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Port Melbourne Historical & Preservation Society
Essay - Thesis, Competing ideas for the inner city, F Patricia Hawkins, Competing ideas for the inner city, 1991
Minor thesis submitted as part of the Master of Arts in Public History, Monash University, by Pat Hawkins, member of the PMH&PSCompeting ideas for the inner city - local responses to central planning initiatives in the City of Port Melbourne 1925 - 1985 by F Patricia Hawkins, 1991built environment, town planning, local government - city of port melbourne, f patricia (pat) hawkins -
Port Melbourne Historical & Preservation Society
Photograph - Beachfront towards Princes Pier late 1980s, 1990
Photographed by Alison Kelly while she was joint caretaker of the building during the Mission Arts Centre days 1987 to 1991From album of photos mostly by Alison Kelly: Missions to Seamen building, view from Beach Road to western side of chapelmissions to seamen, built environment, princes pier -
Port Melbourne Historical & Preservation Society
Photograph - Missions to Seamen, Port Melbourne, 1990
Photographed by Alison Kelly while she was joint caretaker of the building during the Mission Arts Centre days 1987 to 1991From album of photos mostly by Alison Kelly: Missions to Seamen building, view from Beach Road and Swallow Street to eastern side of chapel; bottle brush plants in foregroundmissions to seamen, built environment, alison kelly -
Port Melbourne Historical & Preservation Society
Photograph - Rear of Missions to Seamen, Port Melbourne, 1990
Photographed by Alison Kelly while she was joint caretaker of the building during the Mission Arts Centre days 1987 to 1991From album of photos mostly by Alison Kelly: Missions to Seamen building, black and white print of rear of east wing, showing caretaker's kitchen window and back door, and men's toilet block.missions to seamen, built environment -
Port Melbourne Historical & Preservation Society
Photograph - Iron gates to Missions to Seamen, Port Melbourne, 1990
Photographed by Alison Kelly while she was joint caretaker of the building during the Mission Arts Centre days 1987 to 1991Missions to Seamen, black and white detail of iron gate from Mission grounds; view to southwest showing Swallow Street sign, outer beacon, edge of Beach Street bus stop, end of Princes Pier and distant Willamstown. From album of photos mostly by Alison Kelly: missions to seamen, built environment, beacons -
Port Melbourne Historical & Preservation Society
Photograph - From inside the gates to Missions to Seamen, Port Melbourne, 1990
Photographed by Alison Kelly while she was joint caretaker of the building during the Mission Arts Centre days 1987 to 1991Missions to Seamen, black and white detail of iron gate from Mission grounds; view to southwest showing Swallow Street sign, outer beacon, edge of Beach Street bus stop and distant Willamstown. From album of photos mostly by Alison Kellymissions to seamen, built environment, beacons -
Port Melbourne Historical & Preservation Society
Photograph - Missions to Seamen, Port Melbourne, 1990
Photographed by Alison Kelly while she was joint caretaker of the building during the Mission Arts Centre days 1987 to 1991 Port Melbourne Missions to Seamen building, view from southeast corner of ground. Portion of Commonwealth Engine Works just visible at right, 1984 Ford Laser parked in circular driveway near front entrance. From album of photos mostly by Alison Kelly:missions to seamen, built environment -
Port Melbourne Historical & Preservation Society
Photograph - Clock Tower West Missions to Seamen, Port Melbourne, 1990
Photographed by Alison Kelly while she was joint caretaker of the building during the Mission Arts Centre days 1987 to 1991 Port Melbourne Missions to Seamen building, colour view of western face of tower, showing clock and remnants of painted Flying Angel flag. Two clocks - western and southern - were visible to ships berthed at both Station and Princes Piers. From album of photos mostly by Alison Kelly:missions to seamen, built environment -
Port Melbourne Historical & Preservation Society
Photograph - ClokTower Soth and east. Missions to Seamen, Port Melbourne, 1990
Photographed by Alison Kelly while she was joint caretaker of the building during the Mission Arts Centre days 1987 to 1991 Port Melbourne Missions to Seamen building, colour view of clocktower, southern and eastern faces - window pane missing. From album of photos mostly by Alison Kelly:missions to seamen, built environment -
Port Melbourne Historical & Preservation Society
Photograph - Chapel roof, Missions to Seamen, Port Melbourne, 1988
Photographed by Alison Kelly while she was joint caretaker of the building during the Mission Arts Centre days 1987 to 1991From album of photos mostly by Alison Kelly: Port Melbourne Missions to Seamen building, roof of chapel from Mission roof; outer beacon and tall ships at Princes Pier 1988missions to seamen, built environment, princes pier, tall ships -
Port Melbourne Historical & Preservation Society
Photograph - Gates, Missions to Seamen, Port Melbourne, 1988
Photographed by Alison Kelly while she was joint caretaker of the building during the Mission Arts Centre days 1987 to 1991From album of photos mostly by Alison Kelly: Port Melbourne Missions to Seamen wrought iron gate of mission grounds, believed to have been added in the 1950smissions to seamen, built environment, alison kelly -
Port Melbourne Historical & Preservation Society
Photograph - Sundeck of Chaplain's quarters, Missions to Seamen, Port Melbourne, 1988
Photographed by Alison Kelly while she was joint caretaker of the building during the Mission Arts Centre days 1987 to 1991 Port Melbourne Missions to Seamen, view from roof to sundeck of Chaplain's quarters (studio/living quarters for three artists in residence 1987-89) From album of photos mostly by Alison Kelly:missions to seamen, built environment, alison kelly -
Port Melbourne Historical & Preservation Society
Photograph - Commonwealth Engine Works from Missions to Seamen, Port Melbourne, 1988
Photographed by Alison Kelly while she was joint caretaker of the building during the Mission Arts Centre days 1987 to 1991From album of photos mostly by Alison Kelly: Port Melbourne Missions to Seamen, view from roof to Commonwealth Engine works and Telecom, city in distancemissions to seamen, built environment, alison kelly -
Port Melbourne Historical & Preservation Society
Photograph - Former Chaplain's lounge room, Missions to Seamen, Port Melbourne, 1990
Photographed by Alison Kelly while she was joint caretaker of the building during the Mission Arts Centre days 1987 to 1991From album of photos mostly by Alison Kelly: Port Melbourne Missions to Seamen, southeastern corner of Chaplain's lounge room 1990, while living quarters for artist Michael Nichols, interim caretaker while Brian Couldrey and Alison Kelly were touring port tourism installations overseasmissions to seamen, built environment, alison kelly -
Port Melbourne Historical & Preservation Society
Photograph - Exterior of Chapel apse, Missions to Seamen, Port Melbourne, 1989
Photographed by Alison Kelly while she was joint caretaker of the building during the Mission Arts Centre days 1987 to 1991From album of photos mostly by Alison Kelly: Port Melbourne Missions to Seamen, exterior of chapel apse - detail of brickwork at basemissions to seamen, built environment, alison kelly -
Port Melbourne Historical & Preservation Society
Photograph - Interior tower stairwell, Missions to Seamen, Port Melbourne, 1988
Photographed by Alison Kelly while she was joint caretaker of the building during the Mission Arts Centre days 1987 to 1991From album of photos mostly by Alison Kelly: Port Melbourne Missions to Seamen, interior tower stairwell, south and west wallsmissions to seamen, built environment, architecture, alison kelly, harry a norris -
Port Melbourne Historical & Preservation Society
Photograph - 1888 memorial stone from original Seamen's Institute, Missions to Seamen, Port Melbourne, 1990
Photographed by Alison Kelly while she was joint caretaker of the building during the Mission Arts Centre days 1987 to 1991From album of photos mostly by Alison Kelly: Port Melbourne Missions to Seamen, 1888 memorial stone from original Seamen's Institute, set into interior wall outside doors to chapelmissions to seamen, built environment, alison kelly -
Port Melbourne Historical & Preservation Society
Photograph - Laneway off Swallow Street, rear of Missions to Seamen, Port Melbourne, 1990
Photographed by Alison Kelly while she was joint caretaker of the building during the Mission Arts Centre days 1987 to 1991From album of photos mostly by Alison Kelly: view down the lane behind Swallow Street toward the rear of the Port Melbourne Missions to Seamen building (Telecom building on right)missions to seamen, built environment, alison kelly -
Port Melbourne Historical & Preservation Society
Photograph - Exterior of Chaplain's quarters, Missions to Seamen, Port Melbourne, 1987
Photographed by Alison Kelly while she was joint caretaker of the building during the Mission Arts Centre days 1987 to 1991From album of photos mostly by Alison Kelly: window detail, exterior Chaplain's quarters 1987missions to seamen, built environment, architecture, alison kelly, harry a norris -
Robin Boyd Foundation
Document - Manuscript, Two Symbols of Canberra, 1964
Boyd discusses the future planning of two major symbolic national buildings - Parliament House and the National Centre (an arts centre).Original manuscript of an article published as 'Symbol City' in The Australian on 28.11.1964.Typewritten (c copy), quarto, 5 pagescanberra, parliament house, national centre, chandigarh, brasilia, robin boyd, manuscript, national capital -
Robin Boyd Foundation
Programme, Follies in Concert, 1993
Performance by State Opera of Victoria as part of Melbourne International Festival of the Arts, 19 September 1993. Composer Stephen Sondheim.walsh st library -
Ballarat Heritage Services
Photograph - Colour, St Mary's Catholic Church, Bairnsdale, 2011, 28/08/2011
Francesco Floreani was born near Venice and studied painting at the Academy pf Arts, Turin. He arrived in Australia in 1927.Photograph of a ceiling in St Mary's Church, Bairnsdale, by Francesco Floreani. The painting of St Mary's Church was done in two stages - between 1931 and 1934, and 1937-1938.francesco floreani, st mary's church, bairnsdale, bairnsdale -
Ballarat Heritage Services
Photograph - Colour, St Mary's Catholic Church, Bairnsdale, 2011, 28/08/2011
Francesco Floreani was born near Venice and studied painting at the Academy pf Arts, Turin. He arrived in Australia in 1927.Photograph of a ceiling in St Mary's Church, Bairnsdale, by Francesco Floreani. The painting of St Mary's Church was done in two stages - between 1931 and 1934, and 1937-1938.francesco floreani, st mary's church, bairnsdale, bairnsdale, baptisimal font -
Whitehorse Historical Society Inc.
Pamphlet, Heritage Week 2024, Aug 2024
Heritage Week Whitehorse 15 - 22 Sep 2024 activitiesnon-fictionHeritage Week Whitehorse 15 - 22 Sep 2024 activitiesheritage week, schwerkolt cottage &museum complex -
The Beechworth Burke Museum
Photograph
Depicted are nine unidentified theatrical performers. Six performers are dressed in long, dark cloaks and two performers are dressed in long, white costumes. There is a male performer dressed in a suit and holding a lantern and umbrella.The photograph provides insight into entertainment, performance and recreation in Beechworth during the 1950s. The item's interpretive capacity is enhanced by its strong relationship to other photographs in the catalogue. Collectively, these records enrich the community's understanding of how the arts have developed in Beechworth since the mid-twentieth century.Black and white rectangular photograph printed on matte photographic paper.Reverse: 5660 / 6 /entertainment album, entertainment, beechworth, performance, theatre, theatrical group, arts, actor, actress -
The Beechworth Burke Museum
Photograph
The photograph depicts three unidentified young male theatrical performers dressed in white costumes. They are wearing animal ears, tutus, and white socks. There are rows of chairs and tables in the background.The photograph provides insight into entertainment, performance and recreation in Beechworth during the 1950s. The item's interpretive capacity is enhanced by its strong relationship to other photographs in the catalogue. Collectively, these records enrich the community's understanding of how the arts have developed in Beechworth since the mid-twentieth century.Black and white rectangular photograph printed on matte photographic paper.Reverse: 5661 / K42K242entertainment album, entertainment, performance, performers, theatre, theatrical group, arts, recreation, beechworth -
The Beechworth Burke Museum
Photograph
The photograph depicts seven unidentified female theatrical performers. They are posing on a stage with a white picket fence and foliage.The photograph provides insight into entertainment, performance and recreation in Beechworth during the 1950s. The item's interpretive capacity is enhanced by its strong relationship to other photographs in the catalogue. Collectively, these records enrich the community's understanding of how the arts have developed in Beechworth since the mid-twentieth century.Black and white rectangular photograph printed on matte photographic paper.Reverse: THE OVENS AND MURRAY / 5665 /entertainment, entertainment album, beechworth, arts, performance, theatre, theatrical group, play, recreation -
The Beechworth Burke Museum
Photograph
Taken in the 1950s, the photograph depicts three women. Two of them are dressed in theatrical costumes, one of whom is being assisted in dressing up by the third woman. The women in the photograph have been identified as P. Crosthwaite, L. Jorg and M. Clark.The photograph provides insight into entertainment, performance and recreation in Beechworth during the 1950s. The item's interpretive capacity is enhanced by its strong relationship to other photographs in the catalogue. Collectively, these records enrich the community's understanding of how the arts have developed in Beechworth since the mid-twentieth century.Black and white rectangular photograph printed on matte photographic paper.Reverse: 5643 /entertainment album, costume, theatre, performance, arts, recreation, theatrical costume, 1950s, beechworth -
The Beechworth Burke Museum
Postcard
The postcard depicts two large groups of men and women, separated by a barbed wire fence. There are horse-drawn carriages in the background. The group in the foreground appear to be a choir, as the members are holding booklets and are accompanied by a conductor. Some of the men are wearing sashes.Sepia rectangular postcard printed on card.Reverse: 7160 / POST CARD / KODAK / CORRESPONDENCE. / ADDRESS ONLY. / AUSTRAL / AUSTRAL / KODAK /entertainment, entertainment album, 1900s, choir, recreation, arts, ceremony, performance, music -
Federation University Historical Collection
Pamphlet - Pamphlets for Art Courses, Ballarat College of Advanced Education Art Course Information Pamphlets 1980s, 1980s
Ballarat College of Advanced Education is a predecessor of Federation University .1 White pamphlet with two tone Magenta checkerboard pattern on front cover 1987 .2 White flyer with magenta block of colour on the front and black writing .3 Pale pik flyer with blue image and writing .4 Mustard coloured covered booklet with black writing .5 Beige and burnt orange booklet with black writing .6 Red covered booklet with checkerboard pattern on front and beige pages with black writing ballarat college of advanced education, arts, studio ceramics, jackie cartledge, sharon van den brule, john crump, peter ryan, king's the printers, fine art