In December 1915 James McKnight was chased through the back streets of Fitzroy chased by Constables Preece and Phalp. McKnight, who had two American large calibre revolvers, shot repeatedly at the police, who returned fire. McKnight was finally apprehended after a struggle in which both constables were injuredPrison record forJames Joseph McKnight, prisoner registered number 34233, giving details of the prisoner, his crimes and the dates and places of his trials.english speaking prisoner, james joseph mcknight, shooting with intent

Handwritten draft for a speech, date uncertain. Considers the question of Australian identity: whether it exists, what can be done to foster it in the arts, design and culture as a whole. Boyd argues that the only route to a distinctive Australian identity is to develop and foster new ideas rather than taking cultural cues Britain or America.Handwritten, quarto, 3 pagessydney opera house, australian identity, australian culture, robin boyd, manuscript

Newspaper Clipping from "The Post", 22-9-1993, Page 1 . Moving on after 30 yearsFriday was the end of semester for students at Ringwood Heights Primary School and the end of a teaching career spanning 30 years for principal David Hornsby. Mr Hornsby is seen with Grade 6 pupil, Kim Redford. Mr Hornsby has a reputation as a leader in literacy and language, and had regularly lectured in North America. He will coninue to apply his knowledge in this direction.

This is a book of 82 pages. It has a red cover with gold printing, scroll work, heraldic flags and the official British crest. The pages contain printed text and sketches of military and naval uniforms, hats, badges and other accoutrements. A colour photograph of the Duke of York has a tissue covering. The spine is partly damaged.non-fictionA Guide to the Making of British Military and Naval Uniformsbritish military and naval uniforms, t h holding, 1894 british uniforms

One of a collection of over 400 photographs in an album commenced in 1960 and presented to the Phillip Island & Westernport Historical Society by the Shire of Phillip Island. Photograph showing The "Alacrity" after being purchased by the American Navy on her way up the Australian Coast in 1941. She was blown up by the Japanese a few weeks later.Photograph of the Ketch "Alacrity" sailing north on service in World War IIlocal history, photography, photographs, maritime technology, boats, the ketch "alacrity", shipping, ketch alacrity, world war ii service, john jenner, bryant west

Spurs were attached with leather straps which held them to the climbers legs. The straps are missing on this pair They have a contoured shank with offset stirrup for the climbers boots Buckingham manufacturing dates back in America to 1896. Climbing spurs were made in their blacksmith shop and were popular with linesmen, loggers and tree arborists. Buckingham steel climbing spurs

Mrs. Julia (McNair) Wright was an American author and writer of temperance tales. She was born in Oswego, New York on May 1, 1840 and died on Sept. 2, 1903. "The Complete Home" sold over one-hundred-thousand copies. It is an encyclopædia of domestic life and affairs. It takes an in-depth look at the household of the 1870's.This book is a contemporary in-depth look at the household of the 1870's. It reflects the role of women in the Late 19th and early 20th century society.A thick hard back588 pp book with an ornately designed dark brown leather cover. It is a decorative gilt embossed cloth binding. All edges are gilt. There are illustrations of various domestic scenes in gold. Below the title, " The Complete Home" is a sketch of the birth place of Howard Payne. Below this is a sketch of the hearthstone of the author of Home Sweet Home.At the foot of the cover is a banner with "God Bless Our Home" and copyright details. it contains chromolith plates, some in black & white, some in color.inside cover - " Presented by Uncle & Aunt Horne to Catherine Isabella Horne - 10 May 1893 as a token of our affection"julia-mcnair-wright the-complete-home domestic-science-late 19th-century

Endgate seeders consisted of a hopper, feeding device, (early models had only one distributor - later models had two. Could sow seed up to 50 feet, however not very accurate due to wind aggravation. This type of seeder arrived in Australia from America and was soon manufactured in South Australia and Victoria.Flat tray,(wooden) two wheeled vehicle with spreader mounted at rear. It was pulled by a farm tractor. Spreader appears to be operated by mechanical (chain gearing) means. Also used for sowing grass & clover seed.F16A moulded into the spreader support.rural industry, orcharding

Alphabetical entries about many topics from fruit trees to Legislation, to Senate of America George Rolfe came to Warrnambool in 1872 and by 1883 was well established on the banks of the Hopkins River at Lyndoch. In 1884 he purchased Shipley which also had frontage to the Hopkins River. He participated in the social and sporting life of Warrnambool and was a keen rower.An interesting collection of thoughts and life of one of the early merchants and farmers of the area. He was a generous benefactor of the hospital.Dark green hard cover with maroon spine and corners. Pages are lined and alphabetical. Hand written entries throughout. : Inside front cover is label ”Cook & Fox, Account Book Manufacturers, Stationers, Bookbinders machine Rulers, Importers 58 Queen St Melbourne. Handwritten on front page “G Rolfe Senr. Book for extracts 1865. warrnambool, george rolfe, lyndoch, book for extracts

This book has a brown leather cover which is heavily embossed with brown and gold patterns and gold lettering, The spine is torn at the top and the cover is worn at the edges.The pages are gilt-edged and contain printed text and black and white sketches, illustrations, maps and diagrams. non-fictionAn encyclopaedia and business guide (late 19th century)19th century australia, 19th century encyclopaedia, 19th century business guide

J.E. Bleckmann were German Blade makers, registry shows Bleckmann (1899, No. 37190):J.E.Bleckmann, Solingen, registry class 9b). As well as blades for wood working tools they were also sword makers (used in American Civil War), Bayonet makers 1871-1918 and also pocket cutlery (pocket knives) as per advertisement 1907.This wood plane holds historical importance as carpentry tools such as this would have been used in the construction of local homes, outbuildings, furniture. It represents an era before power tools. Investigation is ongoing as to ownership and specific use in the area. Hand made wooden hand plane with metal blade. Carpentry tool from 19th century1/38 / 34 mm stamped into wood on front edge of plane. Metal Blade inscribed "J.E. BLECKMANN/ WARRANTED / CAST STEEL / SOLINGEN/GERMANY"tool, blade makers, hand plane, woodworking.

"I've Told Every Little Star" was a popular song with music by Jerome Kern and lyrics by Oscar Hammerstein II, published in 1932. The song was introduced in the musical play, Music in the Air. Layton & Johnstone were an American vocal and piano duo in the 1920s and 1930s, consisting of Turner Layton (baritone and piano) and Clarence “Tandy” Johnstone (tenor). The phonograph disc record was the primary medium used for music reproduction until late in the 20th century, replacing the phonograph cylinder record—with which it had co-existed from the late 1880s through to the late 1920s. Records retained the largest market share even when new formats such as compact cassette were mass-marketed. By the late 1980s, digital media, in the form of the compact disc, had gained a larger market share, and the vinyl record left the mainstream in 1991. This item is an example of music popular in the mid 20th century.Double sided black disc with a single central hole. The A side is "I've told Every Little Star" vocal with piano, Layton and Johnstone. The B side is "The Song Is You" sung by Turner Layton. There are details of the producers , Columbia Gramophone (Aust).DO-945gramophone-record music

An example of the innovative winged keel design based on the Australia 2 yacht (Americas Cup winner 1982). The Star Fin was a collaboration between Australian pro surfer, Cheyne Horan, and Australia 2 fin designer Ben Lexcen. Horan won 1984 Bells Beach surfing festival riding a board using this fin design. This fin design represents a radical departure from surfboard design thinking at that time (early 1980s) Most people were concentrating on multi fin designs Mark Richards with high performance twin fin designs, then Simon Anderson's 3 fin 'Thruster' design. Cheyne Horan employed the talents of innovative yachting designer Ben Lexcen (who designed the Americas Cup winning Australia 2) to design a unique Star Fin which would provide greater hold for a single fin at critical angles. Horan proved the effectiveness of this design by winning the 1984 Rip Curl Pro at Bells beach using a board mounted with one of the Star Fins. The Star fin represents an unusual (for surfing)scientific and innovative design approach. This is a rare and representative item signed by design instigator Cheyne Horan.Cheyne Horan Star Fin. Moulded polycarbonate red Star Fin. Fin is signed by Cheyne Horan with "HAVE A GOOD SURF FROM Cheyne Horan". Manufacturers and makers information embossed on base. Concept by Cheyne Horan Design by Ben Lexcen Patent Pending STAR FIN Made from Lexan Polycarbonate by Star Fin p/l PO Box 1293 Nth Syd Aust.red, star fin, cheyne horan, ben lexcen, winged keel, bells beach surf contest 1984

Since 1954, Australian architecture has been reflecting American architecture, ignoring Japan, Sweden, Italy etc. Discusses second force architecture and Giancarlo De Carlo. Mention of J M Richards and Peter Blake, who give an account of modern architecture -- its trials in its youth and its traumas in middle age.Original manuscript of the 'A Second Force at Work’ published in The Sunday Australian, 12.9.1971.Typewritten (c copy), pencil edits, quarto, 13 pagesaustralian architecture, american architecture, second force architecture, j m richards, peter blake, giancarlo de carlo, robin boyd, manuscript

This painting was sparked by a US studio residency at Yellowstone National Park, shortly after Trump’s election. In America, Chin witnessed conservative nationalism and divisiveness, but also an equal reaction promoting diversity and challenging structural inequality. Developing this work in Australia, Chin examined how a sense of place forms fluidly in the consciousness, to surpass geographic borderlines.Kevin Chin is a local artist. He has been a finalist in the Nillumbik Prize for Contemporary Art (2015, 2019). In this painting Chin explores economic, cultural and social structures that shape the world in which we live, questioning who has built what, who takes ownership, and who has the right to the land. Landscape painting depicting a house (upside down) and a half finished urban structure sitting amongst mountain peaks and land that has been cleared and immersed in fog/smoke.N/Alandscape, kevin, chin, structural, inequality, castle, trump, painting, nillumbik, residency, yellowstone, realism, oils

- Migrant ships arriving into Port Melbourne in 1956. Migrants boarding the train to Bonegilla camp and resettling in Victoria. - Section on Olympic Games in Melbourne was filmed by Father Basil Valentin OFM who was the Chaplain of the American Olympic team. -Also showed extracts of Moomba festival in 1957. - Slovenian settling on Australian farms and weddings of members of the Slovenian community This video shows the magnitude of migrants who arrived in Australia in 1956 by ships mainly from Italian ports from Genoa, Trieste and Naples. It shows the settling of migrants into camps and depicts their everyday life including education and recreation and assimilation into Australia. 120 minute video cassette in colour depicting migrant ships arriving to Port Melbourne in 1956 and short clips of the Melbourne Olympic Games. Also includes footage of train journey to Bonegilla camp and camp housing facility.0002migration, resettlement, bonegilla, slovenians, ships, olympics 1956

This letter from RB Silvers, the Editor of Harper's Magazine in New York, is in regards to gathering the illustrations for Boyd's article and also regarding the possibility of the American publication of "The Australian Ugliness". The Harper's article referred to here is Robin Boyd's 'The New Vision in Architecture', Harper's Magazine, Vol.223, No.1334, July 1961, pp.73-81.

The Lockheed P-38 Lightning is an American single seated, piston-engined fighter aircraft that was used during World War II. Trench Art is the name given to objects manufactured by both soldiers and civilians from shell casings, bullets, shrapnel and miscellaneous battlefield debris, and is predominantly associated with World War I (1914 – 18)Brass shell castings in form of P38 Lockheed lightning planeNiltrench art, plane, p38, lightning plane, world war 2

Thomas C Williams 1831 -89, Richmond Virginia USA. 1850 he formed a partnership with R.A. Patterson in a tobacco business which was very successful. The British-American Tobacco Company, Ltd., was established in 1902 by an agreement between the Imperial Tobacco Co. of Great Britain and its rivals, the American Tobacco Co. and its associates. The headquarters was located in London, England, and the office at 111 5th Ave. in New York City handled the purchase of leaf and manufacturing in the U. S. In 1903 the company acquired the formerly independent export businesses of the T. C. Williams Co., David Dunlop, and the Cameron family who were then the largest exporters of manufactured tobacco. T.C.Williams Co had been in existence for fifty years, and its export business in chewing tobacco amounted to nearly 5,000,000 pounds of tobacco a year.2 tins a) circular and b) rectangular with lift off lids that contained 'Welcome Nugget' flake cut tobacco made by T.C Williams Co.Top of Lid ; T.C WILLIAMS Co. / WELCOME NUGGET / FLAKE / CUT / TOBACCO. around lid WELCOME NUGGET FLAKE CUT HERMETICALLY SEALED. on base High / Grade / TOBACCO /Packed in a round airtight / tin to preserve the / original fine flavour / and to ensure / perfect condition / 2 0zs. NETT Factory weight / when packed.* tobacco, cigarettes, smoking pipes, t c williams co ltd, richmond virginia, moorabbin, cheltenham, bentleigh, the british-american tobacco company ltd., american tobacco company, cameron & cameron ltd., imperial tobacco company, patterson r a , williams thomas c snr.,

Norma Tullo began her dressmaking business in 1956. At the age of 20, she rented a small shop in the Metropole Arcade, initiating a career that included manufacturing, designing and retailing. In 1965, she became the first Australian to be selected by Butterick Company Inclusive to join their pattern making company. The stylish Tullo ‘look’ in the first half of the 1960s was young, colourful, feminine and most importantly had a strong American appeal. The patterns were distributed worldwide except to Russia and Germany. At this time, she had a collection of 300 garments. In the second half of the 1960s, she developed a new design range, influenced by the American 'hippie' style, featuring floor length dresses with long narrow sleeves, high round collars, and ruffles on the hems and at the cuffs. Patterns and colours became brighter to match prevailing tastes. This blouse is one of a number of items donated to the Fashion Collection by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Pale aqua coloured long sleeved silk blouse with an attached scarf of the same fabric and colour at the neckLabel: TULLO (removed)norma tullo, women's clothing, australian fashion - 1960s, blouses

Norma Tullo began her dressmaking business in 1956. At the age of 20, she rented a small shop in the Metropole Arcade, initiating a career that included manufacturing, designing and retailing. In 1965, she became the first Australian to be selected by Butterick Company Inclusive to join their pattern making company. The stylish Tullo ‘look’ in the first half of the 1960s was young, colourful, feminine and most importantly had a strong American appeal. The patterns were distributed worldwide except to Russia and Germany. At this time, she had a collection of 300 garments. In the second half of the 1960s, she developed a new design range, influenced by the American 'hippie' style, featuring floor length dresses with long narrow sleeves, high round collars, and ruffles on the hems and at the cuffs. Patterns and colours became brighter to match prevailing tastes.The dress was owned, worn and donated to the collection by Dione McIntyre.The McIntyre Collection of clothing and clothing accessories forms one of the largest single donations to our Fashion & Design collection. It includes clothing and clothing accessories worn by four women in the Cohen and McIntyre families across three generations. The items worn by Melbourne architect, and Kew resident, Dione McIntyre date from the 1960s and 1970s, and include evening wear, day wear, hats and shoes. As Dione McIntyre often accompanied her husband, fellow architect Peter McIntyre, to formal events, there are a number of pieces of evening wear among the items. The McIntyre Collection also includes items worn by women of an earlier generation: by Lilian Cohen, Dione McIntyre's mother, and by her mother-in-law, the wife of the architect Robert McIntyre. At the other end of the chronological spectrum are a number of outfits belonging to, worn and donated by Annie McIntyre. These include outfits created by notable late 20th century Australian and/or international fashion designers. The McIntyre Collection is significant historically and artistically as it includes examples of design that demonstrate changing tastes in fashion over an 80-year period. The collection is also significant in that it includes the work of a large number of Melbourne designers from the 1960s to the 1990s. Long sleeved black cotton dress the fabric of which includes a pattern of small beige and cream polka dots. The ends of the sleeves and the base of the dress include ruffled trims of the same fabric. Label: TULLOnorma tullo, australian fashion - 1960s, women's clothing, day wear, mcintyre collection

The dwelling is representative of the development of the Georgian Revival style in the 1920s and 30s and its popularity amongst the upper-middle classes as a result of the work of William Hardy Wilson and Professor Leslie Wilkinson. It is of importance as a fine and largely intact designer/builder example of the Georgian Revival style, with American Georgian Revival influences. The dwelling embodies the principal characteristics of the style. American Georgian Revival influences are noted in the deep eaves with modillions, central broken pediment, brick quoins and presentation of the central porch. The garden wall, with arched opening, in the side setback appears to be an early or original landscape feature, based on the comparable brick work detail construction with that of the house. Considering this, it is the only early landscape feature extant which assists in providing some understanding of the original landscape layout of the property. (Criteria D and E) (Boroondara Planning Scheme)Colour photographic positive of 264 Cotham Road, Kew. The residence was constructed in 1931 for the Howitt family. 264 Cotham Road, Kew (HO813) is an individually listed building of significance under Amendment C294 of the Boroondara Planning Scheme. 264 cotham road -- kew (vic.)

H. Rider Haggard (1856-1925) (Sir H. Rider Haggard), was a British author of fiction and non-fiction works and had letters and articles published in newspapers and journals. The page opposite the book's Fly page lists some of the topics Rider Haggard covered; Parliamentary Blue Book, political history, works on agriculture, country life, social history, travel, novels and romances. This edition of the book was published for Laurie's Colonial Library by the firm T. Werner Laurie Limited of London. It was made specifically for the British Colonies and India. This book is part of Flagstaff Hill's Pattison Collection.This edition of the book was published by T Werner Laurie as part of Laurie's Colonial Library, books destined only for the British Colonies and India, The book has additional importance for its connection to the Pattison Collection, which, along with other items at Flagstaff Hill Maritime Village, was originally part of the Warrnambool Mechanics' Institutes’ Collection. The Warrnambool Mechanics’ Institute book collection has historical and social significance for its strong association with the Mechanics Institute movement and its important role in people's intellectual, cultural and social development throughout the latter part of the nineteenth century and the early twentieth century. The collection of books is a rare example of an early lending library and its significance is enhanced by the survival of an original collection of many volumes. The Warrnambool Mechanics' Institute’s publication collection is of both local and state significance.Smith and the Pharaohs and other tales Author: H Rider Haggard Publisher: T Werner Laurie Ltd Date: 1st published 1920 Inscriptions include a label, stickers, stamp and a handwritten inscription. This book is part of the Pattison Collection.Label: "PAT FIC HAG" Sticker: "Warrnambool Mechanics Institute and Free Library" covered by a sticker"Corangamite Regional Library Service" Stamp: "Warrnambool Mechanics Institute" Handwritten: "1301" Fly page note: "COPYRIGHT EDITION / ALL RIGHTS RESERVED / This Edition is issued for sale and circulation in the British Colonies and India, and must not be imported into the Continent of Europe or the United States of America." flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, pattison collection, ralph eric pattison, warrnambool mechanics’ institute, mechanics’ institute library, warrnambool library, free library, corangamite regional library service, smith and the pharaohs and other tales, smith and the pharohs, h rider haggard, sir h rider haggard, t werner laurie ltd, laurie's colonial library, british colonial books, 1950