Photograph (proof 69) of two teams of Clydesdales hitched to wagons that are loaded with bales of wool. The wagon on the left of the photo has two horses, and the team on the right has team of four. Only one of the drivers is visible ( on the left hand team) Trees are visible in the background and possibly some farm buildings.topic, farming, wool carting, working horses, clydesdales, carting wool, farming

Magazine. Norman Penrose collection: paper cutting with various illustrations of human hands. Blue, green, red and yellow background of materials and whitish bubbles. Cutting pasted onto a piece of cardboard with an advertisement on the back depicting the Victorian Comforts Fund urging people to give a newspaper to provide comforts for the babies.person, bendigo, norman william penrose, norman penrose collection, human hands

Photograph - black and white. Photograph of a wedding, the bride, groom, best man, bridesmaid and probably flower girl. Wedding dress three quarter length. Groom sitting on chair, wearing one white glove on his left hand. Written on the back of photo: Wedding of Will & May Smith? June, 1926.Lafayette, Perth, W.A.person, family, wedding portrait, cloonan family collection. will & may smith, wedding june 1926.

"The fist references the Black Lives Matter movement and also represents the strength of Indigenous peoples all over the world and symbolises solidarity and justice for everyone affected by systematic racism. Bunjil (wedge-tailed eagle) is flying high on the building. He is the creator spirit for Wurundjeri people who looks over us and protects us. Bunjil represents healing and power to our people. The blue circles and lines represent revival and waterways; in particular, they depict the Birrarung (Yarra River), which is very significant for the Wurundjeri people. Our people are known as the Manna Gum people. The leaves in the artwork highlight Wurundjeri people and their Country. These leaves also represent the cleansing of negative spirits. The Manna Gum leaf is also an important symbolic offering in our traditional Welcome to Country ceremony. Leaves are offered to visitors as they are granted safe passage through our land. They are made welcome to everything from the tops of the trees to the roots of the earth. We ask that they take care of the land, plants and animals and to respect the protocols and rules of the Traditional Owners whilst on our Country."In 2020 Council declared its support for the global Black Lives Matter (BLM) movement. In consultation with Yarra City Council's Yana Ngargna advisory group a motion was prepared and passed unanimously by all Councillors. A number of actions were generated from this decision; one of which was for Council to commission a large-scale mural that aligned with the movement. Emerging artist Ky-ya Nicholson-Ward, a proud Wurundjeri, Dja Dja Wurrung, Nguarai Illam-Wurrung, German and Irish woman, created the mural installed on a building in Peel Street Park, Collingwood. Selected by Council's Yana Ngargna, Black Lives Matter Working Group the artwork identifies the cultural importance of the local area to the Wurundjeri Woi Wurrung people as the Traditional Owners. With a strong focus on Aboriginal identity the mural outlines the local context of the Black Lives Matter movement, which is connected to racism, policing of Aboriginal and Torres Strait Islander peoples and associated deaths in custody. The artwork acknowledges the ongoing challenges faced by Aboriginal community members and their struggle to survive white systems, policies and institutions. Ky-ya's mural tells the story of Aboriginal resilience, strength and self-determination; and will support the process of healing. It is a celebration of the local Aboriginal and Torres Strait Islander community; the significant Aboriginal history of Fitzroy, Collingwood and surrounds; and community's continuing cultural connection to the area. Importantly, this artwork provides a platform to educate a broader audience about the local context of the Black Lives Matter movement and Aboriginal deaths in custody. The mural will activate this site, enliven the area, promote inclusion, incite conversation and contribute to the creative capital of this locale. A welcoming environment for Aboriginal and non-Aboriginal communities.Aboriginal Lives Matter Ky-ya Nicholson WardOn a black background a hand fist (strength, solidarity and justice) is placed at the centre of the building; Bunjil (wedge-tailed eagle) is depicted flying high on the building; blue circles and lines represent revival and waterways (Birrarung-Yarra River) and the leaves in the artwork highlight Wurundjeri people (cleansing of spirit and welcome to Country)The artist name 'Ky-ya Nicholson Ward' painted in white, low right of the wall facing into Peel Street Park. black lives matter (blm) movement, wurundjeri woi wurrung, bunjil, identity, birrarung, country

A paper Memorabilia dated 2007 depicting twenty-two naked men photographed in sepia. each month as the photo of a soldier now and then. Front cover depicts three men on horses being photographed by a fourth man . There are cattle behind the horses. On the top left hand of the Memorabilia "Men at War and Peace"Various supporters: thales, TPI, Herald Sun, PIXLmemorabilias

Standard issue Army wrist watch, commonly called a "Mickey Mouse" watch. This item was specifically made for Australian military use in 1970. A silver metal wrist watch with a glass cover over a round black face with white numbers for both 24 and 12 hour markings. The hands and 5-minute marks glow in the dark. Watch has wind up motion. Army issue green nylon band has a black clasp.Back: Watch. Wrist general purpose. MIL-W-46374A HAMILTON fsn6645-00-952-3767 Armymilitary issue, watch, 1200hr 2400hr watch, wrist watch, vietnam

This drill was used in the construction of the Eltham-Hurstbridge Railway extension in 1911. The device was placed over the wooden sleeper to drill holes for the iron spikes which held the rail down. Example of tools needed to build railway in early 20th Century in the Diamond Valley.Drill mechanism mounted on wooden frame. Mechanism tilts to enable holes to be drilled vertically (normal) or at angles up to 45 degrees using double hand cranks and gears. A rack can be engaged to raise and lower the mechanism and drill bit. Mechanism appears original. Base frame replaced recently. #drill, #railwayconstruction, #sleepers, #tilting, #handoperated

Found in the National Wool Museum, may have been used in the wool brokers office display. Although it is unclear, we believe it may be the original wool broker ledger for one of the agents working out of the Dennys Lascelles building. Ledger contains an alphabetic list (by surname) of all wool growers who sold through this agent/broker, including name, number of bales/fadges/sacks, property address, bale stencil used, stock agent rebate and date of arrival. There is also a list of new clients on the back pages.Cloth-bound cardboard front and back cover ledger. Cover is pale brown and spine is blue. Pale brown torn sticker on front indicates the year. Ledger contains lined pages with headings below which is hand-written text in pen and pencil, listing names and details in alphabetical order.

Photo of sons of Emma and James Martin. Bill Martin on left and Alf on right. The children are formally dressed in long trousers, jackets with waste coats. Photograph of the other 2 sons of James & Emma Martin. On the left is Bill Martin on the right Alf Martin. Photo taken of the children leaning on a balcony possible in a photographic studio. Bill is leaning on the balcony and Alf has his right arm on Bills shoulder with his other hand in his pocket. Left Bill Martin Right Alf Martin ch. of James & Emma (nee Bennett) Martinstawell portrait

Olympic Games held 22nd November 1956 to 8th December 1956Red cover. Front embossed with hand holding Olympic torch . Hardcover book containing day by day program for the Melbourne 1956 Olympic games. Contains photos of Athletes with names, events and country. Both coloured and black and white photographs. Has index for winners of Gold,Silver and Bronze medals

Osborne House was used as a Naval College from 1915-1917 it was served as a Naval Convalescent Hospital, followed by the home of Australia's first submarine fleet (1919-1924) and a training base during WW2.It is possible this photograph taken in 1920 shows a crew from the submarine fleet. This photograph is historically significant, it represents use of the building by the Navy and was taken onsite at the training facility. The crew and dogs are wearing a variety of clothing suggesting they were performing or having a break from work. This photograph is significant for its connections to Victoria's history of defense and building Geelong's workforce.A black and white photograph showing a crew ashore in May 1920. The photograph has been taken out the front of the stables at Osborne House, Geelong. Photo shows 15 crew members and 3 dogs dressed up. One crew member holds a copy of the Geelong Advertiser in his hands.osborne house stables, australian naval college, submarine fleet

From the estate of Jenny LangEvening bag of -hand beaded oval shape attached to tortoise shell frame. Beads are royal blue, gold, blue and brown seed beads forming pattern front and back of peacock tail. Base has five bead tassells in brown and royal blue. A beaded handle is attached to the frame.costume accessories, female

This camera has representative significance as a replica of a model used widely during the 1950's.Black box with handle, lens and film opening clip on upper face, view finder, lens open close shutter and winder on left hand side, Inner compartment opens outwardly with clip to store film. Yellow and red descriptive sticker on upper lid, Use Kodak 620 Films. Front face gray and sliver striped plate,Brownie Flash II Camera , Kodet Lens ,Kodak Australia Pty Ltd Melbourne Australiacamera, pictures, film, photography, kodak

A John Wanamaker Belmont flat top tennis racquet, with solid concave throat, and plain, slender handle. Hand etched inscription across throat and shaft on obverse: W.J. POWNALL, NEWTON/P.A./1896 ASBURY...DEL VILLA. Materials: Wood, Lacquer, Glue, Metal, Leather, Gut, Inktennis

Belgrave Main Street around early 1950's. Chemist would have been Mr. Brent. Forest Frocks was run by Mr. Buchanan. U.S. Motors visible at end of street on right; bus stop there. Guest house on left hand side corner of Terrys Avenue. Street is busy.

Demonstrates a sales item that the museum has produced over many years.Metal lapel badge - image of V/Line sprinter rail car - stamped metal badge with a clip on rear, nickel plated finish, with hand painted blue, orange and black paint unfailing the detail. Made by R. E. V. Gomm, England to order of the Ballarat Tramway Museum c1993tramways, trams, badges, lapel badge, btm, railways, railcar

Demonstrates a sales item produced by the museum.Metal lapel badge - image of Victorian Railways tram No. 50 - stamped metal badge with a clip on rear, nickel plated finish, with hand painted green, cream, grey and black paint infilling the detail. Possibly made Travis Jeffrey, not thought to be a BTM produced badge - mid 1900's.tramways, trams, badges, lapel badge, btm, victorian railways

Metal lapel badge - image of MMTB Z class No. 10 - stamped metal badge with a clip on rear, nickel plated finish, with hand painted orange, cream, light and dark brown paint infilling the detail. Possibly made for the TMSV, not thought to be a BTM produced badge - mid 1900's.tramways, trams, badges, lapel badge, btm, tmsv, z class trams

Demonstrates a sales item that the museum has produced over many years. Metal lapel badge - image of Ballarat tram No. 27, with a BTM "Tram rides" sign - stamped metal badge with a clip on rear, nickel plated finish, with hand painted green, yellow and white paint infilling the detail. Made by R. E. V Gomm the BTM, mid 2000's.tramways, trams, badges, lapel badge, btm

Yields information about tram 28 and Albert St Sebastopol.Agfa colour slides, white cardboard mount, photo by Keith Caldwell during 1963 of: Tram 28 northbound to Lydiard St North in Albert St Sebastopol, with a telephone pole line and a letter box on the right hand side. Tram has a Twin Lakes advert on the front dash panel.tramways, trams, albert st, sebastopol, tram 28

Colour photograph of Ballarat No. 17 approaching the intersection of Sturt St and Drummond St from Sturt St. West. Shows the tram stop pole. A SEC/ESCo electrical junction box appears in the photo on the right hand side. Photo on Agfa Paper and taken on Friday 14 August 1971.Stamps with faded green ink: "Photo by Chris Jeffrey / Number" with number "104PC/12" in blue ink and date stamp "Friday 14 August 1971" also in faded green ink.drummond st, sturt st, electrical equipment, tram 17

Two Black and White photograph of a in-bound bogie tram No. 3, 12/1971 descending Mitchell St Bendigo, just after the start of the double track near the railway station. Photo has Glendon House on the left hand side. Photo by George Bishop. Tram has the destination "Eaglehawk"On the back of the photos in ink "Outside Glendon House Bendigo / G. Bishop photo" and in pencil on 3609.2 "No. 3 near Rly Station Bendigo, Dec 1971, Destination Eaglehawk: and "George Bishop Photo"tramways, trams, bendigo, mitchell st, railway station, tram 3

Nippon dolls were made by Noritake in Japan.Stuffed doll with ceramic face, decolletage, hands and feet. Dress handsewn from emboidered and pleated cream material. Arms and legs made from rust colored linen type material. Pigtails painted blue. Eyes (blue/black), eyebrows (brown), hair (orange) and lips (orange) painted on.DI.464 on fabric is attached to back of right leg with sticky tape.toys, dolls, sewing

Hand drawn design for a piece of jewellery, on cream coloured paper, - a pin. One end has an arrow head, the other a shield shape design. Includes gemstones. The drawing is mounted on dark brown board. Printed in gold lettering in lower LH corner "NAPOLI" BENDIGO Prescott and Dawe Collectionprescott & dawe, jewellers, designs

The embroidered scarf was donated to the Kew Historical Society by Janet Gibson.The shawl is an outstanding example of North Indian weaving and needlework. North Indian scarf [or girdle], probably made in Delhi, hand-loomed of fine wool and heavily embroidered by needle at the ends and sides with multicoloured silk thread surrounding the central rectangular black field. The highly detailed embroidery includes stylised images of foliage and flowers. There is old damage to parts of the textile. women's clothing, shawls, indian embroidery, scarfs

A Slazenger (UK) 'Lawn Tennis Ball' box. Printed on lid: 'EXCLUSIVELY CHOSEN FOR / THE CHAMPIONSHIPS, WIMBLEDON, 1948'. Colour advertisement adhered to underside of lid. Contains two original balls and two unbranded white balls, hand-marked with ink: 'E.A.M.' Materials: Ink, Cardboard, Paper, Rubber, Wooltennis