelly Bendigo”photographs, portraits, ww2 -
Ballarat Clarendon College
Photograph, Trial by Jury
See attached photograph for excerpt from The Minervan Dec 1953, p.24-27Grey-toned photograph on large mount with hand scripted title and borders on mountOn mount: Ballarat College / Trial by Jury / August 7th-8th, 1953 / Photograph Presented by W L Harvey, Press Service. 1953, trial by jury, gilbert & sullivan, dramatic productions, ballarat college -
Bendigo Military Museum
Photograph - PHOTOGRAPH BOER WAR, Post 1902 (estimated)
Captain Henry Southby, later 39th Batt AIF, KIA 12.10.1917. Refer Cat No 1906 for service details also 1903.2.Photo, sepia tone, portrait of a soldier Henry Southby with Boer War medals.photography-photographs, military history -
Bendigo Military Museum
Photograph - PHOTOGRAPH, BISHOP, Pre WW1
Item in the collection of RSM Edgar Frederick Dawson DCM No 4472 AIF. Refer Cat No 893 for his service history.B&W sepia tone portrait of the bishop of Amiens seated, item is a postcard.Written on back “Bishop of Amiens”photography, documents postcards -
Bendigo Military Museum
Photograph - PHOTOGRAPH, PORTRAIT WW1, 1914-1818
Gilbert Turner "MM", No 1410. Refer Cat No 1038 for his service details.Photograph, sepia tone, portrait of Gilbert Turner. Shows no unit or rank badges.photography-photographs, military history-army, turner -
Bendigo Military Museum
Photograph - PHOTOGRAPH BRITISH, Original taken during WW2
Copy of sepia toned photograph of a British female Sergeant being Beryl SCRIMSHAW.photography, portraits, british military -
Bendigo Historical Society Inc.
Domestic Object - HAND PAINTED CHINA PLATE
Hand painted china side plate in 2 tone orange mottled pattern.D M Peters 11domestic equipment, table setting, plate -
Bendigo Historical Society Inc.
Decorative object - HAND PAINTED CHINA PLATE
Hand painted china plate with grapes and vines in autumn tones and gilt edging.Zena ( Cohn)domestic equipment, table setting, plate -
Bendigo Historical Society Inc.
Photograph - WES HARRY COLLECTION: BUILDING THE POST OFFICE, 1880's
Faded sepia toned photograph of the Bendigo (Sandhurst) Post office under construction.buildings, government, post office, bendigo post office -
Bendigo Historical Society Inc.
Photograph - SMALL SEPIA PHOTOGRAPH
1 small sepia toned photograph of a male by Photographer Charles Mitchell Glasgow.Charles Mitchellphotograph, portrait, male -
Churchill Island Heritage Farm
Print - Print of Margaret Amess (1861 - 1941) 2 of 2, 1930s
Margaret Amess was the youngest child of Samuel and Jane Amess, who first purchased Churchill Island in 1872. Margaret Amess was renowned for her china painting.1 sepia toned head study of Margaret Amess, face turned to left."MONTEATH"margaret amess, samuel and jane amess -
Coal Creek Community Park & Museum
Music Book, Pianoforte Tone-Production, 1919
Hardcover book bound in red cloth - "Pianoforte Tone-Production" by Tobias MatthayA/C 5 30ci Altona Wagga Wagga 25/9/21 -
Uniting Church Archives - Synod of Victoria
Photograph, Undated c.1870s
Sepia toned head and shoulders cabinet card portrait of Mr Peter McKenzie -
Uniting Church Archives - Synod of Victoria
Photograph, Undated c. 1891
Rev. John Thompson Field (1861 - 1938). Born at Geelong. Went to Papua as an unmarried Probationer. Ordained 1891. Served at: Dobu, Papua (1891), Tubetube (1893), Heywood (1901), Hamilton (1904), Camperdown (1907), Brighton (1909), Ubuia, Papua (1913), Dunolly & Tarnagulla (1914), Terang (1917), Williamstown (1920), Coburg & Moreland (1924), Devonport (1928), Supernumerary Hawthorn (1929). Married Frances Mary Harding (1857 - 1909) in Papua.Sepia toned head and shoulders studio portrait of the Rev. J. T. Field.rev john thompson field, methodist, minister, papua, frances mary harding -
Uniting Church Archives - Synod of Victoria
Photograph, Undated c.1890
William Henry Dallinger (1839 - 1909), Wesleyan minister and scientist. Born at Faversham, Kent. Entered the Wesleyan ministry in 1861. Appointed Principal of Wesley College, Sheffield in 1881. Founded the Wesley Scientific Society. President Royal Microscopy Society. President Glasgow Microscopical Society.Sepia toned seated studio portrait of Rev. Dr Wiliam Henry Dallinger.william henry dallinger, wesleyan, minister, scientist, microscopy, wesley college sheffield -
Uniting Church Archives - Synod of Victoria
Photograph, Undated c.1875
John Harcourt - b. 1817 England, d. 1893 Kew Vic. Vic & Tas Conference President 1875.Sepia toned head and shoulders carte de visite of the Rev. John Harcourt.harcourt, john, president of vic/tas conference, 1875 -
Uniting Church Archives - Synod of Victoria
Photograph, Undated c.1880
John Harcourt - b. 1817 England, d. 1893 Kew Vic. Vic & Tas Conference President 1875.Sepia toned head and shoulders carte de visite of the Rev. John Harcourt.harcourt, john, president of vic/tas conference, 1875 -
Uniting Church Archives - Synod of Victoria
Photograph, Undated c.1880
Mrs Anne Harcourt (nee Anne Sargeant Turner) was born in Hobart in 1823, the daughter of the Rev. Nathaniel Turner. She married the Rev. John Harcourt in 1849. Anne Harcourt died in 1900. Sepia toned head and shoulders carte de visite of Mrs Anne Harcourt.harcourt, john, president of vic/tas conference, 1875, nathaniel turner, wesleyan, minister, anne harcourt, anne sargeant turner