Programme: Lawn Tennis Championships at Wimbledon 1951 Materials: Paper, Inktennis

American Lawn Tennis Magazine, June 1946 Materials: Paper, Inktennis

Programme for Davis Cup Interzone Final 1938 Materials: Paper, Inktennis

Wooden baby's coat hanger, covered in pink material with satin ribbon.coat-hangers

Silver shaving set in metal case, complete with material sharpening strap."Rolls Razor' "Super Hollow Ground"safety razors

Cinnabar is naturally red, but can undergo photo-oxidation to form colloidal metallic mercury at the crystal surface. This mercury may produce a silver colourationA common red ore that is often found in locations where there has been volcanic activity and has been historically used as a red pigment as a cosmetic or for colouring stone. It is commonly used today as a method of creating mercury.Red and brownish red stone with some whitish silver material at the surface CINNIBAR / (Mercury sulphide) / Locality: Spain.burke museum, beechworth, minerology, geology, geological specimin, spain, cinnabar

RAAF badge complete with Queens Crown on oval background with purple materialRoyal Australian Airforce

A Slazenger Panther Club squash racquet (1), with vinyl cover (2). Racquet primarily comprises of a frame made from a singular piece of tubular metal, secured by a plastic bridge across the throat, and the hardened plastic handle below. Materials: Metal, Plastic, Synthetic material, Ink, Nylon, Vinyl, Synthetic material, Ink, Plastic, Metaltennis

Two Slazenger Phantom Silver Junior, graphite/composite squash racquets (.1-.2), with open throat, and synthetic handle grip which is still sealed in original plastic wrap. Racquets accompanied by vinyl covers. Materials: Graphite, Nylon, Ink, Adhesive tape, Synthetic material, Plastic, Composite Materials, Vinyl, Ink, Plastic, Metaltennis

This specimen was found in Cape Patterson, Vic. Cape Paterson is a cape and seaside village located near the town of Wonthaggi, 132 kilometres southeast of Melbourne, in the Bass Coast Shire of Gippsland, Victoria, Australia. These dark, fossiliferous Mudstones were deposited in slow-moving water associated with sedimentary basins & continental shelves. They are rich in carbon which makes them almost black. This is typical of an anoxic, reducing environment such as deep water or stagnant conditions where carbon-rich material would remain unoxidised during subsequent deposition & diagenesis. it has an imprint of a leaf in the rock itself, displaying the fossil of the plant. This specimen is unique due to the leaf impression within the stone itself. Imprint fossils are formed from an organism moving in some way, leaving behind a trace or track. These tracks are preserved when the clay/silt dries slowly and is covered by other sediment. Plants can also leave imprint fossils when they are covered by sediment. The leaf tissue degrades, leaving an imprint of where the leaf once was. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.These dark, fossiliferous Mudstones were deposited in slow moving water associated with sedimentary basins & continental shelves. They are rich in carbon which makes them almost black. This is typical of an anoxic, reducing environment such as deep water or stagnant conditions where carbon rich material would remain unoxidised during subsequent deposition & diagenesis. FOSSILIFEROUS MUDSTONE / Locality: Cape Patterson, Victoria | Descriptive catalogue / Pg 27 No 95 / "Grey Clay, / Cape Paterson with leaf impressions' / 15/4/21 C. William /mudstone, cape patterson, leaf imprint, fossilised leaf, fossiliferous mudstone

The basic balance scale has been around for thousands of years and its accuracy has improved dramatically over the last several centuries, the principle behind this tool remains unchanged. Its parts include a fulcrum, a beam that balances on it, a pan at the end of the beam to hold the materials to be weighed, and a flat platform at the other for the counter-balancing weights. Balance scales that require equal weights on each side of the fulcrum have been used by everyone from apothecaries and assayers to jewellers and postal workers. Known as an unequal arm balance scale, this variety builds the counterweight into the device. Counter scales used in dry-goods stores and domestic kitchens often featured Japanned or (blackened) cast iron with bronze trims. Made by companies such as Howe and Fairbanks, the footed tin pans of these scales were often oblong, some encircled at one end so bulk items could be easily poured into a bag. Seamless pans were typically stamped from brass and given style names like Snuff (the smallest) and Birmingham (the largest). Some counter scales were designed for measuring spices, others for weighing slices of cake. In the 18th century, spring scales began to appear and would use the resistance of spring to calculate weights, which are read automatically on the scale’s face. The ease of use of spring scales over balance scales. These scales are significant as they identify one of the basic preparation items for the weighing of foodstuff in the family kitchen to prepare everyday meals. This item is significant as it gives a snapshot into domestic life within the average home in Australia around the turn of the twentieth century and is, therefore, an item with social relevance. Black cast iron, medium weighing scales, with a fulcrum which the beam that balances on, there is a scoop or large bowl at one end for the material to be weighted and a flat platform at the other end that holds the weights. Around the cast iron base is an embossed strip weight and bowl missing.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

These documents concern the 19th century proposed sale of the legal practice of Henry Parrington of Warrnambool to Samuel Backhouse of Collins Street, Melbourne. Samuel Backhouse came to Warrnambool to inspect the Parrington practice and offered £750 for the practice. The offer was accepted and the contract for the sale was drawn up. Henry Parrington then withdrew from the sale and was sued by Backhouse for breach of contract. Backhouse was wanting £150 compensation. The outcome of this case is not known. Henry Roberts Parrington qualified as a lawyer in England in 1873 and worked as a barrister and solicitor in New Zealand from 1876 to 1886. He then came to Australia and worked for the legal firm of Messrs Higgins in Geelong and for Bayly and Higgins in Warrnambool. The business in Kepler Street, Warrnambool later became known as Higgins and Parrington and, in 1900, as Parrington and Tait (partner John Sym Tait). When John Tait retired in 1901 Henry Parrington was the sole proprietor of the practice. He died in Melbourne in 1926. These documents are of considerable interest as they outline an episode in the life of Henry Parrington, a well-known lawyer in Warrnambool in the late 19th century and the early 20th century. These are eleven documents pertaining to the Warrnambool lawyer, Henry Parrington. There are four single-sheet letters – two have blue typing and two have handwritten material in black ink. There is one telegram with both printed and handwritten material and a Post Office stamp. There are two envelopes which have been sent by mail and which have mauve Victorian twopenny stamps. These envelopes are torn at the top. These envelopes contain letters which have printed material at the top of the sheets and handwritten material in black ink. samuel backhouse, henry parrington, history of warrnambool

Bag was owned by great grandmother x 2 of Judy Ford.HistoricalBlack silk evening bag with satin lining and thicker material lining on front side. Black ribbon strap. Embroidered with sprays of small white flowers made of material. Also bow of yellow ribbon. N/Aevening bag, judy ford, social life,

This 1891 document contains the information on the Will and Probate of John Gould, an engineer from Russells Creek. No information has been found on John Gould except that he died in October 1890 at the age of 67. The solicitor, William Ardlie was a well-known Warrnambool lawyer, commencing a practice in 1865 and continuing well into the 20th century making him at the time one of the longest-serving lawyers in the British Empire. Tait collection: item 10 of 62This document is of interest in that it includes information on a resident of Russells Creek in the Warrnambool area, and also the lawyer concerned is William Ardlie, one of the best-known identities in Warrnambool in the late 19th and early 20th centuries.This is an 1891 piece of parchment folded in half to give four pages of written material. This material is handwritten in black ink. A seal of the Supreme Court of the Colony of Victoria is attached with a green ribbon. The document is somewhat discoloured. ‘In the Supreme Court of the Colony of Victoria in the probate jurisdiction in the Will of John Gould, late of Russells Creek near Warrnambool in the Colony of Victoria, Engineer, deceased, Probate. I certify that there is no duty payable. J. F. Poole, Officer under Section 96, Act 1060, June 23rd 1891. Extracted by William Ardlie, Solicitor, Warrnambool’. john gould, william ardlie, warrnambool

Includes principles for review and evaluation of materials; reviews of suitable material for junior primary, primary, junior secondary, senior secondary; not recommended list; includes title index, subject and level index, general index.B&w illustrationscurriculum development, secondary school education, primary schools education

A Dunlop Maxflex, graphite/ceramic squash racquet with open throat (1), and cover (2). Materials: Graphite, Plastic, Nylon, Synthetic material, Adhesive tape, Ink, Ceramic, Vinyl, Plastic, Ink, Metaltennis

A Crown Melbourne tennis racquet, produced in association with the ABC program, Wide World of Sports. Materials: Wood, Ink, Glue, Lacquer, Metal, Synthetic material, Nylon, Plastic, Adhesive tape, String, Painttennis

A Dunlop 'XLT-15' split shaft tennis racquet, with black plastic bridge, and Wilson 'Championship' nylon netting. Materials: Metal, Composite Materials, Leather, Ink, Adhesive tape, Nylon, Plastic, Painttennis

A Prince 'International 110' split shaft oversize tennis racquet, with brown plastic bridge, and Prince 'Technigrip' handle grip. Materials: Metal, Nylon, Leather, Plastic, Adhesive tape, Ink, Synthetic materialtennis

A Prince 'Graphite' oversize tennis racquet, with Prince 'Synthetic Gut' strings, and original handle grip retail wrap. Materials: Synthetic Gut, Graphite, Plastic, Adhesive tape, Ink, Synthetic material, Leathertennis

This object consists of 89 identical racquets. Each is a Spalding 'Lotus One' racquet, and a vinyl racquet head cover with zipper. Materials: Composite Materials, Plastic, Adhesive tape, Leather, Vinyl, Nylon, Painttennis

A Dunlop (U.K.) 'Fort' tennis balls box, containing all four original balls. Statement 'OFFICIAL BALL OF THE LTA 1979' printed on box and balls. Materials: Ink, Cardboard, Rubber, Synthetic materialtennis

Sealed can of three 'Optic Yellow Championship' Wilson (USA) tennis balls. Has ring pull seal (intact) and plastic reclosure lid. Materials: Ink, Metal, Rubber, Synthetic material, Plastictennis

A Slazenger (UK) 'Nylon-Armoured Tennis Balls' box. Printing on lid in French refers to '1962'. Contains all four original balls. Materials: Ink, Cardboard, Paper, Rubber, Wool, Synthetic materialtennis

A Spalding-branded box containing four cans of Spalding 'Championship' tennis balls. All cans are sealed and unused and each contains three balls. Materials: Metal, Ink, Plastic, Synthetic material, Rubbertennis

A sealed can of three Wilson 'Optic Yellow Match Point' tennis balls. Clear plastic reclosure cap over a ring-pull style lid. Materials: Metal, Ink, Rubber, Synthetic materialtennis

A sealed can of four Slazenger (U.K.) 'Wimbledon High Visibility' tennis balls. Has intact ring-pull lid, and a plastic reclosure lid. Materials: Metal, Ink, Rubber, Synthetic material, Plastictennis

A sealed can of four Slazenger (U.K.) 'Wimbledon High Visibility' tennis balls. Has intact ring-pull lid, and a plastic reclosure lid. Materials: Metal, Ink, Rubber, Synthetic material, Plastictennis

An unsealed can of three Spalding (U.K.) 'Top Flite Championship' tennis balls. Missing seal strip & key winder. Contains three original balls. Materials: Metal, Ink, Rubber, Synthetic materialtennis