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Federation University Art Collection
Painting - mural, Marlene Drysdale, 'The Wisdom of Our Ancestors Guides Our Search for New Knowledge'
This work was designed by Marlene Drysdale and Lynne Holten, and was created by a large group of artists made up of Aboriginal students from the Morwell KODE school, campus staff and students at the CAIS Centre, and elders and community members from the region, An exterior mural in the ampitheatre at Gippsland Campus. The theme of the mural is 'Reconciliation through Education'.aboriginal, mural, gippsland campus art collection, marlene drysdale, lynne holten, reconciliation -
City of Greater Bendigo - Civic Collection
Badge - Referendum Badge, Yes, 2023
... the First Peoples of Australia by establishing an Aboriginal... the First Peoples of Australia by establishing an Aboriginal ...On the 14th of October 2023, Australians were asked to vote on a proposal to change the wording in the constitution 'To recognise the First Peoples of Australia by establishing an Aboriginal and Torres Strait Islander Voice.’ Only 39.9 per cent of legal votes were in favour of this change, and there was not a majority in any of the six Australian States (there was a majority, however, in the Australian Capital Territory). On the 26th June, 2023 Councillors with the The City of Greater Bendigo discussed their position on The Voice to Parliament and decided to support the Yes campaign while pledging to provide information on both sides of the debate to residents. Cr Margaret O’Rourke introduced the motion and spoke at length about the importance for Council to adopt the recommendation. “Recognising the Aboriginal and Torres Strait Islander voice in the constitution ensures that Indigenous Australians have a direct and meaningful role in shaping policies and laws that impact them'. Several Councillors voiced their concern over whether the City could formally support one side of the debate, while seeking to provide neutral information saying that it did not pass the commonsense test. These badges were collected at an event at Rosalind Park on the 27th of September, 2023 attended by Linda Burney, Minister for Indigenous Australians who addressed the crowd.Large badges with YES printed in centre. city of greater bendigo reconcilliation, dja dja wurrung -
The Mrs Aeneas Gunn Memorial Library
Book, Oxford University Press, A short history of Australia, 1937
Outline of Australian history to the outbreak of the First World War ; includes refererences to Governor George Arthur's "Black line" and George Robinson's work among Aboriginal Tasmanians.Index, bib, ill, maps, p.374.non-fictionOutline of Australian history to the outbreak of the First World War ; includes refererences to Governor George Arthur's "Black line" and George Robinson's work among Aboriginal Tasmanians. australia - history, australia - social life and customs -
The Mrs Aeneas Gunn Memorial Library
Book, Ernest Scott, Australian discovery by by land, 1929
Reproduces journals and first-hand accounts of explorers & navigators, including, Blaxland, Evans, Oxley, Cunningham, Hume & Hovell, Lockyer, Sturt, Mitchell, Eyre, Burke & Wills, Stuart. Many brief references to meetings with Aboriginal peoples.Ill, maps, p.422.non-fictionReproduces journals and first-hand accounts of explorers & navigators, including, Blaxland, Evans, Oxley, Cunningham, Hume & Hovell, Lockyer, Sturt, Mitchell, Eyre, Burke & Wills, Stuart. Many brief references to meetings with Aboriginal peoples.australia - history, australia - discovery and exploration -
The Mrs Aeneas Gunn Memorial Library
Book, T. Nelson and sons, Australia : a general account - history, resources, production, social conditions, 1929
Outline of geography, European exploration and settlement, economic development, social condition, flora and fauna; includes a brief general account of Aboriginal culture.Index, Ill, maps, p.272.non-fictionOutline of geography, European exploration and settlement, economic development, social condition, flora and fauna; includes a brief general account of Aboriginal culture.australia - social life and customs, australia - history -
The Mrs Aeneas Gunn Memorial Library
Book, G. Bell & Sons, By flood and field : adventures ashore and afloat in North Australia, 1912
Factual account of life in the Northern Territory in the late 19th century; - 1st section - Authors adventures as a shipwrecked mariner at Wark Aboriginal Settlement and Port Essington; 2nd section - Detailed narrative of the authors work & explorations as a customs official and as a patrol police officer, stationed at Port Darwin; Description of Malays and their trading ventures by proas; Relations between Malays and Aborigines employment of latter in collecting, trepangs, pearls, tortoise-shells - physical and cultural influences (e.g. intermixture, and language) feuds and murders; Notes on food gathering and hunting (use of wommera) - tracking - corroborrees settling of disputes by simulated fighting - group murder and guilt rites (Malays and Chinese), canoes decorated - Maria Is. sacred burial ground qualities of Aborigines; noted; Intertribal fighting - Woolna tribe against local Darwin Aborigines; Cannibalism at Limba Luchumbo - King River; Contact between Aborigines and settlers, ranging from extreme cruelty to great friendships; Aboriginal girls stolen for domestic work causing trouble; Further accounts of Chinese - opium & gold smuggling; Search for Dylompo - Groote Eylandt unsuccessful.Ill, p.327.non-fictionFactual account of life in the Northern Territory in the late 19th century; - 1st section - Authors adventures as a shipwrecked mariner at Wark Aboriginal Settlement and Port Essington; 2nd section - Detailed narrative of the authors work & explorations as a customs official and as a patrol police officer, stationed at Port Darwin; Description of Malays and their trading ventures by proas; Relations between Malays and Aborigines employment of latter in collecting, trepangs, pearls, tortoise-shells - physical and cultural influences (e.g. intermixture, and language) feuds and murders; Notes on food gathering and hunting (use of wommera) - tracking - corroborrees settling of disputes by simulated fighting - group murder and guilt rites (Malays and Chinese), canoes decorated - Maria Is. sacred burial ground qualities of Aborigines; noted; Intertribal fighting - Woolna tribe against local Darwin Aborigines; Cannibalism at Limba Luchumbo - King River; Contact between Aborigines and settlers, ranging from extreme cruelty to great friendships; Aboriginal girls stolen for domestic work causing trouble; Further accounts of Chinese - opium & gold smuggling; Search for Dylompo - Groote Eylandt unsuccessful. northern australia - description and travel, northern australia - economic relations -
The Mrs Aeneas Gunn Memorial Library
Book, Frank Fox, Peeps at many lands : Oceania, 1912
Includes general statements on Aboriginal origins; population numbers; description; warfare; their futureIll, maps, p.203.non-fictionIncludes general statements on Aboriginal origins; population numbers; description; warfare; their future oceania - description and travel, australia - description and travel -
City of Greater Geelong
Acrylic on Canvas, Big Day Out, 2010-2011
Rohan Robinson is an artist born in Geelong, and attended “the Mill” part of Deakin University in 1980-82, studying Fine Art. In 2010-11, he was the manager of Kayili Artists Aboriginal Corporation, at Patjarr in the Gibson Desert W.A., where he oversaw the development and marketing of artworks of the corporation’s members. The community is the remotest in Australia and averaged 25 people, mostly consisting of elderly people and part of the Ngaanyatjarra region, with some members not having any consistent contact with white fellas up to the mid 1960’s. During his time it was common for all the community members to go out hunting and having a visit to important areas, where members would get some tucker of rabbits and lizards and honey ants and perhaps some “meow meow” and have a nice sleep in the shade on the warm sand. Robinson would often take his painting gear along and do some work on unstretched linen on the desert ground, he would paint for a while and then perhaps lie around with the elders or follow one of the expert hunters and observe from a distance [several meters] the skills of elderly women casually walking through some recently burned spinifex knocking cowering bunnies on the head with a steel rod. It was on one of these occasions, when this particular painting was being conceived, that after returning from the hunting mission, he was informed by some of the mob, that an elder had been spending time looking at this work in it’s infantile stage...”You know the old fella over there, he been looking at that painting of yours” It was later in the day, when returning to Patjarr, that the elder Arthur Robertson approached Robinson, and demanded/asked that Robinson paint his stories for him. Mr Robertson was suffering from Parkinson’s disease, and was having trouble painting, but had been doing some brilliant work with Posca markers. It was with a certain reluctance that Robinson agreed, as he felt this to be a “political hot potato in some quarters” but also respected a relationship between artists beyond the cultural divide. Mr Robertson demanded that they start immediately and armed with pencil and paper they created the notes for several paintings under Mr Robertson’s direction. The painting that you are viewing is signifcant in that it was the catalyst for this relationship between the two artists. Mr Arthur Robertson died later that year 2011.Gold framed blue and earth tone painting. Painting depicting four circles with mountain and sky in the background. -
Royal District Nursing Service (now known as Bolton Clarke)
Photograph - Photograph, Portrait black and white, 02.1970
This black and white photograph of Sister Pat McPherson was taken at the 1st International Congress on Domiciliary Nursing held in Melbourne. The congress was hosted by the Royal District Nursing Service (RDNS) and ran from the 1st - 8th of February 1970. Following this Congress, Sister Patricia McPherson was employed by RDNS from 1970 - 2003, mainly in the area of Administration.Sister Patricia McPherson, State Registered Nurse, Midwife, and Infant Welfare trained nurse, B.A. was awarded an M.B.E. for her community health work among the Aboriginal communities during the time she worked as a Sister for the Australian Inland Mission (AIM). This was just prior to her joining Royal District Nursing Service. Patricia McPherson is listed on page 210 in the 'Women Shaping the Nation - Victorian Honour Roll of Women Vol 1 - 2001' - Centenary of Federation 1901 - 2001.This black and white photograph is a portrait head and shoulders view of Sister Patricia McPherson, who is smiling and has short straight dark hair. She is wearing a black and white patterned frock; on its upper right is attached a plastic name badge with two lines in white capital letters on black background stating: "Miss P. MCPHERSON / WESTERN AUSTRALIA' . Seen in the background is black and white vertical striped wallpaper.The Herald & Weekly Times Ltd, Melbourne, Australiardns, royal district nursing service, 1st internation congress on domisiciary nursing, sister patricia mcpherson -
Carlton Football Club
Commemorative Ash Tray, 1947 VFL Awarded to H O Bell Secretary of Carlton FC 1947, 1947
... William Cooper "is remembered as the Australian Aboriginal ...Presented to Carlton FC secretary H O Bell in recognition of Carlton's 1947 premiershipThe awarded trophy although for the 1947 season was passed onto former Carlton player Cyril Mann who missed selection for the 1945 Grand Final (The Blood Bath) victory over South Melbourne. Cyril Mann's maternal Grandfather William Cooper "is remembered as the Australian Aboriginal political activist, much-respected community leader and genuine man of stature whose extraordinary lifetime achievements cannot be properly acknowledged in the limited space available here". Tony De Bolfo 2013.Comprises stainless steel & bronze. Small bronze medallion sits atop ash tray on a small pedestal."Awarded to H O Bell Secretary Carlton Football Club 1947 PREMIERS" The VFL emblem is depicted on one side of the medallion. -
Canterbury History Group
Book, Public Record Office of Victoria et al, 'My heart is breaking' : a joint guide to records about Aboriginal people in the Public Record Office of Victoria and the Australian Archives, Victorian Regional Office, 1993
... community. Aboriginal peoples Australian archives Part 1 is a Guide ...Part 1 is a Guide to relevant holdings about aboriginal people of the PRO and Australian Archives. Part 2 is a compilation of material to illustrate the "richness and variety of the surviving record as well as the complementary nature of the two holdings".191 pages; Includes black and white photographs, indexes and bibliographynon-fictionPart 1 is a Guide to relevant holdings about aboriginal people of the PRO and Australian Archives. Part 2 is a compilation of material to illustrate the "richness and variety of the surviving record as well as the complementary nature of the two holdings".aboriginal peoples, australian archives -
Mont De Lancey
Book, L.O. Dowker, The Great Unknown, c late 1800's
... -and-dandenong-ranges australian bush aboriginal peoples bush stories ...True narratives of the author's life in the Australian bush 1886 - 1897. The author tells of leaving England by sailing ship, and his life settling in Australia. He spent some time working with station men and aboriginals.Small grey paperback book, with the title The Great Unknown printed in black lettering on the front cover with a decorative symbol. Underneath is, These narratives are true stories of my own life in the Australian Bush, 1888 - 1897. The author, L.O. Dowker Price One Shilling. The author writes about his life in the Australian Bush and working with station men and aboriginal people. There are a few black and white full page illustrations. 79p.non-fictionTrue narratives of the author's life in the Australian bush 1886 - 1897. The author tells of leaving England by sailing ship, and his life settling in Australia. He spent some time working with station men and aboriginals.australian bush, aboriginal peoples, bush stories australia -
Tarnagulla History Archive
News clipping: Name Is Gaelic - Not Aboriginal, Name Is Gaelic - Not Aboriginal, September 15, 1981
Murray Comrie Collection. A double page from the Castlemaine Mail newspaper of September 15, 1981 with article about the origins of place names in the district. Claims that Tarnagulla, Bealiba, Bet Bet, Waanyarra and Laanecoorie are Aboriginal but Tarrengower is Gaelic. Written by non-Indigenous historian John J. Alderson. Discusses Indigenous history of the region. tarnagulla, waanyarra, laanecoorie, bet bet, central victoria, dja dja wurrung, djadjawurrung, indigenous australians, indigenous history, traditional owners, names, naming -
Tarnagulla History Archive
News clipping: The Local Aborigines, The Local Aborigines, July 21, 1981
Murray Comrie Collection. Two copies of a single page of The Advertiser (Maryborough) newspaper of July 21, 1981 with article titled 'The Local Aborigines' by non-Aboriginal historian John J. Alderson. central victoria, dja dja wurrung, djadja wurrung, djadjawurrung, indigenous history, indigenous australians, traditional owners -
Wodonga & District Historical Society Inc
Book - The Australian Army - A Brief History, Austin, Brigadier M and Lever, Major Geoff, 2001
... of the Australian army from colonial forces and the Aboriginal resistance ...A revised short history of the Australian Army beginning with Aboriginal resistance to settlement; through an examination of the service of colonial forces in the Sudan and Boer Wars; both World Wars, Korea, Vietnam and Afghanistan. It contains a detailed section explaining the history and traditions of the Australian Army including patches, badges, the slouch hat and the Rising Sun badge.A bound volume of 96 pages featuring an image of an Australian soldier carrying an injured child on the cover. This publication includes 11 maps in colour as well as black and white and colour illustrations.A revised short history of the Australian Army beginning with Aboriginal resistance to settlement; through an examination of the service of colonial forces in the Sudan and Boer Wars; both World Wars, Korea, Vietnam and Afghanistan. It contains a detailed section explaining the history and traditions of the Australian Army including patches, badges, the slouch hat and the Rising Sun badge.australian military, military history -
Wodonga & District Historical Society Inc
Booklet - 100 YEARS AT S.S. 2222 BARANDUDA: a centenary history, Rosemary Boyes, 1980
This booklet tells the story of Baranduda State School 2222 and was produced to celebrate its centenary. It also includes information about the history of the district and some of its pioneer families. Baranduda pastoral run was taken up in 1845 and it is thought that the name was derived from an Aboriginal expression relating to a swamp or a water rat. A few kilometres south-west there is the beginning of the Baranduda Range, of which the summit is Mount Baranduda. Baranduda was a rural hamlet with numerous German farm selectors, who came from South Australia. Beginning with the grazing of cattle and later dairying and sawmilling were added, serving markets in Wodonga and providing timber sleepers for railway construction. The primary school was opened in 1880.non-fictionThis booklet tells the story of Baranduda State School 2222 and was produced to celebrate its centenary. It also includes information about the history of the district and some of its pioneer families. Baranduda pastoral run was taken up in 1845 and it is thought that the name was derived from an Aboriginal expression relating to a swamp or a water rat. A few kilometres south-west there is the beginning of the Baranduda Range, of which the summit is Mount Baranduda. Baranduda was a rural hamlet with numerous German farm selectors, who came from South Australia. Beginning with the grazing of cattle and later dairying and sawmilling were added, serving markets in Wodonga and providing timber sleepers for railway construction. The primary school was opened in 1880.baranduda state school, education victoria, community history baranduda -
Wodonga & District Historical Society Inc
Book - Wodonga Over River and Plain, Alan J. Dunlop, 1976
A great local history of the Wodonga area. Starts with discussion of the Aboriginal inhabitants of the region and early contacts with European explorers and settlers. Explains the establishing of a customs post with its twin city Albury on the other side of the Murray River. The town grew subsequent to the opening of the first bridge across the Murray in 1860. Originally named Wodonga, its name was changed to Belvoir then later back to Wodonga.non-fictionA great local history of the Wodonga area. Starts with discussion of the Aboriginal inhabitants of the region and early contacts with European explorers and settlers. Explains the establishing of a customs post with its twin city Albury on the other side of the Murray River. The town grew subsequent to the opening of the first bridge across the Murray in 1860. Originally named Wodonga, its name was changed to Belvoir then later back to Wodonga.victoria. wodonga, settlers wodonga, indigenous australians wodonga -
Darebin Art Collection
Artwork, other - Maree Clarke, River reed necklace, 2014
... of south-east Australian Aboriginal art and cultural practices ...Maree Clarke is a pivotal figure in the reclamation of south-east Australian Aboriginal art and cultural practices and has a passion for reviving and sharing elements of Aboriginal culture that were lost – or lying dormant – as a consequence of colonisation. She a leader in nurturing and promoting the diversity of contemporary Koorie artists through her revival of traditional possum skin cloaks, together with contemporary designs of kangaroo teeth necklaces, river reed necklaces and string headbands adorned with kangaroo teeth and echidna quills. River Reed Necklace forms a key element of the artist’s practice regenerating cultural practices and strengthening cultural identity and knowledge. Maree Clarke has exhibited widely both nationally and internationally, and in 2021 she was the subject of a major survey exhibition Maree Clarke – Ancestral Memories at the National Gallery of Victoria. Other recent exhibitions include Tarnanthi, Art Gallery of South Australia, Adelaide (2021), The National, Museum of Contemporary Art Sydney (2021), Reversible Destiny, Tokyo Photographic Museum, Tokyo Japan (2021) and the King Wood Mallesons Contemporary Art Prize, for which she was awarded the Victorian Artist award. In 2020 she was awarded the Linewide Commission for the Metro Tunnel project and was the recipient of the Australia Council Aboriginal and Torres Strait Islander Arts Fellowship. -
Darebin Art Collection
Photograph - Alan Stewart, Alan Stewart, Escape 1, Taungurung, 2021
... and Australian Aboriginal backgrounds. He is a photographer predominantly ...Escape is a body of work by Taungurung/Filipino artist Alan Stewart made during Melbourne’s long lockdown to reflect his longing to connect to Country. Alan says, “Country has always been my escape and connection to my culture. Without it, I lost a sense of self and a way to revitalise my spirit. Those early mornings and long drives helped me to see what’s special about being on Country, land that holds such a deep meaning to my ancestors. I look back now and realise how lucky I was.”taungurung -
Darebin Art Collection
Photograph - Alan Stewart, Alan Stewart, Escape 2, Taungurung, 2021
... and Australian Aboriginal backgrounds. He is a photographer predominantly ...Escape is a body of work by Taungurung/Filipino artist Alan Stewart made during Melbourne’s long lockdown to reflect his longing to connect to country. Alan says, “Country has always been my escape and connection to my culture. Without it, I lost a sense of self and a way to revitalise my spirit. Those early mornings and long drives helped me to see what’s special about being on country, land that holds such a deep meaning to my ancestors. I look back now and realise how lucky I was.” -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Portraits of the Aboriginal Inhabitants in their Various Dances, George French Angas
Australia 1846-1847Hand coloured Lithograph -
Bass Coast Shire Council - Robert Smith Collection
Aboriginal Girl, Allan Baker
Australia 1922-2004Oil on Board -
Bass Coast Shire Council - Robert Smith Collection
Artwork, other - Portrait of an Aboriginal Girl [Undated], Elizabeth Durack
Australian 1915 - 2000Gouache on paper Signed -
Melbourne Legacy
Photograph - Photo, Legacy Week 1988, 1988
A photo of Professor Geoffrey Blainey speaking at a the public launch of Legacy Week at the ANZ Pavilion at the Victorian Arts Centre. The date is 23 August 1988. Also a photo of John Lady and Terry Hawksley. The attached label says: " Melbourne Legacy held its first official public launch - a luncheon for Melbourne's leading business community at the ANZ Pavilion at the Victorian Arts Centre to highlight 'Legacy Week'. Professor Geoffrey Blainey, AO, addressed the guests and was joined by Legacy's 1988 personality, Australia's first under 4 minute miler, John Lady." They were in a folio of photos from 1988. (see also 001042 to 01049) From Wikipedia: "Geoffrey Norman Blainey AC, FAHA, FASSA (born 11 March 1930) is an Australian historian, academic, philanthropist and commentator with a wide international audience. Biographer Geoffrey Bolton argues that he has played multiple roles as an Australian historian: He first came to prominence in the 1950s as a pioneer in the neglected field of Australian business history....He produced during the 1960s and 1970s a number of surveys of Australian history in which explanation was organized around the exploration of the impact of the single factor (distance, mining, pre-settlement Aboriginal society).... Blainey next turned to the rhythms of global history in the industrial period.... Because of his authority as a historian, he was increasingly in demand as a commentator on Australian public affairs." From the name badges the attendees included: 1. Geoffrey Blainey. 2. John Landy and Terry Hawksley. 3. A girl and L/ Geoff Swan. 4. L/ David Millie and Jim Madden. 5. John ? and L/ Colin Bannister. 6. Patsy Adam-Smith (?) and artist Geoffrey Mallett. 7. ? and Jim Dickson. 8. Peter Prior and Abe Birmingham. 9. President Chas Wilks speaking. 10. President Chas Wilks and Rupe Thomas.A record of celebrities being involved in promoting Legacy Week in 1988 and an official launch at Victorian Arts Centre.Colour photo x 10 of public launch of Legacy Week in 1988.Yellow paper label explaining the event in black type.legacy week, legacy promotion, speakers -
Merri-bek City Council
Painting - Liquid nails and spray enamel on canvas, Brian McKinnon, Scars, 2008
Uncle Brian McKinnon (b. 1957 – d. 2023) was a Geelong-based artist and descendent of the Amangu and Wongai people of Western Australia. He created powerful mixed media works that explore his campaign for Aboriginal rights and his childhood experiences growing up in Western Australia. Scars is a deeply personal and political work that reflects on some of the ways in which Aboriginal people have historically been discriminated against and marginalised because of the colour of their skin and cultural practices. Originally exhibited with two other paintings, it was also made in honour of the artist’s children and their struggle to maintain positive self-esteem. Uncle Brian McKinnon said his children inherited keloids from their ancestors: ‘These keloids look like body scars. In this work, I have placed them in the past and the presence of their ancestors through the act of beautifying the marks, which reflect the landscape and the identity of the person wearing the beautification marks. Although the marks on my children are not so beautiful and they are ostracised because of them, this made me think of racist policies and of course the referendum and when my people were seen for the first time as being human.’ -
Merri-bek City Council
Work on paper - Charcoal and pages from Aboriginal Words and Place Names, Jenna Lee, Without us, 2022
Jenna Lee dissects and reconstructs colonial 'Indigenous dictionaries' and embeds the works with new cultural meaning. Long obsessed with the duality of the destructive and healing properties that fire can yield, this element has been applied to the paper in the forms of burning and mark-making. In Without Us, Lee uses charcoal to conceal the text on the page, viewing this process as a ritualistic act of reclaiming and honouring Indigenous heritage while challenging the oppressive legacies of colonialism. Lee explains in Art Guide (2022), ‘These books in particular [used to create the proposed works] are Aboriginal language dictionaries—but there’s no such thing as “Aboriginal language”. There are hundreds of languages. The dictionary just presents words, with no reference to where they came from. It was specifically published by collating compendiums from the 1920s, 30s and 40s, with the purpose to give [non-Indigenous] people pleasant sounding Aboriginal words to name children, houses and boats. And yet the first things that were taken from us was our language, children, land and water. And the reason our words were so widely written down was because [white Australians] were trying to eradicate us. They thought we were going extinct. The deeper you get into it, the darker it gets. But the purpose of my work is to take those horrible things and cast them as something beautiful.’Framed artwork -
Wyndham Art Gallery (Wyndham City Council)
Photograph, Michael Cook, Nature Morte (Aliment), 2021
A central tableau is beautifully lit to expose choreographed arrangements of plants, animals, objects and food. Grounded in a photographic aesthetic that echoes Dutch Old Master paintings, they examine the industry and practices that have so effectively brought damage to traditional Aboriginal culture, the natural environment of the Australian continent – and the globe. Each image explores an aspect of the devastating impact of colonisation on Australia’s First Nations peoples, and the global repercussions of environmental degradation. The translation of the French in the title of this series, “Natures mortes” is dead nature. Yet in the simmering emotional register of each image lies an inherent belief in the individual over environment, and the redemptive nature of culture. australian first nations art, photography, colonialisation, environment -
Wyndham Art Gallery (Wyndham City Council)
Photograph, Nature Morte (Flora), 2021
A central tableau is beautifully lit to expose choreographed arrangements of plants, animals, objects and food. Grounded in a photographic aesthetic that echoes Dutch Old Master paintings, they examine the industry and practices that have so effectively brought damage to traditional Aboriginal culture, the natural environment of the Australian continent – and the globe. Each image explores an aspect of the devastating impact of colonisation on Australia’s First Nations peoples, and the global repercussions of environmental degradation. The translation of the French in the title of this series, “Natures mortes” is dead nature. Yet in the simmering emotional register of each image lies an inherent belief in the individual over environment, and the redemptive nature of culture. australian first nations art, photography, colonialisation, environment -
Federation University Art Collection
Painting - Watercolour, 'Metung' by Sydney Pern, 1932
Sydney PERN (c1876-23 October 1967 ) Born Battley, England Dr Sydney Pern began practicing medicine in the Victorian town of Yarram before setting up practice in Ballarat. He was a competent artist, and as an amateur anthropologist collected Aboriginal artefacts during travels in Central and Northern Australia. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. Unframed coastal landscape art, artwork, meetung, sydney pern, unframed -
Federation University Art Collection
Painting - Watercolour, 'Mount Dandenong' by Dr Sydney Pern
Sydney PERN (c1876-23 October 1967 ) Born Battley, England Dr Sydney Pern began practicing medicine in the Victorian town of Yarram before setting up practice in Ballarat. He was a competent artist, and as an amateur anthropologist collected Aboriginal artefacts during travels in Central and Northern Australia. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Watercolour landscape glued onto card depicting a view towards Mount Dandenong.art, artwork, sydney pern, landscape, mount dandenong