Black and white photo: two Poor Clare sisters in process of making altar bread. One sister standing, holding mould for making circular communion bread, the other feeding the mould into a 'press' like machine, presumably to stamp out the communion bread. Sisters dressed in full robes and veils. The Poor Clare convent is situated in Edwards Road, Kennington, 3555.church, diocese of bendigo, poor clare order

A paper showbag. A colourful bag yellow background with design and words in white, red, green and black. On top left what looks like a three towers castle, the words giant Brand Licorice at centre and on the left the picture of a giant handing a packet of licorice to two children (a boy and girl) underneath the words: pure and wholesome. The same design on both sides. There are two bags.business, retail, advertising, business advertising usually found at agricultural shows and other promotional activities

This item was purchased from the auction house Leski's. It was to be included in a Medical collection auction on 8 May 2013 but was left off the listing. Museum Curator made a private offer of $160 prior to the auction which the owner accepted. The weighing scales was part of a rare collection of medical, dental and pharmaceutical objects belonging to a tourism business, Kryal Castle, near Ballarat, Victoria from 1974. At some point,apparently, an officer manager discarded the museum records, so the provenance of the weighing scales, and many other items in the Leski auction, has been lost.This weighing scales is made of yellow painted metal, with a slide gauge in imperial measure. Manufacturer: Secal.Vogel & Haike, Hamburg [nameplate at front].Manufactured in the the , and such scales were widely used in Infant Welfare Centres across Victoria and possibly other states in the 1970s. A midwife/ infant welfare nurse Martine Jackson recalls seeing a weighing scales like this as a student in the 1970s in Melbourne.infant care

Worn by Martha Edwards of Forest Hill{donors mother}Necklace with three daisy like pendants in the centre. Each has a blue stone in the centre with 'petals' around of pale blue opaque stones. Each pendant has a large blue stone on top. Each side of pendants there are two blue stones which are joined to a metal chain which has the fastener on each end, matching ear-rings with the same designjewellery (use costume accessories)

Worn by Lt. Sharpley. From Mitcham RSL. .1 Red woollen cropped jacket with green wool lapels and black cuffs and epaulets. Australian Intelligence Corps badges on lapels. Epaulet badges, crown and diamond shape and metallic button. Formal Mess Dress. .2 Waistcoat of green woollen velvet like material with black satin back and oyster satin lining. 4 metal buttons and 2 slit pocketsCGCF Victoriauniforms, army

‘The Art of the Japanese Package’ was an exhibition that toured to 10 Australian and 11 New Zealand public galleries in 1979 and 1980. The touring exhibition comprised 221 objects of traditional Japanese packaging which extended from ceramics, wood and paper to woven fibre containers. At the conclusion of the tour, The Japan Foundation and the Crafts Board of the Australia Council donated the vast majority of the exhibition to the Ararat Gallery for its permanent collection. Combining the natural qualities of bamboo, paper and straw with delicate craftsmanship, these unique objects express Japanese aesthetics as applied through fibre crafts. In Japan, the qualities and traits of natural materials are exploited rather than hidden. The texture of straw, the septa of bamboo are not concealed but lovingly incorporated into the whole. In 1979 Hideyuki Oka, curator of ‘The Art of the Japanese Package’ wrote: “In no way self-conscious or assertive, these wrappings have an artless and obedient air that greatly moves the modern viewer. They are whispered evidence of the Japanese ability to create beauty from the simplest products of nature. They also teach us that wisdom and feeling are especially important in packaging because these qualities, or the lack of them, are almost immediately apparent. What is the use of a package if it shows no feeling?” The descriptions of the featured objects were written by Hideyuki Oka, curator of ‘The Art of the Japanese Package’, 1979.Gift of the Japan-Australia Foundation and the Crafts Board of the Australia Council, 1981The model for this package is from Fukuyama, Hiroshima Prefecture, is the sedge hat formerly worn by farmers and travellers. The package contains a whole baked tai (sea bream), a fish much relished in Japan, and it is said that the feudal lords of yesteryear often included tai in wrappings like this among their gifts to the shogun when they returned to the capital from their fiefs. - Professor Hideyuki Oka, curator.japanese art, japanese packaging, tsutsumi, gift giving

Postcard with black and white image of Marle Hall Llandudno woven in pure silk surrounded by 1.5cm border with printed geometric pattern frame. Handwritten on top of postcard "How do you like this style Will". On reverse, addressed to Miss Dean McKenzie Street Golden Square Victoria Australia. 2/1/2 penny blue stamp posted in Australia attached W. H. Grant and Co Coventrypostcard

Memo, duplicated on a cut sheet titled "Notice to Line Managers", dated 14/1/1920 requesting that all register numbers for all dummies (grip car) and cars be removed and returned to the car repair shop. Most likely the result of the City of Melbourne not registering the tram cars like a taxi or hackney carriage. Signed by W. O Strangward stamp or machine stamp.trams, tramways, mmtb, cable trams, regulations, grip tram

Leather Cash Bags were generally used to transport wages and other cash between two locations. Each would have a brass plate fitted engraved with the home station or a from & to location. Cash would have been transferred from country stations to Melbourne. The lock was self-locking. Duplicate keys to the bags were held in the cashiers office Melbourne.Used at local railway station Portland for transference of cash and cheques back to the Melbourne office. The bag is an example of the how people in the remote areas of Victoria used railways and trains to transfer money, banking and other items. The railway system was used to transfer people, goods and cash between the districts of western Victoria.Brown Leather oblong shaped cash bag. Reinforced leather panel on the front with a brass name plant that has been stamped with the word 'PORTLAND'. Leather buckle at the top with eye holes for threading. Brass lock shaped like teddy bear attached. Brass tag plate. Two keys and a tag attached to a key ring that is hanging and secured with tie wire.Orange Tag - 'TRAVELLING CASH BAGS' / 'S.M. PORTLAND' Larger Key - 'HUBBAIL' 'MELBOURNE' ' P37' Smaller Key - 'PANTANT' 'LONDON' Metal Tag - 'PORTLAND' (Worn off) Lock - 'S205' ' PATANT' '120 QUEEN VICTORIA ST LONDON' ' MAKERS HER MAJESTY' '1202998' Front bottom under the plaque hand written 'MELB'portland railway, melbourne railway, trains, banking

Brace and bits are believed to be 120 years old.|Tools used by Mrs Duncan's grandfather, when he was a carpenter on the clipper ship of the 1870's between England and Australia.'U-shaped brace with wooden handle at one end, a wooden ball in centre and a rectangular metal block at the other end. Into this block are inserted the various drill bits . Bits are of various sizes shaped with a start screw and then the cutting edge. Rest of the drill is like a corkscrew. End of bit has a four-sided tapered section which is inserted into the metal block on the brace.trades, carpentry

The lead line or hand lead is a simple navigational instrument used as a depth finder to measure the depth of water under the ship’s keel and to take samples of the sea bed. The long line may be marked at regular intervals with tags of different coloured and textured fabric, such as rope, leather and cloth. Each tag was a code to represent a certain depth. The leadsman’s eyes and hands could distinguish the depth easily as he drew in the lead line, day or night and in poor weather conditions. A standard set of codes for the tags was used so that the depth of the sea could be easily and quickly read. The measurement used was a Fathom, which equals 1.83 metres. The codes were: - 2 fathoms = 2 strips of leather 3 fathoms = 3 strips of leather 5 fathoms = white duck fabric 7 fathoms = red bunting fabric 10 fathoms = leather with a hole 13 fathoms = blue serge fabric 15 fathoms = white duck fabric 17 fathoms = red bunting 20 fathoms = 2 knots The lead weight could be between 7 -14 pounds (3.5 – 6.5kg) and the rope would be approximately 25 fathoms (45m). The hollowed-out end of the weight would hold a stick substance such as tallow or wax, which would pick up samples from the sea bed which would show whether the vessel was close to, or far away from, the shore. The leadsman would stand at the front of the vessel and cast the lead line into the sea. When it hit bottom he would note the tag marker nearest the surface of the water and call out his finding. Then he would haul it up again and examine the kind of matter that adhered to the end of the weight, whether it be sand, mud, gravel, or the colour of it. This information would be given to the ship’s helmsman or navigator and would help indicate the proximity to the land.This handheld lead is an example of early marine navigational equipment used by sailors to travel the seas to measure the depth of the water and sample the nature of the seabed. It helps to understand the history and progress made from the very basic to the sophisticated technology of today.Lead line, sounding line or depth finder. The long length of rope has a heavy lead weight attached to the end. Coloured fabric tags are tied onto the rope at regular intervals, representing different depths. The concave base of weight holds sticky substances such as tallow or beeswax, providing an adhesive surface to collect samples of sea bed like sand, shells or pebbles. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, lead line, depth finder, hand lead, sounding lin, leadsmane, navigation instrument, leadline, hand lead line

This glass epergne was first owned by John Sanderson's grandmother, who lived in Wandin (Clegg Road) until the 1940s. She first purchased it in 1920 and used it as a vase before passing it on to her daughter Norma Spicer. Epergne's were first created during the early 18th century France as a table centrepiece to display 'exotic' fruits and cakes from France's colonies. They were originally made of silver, however, the late 18th century saw a rise in epergnes made of porcelain due to the growing status of the European porcelain industry. The late 19th century saw another shift as Victorian and Art glass became the name of the day, and most epergne's became increasingly more complex glass works, no longer used for holding food. This epergne is the product of these later glasswork vases, reflecting 1920s interest in uranium glass and clouded geometric patterns. Epergnes like this filtered out of popularity after World War II as large dining sets and table centrepieces became less important to every day life. Those that remained transferred to more useful roles within the household: this one being used as a vase for most of its life. Green tinted glass epergne with white clouded vertical stripes. Glass thick and slightly opaque, possibly uranium glass. Base is a fruit bowl with scalloped/ruffle edges and middle coming up into a triangle. The very edges of the fruit bowl and clouded with white and blue. A golden metal notion attaches to the middle of the fruit bowl with a globe shaped connector. Notion looks like a flat gold flower with six petals and three small leaves, with middle of the flower having a screw on which to screw the largest flute. The flower has three small bucket-shaped containers attached to it in which the smaller flutes are placed. Four flutes attach from the very middle, all bell shaped with very ends flaring out into a scalloped/ruffle edge. One large flute is screwed into the middle of the fruit bowl and stands straight up. Three smaller flutes are placed in around the larger one leaning slightly away from the centre.vases, epergne, 1920, 1920s, 20s, twenties, glass, glassware, uranium glass, radium glass, clouded glass, art deco, decorative objects, tableware, wandin, clegg road

This year, St Helena Secondary College, like every year, is affording students the opportunity to perform in a play. This year it is the Bertolt Brecht play The Chalk Circle, which was originally performed in 1944.News article 1 page, black text and colour imagest helena secondary college, the chalk circle

This map shows the area around Lake Condah including the land identified as Aboriginal Reserves. Aboriginal people including the Jaara were forcibly removed from their country and resettled in reserves like this. This map is significant as it shows one of the areas that Jaara people were forcibly removed to from their homelands.

This stencil was used as a wool classification stamp for the transportation of wool bales. Classification stamps like these had to be approved by a Wool Classier and described the quality of wool inside the bale. LIN is the abbreviation of Lanolin.Wool bale export stencil - LINLINwool - transportation, wool sales, wool class, wool classers

An old teapot covered 'mosaic like' with pieces of broken china. A memento of familiar objects 'lost', a popular idea during the 1930's. From the home of an Aunt of Miss Margaret Mitchell. Round large teapot with coloured ceramic pieces attached all over the pot, rough texture, with a smooth base.teapots, mosaics

A small scale concrete work that can be imagined as an ancient monolithic fortress or religious edifice. It suggests ideas like perpetuity, worship, preservation and history. Untitled Spiral is made up of three spirals, the first is constructed as a closed form, the second is open and the third is the space created within the second. The sense of enclosure is powerful but this is offset by the ledge which traces the top edge of the spiral shapes. This pathway leads from a precarious position to the highest point of sanctuary, or to what Stoner refers to as Nirvana. The structure is built of masonry-like units which "suggest a material presence and earthiness". Stoner is absorbed by how we define landscape and what is meant by natural. He is interested in the notion that ancient man-made structures such as stone walls, which are intrinsic to many landscapes, can now be accepted as being natural, organic forms.

Williams' use of the dog and poem was inspired by a print by the late Barbara Hanrahan (an artist friend) in which a women was holding a cat accompanied by a dog and in which words from a William Blake poem were included / After her mother died Williams made a work of her mother with the dog, holding the cat and using the same words in the Hanrahan print / The dog is a family pet; Dolcie, that Williams fell in love with / The dog as a symbol has been used in fifteenth and sixteenth century painting to represent fidelity in marriage / The use of the dog is also a contradiction to the themes in this work by Williams / Williams found that many of her women friends were having emotional and romantic difficulties, suffering from the same malady again and again, feeling rejected, destroyed and having unfulfilled desires / The female figure standing on her hands is not seeing things realistically / The figure is head over heels, vulnerable, with her skirt around her head revealing more than normal / The text enhances the meaning of the work and draws the viewer into experiencing the foolishness of love, demanding the viewer travel around and around to read it / Overall the dog provides structure to the work and a reliable object on which all else balances / Balance has been one of the recurring or repetitive themes within William's work / It references the physicality of clay, the difficulties in creating balance with the clay and balance in the work / Williams' work is about form rather than colour / Sometimes she uses a coloured clay like a pale terracotta / Williams likes the flatness of the surface in relationship to the marks of the text / She describes herself as a Minimalist, paring down the form to the bare essentials. 'In Love' was a finalist in the 1997 Nillumbik Art Award held at the Eltham Community and Reception Centre, Pitt Street, Eltham. A ceramic sculpture made of white stoneware clay (coated with a wash of gesso) of a girl doing a hand stand on the back of a dog (retriever?) / Her face/head is partially covered by her skirt which has come down / Her skirt is inscribed in the round with the poem "The Lady's First Song" (1938) by W.B. Yeats (see inscriptions and markings) / The dog is looking straight ahead and upwards towards the sky and his tail is pointing straight out. The dog is covered with cross-hatch incised lines to give the illusion of fur and texture / Hand written inscription of W.B. Yeats poem "The Lady's First Song" (1938) on girl's skirt / I turn round / Like a dumb beast in a show. / Neither know what I am / Nor where I go, / My language beaten / Into one name; / I am in love / And that is my shame. / What hurts the soul / My soul adores, / No better than a beast / Upon all fours.williams / yeats / love / ceramic / stoneware / dog

Cards collected by J.P. Vercoe, No. 2530. Part of the Cooper Collection.1. Coloured postcard featuring a soldier carrying a wounded comrade out of a trench. Soldier wearing helmet in trench. Caption of photo in black type. 2. Coloured postcard featuring soldiers in uniform observing a military band. Railway line and soldiers on horseback in background. Caption of photo in black type.1. Caption in black type: "A Gallant rescue under fire. This man saved twenty lives like this." Faded handwritten letter on back. 2. Caption in black type; "Black Watch" pipers playing to the Captors of Longueval. Faded handwritten letter from “J.P. Vercoe”cooper collection, john p. vercoe, postcard, ww1, black watch

White Paper & Red Text Bendigo Operatic Society Programme Production 'You're in Love' Capital Theatre Bendigo performances March 24, 25, 26 and 27, 1958. J.C Williams Ltd Arrangement 'You're in Love' A Musical Comedy in Two Acts. Music Rudolf Friml, Book & Lyrics Otto Hauerbach & Edward Clark. Production Norman Lee. Cast Max Beckwith, Brian Brewer, Barbara McGregor, Celia Douglas, Gertrude Perry, Bert Donovan, Alfred Annison, Mervyn Penno, Joseph Quigg, Ann Stone & Rosalie Spencely. Production songs include: 'Married Life,' 'You're in Love,' 'He Will Understand,' 'Be Sure It's Light',' Dreaming,' 'Things You Must Not Do,'and 'Loveland.'Cambridge Press Bendigo.clubs and associations, theatre, bendigo operatic society

This iron is typical of the electric irons used in the 1950s. It didn't have a thermostat like the irons that followed so care had to be taken not to leave it on too long. Women in their domestic role used irons.The Kiewa Hydro Electric Scheme commenced in the late 1940s when Mt Beauty township was created. Amongst the shops in the main street was an SEC shop which sold electrical items. "Creda" Electric Iron with plug-in cord. A metal steel base iron with a wooden handle and a thumb rest. The handle is bolted onto the iron with 2 large screws. The cord is coloured maroon except where it is repaired with black tape. The cord socket plugs in behind the handle of the iron. CREDA Cat. No 6; Man. No.; Volt 200; AMPS 2.7 iron, laundry, household, electric, pressing clothes, domestic

Standard Army issue used in Vietnam to protect medical items from wet. Soldiers also often stored other things they valued, like letters and photographs, in them to keep them dry.A green plastic bag with the name and list of items and instructions in yellow. A brown shoe lace tie at the top of the bag. A plastic pouch with partitions for various items goes inside the green sleeve. The contents of the pouches are: 4 x Sanax Phthalyl Sulphatiazole tablets for dysentery, 2 x Sanaz Compound Codeine tablets for pain, 2 x Sanax detergent impregnated cloth, 2 x gauze bandage (3" by 6yd), 1 x Sanax absorbent cotton, 1 x Instructions for Savlon Antiseptic cream, 2 x triangular bandages all things commonly used for general first aid.D (broad arrow) D 524/65 Outfit First Aid/ General Purpose D (broad arrow) D Made by Sanax Pty Ltd, 223 Bay Rd, Sandringham, Victoria 524/65 Out At First Aid General Purpose first aid, medical, medication, bandages, kit, vietnam

Widows beside trading tables of books and plants at Legacy House. It could have been a fundraising event. Names unknown. Same film as the photos of a cake shaped like the Shrine of Remembrance (00673).A record of the type of activities Legacy provided as a social outlet for widows. Colour photo x 2 of trading tables of craft and plants at Legacy house.Printing on the back "MCP * Nov93" on Kodak paper. 00674.1 has Pg 6 (C) in blue pen. 00674.2 has Pg 6 (A) in blue pen.widows, activities

This specimen is from Barefoot Hills, Victoria. Sandstones are economically important as major reservoirs for both petroleum and water, as building materials, and as valuable sources of metallic ores. Most significantly, they are the single most useful sedimentary rock type for deciphering Earth history. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.A sedimentary rock composed mostly of quartz sand. Sandstone is the second most common sedimentary rock after shale. Sandstones consist of sand-sized grains principally quartz, feldspar and rock fragments. The two major classes of sandstone are arenite and wacke. the colour of sandstone varies from grey, yellow, red and white reflecting the variation in mineral content and cement and is gritty to touch (like sandpaper).Geological survey / R.... S 61 / Loc Bareboot Hills / Sheet / 24SE / 94 /burke museum, beechworth, indigo shire, beechworth museum, geological, geological specimen, mineralogy, sandstone, yellow sandstone, victoria, barefoot hills

This medical / hospital instrument was used in the Tawonga District General Hospital which was built in the 1950s specifically for the increase in population due to the Kiewa Hydro Scheme.Historical: Shows the development of scientific hospital equipment. Provenance: Used in the Tawonga District General Hospital which was remote and therefore required good equipment.Shape is like a stapler. Stainless steel. 4 parts that fit together. 1. a screw with large top. 2. Flat piece with oblong hole and round hole at end which 3. fits in standing up. Has a black knob at one end. 4 attached to 2 with screw (1.) This is flat at screw end then rises up and bends over to clip on with part 3'Little / Trimmer/ 14 CM' embossed on flat piece (2)medical instrument. hospital equipment. circumcision. tawonga. mt beauty.

The origins of the brass candlestick holders are unknown. However, they both are on display in the memorial Chapel of St Peter aka the Mariners' chapel. Given the style of the candlesticks it is possible that they were initially in use at either the original Port Melbourne chapel operating in the late 19thC. or possibly used at the 1907 building, Siddeley st where an improvised chapel was established. The Memorial Chapel of St Peter is a crucial part of the Mission to Seafarers Melbourne building complex, underscoring the relationship between the organisation and the Anglican Church, as well as being a site of continuous usage since the building was opened.This brass candle stand or floor candlestick holder is one of a pair. The candle holder is shaped like an open flower. There is elaborate brass ornamentation, floral in nature. Below is an angel figure holding a sword with both hands with the tip pointing toward its feet. The base of the candlestick is a tripod with three winged dogs, forming the feet. There is elaborate ornamentation that in turn connect each of the dogs together.candelabra, st peter chapel, flinders street, mission to seafarers, seamen's mission

This hand barrow, sometimes called a Welsh hand barrow, was used to transport a load of marine rescue equipment from the beach cart to the rescue site, particularly over hilly, uneven or rough terrain. Hand barrows were in common use in the 19th century. Saving lives in Warrnambool – The coastline of South West Victoria is the site of over 600 shipwrecks and many lost lives; even in Warrnambool’s Lady Bay there were around 16 known shipwrecks between 1850 and 1905, with eight lives lost. Victoria’s Government responded to the need for lifesaving equipment and, in 1858, the provision of rocket and mortar apparatus was approved for the lifeboat stations. In 1859 the first Government-built lifeboat arrived at Warrnambool Harbour and a shed was soon built for it on the Tramway Jetty, followed by a rocket house in 1864 to safely store the rocket rescue equipment. In 1878 the buildings were moved to the Breakwater (constructed from 1874-1890), and in 1910 the new Lifeboat Warrnambool arrived with its ‘self-righting’ design. For almost a hundred years the lifesaving and rescue crews, mostly local volunteers, trained regularly to rehearse and maintain their rescue skills. They were summoned when needed by alarms, gunshots, ringing bells and foghorns. In July 1873 a brass bell was erected at Flagstaff Hill specifically to call the rescue crew upon news of a shipwreck. Some crew members became local heroes but all served an important role. Rocket apparatus was used as recently as the 1950s. Rocket Rescue Method - Rocket rescue became the preferred lifesaving method of the rescue crews, being much safer that using a lifeboat in rough seas and poor conditions. The Government of Victoria adopted lifesaving methods based on Her Majesty’s Coast Guard in Great Britain. It authorised the first line-throwing rescue system in 1858. Captain Manby’s mortar powered a projectile connected to rope, invented in 1808. The equipment was updated to John Dennett’s 8-foot shaft and rocket method that had a longer range of about 250 yards. From the 1860s the breeches buoy and traveller block rocket rescue apparatus was in use. It was suspended on a hawser line and manually pulled to and from the distressed vessel carrying passengers and items. In the early 1870s Colonel Boxer’s rocket rescue method became the standard in Victoria. His two-stage rockets, charged by a gunpowder composition, could fire the line up to 500-600 yards, although 1000 yards range was possible. Boxer’s rocket carried the light line, which was faked, or coiled, in a particular way between pegs in a faking box to prevent twists and tangles when fired. The angle of firing the rocket to the vessel in distress was measured by a quadrant-type instrument on the side of the rocket machine. Decades later, in about 1920, Schermuly invented the line-throwing pistol that used a small cartridge to fire the rocket. . The British Board of Trade regularly published instructions for both the beach rescue crew and ship’s crew. It involved setting up the rocket launcher on shore at a particular angle, determined by the Head of the crew and measured by the quadrant, inserting a rocket that had a light-weight line threaded through its shaft, and then firing it across the stranded vessel, the line issuing freely from the faking board. A continuous whip line was then sent out to the ship’s crew, who hauled it in then followed the instructions – in four languages - on the attached tally board. The survivors would haul on the line to bring out the heavier, continuous whip line with a tail block connected to it. They then secured the block to the mast or other strong part the ship. The rescue crew on shore then hauled out a stronger hawser line, which the survivors fixed above the whip’s tail block. The hawser was then tightened by the crew pulling on it, or by using the hooked block on the shore end of the whip and attaching it to a sand anchor. The breeches buoy was attached to the traveller block on the hawser, and the shore crew then used the whip line to haul the breeches buoy to and from the vessel, rescuing the stranded crew one at a time. The rescue crew wore scarlet, numbered armbands and worked on a numerical rotation system, swapping members out to rest them. This hand barrow is significant for its connection with local history, maritime history and marine technology. Lifesaving has been an important part of the services performed from Warrnambool's very early days, supported by State and Local Government, and based on the methods and experience of Great Britain. Hundreds of shipwrecks along the coast are evidence of the rough weather and rugged coastline. Ordinary citizens, the Harbour employees, and the volunteer boat and rescue crew, saved lives in adverse circumstances. Some were recognised as heroes, others went unrecognised. In Lady Bay, Warrnambool, there were around 16 known shipwrecks between 1850 and 1905. Many lives were saved but tragically, eight lives were lost.Hand barrow; a transporting device carried between two people walking one in front of the other. A wooden ladder-like frame with two handles at each end, blue painted body with unpainted handles. Seven equal-length slats are joined at equal distance between two parallel poles, and two longer slats are attached diagonally between the first and last slats as a brace. flagstaff hill maritime museum and village, flagstaff hill, maritime museum, maritime village, warrnambool, great ocean road, lady bay, warrnambool harbour, port of warrnambool, tramway jetty, breakwater, shipwreck, life-saving, lifesaving, rescue crew, rescue, rocket rescue, rocket crew, lifeboat men, beach rescue, line rescue, rescue equipment, rocket firing equipment, rocket rescue equipment, maritime accidents, shipwreck victim, rocket equipment, marine technology, rescue boat, lifeboat, volunteer lifesavers, volunteer crew, life saving rescue crew, lifesaving rescue crew, rocket apparatus, rocket rescue method, shore to ship, rocket apparatus rescue, stranded vessel, line throwing mortar, mortar, rocket rescue apparatus, line thrower, line throwing, lifeboat warrnambool, hand barrow, manual transport, welsh hand barrow