Back Row: Anne Matthew; Pam Knipe; Barbara Knight; Alison Brennan; Alma Beattie; Mabel Gallagher. Middle Row: Mary Abernethy; Nita Harris; Anna Ritchie; Renate Akers; Margaret Arthur; Julie Hourigan. Front Row: Jennifer Dunstan; Edna Howard; Margaret I. Thomas; Valeria Menhennett; Isobel Tyrrell; Joy Wilson; Fay Eudey.bbh, pts, april, 1952, 52b

Back L-R: Rose Gillett, Sr Jean Harris, Sr Thompson, Patricia Winter Middle L-R: Roslie McDonald, Shirley Walker, Noreen McMichael, Patricia McIvor, Gwenda Norbury Front L-R: Elma Nimmons, Betty Wilson, Margaret Kelly, Marjorie WheelerPhoto, Sepia1951, preliminary, training, school, pts, harris

Photo1932, dr, sheil, wilson, pearce, nr, brown, paterson, sovereign remedies

Photo1932, nr, brown, sr, wilson, paterson, sovereign remedies

Photo1922, women, surgical, midwifery, queen victoria block, nr, kirkland, wilson, sr, daw, gates. radiators, sovereign remedies

Front L-R: Dr J. Acheson (Medical Sup), Sr Betty Wilson (Dep Matron), Mr I. McVilly (Manager), Miss M.S. Ogden (Matron), Sr Winsome Menadue (Asst Matron), Sr M. Ormsby (Clinical Sup), Sr Grace Cameron (Midwifery Sup). Taken on Front Steps, Eildon House, Drummond St, BallaratPhoto1973, medical, senior, junior, residents, nursing staff

Photopatient administration, waiting room, edward wilson block, ground floor, greig, engineer, lister, admin clerk, 1980

directed by Daniel Keene starring Linzee Smith Rhonda Wilson and John Butler. Staged with the assistance of the Australia Council St Martin's Theatre Company The Fitzroy Stars Gym and MavisFlyer & Newspaper cuttingthe fighter, daniel keene, the tide, melbourne athenaeum two, program, programme, australia council, fitzroy stars gym, st martin's theatre company

Gift of the artist

Gift of H.A. Watts, 1974

SEPIA PHOTOGRAPH OF WELL DRESSED MALE SITTING ON A CHAIR, JAMES Y. WILSON. AGENT UNION BANK OF AUSTRALIA, CLUNES.HAND WRITTEN IN INK - JAMES YELVERN WILSON AGENT UNION BANK OF AUSTRALIA CLUNES VICTORIA AUSTRALIA.photographs, bicycle riders, all nations hotel

SEPIA PHOTOGRAPH OF THREE YOUNG LADIES,TWO MISSES WILSON AND SIS HORNER.WILSON SIS HORNER WILSONphotographs, wilson sishorner wilson, wilson, sishorner, sis horner

THE CLUNES HOSPITAL WAS DESTROYED IN A BUSHFIRE IN JANUARY 1944..1 SEPIA REPRODUCTION PHOTOGRAPH OF GROUP OF ADULTS AND CHILDREN TAKEN AT THE OPENING OF THE TOURELLO WARDS AT THE REDEVELOPED CLUNES HOSPITAL 1936 .2 BLACK AND WHITE COPY OF THE ABOVE PRINTED ON MATTE PAPER .3 Original black and white photograph mounted on buff coloured matt board .3 OPENING OF THE TOURELLO WARD AT THE REDEVELOPED CLUNES HOSPITAL, CRESWICK ROAD, 1936 "Thornton" Studios Ballarat imprinted in mount board BACK ROW. BILL KINNERSLEY, DICK LENEGHAN, BILL MOORE, JIM COOK, ARTHUR PICKFORD, BILL GRENFELL, ERIC CLARKSON SECOND BACK ROW; MRS LESTER, GLADYS KINNERSLEY, IVY KNIGHT, GWEN PICKFORD, ALMA PICKFORD, PAM HENDER, JANE CAMPBELL, MRS RITCHIE, MARGARET WILSON, MARY RITCHIE, MARGARET LESTER (ADDED TO LIST HANDWRITTEN IN BLACK PEN) THIRD BACK ROW; EDNA RITCHIE, MISS DOUGAL, MRS SEARLE, NELL WEBB, ALAN SEARLE (SCHOOL TEACHER), MRS TROUP, HARRY PICKFORD, MRS COUTTS, EVELYN ROBERTS, MARGARET LESTER (CROSSED OUT) FOURTH BACK ROW; MAVIS KINNERSLEY, MRS W KINNERSLEY, MRS CLARKSON, MRS ANDERSON, IAN SEARLE, ARTHUR LEAD, DOCTOR BAKER, MRS PICKFORD, MISS ROSS, LENA HUTCHINS, MRS LENEGHAN, MRS GRANFELL, MURIEL KINNERSLEY. CHILDREN; BETTY CLARKSON, GRACIE ANDERSON, PEGGY LENEGHAN, REG KINNERSLEY, RICHARD LENEGHAN, BETTY LENEGHAN, LIONEL KINNSERSLEY, ALEX ANDERSON, BERT ANDERSON, MAX COUTTS, DON ANDERSON, LEO LENEGHAN, DAN LENEGHAN, JACK LENEGHAN, BILL ANDERSON, HAZEL KINNERSLEY, GEORGIA COUTS, AUDREY ANDERSON, BETH PICKFORD, JOAN LENEGHAN, AND BABY EAMON LENEGHAN.photography, photographs, hospital, hospital 1936

Back Row: Janet Tyler, Joan White, Paula White or Patty Barnett, Lois Denholm, Mary Wilson. Front Row: Jessie Clark, Mrs Agnes Wilson, Mrs CCaptain Denholm, Elieen Esky, Thelma White, Mrs Gwen Reeve.Two rows of eleven Girls & Women holding Tambourines in front of weatherboard House wall.Timbrel Bigade Opening of Wimmera Street Quartersreligion

This swimsuit belonged to Audrey May Ferguson (nee Fulton), a longtime Brighton resident. Jantzen was founded 1916 in Portland, Oregon. The brand's "Diving Girl" logo - featuring a woman in a red bathing one-piece and cap in mid-dive - became famous throughout the world in the early twentieth century.Navy cotton/nylon terrycloth one-piece swimsuit with inbuilt bra. V-neck, with oversized white plastic zip from neckline to navel.Label: "Miss Jantzen / 16 / MADE IN AUSTRALIA"swimwear, audrey may ferguson, audrey may fulton, jantzen, miss jantzen, 1960s

This dress belonged to Brighton resident Isabell Nora "Billie" Blair, nee McNamara (1895-1989). Born in Mirboo North, Billie lost her mother Catherine at a young age in 1898 and was raised mostly by Catherine's sister, Isabell Frances Vallender. She married magistrate Douglas Granville Blair (1893-1976) in 1926. The couple lived first in Benalla, where their daughter Katherine Blair was born, before moving to Brighton, where they lived the rest of their lives.Mid-length velvet and chiffon dress with shallow v-neck. Velvet features a geometric pattern in purple, maroon, gold and green. Skirt is slashed at front and back with dark purple chiffon. Long dark purple chiffon sleeves with velvet cuffs. katherine fennell blair, isabell nora blair, isabell nora mcnamara, 1920s

This dress belonged to Katherine Blair, a longtime resident of Brighton. Katherine Fennell Blair was born in April 1929 in Benalla to magistrate Douglas Granville Blair (1893-1976) and his wife Isabell Nora (“Billie”) Blair, nee McNamara (1895-1989). Katherine was a child when the family moved to Brighton, where she attended St Joan of Arc Catholic Primary School and Star of the Sea College. After school, Katherine worked as a secretary and PA for various companies in the Melbourne CBD. Following a working holiday in the UK in 1959-61, she returned to Brighton, living first with her parents at 14 Kilrush Street and later in Burrows Street. An active part of the local community, Katherine was a member of the Brighton Red Cross, Brighton Probus Club and the St Joan of Arc Catholic parish and choir.Long-sleeved black velvet dress with shallow v-neck and self-covered belt. Smocked at shoulders and either side of waist. Floral embroidery around neck, cuffs and above smocking at waist.katherine fennell blair, 1940s, 1950s

This flag was used by Esperance Girls School, a private school based in Brighton from 1894-1956. Esperance was established in 1894 at 6 Normanby Street by Misses Emsie, Marion, Gussie and Daisy Beaver. The four sisters came from a formerly-prosperous land-owning family that had suffered badly as a result of the depression of the early 1890s. At a time when few occupations were open to gentlewomen, running a school provided the sisters with a respectable means of supporting themselves. Notable teachers at Esperance during the 1890s included elocution mistress Miss Jeannie Taylor, who would later become better known as the author Mrs Aeneas Gunn. In 1924 the school was sold to Miss Marian Taylor and Miss Christina McMillan, who had previously served as joint principals of Alexandra College in Hamilton between 1909 and 1913. Both women had strong family connections to Brighton: Christina was the granddaughter of early pioneer Archibald McMillan and Marian was a relative of long-serving town clerk J. H. Taylor. The new principals relocated the school to a large two-storey house on the corner of Park Street and Esperance Avenue, where it remained until its closure. They operated the school until 1950, when they sold it to a Miss Bury, who in turn sold it to the local Baptist Church in 1956. Following this final sale, the school continued for another four terms before closing.Navy blue flag, both sides featuring a large yellow-gold crest in centre, containing image of an anchor and surrounded by semicircular scroll with the motto "SPES ANCORA ANIMAE". Background features horizontal green stripe across centre, containing smaller red stripe and bordered on each side by yellow stripes.esperance girls school, flag, school flag

This flag was used by Rosbercon Girls Grammar School, which operated in Brighton from 1906 until 1941. The school was established in 1906 by the Tisdall family. The Tisdalls were a family of educators: Irish-born Henry Thomas Normanton Tisdall and his wife Lucy taught for many years at the Walhalla State School in Gippsland, along with Lucy's sisters Alice and Clara Weekes. Three of the Tisdall daughters, Ethel, Constance and Theodosia (Theo) followed their mother and aunts into the teaching profession. Constance in particular considered education her true calling and harboured a dream of one day being principal of her own school. After Henry's death in 1905, faced with financial uncertainty and several unmarried daughters to support, Lucy Tisdall decided to take a risk. She sold the family's Toorak home and, together with her sister Alice, leased 'Ashburnham', a large Victorian villa at 106 North Road, Brighton. The plan was to open a private school, with Ethel and Constance as co-principals and Lucy, Alice and Theo teaching and managing the household affairs. This came as a "joyful surprise" to Constance, who was only informed of the plan after it had been finalised. The school was named Rosbercon after Henry's home village in County Wexford, Ireland. The crest, designed by son Bert Tisdall around 1910, featured a crowned letter 'A' above the motto "amor vincit omnia" ("love conquers all"), both inspired by a verse in Geoffrey Chaucer's "The Prioress's Tale": "about her arm she bore/A paire of bedes gauded all in grene,/And theron heng a broche of gold full shene,/On which there was first writ a crowned 'A',/And after, Amor Vincit Omnia." It was a motto Constance held close to her heart, embodying her values as a teacher. Reflecting in 1961, she wrote, "In a school without punishments, a school with love and understanding between teacher and pupil - with a love of teaching on one side, and a desire to learn on the other, love would indeed conquer all." The school's opening day in 1906 proved less than auspicious, with no pupils arriving at all. The women persisted and by the end of the first week, five students had been enrolled. From here, the school grew steadily in size. A new schoolroom designed by architect Harold Desbrowe-Annear was built in the house's orchard to accommodate the increasing numbers, but by 1911 the Tisdalls began looking for larger premises. They leased the nearby property 'Hazeldean' at 124 North Road and, during the 1912 school holidays, the Desbrowe-Annear schoolroom was raised onto a lorry drawn by sixteen horses and moved down the road to what would become Rosbercon's new home. In 1923, Constance instituted a modified version of the Dalton Plan, an education model based on individualised learning. Girls in senior years were encouraged to work more independently, making regular use of the reference library and working to a monthly assignment schedule. The school performed well academically and in competitive sport, but over time was eclipsed by the nearby Firbank Church of England Girls' Grammar School (established 1909), whose institutional backing provided it with access to wider resources and facilities than those of the small family-run Rosbercon. At the end of 1933, Ethel and Theo retired and Constance became principal of St Anne's Church of England Girls' Grammar School (now Gippsland Grammar) in Sale. Rosbercon was sold to Miss Iris Hay, who served as principal from 1934 until the school's closure in 1941. Following her own retirement in 1947, Constance Tisdall settled in Erica Avenue, East Malvern, in a house named 'Rosbercon' after her former school. She continued teaching English literature, mostly to migrants, and enjoyed regular visits from former students. Well into the late 1960s, old Rosbercon girls continued a tradition of coming together for an annual reunion on the first Saturday in November, on which day Constance would fly the school flag at her home.Large navy blue flag with horizontal maroon stripe at top and bottom, and school crest in centre. Stylised maroon "A" topped with yellow crown. Yellow scroll below with motto in navy blue letters: "AMOR.VINCIT.OMNIA".flag, school flag, rosbercon girls grammar school

Plush fur collar with structured shoulders, featuring variegated colouring ranging from reddish brown to cream to white. Cream lining. Concealed hook and eye clasp at front.Label in centre back interior, white text on black: "Manton's / MELBOURNE"fur, fur collar, fur capelet, manton's department store

Fur stole consisting of two black mink pelts with heads at one end and tails at the other. Heads contain plastic eyes and noses. Black satin lining. Decorative front fastening consisting of a fabric-covered chain secured to a clip at one side and a hook fastening at the other.Label: "FURRIERS / Buckley & Nunn LTD/ MELBOURNE".fur, fur stole, mink, buckley & nunn, department stores

Black beaded cape, triangular with scalloped edging. Ruffled neck and wide lace ruffle around hem, edged with a line of black sequins and beads. Swirling/meandering beaded design on main body, with net insertions.cape, lewis & co. & folkestone

This coat was made by Kallman Feitel (1877-1947), an Austrian-born furrier who emigrated to Australia around 1899. His shop was situated at 102-103 Beach Street, Port Melbourne.Long dark brown astrakhan coat with a brown fur collar and brown silk lining. Embroidered in the lining near the hem is the monogram "M.E.C."Label, woven, gold text on brown: "K. FEITEL / MELBOURNE"fur coat, fur, astrakhan, kallman feitel, k feitel, 1940s

This dress belonged to Meredith Lenné, a lifelong Brighton resident. She bought it around 1965-66 at Oggi, a fashion boutique at the "Paris End" of Collins Street, while she was working at the Royal Children's Hospital as an occupational therapist. It was her 'good' dress, worn to dinner parties, balls and lunches throughout the 1960s. The hem was taken up and adjusted several times as the fashion moved towards shorter skirts.Emerald green print midlength shift dress, sleeveless, with high neckline and high waist. Back zip. Hem has been let out, having been altered multiple times during the 1960s. Label reads "Oggi of Collins Street".oggi, melbourne designers, 1960s, meredith lenné

Growing up in Sandringham, Joy Bosomworth learned to sew at the knee of her mother Elsie Myra Keefer, a seamstress. By the time she was an adult, she was making most of her own clothes. She made this shot velvet evening dress, along with a matching stole and bag, in 1961 to wear to a ball at the Royal Melbourne Hospital, where she worked as a radiographer. An evening outfit consisting of a matching dress, stole, bag and gloves. Sleeveless one-shoulder evening dress of blue velvet shot with metallic red. The dress is gathered at the proper left front waist and is lined with red synthetic fabric. Fastens with a zip and hook at the side. Stole of blue velvet shot with metallic red, lined with red synthetic fabric. Handbag made from blue velvet shot with metallic red. The bag has a gold metal frame and clasp, with a shot gold metal chain attached. The interior is red synthetic fabric, with a single side pocket. Elbow-length red nylon evening globes.joy myra bosomworth, joy myra keefer, evening dress, ball gown, 1960s