Showing 1289 items
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Marysville & District Historical Society
Postcard (Item) - Black and white postcard, Rose Stereograph Company, SOUVENIR OF THE FRUIT SALAD FARM, MARYSVILLE, VIC, 1955
A digital copy of a black and white postcard from the Fruit Salad Farm in Marysville that was produced by the Rose Stereograph Company as a souvenir of Marysville.A digital copy of a black and white postcard from the Fruit Salad Farm in Marysville that was produced by the Rose Stereograph Company as a souvenir of Marysville.marysville, victoria, australia, fruit salad farm, accommodation, restaurant, rose series, rose stereograph company, postcard, souvenir, p. 13096 -
Marysville & District Historical Society
Photograph (Item) - Black and white photograph, Unknown
A digital copy of a black and white photograph taken at the Fruit Salad Farm in Marysville.A digital copy of a black and white photograph taken at the Fruit Salad Farm in Marysville.marysville, victoria, australia, fruit salad farm, accommodation, restaurant, photograph -
Marysville & District Historical Society
Photograph (Item) - Black and white photograph, 1945
A digital copy of a black and white photograph taken at the Fruit Salad Farm in Marysville.A digital copy of a black and white photograph taken at the Fruit Salad Farm in Marysville.marysville, victoria, australia, fruit salad farm, accommodation, restaurant, photograph -
Marysville & District Historical Society
Photograph (Item) - Black and white photograph, 1958
... A black and white photograph taken at the Fruit Salad Farm ...A black and white photograph taken at the Fruit Salad Farm in Marysville in 1958.A black and white photograph taken at the Fruit Salad Farm in Marysville in 1958.Strawberry Farm - Marysville/ 1958 (Fruit Salad/ Farm)marysville, victoria, australia, fruit salad farm, accommodation, restaurant, photograph -
Marysville & District Historical Society
Photograph (Item) - Black and white photograph, 1956
A black and white photograph of the wooden bridge at the Fruit Salad Farm in Marysville that was taken in November 1956.A black and white photograph of the wooden bridge at the Fruit Salad Farm in Marysville that was taken in November 1956.Ken Nita/ at Fruit Salad/ Farm/ Nov 56/ Marysvillemarysville, victoria, australia, fruit salad farm, accommodation, restaurant, photograph -
Whitehorse Historical Society Inc.
Education kit - Fisher Price Family Farm
Fisher Price Family Barn which was originally donated by a local grandparent was used by Nunawading Toy Library.Barn with cream roof and red walls. Two doors open with tractor inside. Also with a cow, dog, pig and chicken. Also feed trough and horse and cart. Silo had cream roof with red sides and has 4 white fencing inside lid.Fisher Price Family Play Farmnunawading toy library, fisher price, toy, education -
Bendigo Historical Society Inc.
Photograph - BLACK AND WHITE PHOTOGRAPH OF THE NORTH DEBORAH MINE
North Deborah Mine in Eve Street, Bendigo, operated between 1937 and 1954. In that time it produced 128,000 ounces of gold.Black and white photograph of the North Deborah Mine, showing the poppet head, mullock heap to the left, man at the end of railway at the first level, does not show cables from the engine house to the wheels on top of the poppet, water tank at the side of the engine house, farm style corner of a fence at left of photo, small shed housing a pump for water, right foreground is a dam for water waiting to be converted to steam to operate the cable winder.mining, surface equipment, north deborah mine -
Eltham District Historical Society Inc
Photograph, Rural view of trestle Bridge, Eltham, c.1912
... Shillinglaw farm Black and white photograph Rural view of trestle ...The railway was commenced in 1900 and passed through the middle of the Shillinglaw farm. The line to Eltham opened in 1902. This view shows the the new Catholic Church, St Mary's in Henry Street (near Main Road, then Maria Street) and Shillinglaw Cottage visible in background past where Eltham Town Park and later the Eltham library (1994) was built. The church site had been relocated from further south along Main Road (near Wingrove Cottage) in order to be more central to the congregation following the shifting of the township away from Little Eltham and closer to the railway station. It was subsequently destroyed by fire in 1961.Black and white photographeltham, trestle bridge, bridges, catholic church, henry street, bridge, shillinglaw cottage, shillinglaw trees, shillinglaw farm -
Eltham District Historical Society Inc
Photograph, Trestle Bridge, Eltham
... Shillinglaw farm Black and white (low resolution) reproduction ...A steam train about to cross the trestle bridge at Eltham heading towards Greensborough, viewed from what was later Eltham Town Park and later the site of the re-lcoated Shillinglaw Cottage (1964) and Eltham Library (1994) site. On the far side of the track on what became Eltham Football Ground oval is a crop field. The railway was commenced in 1900 and passed through the middle of the Shillinglaw Farm. Here it passes through the farm paddocks. The train station at Eltham opened in 1902. Black and white (low resolution) reproduction photograph eltham, trestle bridge, bridges, shillinglaw farm -
Eltham District Historical Society Inc
Photograph - Digital Photograph, Alan King, Pigeon Bank, Kangaroo Ground-Warrandyte Road, Kangaroo Ground, 6 February 2008
In 1848, Francis Rogerson form Dumfriesshire, Scotland purchased 80 acres of land at Kangaroo Ground on which he built a two-roomed bark hut. He named the property afterr the many Bronzewings and Wonga Pigeons in the area. Ewen Hugh Cameron moved to Pigeon Bank the same year he was elected to Parliament as the Member for Evelyn. At the time he moved in, Pigeon Bank had six rooms and the present water well. He made further extensive additions and lived there until his death in 1915. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then / Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p27 Pigeon Bank, on the Kangaroo Ground – Warrandyte Road, Kangaroo Ground, is one of the Shire’s oldest farm dwellings, and has been home to some of the district’s earliest and most distinguished families. Although close to the road, the white weatherboard Victorian farmhouse is ensured privacy by the trees and hedges around it. On 4.8 hectares of farmland, Pigeon Bank is surrounded by rolling hills, farmland and bush, the peace of which is punctuated by an occasional birdcall. Pigeon Bank’s first owner was Francis Rogerson, from Dumfriesshire, Scotland, who bought 80 acres (32.4ha) of land in 1848 on which he built a two-roomed bark hut. Today this is the centre piece of the 14-room home.1 Rogerson lined the rooms with tongue-and-groove boards and roofed them with wooden shingles and sapling frames, which remain under the present green corrugated iron roof. He named Pigeon Bank after the many forest bronzewing and Wonga Pigeons in the area at the time, and the name Bank was commonly used in Scotland. Rogerson was united with one of the oldest families in the area when his sister Janet married John Bell, son of William, the original Bell settler. When Ewen Cameron moved to Pigeon Bank in 1874 it had six rooms and the present water well. He made extensive additions to the house and farm buildings and lived at Pigeon Bank until his death in 1915. Cameron, who had arrived in Melbourne from Scotland in 1853, contributed an enormous amount to the community. He worked as a builder, as a miner at Andersons Creek, a storekeeper at Queenstown2 and as the first postmaster at Warrandyte. In 1867 he married Agnes Bell, daughter of local farmer, John Bell. Cameron was a member of the Eltham Road Board (which preceded the Shire Council) and for more than 50 years, from 1863, he was an Eltham Shire Councillor, being President three times. Cameron was the Member for Evelyn for 40 years from 1874. In the 1880s he became the Government Whip, in 1902 the Minister for Mines and Water Supply, and in 1904, the Minister for Health, Cameron was also an outstanding farmer, whose farm won the Agricultural Department prize for the finest in the district, three consecutive times. Not surprisingly Pigeon Bank became the centre of district life. Every New Year’s Eve, Cameron hired a highland piper, who marched from the Kangaroo Ground school house to Pigeon Bank playing his pipes.3 Distinguished visitors included opera singer, Dame Nellie Melba, Victorian Premier, Thomas Bent, Governor, Lord Hopetoun and artist, Longstaff. Following Cameron’s death, the property changed hands several times, then returned to the family in 1919 when bought by Gordon Cameron. As the car took over from the horse, Pigeon Bank entered difficult times because the farm had produced chaff and oats and bred Clydesdales and harness ponies. In 1926 Mr Matthews bought the property and made many alterations including pulling down the kitchen, which had been separate from the main house. The property again changed hands several times. One owner was Senator James F Guthrie, who added a sunroom. In 1968 the house again returned to the Cameron family, when Vera Jackson, a grand-daughter of Ewen Cameron, and her husband, bought the property. The Bishop family, who were sixth and seventh generation Bells and also descended from the Camerons, restored the house in the 1980s. Today tongue-and-groove boards still line part of the hall (which retains two fine arches), the breakfast room, and Ewen Cameron’s former room. Five original fireplaces in the bed and living rooms are still in working order. The wide veranda with a curved iron roof and ornate iron lace work bounds three sides of the house, and nearby a windmill stands beside the water well. Sue and Ron James, who bought the property in 2001, made extensive improvements to the homestead and meticulously restored the grounds to their original state.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, ewen hugh cameron, francis rogerson, kangaroo ground, kangaroo ground-warrandyte road, pigeon bank -
Eltham District Historical Society Inc
Slide - Photograph, Viewing platform near the confluence of Diamond Creek and Yarra River, c.Nov. 2001
In October 1996 the viewing platform was opened. It is situated near Lenister Farm on the Diamond Creek trail. It was a joint project involving Nillumbik Shire Council, Skill Seekers Inc., Department of Natural resources and Environment and Department of Employment, Education, Training and Youth Affairs. The platform was officially opened by Don Cordell Chairman of Commissioners. Part of a slide show presentation "A Trip Down the Diamond Creek" by Russell Yeoman to the Eltham District Historical Society meeting of 14 Nov. 200135mm colour positive transparency Mount - Black and Whiteconfluence, diamond creek, yarra river, viewing platform -
Eltham District Historical Society Inc
Photograph - Digital Photograph, Alan King, Sweeney's Cottage, Sweeneys Lane, Eltham, 30 January 2008
Part of the original cottage named Culla Hill built by Thomas Sweeney (a former convict) remains as a small section of today’s house. Covered under Heritage Overlay, Nillumbik Planning Scheme National Estate National Trust of Australia (Victoria) Local Sifgnificance Published: Nillumbik Now and Then / Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p19 Thomas Sweeney, a former convict who became a respected citizen, once lived on a property at what is now the corner of Sweeneys Lane and Culla Hill, Eltham. As Sweeney was one of the district’s first settlers, the property is registered by the National Trust. Thomas Sweeney was born in 1802, son of impoverished tenant farmers in Tipperary County, Ireland. He became a ploughman, then at 21 he was sentenced to hang for setting on fire the house of Patrick Guyder at Gullshill. It is said the arson was due to a dispute over undelivered guns to a social justice guerilla group, the White Boys, of which Sweeney was a member. But the sentence was commuted to life transportation to Australia in 1823.1 Apparently in Sydney he became a servant to James Chandler at Botany. Soon James Chandler leased his farm and became a catechist on the Hawkesbury River, so Sweeney was reassigned to a former convict, John Brown, at Liverpool. Later Sweeney was assigned to George Brown of Lake Illawarra. In 1831, Sweeney was granted a ticket-of-leave and bought a boat to carry goods between Illawarra district and Sydney Town. He married his first wife who had come to Australia as a free woman. However she drowned after bearing him a daughter. In 1838, one month after he had received a conditional pardon, Sweeney married a blacksmith’s daughter, Margaret Meehan, newly arrived from Ireland. They then moved to Port Phillip and squatted on the south side of the Yarra River, about seven miles (11km) from Melbourne. Around 1842, Sweeney bought 110 acres (44.5ha) in the parish of Nillumbik for £110. He built a slab hut 12 x 10 feet (3.6m x 3m) and then his homestead, Culla Hill, a typical Tipperary style cottage, now known as Sweeney’s Cottage. It was here that many generations of Sweeneys lived for almost 100 years. Culla Hill became a social centre for the district and the Catholic community used it as a church. Sweeney was apparently on good terms with a tribe of Aborigines living on the river nearby, who helped him build his house.2 Sweeney proved himself a civic-minded leader. In 1844, he led a call for a bridge over the Plenty River. He was on the first school board and supplied the first grain for Eltham’s mill. Sweeney profited during the gold rush, not by gold digging, but by providing supplies for nearby fields and others as far away as Beechworth.3 Thomas Sweeney died in 1867 and was buried at the Eltham Cemetery, leaving two sons, five daughters, and 300 acres (121.4ha), as well as Culla Hill. Culla Hill – by then reduced to 75 acres (30ha) – was sold out of the family in 1939, then renamed Sweeneys. The present Sweeneys Lane, running diagonally through the original holding, was the track to the house. Part of the original cottage remains as a small section of today’s house. The dining-family room fronted by a veranda is original, and although there have been some changes, the cedar door and most of the small 12-paned wooden-framed windows are original. The walls are made of the original hand-made brick. After buying the property in 1952 Mr and Mrs Burston demolished a dilapidated slab hut, a three-roomed detached kitchen and cellar, as materials needed to restore them were very difficult to obtain so soon after the war.4 However the barn remains almost in its original condition. It is believed to have been built from stone quarried on the property. Now roofed with iron sheets it was probably originally thatched. The sandstone barn has a peaked roof supported by the original saplings and a doorway large enough to accommodate a fully loaded wagon.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, culla hill, eltham, sweeney's cottage, sweeneys lane, thomas sweeney -
Eltham District Historical Society Inc
Photograph - Digital Photograph, Alan King, Stonygrad, 34 Hamilton Road, North Warrandyte, 30 January 2008
Vassilieff dynamited rock from his own property to build his house. Stonygrad is reminiscent of a grotto and in parts, of a sculpture. Covered under Heritage Overlay, Nillumbik Planning Scheme. Published: Nillumbik Now and Then / Marguerite Marshall 2008; photographs Alan King with Marguerite Marshall.; p135 Stonygrad, the home built by Expressionist painter and sculptor Danila Vassilieff, is reminiscent of a grotto and in parts, of a sculpture. Vassilieff, who amongst others influenced painter Sydney Nolan and Albert Tucker, was a member of the artists group the Angry Penguins.1 He was also a highly regarded art teacher at the nearby Koornong Experimental School and taught at Eltham High School. Art critic Robert Hughes described Vassilieff’s painting as ‘lyrical without social commentary’, and said Vassilieff was ‘the most oddly neglected artist in recent Australian History’.2 Vassilieff, who was born in 1897 in Russia, had an unusually adventurous life before he settled in Warrandyte. The 12th of 18 children, he lived on a farm in the Don Basin. Vassilieff trained with the Imperial Military Academy at St Petersburg and fought in World War One as an officer in the White Russian Army against the communists. In 1920 he was captured, then escaped from prison, stole a horse and rode bareback 150 miles to the Black Sea, helped at first by Tartar freebooters. He then travelled to India, Shanghai and arrived in Queensland as a refugee in 1923 where he began painting. He and his wife Anisia bought a sugar farm near Ingram,3 and later he constructed railway lines at Mataranka, in the Northern Territory.4 In 1929 Vassilieff went to Brazil for formal art training from former fellow-officer Dmitri Ismailovich, but he soon left to travel up the Amazon River. He then worked as a sidewalk artist in the West Indies and travelled for two years in England, France and Spain. In 1937 he arrived in Melbourne where he lived until his death in 1958. His first major Australian series was the Carlton streetscapes and from 1951 he sculpted in local hard limestone.5 Vassilieff rejected all dogma and regarded religious subjects as suitable only for decorative arts. In 1944 he helped defeat a communist attempt to take over the Contemporary Art Society. For a short time, from around 1955, Vassilieff taught at various Victorian schools.6 The Angry Penguins painted mainly between 1937 and 1947, and included Arthur Boyd, Albert Tucker, Sidney Nolan and Joy Hester. The group formed as they felt isolated from European thought and art (including Surrealism) from which their work was derived. They were also angry at what they considered to be the complacency and insularity of their society. They maintained Australians at first were scarcely aware of the threats of the Wall Street Crash and Hitler and were little interested in the Spanish Civil War. The Angry Penguins also objected to the White Australia Policy. Hughes said although most of the Melbourne Expressionists in the 1940s were unskilled and their work crude in style, they helped jolt Australian painting from its pastoral complacency. Their style influenced nearly every painting produced by significant figurative artists in Melbourne in the 1950s such as Charles Blackman. From 1939 Vassilieff built Stonygrad, mainly with local stone. The house stands at the end of a private road surrounded by trees with the quiet occasionally broken by the sounds of bellbirds. To build his house Vassilieff dynamited rock and cut trees from his own property. The original section of the three-level house is of irregular-shaped pieces of solid stone, exposed inside like the exterior. Vassilieff later built sections with timber and brick. Inside is rustic and cave-like, and several rooms are linked by arched openings with no doors. One undulating wall was carved out of rock from which two sculptured heads protrude. Several ceilings are of rough-hewn logs and the built-in table and bookcase are rough, as is a timber ladder leading to a bedroom. Not for the elderly or unsteady! Yet the general impression in the muted light is beautiful, with artistic originality.This collection of almost 130 photos about places and people within the Shire of Nillumbik, an urban and rural municipality in Melbourne's north, contributes to an understanding of the history of the Shire. Published in 2008 immediately prior to the Black Saturday bushfires of February 7, 2009, it documents sites that were impacted, and in some cases destroyed by the fires. It includes photographs taken especially for the publication, creating a unique time capsule representing the Shire in the early 21st century. It remains the most recent comprehenesive publication devoted to the Shire's history connecting local residents to the past. nillumbik now and then (marshall-king) collection, danila vassilieff, hamilton road, north warrandyte, stonygrad -
Bacchus Marsh & District Historical Society
Photograph, Dairy Farm Bacchus Marsh District 1883
The number of cattle in this photo suggests that it was a small holding, at the beginning of the dairy industry in Bacchus Marsh. This industry became a major source of employment in Bacchus Marsh. By the early twentieth century, the Bacchus Marsh region was a significant contributor to the dairy industry in Australia. Small sepia unframed photograph on card with gold border framing photograph. Housed in the album, 'Photographs of Bacchus Marsh and District in 1883 by Stevenson and McNicoll'. This is a photo of a dairy farm in an unknown location in the Bacchus Marsh district. It has been taken from an elevation looking down at the farm. On the left, the roadside can be seen running alongside a stream or river which is fenced off by a line of trees and a post and rail fence. Parked on the road outside the farmhouse is a wagon which is unhitched. The wagon has a white rooftop and on the side can be seen a professional logo, details unclear. This wagon is most likely the wagon used by the photographers to access outlying properties with their photographic equipment. The farmhouse itself faces the road with side doors giving onto the yard. The roof is partially covered by new slates, possibly slate covering bark. Six milking sheds of post-and-rail construction adjoin the farm yard. In the first and fourth stalls (l to r) the farmer and his wife can be seen seated, miking cows. The rest of the herd are awaiting milking in the yard which also has a post-and-rail fence. A bull of milking shorthorn breed stands outside the fence. The milking herd itself is of various breeds; Herefords, roan shorthorn and roan and white shorthorns can be identified. On the right is a shed of rough-hewn boards and a shingle roof. In the yard at the back of the house stands a cart or dray. On the front: Stevenson & McNicoll. Photo. 108 Elizabeth St. Melbourne. COPIES CAN BE OBTAINED AT ANY TIME. On the back: LIGHT & TRUTH inscribed on a banner surmounted by a representation of the rising sun. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to STEVENSON & McNICOLL LATE BENSON & STEVENSON, Photographers. 108 Elizabeth Street, MELBOURNE. dairy farms, stevenson and mcnicoll 1883 photographs of bacchus marsh and district -
Glenelg Shire Council Cultural Collection
Painting, W.V. Tippel (?), English Farm Scene, 1853
Unknown. "Item of the Month", 2006 (Jan-July) - on display in Council Foyer (Portland Office).Scene of a man herding cattle and sheep down a country lane. To the left is a wooden pole fence and trees edging the road. On right, a path curves up and behind bushes. A man in a red coat is walking at the end of this path with his back to the viewer. In mid-ground on right is a white, thatched roof building and a church is evident behind it. In background are mountains, painted in rose and violet. Clouds sweep across the sky and mist fills the valley in front of the mountains. Framed in ornate gold-painted frame.Front: (no inscriptions evident) Back: Conservation Centre label. From previous Worksheet: W.V. Tippel, 1853. Jefferson, Artists Colours, Crystal House Baths, BRISTOL (stamp). -
Merbein District Historical SocietyReproduced print of black and white photographfarm house block house fruit trees fruit block
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Merbein District Historical Society
Map, White Cliffs Homestead Allotments and Farm Allotments, 15 Apr.1909
farm allotments, homestead allotments, parish of yelta, parish of merbein, irrigation, blocks -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Lakes Post Newspaper, 1990
Black and white photograph showing Caroline Joiner preparing dough for bread baked every day at Beachfield Farm Country Restaurant Lake Tyers Beach Road Toorloo East Gippsland Victoriabusinesses -
Linton and District Historical Society Inc
Photograph, Harriet Knight (Mrs George Knight) with sons George and William
A daughter of Henry Francis and his wife Mary (née Hepbuirn or Hepburn), Harriet married George Knight of Spring Vale (now Pittong) in 1900. Harriet is shown in this photograph with her two sons - William, born 1903, and George, born 1905. Harriet and George Knight also had a daughter, Victoria May, born 1901, who died in 1904. Harriet's husband George died in 1907. After she was widowed Harriet continued to run their farming enterprise. As part of this she ran a butchery, providing meat to people living in the Pittong district. Alice Knight (Harriet's granddaughter) commented in 2018 that the photo shows Harriet having quite muscular arms, which she thought was a result of hard physical labour on the farm.Black and white portrait of a woman wearing a dark dress with high collar, sitting in a chair with a small boy on either side, both boys wearing large white lace collars.harriet knight (née francis), george knight, william (bill) knight -
Melbourne Tram Museum
Photograph - Black and White set of 6 - cable trailer 153 near St Arnaud
Photographs show former Melbourne cable tram trailer 153 on a farm near St Arnaud in a deteriorating condition. The wheel set remains with the tram body. Photos not dated, possibly 1970s.Yields information about the condition of the cable tram trailers out in the open, many years after their sale.Set of 6 black and white photos of former cable tram trailer No. 153 near St Arnaud tramways, trams, cable trams, trailers, sale of trams, tram 153 -
Charlton Golden Grains Museum Inc
Photograph, Charlton Motors Pty Ltd Service Station c. 1918, c.1918
Charlton Motors Pty Ltd Service Station, corner of High & Armstrong Streets. Motor engineers, motor supplies of all kinds. Agents for Goodyear and Dunlop tyres, Buick cars, Indian motorcycles. Massey Harris Farm Implements c. 1918. Former Malcolm's steam operated Flour Mill 1876 - 1911. Group of six men, five standing, one on a motor bike. Car across footpath. Wischers written on building next door.Black & white photograph, mounted, unframed. Group of six men, five standing, one on a motor bike. Car across footpath. Sign on building reads "Charlton Motors Pty Ltd Service Station". Advertising for Dunlop & Goodyear Tyres, Buick and Indian Motorcycles. The words Massey and Wischers are written on the building next door.charlton motors, service station, high st charlton, malcolm's flour mill, wischers, massey harris -
Charlton Golden Grains Museum Inc
Photograph, Thomas Gale, Charlton Foundry yard c. 1910, c.1910
Charlton Foundry established in 1885 by Munros. Taken over by Dabron and Forbes in 1899. Taken over by Dabrons in 1905 to 1965 when it closed.Black & white photograph, mounted, unframed. Taken by Thos Gale Photographer Maryborough. Foundry backyard showing farm machinery and implements. Three workmen in the yard. Thos Gale High St Maryboroughfoundry, munro, dabron, forbes, charlton, charlton foundry -
Linton and District Historical Society Inc
Photograph, Mrs Henry Francis
Mary Hepbuirn (or Hepburn) married Henry Francis in 1857, and they had nine children. In the 1870s they acquired land south-west of Linton, where they lived and farmed for many years. They called their property "Newland".Black and white copy of original photograph of an older lady seated in a wheel chair, dressed in black, featuring a fancy cap.mrs henry francis (née mary hepbuirn or hepburn) -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, Bairnsdale Advertiser, 1/12/1995 12:00:00 AM
Also a black and white photograph of Robert Sing with his pet emu Lefty at his emu farm number 03792.1 size 13 x 15 cmBlack and white photograph of Robert Sing Emu farmer showing his emu burgers and pies which are a hit with customers of his cafe D Js Diner 579 Esplanade Lakes Entrance Victoriahrestaurant, businesses, commerce -
Linton and District Historical Society Inc
Photograph, Wilhelmina (Min) Angus
Wilhelmina (Min) Angus was the daughter of John and Wilhelmina Angus (née Statemann). She married Robert Mitchell of Clifford Farm. Mrs Egan may be the mother of Richard Egan, who married Min's sister Janet.Black and white copy of original photograph of two ladies, one seated next to one standing behind flowers. The young woman who is standing is identified as Min Angus. The older lady is possibly Mrs. Egan. Afterwards Mrs. Robert Mitchell."Min Angus standing & lady she lived with ? Mrs Egan"wilhelmina angus, min angus, mrs egan? -
Whitehorse Historical Society Inc.
Mixed media - Doll House Verandah, Yvonne Fitzmaurice, Doll House Veranda, 1974
Hand-made child's doll's house. Built by Mrs Yvonne Fitzmaurice and finished in 1979. This house was built as a 1:12 scale and is a model of a Californian house called Peppercorn farm. House was built by Yvonne and her family and took a period of three years. A lot of the furniture is handmade and the rest is collected from various shops. Catalogued books, manuals, repair kits etc used when building the house.The white painted verandah has a brass plate beside the door with the name Susan Fitzmaurice. In front of the door is a door mat and the veranda has a white hanging seat and a timber flower box with flowers."Susan Fitzmaurice" name on front of building. Date on plaque on top of front wall. Contents: - flower box with flowers, wooden swing, door mat. -
Bendigo Historical Society Inc.
Book - MY HUSBAND'S LIFE - AS TOLD BY MARY HAZELDENE, 1981
Sydney Herbert Hazeldene (1893-1966) was born in Bath, England and arrived in Australia in 1906. HE walked for 10 days from Melbourne to Bamawm, where he found work on a dairy farm. After 3 years he walked to Eaglehawk where he found work as a wheeler in a mine. He served in WW1 at Gallipoli, where he was wounded. After his return to Bendigo he married Mary Eales and they began a successful bus service. Unfortunately their two buses were destroyed by fire so they purchased a truck and began a removalist/carrier business serving locally and interstate. When the work became too heavy for Sydney he bought land and set up a dairy farm. They also moved into breeding chickens and soon this business overtook the dairying with the last cows sold in 1942. This was the beginning of Hazeldene's Poultry.Softcover book white front with black printed title. Memoir of 58 pages recounting author's husband's (Sydney Herbert Hazeldene) life. Inscribed on front cover 'For my dear son Dick with all my love Mother 26/11/1981'Mary Hazeldenebooks, biography -
Whitehorse Historical Society Inc.
Photograph - Black and white photograph, Adult Deaf and Dumb Society's Flower Farm, c1910
... and white photograph of Adult Deaf and Dumb Society's flower farm ...Original photo at Blackburn Lake Education Centre. Dorothy Meagher loaned photo so a print could be made.Black and white photograph of Adult Deaf and Dumb Society's flower farm at Blackburn.adult deaf and dumb society, meagher, dorothy, blackburn lake education centre -
Clunes Museum
Photograph, ROGER PURCELL, BALARAT
ORIGINAL PHOTOGAPH OWNED BY MRS. LENA COOK.BLACK & WHITE PHOTOGRAPH [COPY] WALTER COOK SENIOR. PLOUGHING WITH HORSES AT HIS FARM ON COOK'S ROAD TOURELLO. CIRCA 1940.local history, photography, photographs, early citizens