Showing 4777 items matching " tables"
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Linton and District Historical Society Inc
Photograph, H. Glenny, artist, Dublin and Melbourne Portrait Rooms, Main Rd, Ballarat East, Reverend John Seccombe
John Seccombe was Wesleyan minister of the Scarsdale and Linton circuit, 1890 - 93.Copy of sepia photograph of Rev John Seccombe. Bearded gentleman in frock coat, right hand resting on book on table."Rev. John Seccombe, Wesleyan minister of Scarsdale and Linton circuit 1890 - 93".john seccombe -
Lakes Entrance Historical Society
Photograph - Senior Citizen's Centre, Lakes Post Newspaper, 2002
number in album 03539.03Colour photograph Bill Allen and Rein Jongkryg playing table tennis at Senior Citizens Club. Lakes Entrance Victoria sports, senior citizens -
Ithacan Historical Society
Photograph, Plaka Athens, 1955
Enjoying an evening in one of Plaka's taverns are Yiannis Raftopoulos (Tsagari), unknown, Chrysaida Paizis and Manto Raftopoulos. A black and white photograph of three ladies and two men seated around a table in a taverna. A mural is on the wall behind them. -
Ithacan Historical Society
Photograph, Cantades, summer evening Ithaca
The group is pictured in Ithaca enjoying a summer evening of music and outdoor dining. The first musician on the left is Dimitris Kouvaras, an accomplished guitarist. The musicians were most likely playing 'cantades' which are romantic serenades with male voices accompanied by guitars associated in the Ionian islands. This distinctive style of Ionian music is considered to be influenced by the long period of Venetian rule of the islands.A coloured photograph at a social gathering at an outdoor restaurant featuring three men seated with other guests at a table playing guitars. -
Ithacan Historical Society
Photograph, Ithacan Ball, C1950s
The photograph was taken at the 1954 Ithacan Ball. Arthur Koutsouvelis and Aspasia Koutsouvelis are seated in the foreground on the LHS of the photograph. A black and white photograph of fourteen people sitting around a table at a social function. The people are all dressed in formal attire. -
Ithacan Historical Society
Photograph, Social gathering, c1950
The seven men were at an Ithacan social function at a venue in Franklin Street, Melbourne. Pictured from left: Peter Paxinos, Diogenis Cominos , Peter Black (Mavrokefalos), Jim Kandiliotis , Athansi Papanikolaos, and Peter (Bouli) Dellaportas.The men pictured all emigrated to Melbourne from Ithaca at various decades dating from the 1930s through to the 1950s. The Ithacan club was a home away from home, where friends and relatives could catch up and socialise.A black and white photograph at a social function of five men sitting at a table while another one is standing behind the group. -
Ithacan Historical Society
Photograph, Jim Kandiliotis, 1952
Jim Kandiliotis is pictured on the right with two friends at the 1952 Ithacan Ball which took place at the Melbourne Town Hall.A black and white photograph of three men standing in a reception centre at a social function. There are vases of flowers arranged on tables in the background. -
Ithacan Historical Society
Photograph, Millie Whelan Universal Studios, Paizis brothers, c early 1930s
The men in the photograph are Nicholas ands Alkinos Paizis who migrated to Australia from Kioni. Alkinos Paizis was a past president of the IPS.A sepia photograph mounted on board of two smartly men standing on either side of a small round table in a photographer's studio. -
Lakes Entrance Historical Society
Photograph - Bellevue Motel Wedding Fair, Lakes Post Newspaper, 1/11/1994 12:00:00 AM
Also four black and white photographs taken at the Wedding Fair 03817.1 Mother of bride, size 15 x 8.5cm, 03817.2 models size 11 x 8.5 cm, two of brides 03817.3 and 03817.4 size 16.5 x 8.5 cmBlack and white photograph of Linda Brew and Emily preparing reception tables for Wedding Fair at Bellevue Lakes Entrance Victoriahotels, fashion, wedding, commerce -
Blacksmith's Cottage and Forge
meat plate
Used domestically for the serving of carved meat to the tableAn oval china plate with scalloped edges and a blue floral and pheasant pattern.The number 10 imprinted on the base. A.F.S.S in blue scroll with flowerschina, plate, porcelain, dish, meatdish, serving, crockery domestic dining -
Tatura Irrigation & Wartime Camps Museum
Cupboard, 1940's
cupboard/bedside table made in a Tatura CampHandmade wooden cupboard. Interior has 2 shelves. Door is closed with a metal catch painted browncamp hand crafts -
Clunes Museum
Decorative object - CROCHET DOYLEY
CREAM COTTON - CROCHET DOYLEY OR TABLE CENTREOVAL CREAM COTTON CROCHET DOYLEY WITH SHAPED LINEN CENTRE INSERTlocal history, domestic items, manchester, handcrafts -
Stawell Historical Society Inc
Photograph, Furniture Drawer Extension Table -- designed & made by Mr R L Henderson -- Coloured
Furniture Drawer Extension Table by R.L. Hendersonstawell -
Clunes Museum
Domestic object - SMALL GLASS BOWL
POSSIBLY USED TO CONTAIN SALT ON DINING TABLESMALL ROUND GLASS BOWL WITH CUT GLASS PATTERN ON BASElocal history, domestic items, table setting -
Whitehorse Historical Society Inc.
Container - Salt and pepper shakers
Items bought for the Museum 1950s table DisplayTwo green plastic shakers on black bases. Shape round diminishing towards top in steps.Nallydomestic items, table setting -
Clunes Museum
Domestic object - SMALL GLASS BOWL
POSSIBLY USED TO CONTAIN SALT ON DINING TABLESMALL GLASS BOWL WITH A PATTERNlocal history, domestic items, table setting -
Stawell Historical Society Inc
Photograph, Mrs Emma Martin nee Bennett -- Studio Portrait
Emma Martin nee Bennett. Photograph taken in early 1900's in a photographic studio. Emma is seated and leaning on a table with her gloved right hand on an open book. A potted plant is prominent beside her on the table. Mrs. Emma Martin nee Bennett -- Studio Portrait. Emma has a long dress with puffed sleeves and decorative collar and hat. Emma (nee Bennett) Martinstawell portrait -
Ballarat Tramway Museum
Book, British Engineering Standards Association, Limits and Fits for Engineering - British Standard 1916 - Part 1 - 1953, 1953 and 1969
.1 - Book - 52 pages + light grey cover, issued by the British Engineering Standards Association, titled Limits and Fits for Engineering - British Standard 1916 - Part 1 - 1953, with amendments to July 1969. Has a table of contents, with definitions, specification and tables. BS 1916 .2 - Book - 52 pages + light grey cover, issued by the British Engineering Standards Association, titled Guide to selection of Fits - British Standard 1916 - Part 1 - 1953, has a table of contents with specification, figures, examples and tables. Both copies have an Standards Association of Australia paste over sheet on the front cover, referencing the document without amendment as AS B132, dated Feb. 1956.See History of object for stamps. part 1 has "T. Baker" in ink on the top of the first page. trams, tramways, engineers, manufacturing, workshops, machining -
Federation University Historical Collection
Photograph, Frank Wright in Soldiers Memorial Band outfit
Frank Wright was a renown resident of Smeaton, where he was born. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.Two photographs - .1) a sepia photograph of a seated man in uniform leaning with arms crossed on a marble topped table. A baton is held in his right hand. On the table is lying a cornet. The man is Frank Wright and the uniform is from the Soldiers Memorial Band .2) the same photo in black and white only largerBoth photographs have Richards & Co. Ballarat embossed in the bottom right hand corner. .2) has a Richards & Co. Photographers Ballarat stamp on the reverse sidefrank wright, cornet, soldiers memorial band, uniform, baton -
Bendigo Historical Society Inc.
Photograph - HANRO COLLECTION: DINING ROOM
Black and white photograph of the dining room at the Handschin and Ronus factory in Switzerland.. It is a long room with 4 rows of tables across it, floor to ceiling windows run the full length of the room on the right hand side of the photo. There are perhaps 40 or 50 people seated at the tables, which could accommodate several hundredorganization, business, hanro, clothing manufacture, hanro, handschin and ronus, lunch room -
Melbourne Tram Museum
Document - Report, Melbourne & Metropolitan Tramways Board (MMTB), "CBD Passenger Survey - August 1977", Aug. 1977
Report - A4, 58 pages + card coves with brown comb bound, titled "CBD Passenger Survey - August 1977". Has table of contents, tables, figures and notes on the cards. Provides origin and destination information on passengers entering the CBD. Conducted over a two week period using university students.Has "3-10-78" on inside front cover.trams, tramways, surveys, city of melbourne, passengers, mmtb -
Tatura Irrigation & Wartime Camps Museum
Sugar Bowl, Venetian Sugar Bowl (glass)
Could have been used on a bedroom dressing table.Rose coloured glass. Round. Lidded. Plain glass know on lid. Plain glass fluted flower edge on base.venetian glass -
Stawell Historical Society Inc
Photograph, Furniture Table with Australian Animal Designs -- designed & made by Mr R L Henderson -- Coloured
Furniture Table with Australian Animal Designs by R.L. Hendersonstawell -
Whitehorse Historical Society Inc.
Domestic object - Glass pedestal bowl
Used as table ornament and fruit bowl in home at Blackburn. Glass pedestal dish, scalloped edge; pattern, circle within triangle. Triangle pattern on a pedestal.domestic items, ornaments / decorative, table setting -
Bendigo Historical Society Inc.
Photograph - NEW MOON MINE - COPIES OF NEGATIVES OF THE NEW MOON MINE
Four copies of negatives, three showing mining machinery and the fourth, a table. (a) shows machinery driven by a large flywheel. A man is operating the machine. (b) shows the crushing machine and tables. They are driven by long belts being driven by a long overhead shaft. Two men are at the machine. A tub is in the foreground. (c - shows a view of the fitting shop at crushing machine. Picture is not very clear. There are four men in the picture. (d) shows a reverse image table of gross total of tons, gold, dividends and calls to June 30th, 1906. photo, new moon mine, copies of negatives of the new moon mine, mine machinery, crushing works, a richardson -
Federation University Historical Collection
Photograph - black and white, Broadcast from Simpelveld, Holland, Aug 1954
Frank Wright was a renown resident of Smeaton, where he was born on 2 August 1901. He lived at Laura Villa, and attended Smeaton State School. His father William was a gold miner and his mother's name was Sarah. Their family won many singing and instrumental awards. Frank was tutored by Percy Code and was awarded a gold medal for the highest marks in the ALCM examinations in the British Colonies at the age of seventeen years. He became the Australian Open Cornet Champion by the age of eighteen. A year later, Frank conducted the City of Ballarat Band, and later the Ballarat Soldiers’ Memorial Band. He formed the Frank Wright Frisco Band and Frank Wright and his Coliseum Orchestra. These bands won many South Street awards, and Frank as conductor won many awards in the Australian Band Championship contest. In 1933 Frank Wright sailed to England to conduct the famous St Hilda’s Band and was later appointed Musical Director of the London County Council, where he organized many amazing concerts in parks, in and around the London district. He was made Professor of Brass and Military Band Scoring and conducted at the Guildhall of Music and Drama. Frank was often invited to adjudicate Brass Band Championships around Europe, in Australia, including South Street and in New Zealand. The Frank Wright Medal at the Royal South Street competition is awarded to an individual recognized as making an outstanding contribution to brass music in Australia.1). Black and white photograph of a group of five men seated around a table in the outdoors. They appear to be listening to the tape playing on a reel to reel tape player which is located on the table. The man in the middle is Frank Wright and the place is Simpelveld in Holland. 2). Same as above although only the hand is visible of the fifth man.Written in pencil on back - Broadcast from Simpelveld Holland, on Music Concourse (Kenknade), Aug 1954simpelveld, frank wright, reel to reel tape player, brass bands -
Bendigo Historical Society Inc.
Photograph - BERT GRAHAM COLLECTION: TROPHIES, 1955-56
Black & white photograph, Bert Graham Collection, Bendigo East Swimming Club Presentation Night Trophy Table 1956. on the back is the words B.E.Swimming Club Presentation Night Trophy Table 1956, Graham in red ink 1955-56.In a blue ink oval is photos by W.Ryan, 18 Sandhurst Rd., Eaglehawk.bendigo, clubs, bendigo east swimming club -
Federation University Historical Collection
Memorabilia, Val D'Angri, Ballarat School of Mines Table Cloth, c1980s
The Ballarat School of Mines ins a predeccessor instituiton of Federation University Australia.Large and small table cloth featuring the Ballarat School of Mines Coat of Arms as an embroidered patch and gold tassel at each corner. ballarat school of mines, coat of arms, crest, val d'angri, table cloth, tablecloth, tassle -
Flagstaff Hill Maritime Museum and Village
Fork
HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only seven in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register most valuable. The LOCH ARD shipwreck is of State significance – Victorian Heritage Register S 417 Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Silver plated copper alloy table fork from the wreck of the Loch Ard. Some verdigris and encrustation. Silver oxide present.flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, fork -
Flagstaff Hill Maritime Museum and Village
Fork
HISTORY OF THE LOCH ARD The LOCH ARD belonged to the famous Loch Line which sailed many ships from England to Australia. Built in Glasgow by Barclay, Curdle and Co. in 1873, the LOCH ARD was a three-masted square rigged iron sailing ship. The ship measured 262ft 7" (79.87m) in length, 38ft (11.58m) in width, 23ft (7m) in depth and had a gross tonnage of 1693 tons. The LOCH ARD's main mast measured a massive 150ft (45.7m) in height. LOCH ARD made three trips to Australia and one trip to Calcutta before its final voyage. LOCH ARD left England on March 2, 1878, under the command of Captain Gibbs, a newly married, 29 year old. She was bound for Melbourne with a crew of 37, plus 17 passengers and a load of cargo. The general cargo reflected the affluence of Melbourne at the time. On board were straw hats, umbrella, perfumes, clay pipes, pianos, clocks, confectionary, linen and candles, as well as a heavier load of railway irons, cement, lead and copper. There were items included that intended for display in the Melbourne International Exhibition in 1880. The voyage to Port Phillip was long but uneventful. At 3am on June 1, 1878, Captain Gibbs was expecting to see land and the passengers were becoming excited as they prepared to view their new homeland in the early morning. But LOCH ARD was running into a fog which greatly reduced visibility. Captain Gibbs was becoming anxious as there was no sign of land or the Cape Otway lighthouse. At 4am the fog lifted. A man aloft announced that he could see breakers. The sheer cliffs of Victoria's west coast came into view, and Captain Gibbs realised that the ship was much closer to them than expected. He ordered as much sail to be set as time would permit and then attempted to steer the vessel out to sea. On coming head on into the wind, the ship lost momentum, the sails fell limp and LOCH ARD's bow swung back. Gibbs then ordered the anchors to be released in an attempt to hold its position. The anchors sank some 50 fathoms - but did not hold. By this time LOCH ARD was among the breakers and the tall cliffs of Mutton Bird Island rose behind the ship. Just half a mile from the coast, the ship's bow was suddenly pulled around by the anchor. The captain tried to tack out to sea, but the ship struck a reef at the base of Mutton Bird Island, near Port Campbell. Waves broke over the ship and the top deck was loosened from the hull. The masts and rigging came crashing down knocking passengers and crew overboard. When a lifeboat was finally launched, it crashed into the side of LOCH ARD and capsized. Tom Pearce, who had launched the boat, managed to cling to its overturned hull and shelter beneath it. He drifted out to sea and then on the flood tide came into what is now known as LOCH ARD Gorge. He swam to shore, bruised and dazed, and found a cave in which to shelter. Some of the crew stayed below deck to shelter from the falling rigging but drowned when the ship slipped off the reef into deeper water. Eva Carmichael had raced onto deck to find out what was happening only to be confronted by towering cliffs looming above the stricken ship. In all the chaos, Captain Gibbs grabbed Eva and said, "If you are saved Eva, let my dear wife know that I died like a sailor". That was the last Eva Carmichael saw of the captain. She was swept off the ship by a huge wave. Eva saw Tom Pearce on a small rocky beach and yelled to attract his attention. He dived in and swam to the exhausted woman and dragged her to shore. He took her to the cave and broke open case of brandy which had washed up on the beach. He opened a bottle to revive the unconscious woman. A few hours later Tom scaled a cliff in search of help. He followed hoof prints and came by chance upon two men from nearby Glenample Station three and a half miles away. In a state of exhaustion, he told the men of the tragedy. Tom returned to the gorge while the two men rode back to the station to get help. By the time they reached LOCH ARD Gorge, it was cold and dark. The two shipwreck survivors were taken to Glenample Station to recover. Eva stayed at the station for six weeks before returning to Ireland, this time by steamship. In Melbourne, Tom Pearce received a hero's welcome. He was presented with the first gold medal of the Royal Humane Society of Victoria and a £1000 cheque from the Victorian Government. Concerts were performed to honour the young man's bravery and to raise money for those who lost family in the LOCH ARD disaster. Of the 54 crew members and passengers on board, only two survived: the apprentice, Tom Pearce and the young woman passenger, Eva Carmichael, who lost all of her family in the tragedy. Ten days after the LOCH ARD tragedy, salvage rights to the wreck were sold at auction for £2,120. Cargo valued at £3,000 was salvaged and placed on the beach, but most washed back into the sea when another storm developed. The wreck of LOCH ARD still lies at the base of Mutton Bird Island. Much of the cargo has now been salvaged and some was washed up into what is now known as LOCH ARD Gorge. Cargo and artefacts have also been illegally salvaged over many years before protective legislation was introduced. One of the most unlikely pieces of cargo to have survived the shipwreck was a Minton porcelain peacock - one of only seven in the world. The peacock was destined for the Melbourne International Exhibition in 1880. It had been well packed, which gave it adequate protection during the violent storm. Today, the Minton peacock can be seen at the Flagstaff Hill Maritime Museum in Warrnambool. From Australia's most dramatic shipwreck it has now become Australia's shipwreck artefact and is one of very few 'objects' on the Victorian State Heritage Register most valuable. The LOCH ARD shipwreck is of State significance – Victorian Heritage Register S 417 Flagstaff Hill’s collection of artefacts from LOCH ARD is significant for being one of the largest collections of artefacts from this shipwreck in Victoria. It is significant for its association with the shipwreck, which is on the Victorian Heritage Register (VHR S417). The collection is significant because of the relationship between the objects, as together they have a high potential to interpret the story of the LOCH ARD. The LOCH ARD collection is archaeologically significant as the remains of a large international passenger and cargo ship. The LOCH ARD collection is historically significant for representing aspects of Victoria’s shipping history and its potential to interpret sub-theme 1.5 of Victoria’s Framework of Historical Themes (living with natural processes). The collection is also historically significant for its association with the LOCH ARD, which was one of the worst and best known shipwrecks in Victoria’s history. Silver plated copper alloy table fork from the wreck of the Loch Ard. Some verdigris and encrustation on fork. Hallmark is visibleflagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, loch line, loch ard, captain gibbs, eva carmichael, tom pearce, glenample station, mutton bird island, loch ard gorge, electroplated cutlery, fork