"Protest against the depradation of the State Electricty Commission 1956" - Alistrair Knox (1980), We are what we stand on, pp48-49Photocopy of original owned by Lesley Martin. L-R: woman?, Matcham Skipper, Lesley Martin, Margot Knox with baby Hamishevents, matcham skipper, leslie martin, margot knox, hamish knox, trees

Sylvia Williams was head of the Ballarat School of Mines Dressmaking Department between 1845 and 1960. Previously she had been a staff member of the E. Lucas and Co., clothing manufacturers of Ballarat and Melbourne. Black and white image of the head and shoulders of a woman. She is Sylvia Williams, former head of the Ballarat School of Mines Dressmaking Department. ballarat school of mines, williams, dressmaking, lucas, sylvia williams, staffmember

Digitised directly from 'Blackfellows of Australia' by Charles Barrett and A.S. Kenyon (Sun Books)Black and white depiction of an Aboriginal woman wearing a possum skin cloak. She is Yarruun Parpur Tarneen of the Morporr Tribe, Victoria aborigine, aboriginal, yarruun parpur tarneen, morporr tribe

Black & White portrait head shoulders woman aged in thirties. Duryea 158 Rundle St Adelaide printed on Front & reverse.F Durea 158 a Rundle St Adelaidephotograph, person, female

Special Publication Woman 2006 Newspaper x2 , the Advertiser - special feature -Finding a happy balance - local women - remarkable lives.newspaper, bendigo advertiser

Small portrait photograph of a young woman with ruffled lace collar.Photographer Stewart & Co Melbourne. Written in pencil on back name Annie.Owen. ?Stewart & Cophotograph, portrait, female

Churchill Island has a large photographic collection dating from the nineteenth century. Photograph of a woman in period costume sitting on the Amess House verandah, spinning wool, with two people standing beside her and watchingcatalogue number on reverse in pencilchurchill island, photograph

Churchill Island Heritage Farm has a large photograph collection dating from the nineteenth century. This photograph shows the extensive involvement and assistance of volunteers at Churchill Island throughout the decades.Colour photograph of woman wearing period costume, sitting on the bed in Rogers Cottage, brushing her hair and looking in a handheld mirror [catalogue number on reverse in pencil]churchill island, photograph

Churchill Island Heritage Farm has a large photograph collection dating from the mid-nineteenth century to the last decadeBlack and white photograph of a woman standing behind a cart with another man on the cart. In the background, a building and some cattle can be seen.Catalogue number written in pencil on reverse. On reverse in pen '1939 Roy Chellew (in cart) and sister campbell. This is the wood dump behind Rogers Cottage. Various fallen branches collected over the island and were brought up and dumped here - either sawn or cut up for use in the (?) or open fires'churchill island

Churchill Island has a significant photograph collection dating from the nineteenth century.Black and white photograph of man manually raking hay in the foreground, a woman driving a horse gathering hay in the background with a windmill in the backgroundCatalogue number written in pencil on reverse. Stamped on reverse 'Josanne Broer Copyright 2000 59525700 0411234914'churchill island

Churchill Island has a significant photograph collection dating from the nineteenth century.Black and white photograph of man manually raking hay in the foreground, a woman driving a horse gathering hay in the background with a windmill in the backgroundCatalogue number written in pencil on reverse. Stamped on reverse 'Josanne Broer Copyright 2000 59525700 0411234914'churchill island

Churchill Island has a significant photograph collection dating from the nineteenth century.Black and white landscape photograph of people operating a baler in a paddock. The windmill is in the background, and a woman riding a horse gathering the hay is visible.Catalogue number written in pencil on reverse. Stamped on reverse 'Josanne Broer Copyright 2000 59525700 0411234914'churchill island

Small black and white photograph of Conservatory Gardens Bendigo with woman standing beside garden bed, palm trees and statue in background.photograph, landscape, bendigo, bendigo-gardens-conservatory

Clothing. Pink nylon woman's panties with gusset and elasticized legs trimmed with 6 cm coffee coloured lace. Elasticized waistband.On tag inside back, ''EMCO'' ''W''costume, female underwear, woman's pink nylon panties

Eppalock. Construction. Eppalock spillway, with water running. Man and woman standing to the left, 2 adults and a child on bottom right of picture.agfacolorcivil engineering, water supply, eppalock, construction. eppalock spillway, with water running. man and woman standing left, 2 adults, child.

Australian Tour party at Menin Gate. The man in the red tie is Senator Michael Ronaldson, the woman in the striped shirt is Ann Gervasoni.menin gate, world war one, michael ronaldson, ann gervasoni

A PHOTOGRAPH OF AN ELDERLY WOMAN WITH GLASSES. BELIEVED TO BE LAURA HUDSON OR HER SISTER. THE PHOTOGRAPH IS IN AN ORNATE BROWNISH FRAME.THE PHOTOGRAPH WAS TAKEN IN 1901laura hudson, framed photograph

Rebekah was designed and carved by Charles Francis Summers, one of five white marble statues housed in the Statuary Pavilion, Ballarat Botanical Gardens.The Pavilion and its statues were unveiled in 1888 by Premier Duncan Gillies, a former colleague of James Russell Thompson whose bequest to the City enabled the purchase, in Italy, of the statues. The Flight from Pompeii and the four accompanying statues are housed in the Statuary Pavilion in the Ballarat Botanical Gardens. The Flight from Pompeii, in the centre, was designed by Professor Carlo Benzoni and carved by Charles Francis Summers while the four accompanying statues were all designed and carved by Charles Francis Summers. The octagonal Pavilion was specially designed by T.E. Molloy in 1887 to house the statuary. The five statues and Pavilion are believed to be unique in Australia. The Flight from Pompeii, Modesty, Rebekah, Ruth and Susannah are aesthetically significant as they are a group of statues, which are a fine example of the design of Professor G.M. Benzoni [Flight from Pompeii] and the design and carving of Charles Francis Summers. The carving of the Flight from Pompeii is both sensitive and finely done and both the design and carving of Modesty, Rebekah, Ruth and Susannah is sensitive and delicate with great attention to detail. The group is historically important as it epitomises the 'beautification' of the city in the 1880s by men who made their money from gold and who wished to give to the city money for projects such the statuary Pavilion and its contents. The Flight from Pompeii group is located in the Botanical Gardens, which were then also being developed in the Victorian style. This also illustrates the social feeling of the time in which the wealthy had made their money and were wanting to develop in a most substantial way, as well as to 'beautify' the city in which they lived. The Pavilion, designed by the major Ballarat architect T.E. Molloy, is unusual for its top-lit central lantern and curved roofs. The statues are seen to their best advantage because of the provision of all-round and top natural lighting. Classified: 03/03/2003 Victorian Heritage Database. White marble statue of a woman standing with left arm raised to her head and draped in cloth to form a robe tied at the front.Rebekah

"Otira" was built in 1887 for Mr. Henry Berry, owner of a large wholesale grocery business. In 1923, the property was acquired by the Methodist Church for use as a home mission training college. B & W photograph of a group of 9 men and 1 woman standing on steps at the Otira Methodist Home Missionary Training College.

Fay Newton nee Cooper ringing a large bell in a tree at Ledcourt StationColour print of woman in a red top holding a black bag and ringing a bell in right hand that is hanging from a large tree. Fay Newton nee Cooperstawell

Huttley Martin FamilyB/W/ Portrait of a young woman in long floral dress, high heels, pearl necklace - headdress holding floral bouquetLorna ( as Madge's Bridesmaid)huttley, martin

End of WW1 1917 -1918 - Family lived in Fisher Street. copies of 18 B/W Photos taken in yard near fence line of Path some have Peppercorn Tree. Family with pet dogs. Most men have Poppy on lapels. Geoff Bullock purchased Glass Slide Photos in garage sale in Fisher Street Stawell in early 2000'sThree people stand on a path, with a fence behind, two men, one either side of a woman, the man on right holding a pipe.

Donated with a Water Colour painting (6642) of a cottage by Will ReesBlack and white photo of woman on horse with her two children in a rural setting. c 1950's Isobel is the daughter of Will Reeswill rees, art, painting

See ND2991 for history of kindergarten.Black & white photograph of children helping with haymaking at the Forest Hill Residential Kindergarten. Approx seven children in photo with a woman to left.forest hill residential kindergarten, kindergarten

Black & white velox print of a woman in a dark dress standing next to a tombstone at the Parish cemetery at Werhrmont. Copy 1 & 2war memorial wehrmont

Francesca (Cissie) Schwerkolt was the second daughter of Wilhelmina Both (nee Kruse) and Francis Both, both of Germany. Francis Both died aged 37.Sepia photograph of a woman dressed in dark colours - large hat, dress with smoking, necklace, one hand on a wooden fence post.schwerkolt francesca, germany, wilhelmina