Coloured photo of Schwerkolt Cottage when Wisteria is out.schwerkolt cottage

Japanese style box bellows (fukisashi/吹差鞴) reached their current and finalized form by about the sixth century. They are constructed almost entirely of wood and allow a smith to supply a highly controlled air blast to the forge by pulling and pushing the handle slowly back and forth. Using dual chambers and two sets of valves, the air is supplied on both the push and the pull stroke, and the blast may be highly intensified or stopped in an instant as needed by the smith.(http://islandblacksmith.ca/2015/06/why-you-need-a-swordsmiths-fuigo-box-bellows/, accessed 18 February 2018)Timber box with handle on the side which pulls out.fuigo bellows, japanese, bellows, fukisashi bellows, oriental box bellows, pump

This miner's right was glued onto a page in a large album of photographic images of early Ballarat. Recognising their significance the Council of the Old Colonists’ Association of Ballarat Inc. had them removed and restored. The originals are now framed and on display in the Old Colonists’ Hall.Victorian Gold License made out to John Chisholm.Ballarat Victoria Gold License No. 139 March 1853 The Bearer J. Chisholm having paid to me the Sum of One Pound Ten Shillings, on account of the territorial revenue, I hereby License him to dig, search for, and remove Gold on and from any such Crown lands within the Dist of Ballarat as I shall assign to him for that purpose during the month of march 1853 not within half-a-mile of any Head Station, This License is not transferable, and to be produced whenever demanded by me or any other person acting under the authority of the Government, and to be returned when another License is issued. Chas Wale Sherard Commissioner. Regulations to be observed by the persons digging for Gold or otherwise employed at the Gold fields. 1. Every licensed person must always have his License with him ready to be produced whenever demanded by a Commissioner, or Person acting under instructions, otherwise he is liable to be proceeded against as an unlicensed person. 2. Every person digging to Gold, or occupying Land, without a License is liable by law to be fined, for a first offence, not exceeding five pounds; for a second offence not exceeding 15 pounds; and for subsequent offence, not exceeding 30 pounds. 3. Digging for Gold is not allowed within ten feet of the edge of any Public Road, nor are the roads to be undermined. 4. Tents or Buildings are not to be erected within twenty feet of each other, or within 20 feet of any Creek 5. It is enjoined that all persons on the Gold Fields maintain a due and proper observance of Sundays. Handwritten in top left corner 'Presented by D.M.D. Main. 12 Dundas St. Dunedin N.Z. 30.8.21chisholm, sherard, charles sherard, john chisholm, mining, main, d.m.d. main

This miner's right was glued onto a page in a large album of photographic images of early Ballarat. Recognising their significance the Council of the Old Colonists’ Association of Ballarat Inc had them removed and restored. The originals are now framed and on display in the Old Colonists’ Hall.Gold License made out to William Fittall Junior.gold license, william fittall junior, sherard, charles sherard, charles wale sherard, mining, fittall, eureka

The photo is too dark to make out anything meaningfulPolaroidorganisation, industry, gas and fuel

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed photograph of a woman getting out of an old car. art, artwork, karyl nichols, car, vintage car, available

This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Wheel thrown urn with lid. Glazed inside and out. 'Drew' incised on base.art, artwork, ceramics, urn, sam drew

The 1991 Victorian Blind Bowlers Final was won by the Illawarra Tigers team of Archie McLean, Keith Spenlove, Hec Stephenson and Bob McLeod. The team will go on to represent Victoria in the biennial VA-SA Challenge for the Catchpole Shield.1 cut out article from an AFB publicationnon-fictionassociation for the blind, elizabeth maxwell, neil maxwell, illawarra tigers, recreation

Discussion of Newsline service provided by the AFB and how it is used by Neil Maxwell. Article includes an image of Neil holding a phone, whose base rests on a desk in a study, and turns towards camera.1 cut out article from a suburban newspapernon-fictionassociation for the blind, elizabeth maxwell, neil maxwell, newsline, robyn fowler

Melton girls guides walking out of Scot's Churchlocal special interest groups, churches

Yields information about the Ballarat's tramcars in the months before closure and the appearance then of Stones Corner.Black and white photograph of Ballarat No. 21 in Victoria St, looking back to Stones Corner building. Photo by David Clark 17/2/1971. Tram has just left Bridge St. Stones Corner building in the background, and Viscount Ambassador Caravans to the left of the tram having replaced the Caltex Service Station on this location. Tram has the destination of Victoria St.On the rear in ink "Tram No. 21 in Victoria St, near Bridge St, looking to Sturt St. 17/2/71. Ballarat Tramways, Photo 30, Taken by David Clark", with David's address stamp "4 Adeney Ave Kew 3101" with "Melbourne" underneath.tramways, trams, victoria st, stones corner, bridge st, tram 21

First floor view from corner of Main & Patrick Streets looking East down Patrick Street. Weatherboard Foresters Hotel in Main Street on left corner. Foresters Hotel was built in 1868 by Mr. Joseph Cawley, Mr. and Mrs. Cawley were the occupants for 30 years. The site was previously occupied by a Billiards Room. In 1917 the building became Foresters Coffee Palace with new owner Mr. J.C. Crothers who purchased the building for 410 pounds and leased it to Mr. Robert Wennerbom. The next lease holder was Miss Fulton and in 1921 Mrs. R. Claringbold took over and called the building Foresters House. The building was sold in 1935 and demolished shortly after sale. Businesses visible down Patrick street, Foresters Hotel, J.H. Wallis Royal Exchange Hotel on Big Hillside of Street. With St Patrick's church tower visible in distance. Melbourne Cash Store Wines and Spirits on corner of Patrick and Sloane Street near centre of photo. Ferns Hotel / Times office on right of photo, corner of Patrick and Main Street. Post Box on Corner at right of photo. 1878First floor view from Main Street Patrick Street intersection looking down Patrick Street. Foresters Hotel on left. Fern Boarding House on right.Victorian Views. C. Herbert, Photo. Stawell 1878stawell businesses streetscape

The photo in .2) cylinder is an original of the top photo in .1) in front of the Soldiers Memorial Institute. Even though it says 1951 this is not a certainty for both. It has not been taken out for proper photography due to its fragile state. There are a few that have been identified in both who were well known. Top photo. Standing 2nd from the left is Jack Swatton, next to him is George Lansell, further along standing at rear is a tall man Les Morey with black hair and greyish suit. Bottom photo. On the far right standing is Jack Swatton, in the front row sitting central is possibly George Lansell, two men to his right are looking at him, in the rear 8th from the left is Les Morey. There is one very tall man in the rear central which his identity is being checked. Refer also Cat No 8229P. .1) Photographs B & W panorama, two laminated together. The top photo shows a large group of men and some ladies lined up in front of the Soldiers memorial Institute Pall Mall Bendigo, there are 5 large wreaths and a big white Cross central. The bottom photo shows a larger group of men and 3 young lads on the "Upper Reserve" in Bendigo. .2) Shows a cardboard photo cylinder with address paper around with text showing a section the rolled photo out at one end of the cylinder.On .1) written over in black is hand written, "1951 ANZAC DAY", on .2) hand written, "G.B. ... 541 High S.....et Bendigo"brsl, smirsl, anzac day

Post Card Valentine Series pre 1930. "The Lake" Stawell. The lake has been renamed and now called Cato Lake. This view is looking north and shows distant buildings of Stawell behind a line of trees. People can be seen enjoying the lake walking and swimming with a rotunda between the trees and the lake. Valentine Series post card of The Lake, Stawell looking north pre 1930's. The back of the Coffee Palace can be seen on the left back and the roof of the Anglican church can be seen above the trees. The other side to the right are houses in Florence Street. Along the lake are people walking and enjoying the waters edge swimming. A rotunda is to the left and the post card is framed by an overhanging willow tree. Valentine Series No 1814 The Lake, Stawell. Valentine Publishing Co. Melbourne & Sydney.stawell

Whitish card with pale green shaded edges. Near the top is a brown window with green curtains and looking out to a rural scene. In front of the window is a table with a green cloth on it, a green vase of pink blossom and an open book with 'Best Wishes' printed on it in black. At the bottom, printed in brown and gold is a verse by Whittier. Card & insert held together with a greyish ribbon.Raphael Tuck & Sonsperson, greeting cards, malone collection, malone collection, greeting cards

Colour photograph, mounted in a white card board folder with a title block. Title - "Visit of the Bungaree and District Historical Society to the Ballarat Tramway Museum". Group photo of the tour group looking out the windows of No. 40 at the Carlton St terminus. Taken 17/2/2003. Has Richard Gilbert and Dennis Spielvogel in front of the tram. Produced by Spielvogel Photographic.trams, tramways, btm, tram tours, carlton st, bungaree historical society

Black and White print contained within the Wal Jack Bendigo and Geelong Album, see Reg Item 5003 for more details. Photo of No. 17 from the Railway Station turning out of Railway Terrace into Mercer St. 3-1-1945. Printed on Ilford Paper. Tram has the destination of West. i1 - scan of print in the album i2 - rear of image i3 - scan of negative at 3200dpi added 30/6/2020.Has the rear in ink "SEC Geelong No. 17 from the Railway Station turning out of Railway Terrace into Mercer St. 3rd January 1945". Has the Wal Jack copyright stamp on the rear with the number T319 written in.trams, tramways, geelong, mercer st, railway station, tram 17

Colour photographs, seventeen images on nine page. Images labelled as follows : 1. North New Moon shaft - natural discharge point of Garden Gullly line 2. Actual exit to surface from beneath mullock at North New Moon shaft. 3. Looking into Deadhorse Gully from mullock heap at North New Moon site. 4. Deadhorse Gully downstream of WMC Weir. 5. Sydney Creek track crossing - impassable ford. 6. Sydney Creek looking downstream from ford. 7. Sydney Creek looking upstream from road near Recreation Reserve (12 inch pipe under road). 8. Sydney Creek looking downstream from same point. 9. Sydney Creek - Camp Road, looking upstream.. 10. Sydney Creek - Camp Road, looking downstream. 11. Sydney Creek - Camp Road Culverts. 12. Sydney Creek - Pyramid Road Bridge, looking upstream. 13. Sydney Creek - Pyramid Road Crossing looking downsteam. 14. Sydney Creek - rail crossing, looking upstream. 15. Sydney Creek - rail crossing, looking downstream. 16. Sydney Creek - Airstrip road, looking upstream. 17. Sydney Creek - Airstrip Road, looking downstream 12 inch pipe under road. Lined paper, in blue pen 'Deadhorse Gully-Sydney Flat Creek, March 1986, Photos of Deadhorse Gully/Sydney Flat Creek'kangaroo flat gold mine, deadhorse gully, sydney flat creek, unity mining, water discharge, north new moon, camp road, pyramid hill road, eaglehawk

Colour photo of an interior bathroom showing marble looking basin to the left and marble looking bath with overhead shower, silver tap fittings on basin and bath/shower.

Local Significance. Part of the 1989 Hunt Club Exhibition.West bank Kororoit Creek looking east. Looking directly across the creek. Foliage in the immediate foreground. Creek in the midground, Stone embankment across the river. - AR0038photograph, kororoit creek, robert, pointon

Over the summer of 1984/85 extensive regeneration work was carried out to establish the “Last Hoot”. It was a big job and took all summer to complete the work which included throwing rocks of the run, digging in cross drains and spreading the area with hay. All work was done manually. Though difficult physical work, those who dedicated their time and labour to the task have interesting memories of that time, including arriving to load up hay bales only to find the cattle from the high plains had walked across the dam wall to come and enjoy a fabulous feast! The Hoot Ski Trail has two sections. Fast Hoot is a 341 metre blue downhill run located near Falls Creek. The Last Hoot is a one km blue ski run (piste) trail which can be used in both directions. It finishes at Slalom Plaza in Falls Creek Village. Snowlands Lodge is near the bottom of the trail in Slalom Street. One of its most popular features is “The Last Hoot” Restaurant.This article is significant because it documents the work carried out to establish a popular ski trail at Falls Creek, VictoriaThis newspaper article reports on the work carried out to prepare for a new ski trail the "Last Hoot" at Falls Creek over the summer of 1984/85.In image L to R Debbie Howie, Larraine Boulton, Nina Frueauf, Rob McEwan, Eric Napierthe last hoot, deb howie

Nankeen Night Herons reside in Australia wherever there is permanent water. They can often be found in wetlands, shallow river margins, floodplains and parks and gardens. These birds spend the day time roosting in groups among dense foliage and emerge during the night. An adult Nankeen Night Heron is identified by the black cap on its head and a pale breast. This particular specimen has these signs which enable it to be identified as adult. The large eyes of the Nankeen Night Heron are a bright yellow colour which are adapted to night vision. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Nankeen Night Heron has a stocky body and is standing tall on a wooden pedestal and looking towards the upper right. This adult specimen has yellow and black glass eyes and a long pale grey bill. Plumage on the head is black which turns a pale cinnamon on the nape of the neck. The wings are placed along the back of the body and are a light brown. The torso is a pale buff colour. This specimen has nuptial plums which look like they come out of the back of the birds head. These plums are long white feathers which appear during the breeding season.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, nankeen night heron, heron, nocturnal

Nankeen Night Herons reside in Australia wherever there is permanent water. They can often be found in wetlands, shallow river margins, floodplains and parks and gardens. These birds spend the day time roosting in groups among dense foliage and emerge during the night. An adult Nankeen Night Heron is identified by the black cap on its head and a pale breast. This particular specimen has these signs which enable it to be identified as adult. The large eyes of the Nankeen Night Heron are a bright yellow colour which are adapted to night vision. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Nankeen Night Heron has a stocky body and is standing tall on a wooden pedestal and looking forward. This adult specimen has yellow and black glass eyes and a yellow and pale grey bill. Plumage on the head is black which turns a pale cinnamon on the nape of the neck. The wings are placed along the back of the body and are a light brown. The torso is a pale buff colour. This specimen has nuptial plums which look like they come out of the back of the birds head. These plums are long white feathers which appear during the breeding season.taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, nankeen night heron, heron, nocturnal

Page 59 of the Diner's Club, Signature Magazine, April/May 1982, with an article titled "Moving Masterpieces" looking at the Clifton Pugh's work on the Melbourne Transporting Arts Programme. Article written by Geoffrey Kenihan, looks at the background of the program, its story and implementation. Details the other artists involved. Has a photograph of Clifton Pugh looking out from one of the tram's doors. Image i2 added 17-9-2015 from the Autumn 1982 issue of METRA news, see Reg Item 1026.8 - about the MMTB Apprentices who assisted with the work.trams, tramways, transporting art, decorated trams, ministry for arts, tram 502, tram 504

Denis Gibbons (1937 – 2011) Trained with the Australian Army, before travelling to Vietnam in January 1966, Denis stayed with the 1st Australian Task Force in Nui Dat working as a photographer. For almost five years Gibbons toured with nine Australian infantry battalions, posting compelling war images from within many combat zones before being flown out in late November 1970 after sustaining injuries. The images held within the National Vietnam Veterans Museum make up the Gibbons Collection A black and white photograph of An armoured Engineer D8 bulldozer 'Miss Fit' involved in land and mine clearing operations up to the foothills of the Long Hai Mountains supported by Centurian Tanks and APCs out of Firebase Thrust photograph, centurion tank, armoured personnel carrier, long hai hills, firebase thrust, gibbons collection catalogue, d8 bulldozer, long hai mountains, "miss fit", denis gibbons

A novelty postcard with pull-out strip of 9 miniature photographs that was produced by the Valentine Publishing Co as a souvenir of Marysville.A novelty postcard with pull-out strip of 9 miniature photographs that was produced by the Valentine Publishing Co as a souvenir of Marysville.Having a High Old Time at MARYSVILLE KEEP WELL/ AND BRIGHT/ KEEP SMILING/ AND WRITE 1902 VALENTINE'S/ MAILING NOVELTY From VALENTINE'S "MAIL NOVELTY" POSTCARD. COPYRIGHT/ PRINTED IN GT. BRITAIN To Dear Mrs Bannan, I was expecting/ you down to meet "my folks" while they/ were over. Sorry you couldnt fit it in/ They went back last Tuesday & we came/ up here on Wednesday. Weve settled in/ to have a restful holiday. its a lovely/ place spotlessly clean & beautiful meals/ Ive never eaten so much for years. We/ will be here for 10 days so I should put/ on at least a stone the way Im eating/ love & best wishes to you all from Wm Staceymarysville, victoria, postcard, souvenir, valentine publishing co, crossways cabaret (image 1), taggerty river (image 2), acheron way (image 3), blacks spur road (image 4), nicholl's lookout (image 5), main street marysville (image 6), sugarloaf bay eildon (image 7), steavenson falls (image 8), cumberland falls (image 9)

This item is a photograph album that would have been owned by a person or family in the late 19th or early 20th centuries. In most cases (but not in this one) family photographs would have been mounted in the pages and kept as part of a family’s history. Albums such as this one, with photographs, would then become family heirlooms and treasured as such. They would have been expensive to buy at the time so were the province of the more affluent. This album, in very good condition, is beautiful, aesthetically-pleasing and redolent with the history of earlier times. This album is retained as a beautiful example of the type of photograph album that the more affluent members of society would have owned over a 100 years ago. This is a leather covered photograph album. The cover is brown with ornamental floral scrolls and ornamental gold panels. Some of the gold etching and some of the leather areas have worn away. The spine has ridged gold bands with the gold etching heavily faded. The metal clasp that closes the pages is made of silver (tarnished) and is of a decorative pattern. The sixteen pages are made of heavy stiffened cardboard and have centre cut-outs (to contain photographs). These cut-outs are oval and rectangular (arched at the top) in shape and are outlined in gold. On every second page, the cut-out is decorated with sprigs of flowers delicately painted in colour. The pages are gilt-edged. There are three loose sheets of paper which look to be original backing pieces for photographs. There are no photographs in the album.warrnambool, antiquarian, photograph, album