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Marysville & District Historical Society
Postcard (item) - Colour postcard, Graphic Print Postcards, Marysville, Vic, 2004
A colour photograph of a snow covered Murchison Street in Marysville in Victoria.A colour photograph of a snow covered Murchison Street in Marysville in Victoria. This photograph was taken in 2004 before the 2009 Black Saturday bushfires that destroyed most of the businesses in the main street.Marysville's main street covered with a light layer of snow. Marysville is a small country town in Victoria, just 10/ minutes from Lake Mountain, one of Australia's best/ Cross Country Skiing Resorts. Graphic in Print/ Postcards Place/ Stamp/ Here Graphic in Print/ Country Towns Collection/ Classic 2/ c 2004/ Ph: (03) 5966 8523 Fax: (03) 5966 8458 Mob: 418 593 534marysville, victoria, murchison street, snow, postcard, souvenir, graphic in print, country town collection -
Marysville & District Historical Society
Postcard (item) - Colour postcard, K. & H. Ellis, Panorama of Marysville with Black Range in background, Pre 2009
... Panorama of Marysville with Black Range in background... - VICTORIA Panorama of Marysville with Black/ Range in background. c ...A colour photograph of a view of Marysville in Victoria.A colour photograph of a view of Marysville in Victoria. The photograph has been taken from one of the many lookouts that surround Marysville.Panorama of Marysville with Black Range in background. Colorscans MARYSVILLE - VICTORIA Panorama of Marysville with Black/ Range in background. c PUBLISHED & PRINTED BY COLORSCAPES PUBLISHING PTY LTD 118-120 BRIGHTON STREET RICHMOND 3121 Supa-vu/ cards Photographed and Distributed by:/ K. & H. ELLIS - 35 Old Warburton Road/ Warburton 3799 20-1-81/ Dear Mum/ Just a line/ to let you know we/ have settled in here./ Its a nice park not to/ big, with a river in/ behind the van. (its/ more like a swift/ running creek, the/ kids are really enjoying/ it. There are plenty of/ walks to go on, up here/ tracks everywhere./ Hows the cooler going/ keeping you cool?/ We are able to say here until/ Sunday./ See you Mum/ Love Lois, Tom,/ & Kids. Mrs A. McTaggart/ 2 Frederick Street/ Kyabram Vic/ 3620. On reverse of postcard are 5 black marks; one in each corner and one in the centre from where the postcard has been removed from an album.marysville, victoria, postcard, souvenir, k & h ellis, colorscans publishing -
Marysville & District Historical Society
Postcard (item) - Colour postcard, K. & H. Ellis, Pack Road, Marysville, Pre 2009
A colour photograph of Murchison Street in Marysville in Victoria.A colour photograph of Pack Road in Marysville in Victoria. Labeling is incorrect. View is down Murchison Street towards Barton Bridge. In the background can be seen the rectory from the Church of England. The rectory survived the 2009 Black Saturday bushfires whilst the church was destroyed. This postcard was produced by Colorscans Publishing as a souvenir of Marysville.Colorscans c PUBLISHED & PRINTED BY COLORSCANS (PUBLISHING) PTY LTD 118-120 BRIGHTON STREET, RICHMOND 3121/ Supa-vu/ cards MARYSVILLE - VICTORIA/ Pack Road, Marysville Photographed and Distributed by:/ K & H. Ellis - 35 Old Warburton Road,/ Warburton 3799marysville, victoria, pack road, murchison street, postcard, souvenir, colorscans publishing, k & h ellis, 2009 black saturday bushfires, church of england -
Marysville & District Historical Society
Postcard (item) - Colour postcard, Colorscans (Publishing) Pty Ltd, The Log Train - Marysville, Pre 2009
A colour photograph of a log train that was used in a sawmill in Marysville in Victoria.A colour photograph of a log train that was used in a sawmill in Marysville in Victoria. The Log Train was originally in use at Anderson's Mill - Marysville. The original log came from a Messmate Stringy bark (Eucalyptus Obliqua), age 134 years; height 53.3 metres; felled in 1970 at Elliots Creek, Mt. Margaret. The volume of the log was 6,000 super feet. The original log was destroyed in the 2009 Black Saturday bushfires. This postcard was produced by Colorscans Publishing as a souvenir of Marysville.Colorscans c PUBLISHED & PRINTED BY COLORSCANS (PUBLISHING) PTY. LTD. 118-120 BRIGHTON STREET, RICHMOND. 3121 Supa-vu/ cards MARYSVILLE - VICTORIA The Log Train was originally in/ use at Anderson's Mill - Marysville./ The log came from a Messmate/ Stringy bark (Eucalyptus Obliqua),/ age 134 years; height 53.3 metres;/ felled in 1970 at Elliots Creek, / Mt. Margaret. Volume of the log/ 6,000 super feet. Photographed and Distributed by:/ K & H. ELLIS - 35 Old Warburton Road,/ Warburton 3799marysville, log train, anderson's mill, messmate stringy bark, eucalyptus obliqua, victoria, colorscans publishing, postcard, souvenir -
Marysville & District Historical Society
Postcard (item) - Black and white postcard, Marysville & District Historical Society Inc, Bullock Teams at the Dump, Woods Point Road, 1993
A black and white photograph of bullock teams at the Log Dump at on the Wood's Point Road.A black and white photograph of bullock teams at the Dump at on the Wood's Point Road. The Marysville-Woods Point Road was originally part of the Yarra Track, constructed in the early 1860s to provide access between Healesville and the Woods Point Goldfields. Despite the steep terrain and engineering difficulties, the Yarra Track soon became a busy route used by pack horses, horse-drawn drays, and wagons. Today this sealed mountain road is a popular scenic drive between Marysville and Warburton. This postcard was produced by the Marysville Historical Society as a souvenir of Marysville.YESTERYEAR POSTCARDS AFFIX/ STAMP/ HERE BULLOCK TEAMS AT THE DUMP,/ WOODS POINT ROAD. C Marysville Historical Society, 1993marysville, bullock teams, woods point road, victoria, marysville historical society, postcard, souvenir, yesteryear postcards, marysville-wood's point road, yarra track, healesville, mining, timber mills, warburton -
Marysville & District Historical Society
Postcard (item) - Black and white postcard, Marysville & District Historical Society Inc, Keppel Family Ready to Muster Cattle, 1993
A black and white photograph of the Keppel Family preparing to muster cattle.A black and white photograph of the Keppel Family preparing to muster cattle. The Keppel Family were one of the first pioneering families in Marysville. This postcard was produced by the Marysville Historical Society as a souvenir of Marysville.YESTERYEAR POSTCARDS AFFIX/ STAMP/ HERE KEPPEL FAMILY/ READY TO MUSTER CATTLE C Marysville Historical Society 1993marysville, keppel family, marysville historical society, postcard, souvenir, yesteryear postcards -
Marysville & District Historical Society
Postcard (item) - Black and white postcard, Marysville & District Historical Society Inc, Coach and Horses at Flourbag Cutting, 1993
A black and white photograph of a coach and horses at Flourbag Cutting near Walhalla in Victoria.A black and white photograph of a coach and horses at Flourbag Cutting near Walhalla in Victoria. This postcard was produced by the Marysville Historical Society as a souvenir of Marysville.YESTERYEAR POSTCARDS AFFIX/ STAMP/ HERE COACH AND HORSES/ AT FLOURBAG CUTTING. C Marysville Historical Society, 1993.flourbag cutting, walhalla, marysville historical society, yesteryear postcards, postcard, souvenir -
Marysville & District Historical Society
Postcard (item) - Black and white postcard, Marysville & District Historical Society Inc, King Edward VII Tree, near Cumberland, 1904, 1993
A black and white photograph of the King Edward VII tree near Cumberland, taken in 1904.A black and white photograph of the King Edward VII tree near Cumberland, taken in 1904. This postcard was produced by the Marysville & District Historical Society Inc. as a souvenir of Marysville.YESTERYEAR POSTCARDS AFFIX/ STAMP/ HERE KING EDWARD VII TREE,/ NEARY CUMBERLAND, 1904. C Marysville Historical Society, 1993.marysville, king edward vii tree, cumberland, yesteryear postcards, marysville & district historical society inc., postcard, souvenir -
Marysville & District Historical Society
Postcard (item) - Colour postcard, Nucolorvue Productions Pty. Ltd, Mystic Mountains-MARYSVILLE, Pre 2009
A colour photograph taken of the original Police Station in Marysville in Victoria.A colour photograph taken of the original Police Station in Marysville in Victoria. The Police Station was officially opened on the 30th June, 1865. The building then went on to house the Marysville Historical Society's collection from its inception in 1969. The building and all its contents were destroyed in the 2009 Black Saturday bushfires. This postcard was produced by Nucolorvue Productions as a souvenir of Marysville.The original Police Station at Marysville/ officially opened 30th June 1865./ It is now re-situated at Burrungeen Park. NU-COLOR-VUE/ AUSTRALIA'S NATIONAL POSTCARD COMPANY STANDARD POSTAGE POSTCODE 17MA010 NCV 11128 Nucolorvue Productions Tel. 1 800 806 053 Made in Australia cmarysville, police station, victoria, nucolorvue productions, postcard, souvenir, marysville & district historical society, 2009 black saturday bushfires -
Marysville & District Historical Society
Postcard (item) - Colour postcard, Nucolorvue Productions Pty. Ltd, Mystic Mountains-MARYSVILLE, Pre 2009
A colour photograph taken of the original Police Station in Marysville in Victoria.A colour photograph taken of the original Police Station in Marysville in Victoria. The Police Station was officially opened on the 30th June, 1865. The building then went on to house the Marysville Historical Society's collection from its inception in 1969. The building and all its contents were destroyed in the 2009 Black Saturday bushfires. This postcard was produced by Nucolorvue Productions as a souvenir of Marysville.The original Police Station at Marysville/ officially opened 30th June 1865./ It is now re-situated at Burrungeen Park. NU-COLOR-VUE/ AUSTRALIA'S NATIONAL POSTCARD COMPANY STANDARD POSTAGE POSTCODE 17MA010 NCV 11128 Nucolorvue Productions Tel. 1 800 806 053 Made in Australia cmarysville, police station, victoria, nucolorvue productions, postcard, souvenir, marysville & district historical society, 2009 black saturday bushfires -
Flagstaff Hill Maritime Museum and Village
Legal record - Charter, Copy of Charter of Bank of Australasia, 01-10-1867
This Copy of the Charter of the Bank of Australasia originated from the Bank of Australasia. The bank of Australasia was incorporated by Royal Charter of England in March 1834. It had its Australian beginning on 14th December 1835, opening in Sydney. The Acting Superintendent of the bank at that time was David Charters McArthur. He was Superintendent from 1867-to 1876. The Melbourne branch opened on 28th August 1838 in a two-roomed brick cottage on the north side of Little Collins Street, where two huge mastiff dogs were used at night to guard the bank. The government also provided an armed military sentinel. Due to the bank's rapid growth, a new building for the Melbourne branch was opened in 1840 at 75 Collins Street West. By 1879 the bank had been upgraded to a magnificent two-storey building on the corners of Collins and Queens Streets, with the entry on Collins Street. In 1951 the Bank of Australasia amalgamated with the Union Bank to form the Australia and New Zealand Bank, now known as the ANZ. Then in 1970, the ANZ merged with both the ES&A and the London Bank of Australia to form the ANZ Banking Group Limited. The ANZ Banking Group Ltd kindly donated a variety of historic items from the Bank of Australasia. BANK of AUSTRALASIA, WARRNAMBOOL – In 1854 Warrnambool had two banks, the Union Bank and the Bank of Australasia. Later, completely different bank businesses opened; in 1867 the National Bank of Australasia, then in 1875 the Colonial Bank of Australasia. The original Warrnambool branch of the Bank of Australasia was established in July 1854, and operated from a leased cottage on Merri Street, close to Liebig Street. The bank next bought a stone building previously erected by drapers Cramond & Dickson on the corner of Timor and Gibson Streets. Samuel Hannaford was a teller and then Manager at the Warrnambool branch from 1855 to 1856 and the Warrnambool Council chose that bank for its dealings during 1856-57. In 1859 Roberts & Co. was awarded the contract to build the new Bank of Australasia branch for the sum of £3,000; the firm built the Warrnambool Post Office in 1856 and purchased land in Timor Street in 1858. The land was on a sand hill on the northeast corner of Timor and Kepler Streets and had been bought in 1855 from investor James Cust. The new building opened on May 21, 1860. The bank continued to operate there until 1951 when it merged with the Union Bank to form the ANZ Bank, which continued operating from its Liebig Street building. Warrnambool City Council purchased the former Bank of Australasia building in 1971 and renovated it, then on 3rd December 1973 it was officially opened as the Art Gallery by Cr. Harold Stephenson and Gallery Director John Welsh. The Gallery transferred to the purpose-built building in Liebig Street in 1986 and the old bank building is now the Gallery club. Staff at the Bank of Australasia in Warrnambool included the following men but others were also involved: Samuel Hannaford, Teller then Manager from 1855-1856; Hawkins, Manager in 1856, W H Palmer, Manager from January 1857 until November 1869 when the Teller Basil Spence was promoted to Manager; H B Chomley, Manager from April 1873 and still there in 1886; A Butt, Manager in 1895-1904; J R McCleary Accountant and Acting Manager for 12 months, until 1900; A Kirk, Manager 1904; J Moore, staff until his transfer to Bendigo in December 1908; J S Bath was Manager until 1915; C C Cox, Manager until April 1923; Richard C Stanley, Manager 1923 to April 1928. The Copy of the Charter of the Bank of Australasia has significance through its association with the Bank of Australasia. The early Australian bank was established in 1834 by Royal Charter and opened in Sydney, Australia, in Sydney in 1835. The bank had many Australian offices in November 1877, particularly on the east and south coasts. Victoria had 45 per cent of all Offices. The Charter is locally significant for its association with the Warrnambool Bank of Australasia, which was established in 1854. It was Warrnambool Council’s first bank. The bank continued to operate until the organisation's merger in 1951 when it became the ANZ Bank Group today. The Bank was an integral part of the growth of local commerce and the community. Record book, hard cover, tan black and beige pebble-pattern on front and back, and tan reinforced strip on spine with decorative embossing. Handwritten title on cream paper is attached in centre of front cover. Cream paper pages are lined and have watermarks on each one. Pages are numbered up to the last written page, number 35. The last page is sealed in red with an official stamp and dated 1st October 1867. Inscriptions are on three labels. and on front end page, and red oval stamp inside front cover. It is an official copy of the Charter of the Bank of Australasia.Label with title, handwritten in pen "Copy / Charter / of / The Bank of Australasia" Label on spine, typewritten "COPY / CHARTER" Label on front cover, handwritten in pen "A G / 28" Front inside cover, red oval stamp "AUSTRALIA AND NEW ZEALAND BANK LIMITED - ARCHIVES - " and in the oval, in pen "A G / 28" Front end page, handwritten in pencil "Normal Copy 5 Dec No. 74" Front end page, in pencil "L 28"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, bank of australasia, boa, union bank, australia & new zealand bank, anz bank, david charters mcarthur, d c mcarthur, sydney, new south wales, currency, banknote, legal tender, commerce, banking, roberts & co., james cust, heraldic shield, insignia, samuel hannaford, w h palmer, basil spence, h b chomley, a butt, j r mccleary, a kirk, j moore, j s bath, c c cox, richard c stanley, charter of the bank of australasia -
Flagstaff Hill Maritime Museum and Village
Document - Ports and Harbours, Ports and Harbours, Tender for Warrnambool Light, 24-06-1902
The document confirms that the Tender for the supply of gas to the Warrnambool Light, also known as the Lighthouse, by the Warrnambool Gas Works was successful. The Tender was issued by the Engineer in Charge, Ports and Harbours, Melbourne, for a the period ending 30th June 1903, at the offered rate of 10/- (ten shillings) per 100.0 c/f (cubic feet). The Manager of the Warrnambool Gas Works expected to follow this acceptance with a visit to the Collector of Customs to sign the Conditions of Contract and Bond. The light of Warrnambool's Lady Bay Lighthouse was originally powered by oil. Later it was converted to gas, followed by electricity, then solar power, and finally to battery power. The Warrnambool Gas Company operated the gas works from the 1870's to the late 1920's.This document connects Warrnambool's Lady Bay Lighthouse to the Warrnambool Gas Works during the first decade of the 20th century. It documents to process of a Government department requesting Tenders for the supply of goods to operate a service, the the formal documentation required at that time.Pale green rectangular paper with template text printed in black and completed in black ink script. Letterhead of the Department of Ports and Harbours, Melbourne, and addressed to the Gas Works, Warrnambool, dated 24th June 1902, for the supply of gas to the Warrnambool Light until 30th June 1903 at the cost of Ten Shillings per 100 cubic feet."24th [June] 1902" Warrnambool [Light]" "Manager W'bool Gas Wks" "supply of gas to" "1903" "10/- per 100.0 c/f" "Collector of Customs" " The Manager / Gas Works / Warrnambool" [Signature] "for" [Engineer in Charge, Ports and Harbours]flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, department of ports and harbours, ports and harbours, ports and harbours melbourne, warrnambool light, warrnambool lighthouse, warrnambool gas works, w'bool gas works, gas works, gas supply, early 1900s, early 20th century, shillings, cubic feet, collector of customs, customs, warrnambool customs, engineer in charge, lady bay lighthouse, warrnambool gas company -
Flagstaff Hill Maritime Museum and Village
Document - Ports and Harbours, Ports and Harbours, Tender for Warrnambool Light, 24-06-1904
The document confirms that the Tender for the supply of gas to the Warrnambool Light, also known as the Lighthouse, by the Warrnambool Gas Works was successful. The Tender was issued by the Engineer in Charge, Ports and Harbours, Melbourne, for a the period ending 30th June 1905, at the offered rate of 10/- (ten shillings) per 100.0 c/f (cubic feet). The Manager of the Warrnambool Gas Works expected to follow this acceptance with a visit to the Collector of Customs to sign the Conditions of Contract and Bond. The light of Warrnambool's Lady Bay Lighthouse was originally powered by oil. Later it was converted to gas, followed by electricity, then solar power, and finally to battery power. The Warrnambool Gas Company operated the gas works from the 1870's to the late 1920's.This document connects Warrnambool's Lady Bay Lighthouse to the Warrnambool Gas Works during the first decade of the 20th century. It documents to process of a Government department requesting Tenders for the supply of goods to operate a service, the the formal documentation required at that time.Pale cream rectangular paper with template text printed in black and completed in black ink script. Letterhead of the Department of Ports and Harbours, Melbourne, and addressed to the Gas Works, Warrnambool, dated 24th June 1904, for the supply of gas to the Warrnambool Light until 30th June 1905 at the cost of Ten Shillings per 100 cubic feet."24th [June] 1904" Warrnambool [Light]" "Manager W'bool Gas Wks" "supply of gas to" "1905" "10/- per 100.0 c/f" "Collector of Customs" " The Manager / Gas Works / Warrnambool" [Signature] "for" [Engineer in Charge, Ports and Harbours]flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, department of ports and harbours, ports and harbours, ports and harbours melbourne, warrnambool light, warrnambool lighthouse, warrnambool gas works, w'bool gas works, gas works, gas supply, early 1900s, early 20th century, shillings, cubic feet, collector of customs, customs, warrnambool customs, engineer in charge, lady bay lighthouse, warrnambool gas company -
Flagstaff Hill Maritime Museum and Village
Document - Ports and Harbours, Ports and Harbours, Tender for Warrnambool Light, 24-06-1907
The document confirms that the Tender for the supply of maintenance to the Warrnambool Light, also known as the Lighthouse, by the Warrnambool Gasworks was successful. The Tender was issued by the Engineer in Charge, C. Maclean, Ports and Harbours, Melbourne, for a the period ending 30th June 1908, at the offered rate of 10/- (ten shillings) per 100.0 c/f (cubic feet). The Manager of the Warrnambool Gasworks expected to follow this acceptance with a visit to the Collector of Customs to sign the Conditions of Contract and Bond. The light of Warrnambool's Lady Bay Lighthouse was originally powered by oil. Later it was converted to gas, followed by electricity, then solar power, and finally to battery power. The Warrnambool Gas Company operated the gas works from the 1870's to the late 1920's.This document connects Warrnambool's Lady Bay Lighthouse to the Warrnambool Gas Works during the first decade of the 20th century. It documents to process of a Government department requesting Tenders for the supply of goods to operate a service, the the formal documentation required at that time.Pale cream rectangular paper with template text printed in black and completed in black ink script. Letterhead of the Department of Ports and Harbours, Melbourne, and addressed to the Gas Works, Warrnambool, dated 25th June 1907, for the supply of maintenance to the Warrnambool Light until 30th June 1908 at the cost of Ten Shillings per 100 cubic feet. A purple stamped signature is also added and initialled in red pen."25th [June] 1907" Warrnambool [Light]" "Manager W'bool Gasworks" "supply of gas to" "1908" "10/- per 100.0 c/f" "Collector of Customs" " The Manager / Warrnambool Gasworks" [Signature] "for" [Engineer in Charge, Ports and Harbours] Stamped " C. -. Maclean"flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, department of ports and harbours, ports and harbours, ports and harbours melbourne, warrnambool light, warrnambool lighthouse, warrnambool gas works, w'bool gas works, gas works, gas supply, early 1900s, early 20th century, shillings, cubic feet, collector of customs, customs, warrnambool customs, engineer in charge, lady bay lighthouse, warrnambool gas company, gasworks, warrnambool gasworks, maintenance, c. - maclean -
Marysville & District Historical Society
Document (Item) - Document-Table, Judith Vimpani, Yarra Track Hostelries- Marysville to Woods Point, Unknown
A document outlining all the hostelries that existed along the Yarra Track between Marysville and Wood's Point.A document outling all the hostelries that existed along the Yarra Track between Marysville and Wood's Point.yarra track, marysville, wood's point, woods point, fernshaw, paradise plains, black spur, mount grant, george edwards, walker family, melbourne, new chum, hit & miss restaurant, mr clifford, michael woods, glen watts, tri bhean hotel, ewen cameron, ewen hugh cameron, thomas barton, butler's wood's point directory, globe hotel, swanston street, mount juliet, ben more & c, jordan district, jefferson's watts bridge inn, matthew jefferson, reefer's hotel, boyle's hotel, william henry johnson, samuel boyle, black spur hotel, fisher's creek, narbethong, fisher's home hotel, black spur inn, frederick fisher, william hodson, wood's point road, acheron river, acheron bridge hotel, john robson, granton, clifford, wilks creek, wilks creek hotel, patrick maloney, steavenson, marysville hotel, australian hotel, junction hotel, the dutchman's restaurant, henry kuyper, william podlech, mount arnold, mount arnold hotel, charles schultz, james toohey, john gleeson, joy burchall, ian newman, henry brockman, belle isle, belle elle, bellell creek, upper yarra, guerin's bridge, bell's hotel, henry petty, celia moran, ruth petty, cumberland creek, cumberland creek store and restaurant, cumberland creek hotel, charles edwin hargreaves, annie hargreaves, urina hargreaves, alice hargreaves, healesville, josiah hargreaves, henderson drysdale, henry whelan, halfway house, thomas smith, svendson, gosling, donovans creek, chesterville, perry's hotel, john perry, perry's coach and horses hotel, edward courtney, scandinavian hotel, the swede's, walker's hotel, jacob burchart, golden fleece, theodore kappler, george koehler's hotel, david walker, millicent walker, elsie jowett, bill walker, big river, royal mail hotel, shaw's, slingsby davies, edwin jones, elizabeth jane parker, sandridge, archibald charles edwin jones, matlock, alexander myers, frank berwick frederick jones, ned jones, jennie jones, sophie milllicent parker jones, thomas shaw, dorothy walker, travellers rest hotel, reefton, summers, john fehring, f fehring, katerina fehring, john christoph blumeyer, anne fehring, john baker, evelyn observer, anna katrina baker, hannah catherine baker, john frederick baker, mcmahon's creek, oaks, the springs, st clair, sinclair's valley, mountain home hotel, neilson, collins, waters, jan emma sinclair, john sinclair, mr cox, peter sinclair, willie we have missed you hotel, spring vale hotel, robert matthews, thomas crawford -
Marysville & District Historical Society
Photograph (Item) - Black and white portrait, John William Lindt, 1870s
A black and white portrait of an unknown man taken by John William Lindt.A black and white portrait of an unknown man taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt -
Marysville & District Historical Society
Photograph (Item) - Black and white portrait, John William Lindt, 1870s
A black and white portrait of an unknown man taken by John William Lindt.A black and white portrait of an unknown man taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt -
Marysville & District Historical Society
Photograph (Item) - Black and white portrait, John William Lindt, 1870s
A black and white portrait of an unknown woman taken by John William Lindt.A black and white portrait of an unknown woman taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt -
Marysville & District Historical Society
Photograph (Item) - Black and white portrait, John William Lindt, 1870s
A black and white portrait of an unknown woman taken by John William Lindt.A black and white portrait of an unknown woman taken by John William Lindt. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913.7 Collins Str. East/ J.W. Lindt/ Melbournejohn william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt -
Marysville & District Historical Society
Letter (Item) - Hand written letter, John William Lindt, 1903
A letter written to Maurice Keppel by John William Lindt in 1903.A letter written to Maurice Keppel by John William Lindt in 1903. John William Lindt was born in Germany in 1845. At 17 he took a working passage to Australia on a Dutch sailing ship. Taking up work as an itinerant piano-tuner, he traveled amongst towns in Victoria and New South Wales before settling in Grafton in 1863 where he became assistant and apprentice to photographer Conrad Wagner. After a brief return to Germany in 1867 Lindt took over management of Wagner’s studio in 1869. He married Wagner’s daughter, Anna on 13 January 1872. Over 1873-1874, using the slow and laborious wet-plate collodion process, John Lindt produced photographs of the local indigenous people both in their environment conducting actual traditional ceremonies in the Clarence River district, and in his studio. Twelve of this series is included in his 1874 album Australian Aboriginals. John Lindt moved to Melbourne in 1876 where he worked for Batchelder & Co. before opening his own opulent studios at number 7 at the top of Collins Street opposite the Treasury, in 1877. John Lindt's business of this period was wide-ranging, and included portraits, records of Melbourne public buildings and streetscapes, the Botanical Gardens, and Port Melbourne. He was a welcome photographer of members of parliament and other Melbourne personalities, their society and cultural life including the theatre, and was known as a ‘rich man’s photographer’ for those whose families he grouped informally on the lawns in front of their mansions, with servants at the rails of the upstairs balconies. He continued with landscape, producing folios Fernshaw and Watt River Scenery, Victoria ( c.1878-82), Scenery on the Ovens and Buckland Rivers, Victoria (c.1878–82) and Lorne, Louttit Bay and Cape Otway Ranges (1883). Sales of his Black Spur scenery amounted to approximately 25,000 copies printed from the original negatives between 1882 and 1892. John Lindt, in collaboration with Nicholas John Caire, produced a tourist booklet on the area around "The Hermitage" in 1913. Maurice Keppel, from Ireland, was one of the first landholders in the newly surveyed town of Marysville in 1864. He and his wife ran the successful Keppel’s Australian Hotel. Two of their sons, John and Jerry, established a farm and opened up the surrounding high country. The Keppel lease was one of the longest held in the high country and the Keppel Family were amongst Marysville's pioneering families.maurice keppel, keppel family, keppel's australian hotel, marysville, victoria, john william lindt, conrad wagner, australian aboriginals, batchelder & co, nicholas john caire, anna lindt -
Merbein RSL Sub Branch
Photo
Soldier in uniform seated being treated by a nurse for a injury to his right forearmworld war one, photo black and white painted copy, nurse, neal herbert c, service number 698 -
Merbein RSL Sub Branch
Photo, Portrait In Memory of Harold C. Ball
Harold played football for Merbein before playing for Melbourne.Black and white photograph colourized- photo, rectangular, wooden frame, Man standing, Wearing shorts and unit football jerseyPlaque underneath photograph "In memory of Harold C.Ball Melbourne Football Club premiership teams,1939/40/.Joined 2/9 A.I.F 1940. Killed in action Singapore Island/,9th February,1942/ LEST WE FORGET/ Presented by 2/9 Field Ambulance Unit Association"melbourne, football, merbein, firsts -
Merbein RSL Sub Branch
Photograph, Mitchell,Henry,C
WW1-photoPhoto,black and white-waist,up-sgt stripes,right arm-rising sun,on cap-rising suns on collarsno, henry, mitchell, c sgt reg, 11550 -
Merbein RSL Sub Branch
Photograph, Mercer,William,C
... the-murray WW1 william ww1 mercer c Black and white photo -full ...WW1Black and white photo -full length,standing,legs astride-WW1 uniform-slouch hat-rising suns on collarwilliam, ww1 mercer, c -
Merbein RSL Sub Branch
Photograph, Box,Frank,C
... the-murray WW1 box ww1 frank c kia no189 Black and white photo-Waist ...WW1Black and white photo-Waist to head-Rising sun on cap and collar-WW1 uniform-photo in circlebox, ww1, frank, c kia no189 -
Merbein RSL Sub Branch
Photograph, Jones,Ivor,C
... the-murray WW1 ww1 jones ivor c no 1479 Black and white photo-head ...WW1Black and white photo-head only-slouch hat-rising sun on collarww1 jones, ivor, c no, 1479 -
Merbein RSL Sub Branch
Photo
... the-murray world war one photo black and white robert c a lawson ...Black and white photo of a soldier in uniformworld war one, photo black and white, robert c a lawson, service number 231 -
Merbein RSL Sub Branch
Photo
... the-murray world war one photo black and white alfred c cameron ...Black and white photo of a soldier in uniform wearing a slouch hat.world war one, photo black and white, alfred c cameron, service number 1690 -
Blacksmith's Cottage and Forge
Book, Day, Day Book, 20 January 1920 to 27 April 1921
This book contains information relating to daily work conducted by Charles Edwards, Blacksmith, during period 20th January 1920 to 27 April 1921. It lists customer names, types of work done and costs involved. The written X indicates whether work was paid in full.This books contains historical information relating to peoples names and industries in the Bacchus Marsh district and the work performed for them by the blacksmith during the period mentioned. Most of work relates to shoeing horses, repairs to horse drawn vehicles, repairs to farm machinery/tools and some work on cars.Cardboard covers - green marbled design with black spine. Account type book with red ruled columns. Hand written names, jobs, charges and dates.On the inner cover - Mrs C Edwards, Main Street, Bacchus Marshbook, blacksmith, day, customers, clients, charles edwards -
Blacksmith's Cottage and Forge
Male ceremonial sash, circa 1920's
A sash of green taffeta with black cotton lining. It has gold fringing at each end; gold frogging and button. There is gold inscription on the sash.H A C B S Hibernian Australasian Catholic Benefit Society Faith Hope & Charity Ballarat