Five photographs of the Phillip Island Band going on a social visit to Tasmania in 1947. Boys and parents. Names of people in photograph 333-01 and 333-02: Back row: Charlotte Cleeland, Arthur Murdoch, Alan Cleeland. Centre row: Tom Westley (bandmaster), Jim Broadbent, Joan Westley, Nan Hislop, Tom Cartwright, Wally Goodall, Des Cartwright, Wally?, Jessie Cartwright, Ken Clark (Tasmanian Bus Driver), Les Bain, Stan Walton, Doug Morrison, Mary Broadbent. Front row: Arbie Broadbent, W McNair, John Bennett, Kevin Wagner, Bill Broadbent, Ian Matthews, Robert Cleeland, Bob Cartwright.Five photographs of the Phillip Island Band going on a social visit to Tasmania in 1947. Boys and parents. 333-01 - Black & White photograph of the Band in front of the Bern Denham bus in Cowes. 333-02 is an enlargement of 333-01. 333-03 - Black & White photograph of the Band in the bus ready for departure to Tasmania. 333-04 - Black & White photograph of the Band in front of a Monument possibly in Tasmania. 333-05 - Black & White enlargement of 333-04. phillip island band, kevin findlay

The Northern District School of Nursing opened in 1950 to address the issues around nurse recruitment, training and education that had previously been hospital based. The residential school was to provide theoretical and in-house education and practical training over three years. The students would also receive practical hands-on training in the wards of associated hospitals. The Northern District School of Nursing operated from Lister House, Rowan Street, Bendigo. It was the first independent school of nursing in Victoria and continued until it closed in 1989.School 58 Black and White photo of five nurses in the garden at Lister House. On the rear of the photo is written: Northern District School of Nursing 37 Rowan Street, Bendigo, Front Garden - old building, School 58 24/4/1963. Left to Right: L.A. Lawton, P.A. Ripon, ?, Jenny Ayson (Deceased BBH), ?nurse training, ndsn, lister house, lister house dining room, school 58

Black and white print of a donated negative. Print made 8/1998. Photo of a ex Melbourne cable tram trailer on a property in Portsea. Photo taken 8-9-1963. One end of the trailer has been built into a shed. High Res scan of negative added 17/1/2019 see image i1.tramways, trams, melbourne, cable trams, portsea, scrapped trams

Bendigo No. 7 at Eaglehawk tram terminus, 6-1-1963. Tram has been fitted with lights and warning stripes. On front panel is Hutton's hams, and roof ads for Ilford film and 'Cook with electricity'. In background is park, shops on the north side of the terminus, including a large 'Olympic' tyres advertisement. Tram has destination of 'Quarry Hill''Ex Ballarat 19, SEC Bendigo No. 7, at Eaglehawk terminus, 6-1-63'tramways, trams, bendigo, eaglehawk, tram 7

Yields information about the appearance of the tram depot and storage of trams on 0 road.Digital image from the Wal Jack Ballarat Album of photographs of No. 38 and 43 parked on the Ballarat depot "0" road, 23-11-1963. Wal Jack photo. See image i2 for rear of photograph. See image i3 for hi res scan of print. See image i4 for hi res scan of negative on rear in black in "SEC Ballarat bogies 38 and 43 on "0" road Wendouree depot 23-11-63" with Wal Jack stamp in top right hand corner with number "T1278" written in.trams, tramways, depot, tram 43, tram 38

Image dated as November 1963 based on similar image in Port of Echuca collection (frame 33 of film) (print 19.5 x 24.5cm) On reverse in blue pen:" Photo by: George L. Coop Nov 1963". In pencil : " R Class goods 1948" (circled). Crossed out, in black pen: "563a" https://victoriancollections.net.au/items/59debc6021ea6f12dcaa22adDigital TIFF file Scan of 35mm Ilford FP3 black and white negative transparencyechuca railway station, george coop collection, r-727, railway workshop, r-class steam locomotive

Image dated as November 1963 based on same image in Port of Echuca collection (frame 33 of film) (print 19.5 x 24.5cm) On reverse in blue pen:" Photo by: George L. Coop Nov 1963". In pencil : " R Class goods 1948" (circled). Crossed out, in black pen: "563a" https://victoriancollections.net.au/items/59debc6021ea6f12dcaa22adDigital TIFF file Scan of 35mm Ilford FP3 black and white negative transparencyechuca railway station, george coop collection, r-727, railway workshop, r-class steam locomotive

Moorabbin Football Club was formed in 1909 and was affiliated with Federal Football League (FFL) 1909-1950 and then Victorian Football Association (VFA) 1951-1963. The club won 14 premierships in that time. Their nickname was the Kangaroos. After their ground, the Moorabbin Oval, was sold to the VFL club St Kilda in 1963, Moorabbin Football Club disbanded in 1964.Moorabbin Football Club was very successful and popular club in the City of Moorabbin 1909 - 1964Circular Enamelled badge with blue outer circle and cold lettering "Moorabbin Football - Social Club". The inner circle is white with a picture of a kangaroo surrounded by wattle branches in gold.Moorabbin Football - Social Clubmoorabbin football club, social club, federal football league, victorian football association

Pistol holster circa Vietnam War era and usually issued to Officers and senior NCO's as part of unitfom.Leather pistol holster with attached belt. leather is black on outside and brown on inside. Brass belt buckle with emblem of upraised sword over feathers and branches. Holster has fold over cover with brass studs to clip close. Holster includes built in ammunition compartment and is basically triangular shape.Inside stamped "Wunderlich, Berlin 1963" Inside cover stamped "PP12 or PPB.TL".passchendaele barracks trust, pistol holster

Metal plaque with engraved text and 4 holes in each corner "Main Engine Built by/ Ruston & Hornsby Ltd/ Lincoln/ 1963" "PWO 3052"

Set of five circulars about Trolley Poles and their use on trams: 1 - Emergency Trolley Rope - fitting to trams - foolscap dated 25/10/1963 2 - trolley poles and climbing onto the roof - quarto dated 17/12/1963 3 - Procedure for placing front trolley pole in trailing position - foolscap - 20/12/1963 4 - Trolley pole rope guide clip - two foolscap sheets with space for an photo - 11/11/1964 5 - Trolley pole rope guide clip - quarto sheet dated 12/11/1964.Yields information about the use of trolley poles on Melbourne trams.Document - Set of five foolscap or quarto sheets, duplicated, each with two punched holes on left side.tramways, instructions, trolley poles, operations, safety

Lists provide information about the truck mileage for most trams at various dates: 1 - "Truck Mileage for period ending 1st June 1963 - noting it was prepared 15/5/1963 - shows trams in the Workshops or held out of service 2 - List of W2 class trams - High Mileage trucks - dated 24/5/1965 - prepared by R J Tippett - Inspecting Foreman. Also lists last 01, 02 and 03. 3 - list for trams 960 to 1040 showing when last truck change and motors - last date is June 1963. Demonstrates MMTB practices monitoring truck or bogie change over dates, mileage and workshop practices.Set of lists - photocopied, hand written or typedtrams, tramways, tramcars, wheels, w2 class, overhaul dates, maintenance, tramcar maintenance

Visiting seafarers signed the books on arriving at the mission.The logbook provides an insight into which ships and the origins of their crews were visiting Melbourne from 1999 to 2004. On the cover is a yellow post-it note bearing the words: Melbourne Visitors Log 27/10/99 06/08/04visitor, logbook, seamen, sailors, seafarers, mission to seafarers, seamen mission, flinders street, nationality, ship

The donor, Ada Barclay, was a member of the Flying Angel Club, Missions to Seamen (which is now Mission to Seafarers) in Townsville and Sydney. One of the badges connects her with the Ladies' Harbour Lights Guild in Queensland. The Sanctuary Window and other items at Flagstaff Hill Maritime Village are part of the St Nicholas Seamen’s Church Williamstown Collection. The window is dedicated to the seamen from the Merchant Navy and was organised by a group of women, some of whom were also in the Ladies’ Harbour Lights Guild, dedicated to the care of seafarers across the world. The Sanctuary Window above the altar in Flagstaff Hill Maritime Village's St Nicholas Seamen’s Church’ is titled "Christ Showing the Helmsman the Way". This round, stained glass window was originally installed in the St Nicholas Seamen's Church at 139 Nelson Place, Williamstown, Victoria. The window was donated to St Nicholas Seamen’s Church as a memorial to the members of the Merchant Navy whose lives were lost in the Second World War, 1939-1945. The donor was the Williamstown Lightkeepers Auxiliary, an independent ladies association working with the Williamstown Missions to Seamen. Some of the members of this Auxiliary were also members of the Ladies’ Harbour Lights Guild. This set of badges is significant historically for its connection to the Merchant Navy organisation, the Ladies’ Harbour Lights Guild and the Flying Angels Club. Through this connection, the badges are also connected to the history of the St Nicholas Mission to Seamen's Church in Williamstown, established in 1857 to cater for the physical, social, and spiritual needs of seafarers. It originated in Bristol, England when a Seamen's Mission was formed in 1837. The connection of this set of badges to the Ladies’ Harbour Lights Guild and what is now the Mission to Seafarers, highlights the strong historical and continuing community awareness of the life of people at sea, their dangers and hardships, and their need for physical, financial, spiritual and moral support. Set of four metal and enamel badges pinned in a vertical row to a red ribbon. Each badge is connected with seafarers. Three badges have a crown on the top of a circular badge, a wreath around the circle and the letters "MN" in the centre. One of these also has "Australia" below the circle. The remaining badge has the words "The Ladies' Harbour Lights Guild" around the border on a blue background, and a blue flag in the centre on a gold background. The flag has a gold angelic figure on it. The figure has wings and is holding a book. "MN" "AUSTRALIA". "THE LADIES' HARBOUR LIGHTS GUILD" Badge 02 - "ANGUS & COOTE / SYDNEY" Badge 04 "MANAFOLD / BRISBANE"flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, religion, sailors rest, bethel sailors’ church, bethel floating church, ladies’ harbour lights guild, missions to seamen victoria, mission to seafarers, flying angel’s club, st nicholas seamen's church williamstown collection, mission to seamen williamstown, st nicholas seamen’s church flagstaff hill, 139 nelson place williamstown, anglican church, ethel godfrey, alice sibthorpe, pin badge, lapel badge, merchant navy, flying angel mission sydney, angus & coote sydney, manafold brisbane

Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and pencil landscape drawing on paper.Obverse: B'WORTH NEWTOWN / OLD HOUSE / E MARCUSE Reverse: B 11/ 023 / BEECHWORTH NOSTALGIA / BW - 04 ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program

The Ballarat School of Mines was established in 1870 and was a predecessor institution of Federation University. The first president of the Ballarat School of Mines was Redmond Barry.Half leather bound ledger containing handwritten minutes of the Ballarat School of Mines. Includes: * Foundation Class in Pharmacy and Botany (17/04/1979) * Female Telegraphy Students (12/06/1917)ballarat school of mines, henry richards caselli, w.h. barnard, flude, usher, august hoelscher, warrington rogers, james oddie, robert m. sergeant, ferdinand krause, curator, w.p. bechervaise, james flude, school of mines exhibition committee, james bickett, hugh grey & son, ballarat juvenile industrial exhibition, charles shoppee, g.o. preshaw, alfred mica smith, rivet henry bland, r.w. newman, noble wilson, william burbidge, marie barbour, george hall, susan cahir, mary troy, pharmacy, botany, f.f. bailliere, richard viccars, mary usher, f. pinkerton, pyrites works, james campbell, telegraphy, william bailey, judge rogers, ballarat school of mines certificates, william f. west, j. bryant, henry obree, w.h. odgers, edward debois, james darby, redmond barry, pharmacy board, w.h. keast, george perry, f.w. niven, fedinand von mueller, benjamin trewhella, d. miliken, charles strachan, william wilson, r.a.f. murray, e.p. figgis, charles flude, laboratory, john richards, eyres brothers, john armstrong, h.b. de la poer wall, c.f. crouch, william h. keast, frank pintkerton, hugh grey

Melva Mason - Her Life, 10/02/1924 - 13/04/2004 History of the firm W. D. Mason Pty Ltd, founded in 1894. Seven pages, no photos, soft coverBette McLaughlan.bendigo, history, geneaology w. d. mason

Cornhiill Insurance Co Ltd Cert no 32037 Householder Policy 1906/1963 - Greenhill Rd GreensboroughSingle sheet of paper typedTyped details on printed forminsurance, greenhill road greensborough, petts family

Student Noemi Fiala, photographed in 1963 and in 1970. Please contact [email protected] to request access to this record.1960s, 1970s

Has a strong association with Donald Campbell's attempts on land speed records - shows how the vehicle Bluebird was transported and the people who came to see it.Black and White copy photograph of a newspaper photograph taken by The Courier - 19/3/1963, published 20/3/1963 No. 14 near Donald Campbell's "Bluebird", Sturt St (copied from newsprint). Bluebird was one the motor vehicle used in the land world speed record attempts of the era. Show many people milling around the truck carrying the trailer, barricades. People had blocked Sturt St at this point. Collected by Alan Bradley from the Ballarat Courier early 1980's. See Excel file "Record of Ballarat Courier Photos SEC era" (Archive Documents) for source of details. See Reg Item 5603 for the newspaper cutting and a larger photograph. See Reg Item 6861 for another photograph of this event.On rear stamped "Copyright, The Ballarat Courier Proprietary Limited."tramways, trams, sturt st, bluebird, tram 14

Police woman in front of Holden station wagon talking to a dishevelled man in suit. There is another police officer seated in the driver's seat. Circa 1963'EJ Holden 1962-3'police woman, wireless patrol, motor transport branch, motor transport section, holden station wagon, police vehicles

Bendigo Advertiser "The way we were" from Saturday, November 15, 2003. School of '63: the Bendigo Teachers College graduating class of 1963.newspaper, bendigo advertiser, the way we were