A small booklet including information, photographs and text describing key people and events involved in the Oldina Ski Club.non-fictionThe Oldina Ski Club, founded in 1963, is a member-owned club with a lodge at Falls Creek and an apartment at Mt Buller. The club was established by an intrepid group of young people who came together with a shared love of the Australian high country and a desire to keep skiing. They had all been part of a national fitness program run from Howmans Gap just below the emerging village of Falls Creek. At a meeting in 1962 attended by around 100 people, a decision was made to start a club and build a lodge. "Oldina," is an Aboriginal word for snowflake. The club's Falls Creek lodge was one of the earliest private ski club lodges built at Falls Creek. This booklet attempts to capture some of the highlights of 50 years of the Oldina Ski Club.oldina ski club, accommodation falls creek

This is a book of 266 pages. It It has a buff-coloured cover with 3 photographs and black printing. The pages contain printed text, maps, illustrations and photographs. non-fiction This book tells the biography of Pompey Austin an indigenous framlingham aboriginal mission, pompey austin

Ill, p.173.non-fictionReg Saunders was the first aboriginal to be commissioned in the Australian armed forces.world war 1939-1945 - australia - aboriginal participation, reg saunders - biography

Chronological timeline detailing activites at Coranderrk aboriginal station between 1867 and 1924. Accompanying CD rom at the back of the book. Sister publication to "Birrarung database." Winner of the Local History Project Award (for activities that enhance access to records of significance to local communities) as part of the Victorian Community History Awards 2012 242 pages : illustrations ; 30 cm + 1 CD-ROM (4 3/​4 in.) PDF, Word files.ISBN 9780987157416coranderrk aboriginal station., australian aborginies, wurundjeri woi wurrung

143 p.; 26 cmnon-fictionThe story of a Victorian Aboriginal family, 1842-1980pepper family, indigenous australians

Illustrated book. Title and authors name printed on front cover and spine (red ink on front and white ink on red background on spine) Background of front cover has three photographs: black and white photograph of a group of nurses (Malaya 1941 group portrait of Australian Army Nursing Service nurses of the 2/4th Casualty Clearing Station), colour photo of a nurse looking over her shoulder, and a coloured photo of an Indigenous nurse. The back cover has a summary of the book along with four coloured photographs: Portrait of a nun with constitution and quill (Sister Mary Augustine Aikenhead by Nicholas Joseph Cowley), A nurse in uniform with veil (Vivian Bull winkel 1941), an indigenous woman (Lois O'Donoghue) an enrolled nurse (Samuel Yenui)non-fictionFrom the First Nation caregivers who healed, birthed and nursed for millennia to the untrained and ill-equipped convict men and women who cared for the sick in the fledgling colony of New South Wales, nursing has been practised in Australia since the beginning. It would take the arrival of a group of dedicated Irish nuns, followed by Florence Nightingale-trained nurses - and decades of constant and continuing campaigning - to transform nursing into what it is today: the most trusted profession in Australia. Nurses will recognise their own lived experience in stories about training days, nurses' quarters, changing uniforms, changing roles, the arrival of male nurses and current pathways to nursing. Produced in collaboration with the Australian College of Nursing and the Congress of Aboriginal and Torres Strait Islander Nurses and Midwives, with additional information provided by the Australian Nursing and Midwifery Federation, this is the story of nursing in Australia.nurses-australia-history, nursing-australia-history

Dimitri Cah, a young Italian migrant, painted eighteen murals throughout the Glenara Motel while employed by the proprietors, Frnk and Nancy CreaColour postcard of one of the eighteen murals decorating the internal walls of the Glenara Motel, Lakes Entrance, Victoria. This one shows the artists stylised idea of an Aboriginal camp.Aboriginal Lifelike Sceneaboriginals, motels, arts, rsl clubs

Escape is a body of work by Taungurung/Filipino artist Alan Stewart made during Melbourne’s long lockdown to reflect his longing to connect to country. “Country has always been my escape and connection to my culture. Without it, I lost a sense of self and a way to revitalise my spirit. Those early mornings and long drives helped me to see what’s special about being on country, land that holds such a deep meaning to my ancestors. I look back now and realise how lucky I was.” - Alan Stewart Artist Bio Alan Stewart is a Taungurung/Filipino artist based in Naarm/Melbourne. He uses photography to document his family, community, and personal journey as a First Nations person. Reflecting stories from his childhood—first in Manila, and then in Melbourne— Stewart’s pictures showcase his rich Filipino and Australian Aboriginal backgrounds. He is a photographer predominantly focusing on landscape and street photography, and has premiered work at West Space, Yirramboi, BlakHeart and PHOTO 2021. He was also the recipient of the Metro Tunnel Creative Program 2D Award at The 8th Koorie Art Show in 2021.

BOUND FOLDER, BLACK CARDBOARD COVER 152 PAGESnon-fictionFred Cahir tells the story about the magnitude of Aboriginal involvement on the Victorian goldfields in the middle of the nineteenth century. The first history of Aboriginal–white interaction on the Victorian goldfields, Black Gold offers new insights on one of the great epochs in Australian and world history—the gold story. In vivid detail it describes how Aboriginal people often figured significantly in the search for gold and documents the devastating social impact of gold mining on Victorian Aboriginal communities. It reveals the complexity of their involvement from passive presence, to active discovery, to shunning the goldfields. This detailed examination of Aboriginal people on the goldfields of Victoria provides striking evidence which demonstrates that Aboriginal people participated in gold mining and interacted with non-Aboriginal people in a range of hitherto neglected ways. Running through this book are themes of Aboriginal empowerment, identity, integration, resistance, social disruption and communication. For more information on Aboriginal History Inc. please visit aboriginalhistory.org.au.first nations history, australia's victorian goldfields

Uncle Brian McKinnon (b. 1957 – d. 2023) was a Geelong-based artist and descendent of the Amangu and Wongai people of Western Australia. He created powerful mixed media works that explore his campaign for Aboriginal rights and his childhood experiences growing up in Western Australia. Scars is a deeply personal and political work that reflects on some of the ways in which Aboriginal people have historically been discriminated against and marginalised because of the colour of their skin and cultural practices. Originally exhibited with two other paintings, it was also made in honour of the artist’s children and their struggle to maintain positive self-esteem. Uncle Brian McKinnon said his children inherited keloids from their ancestors: ‘These keloids look like body scars. In this work, I have placed them in the past and the presence of their ancestors through the act of beautifying the marks, which reflect the landscape and the identity of the person wearing the beautification marks. Although the marks on my children are not so beautiful and they are ostracised because of them, this made me think of racist policies and of course the referendum and when my people were seen for the first time as being human.’

non-fictionAutobiography of a First World War veteran ; includes account of trip made to Central Australia in 1927-28 and the author's encounters with and impressions of Aboriginal people. john frederick edey, mallee (vic.), soldier settlement

non-fictionA history of Victoria from the time of the discovery of Australia through until 1888.melbourne, victoria, exploration, settlement, john batman, john pascoe fawkner, pioneers, colonisation, aboriginals, discovery of gold, democracy, burke and wills, agriculture, manufacturing, literature, art, music, drama, education, science, churches, history, ballarat, eureka

non-fictionMy Aboriginality is the root of my identity - my being; but my dear father was the technician who shaped and moulded me towards what I have finally become. I owe him much more than I can describe.indigenous australians, barham (vic.), shorty (bill) harrison

non-fictionContains oral accounts by Mrs Doreen K Wanganeen recording the genealogies of her familysouth australia, indigenous australians, james wanganeen c1836, poonindie mission, point peace

Four species of quoll occur in Australia: the northern, spotted-tailed, eastern and western quolls. Once, most parts of Australia were inhabited by at least one of the species.Captain Cook collected quolls along the east coast in 1770, and recorded "quoll" as their local Aboriginal name. Quolls were often seen by early settlers, who called them "native cat", "native polecat" and "spotted marten", names based on familiar European animals. Since 1770, all four species have declined dramatically in numbers. This is mainly because of habitat loss or change across Australia, and introduced predators such as foxes and cats. Quolls are carnivorous marsupials with a pointed snout, a long tail and brown to black fur distinctively spotted with white. They are lively, attractive animals, with bright eyes, a moist pink nose and many sharp teeth. Like most Australian mammals, quolls are mainly active at night. Typically, they spend the day in one of their many dens, although spotted-tailed quolls and northern quolls sometimes forage and bask in the sunshine. Their large home ranges can extend for several kilometres in each direction from a smaller core range, and the range of a male quoll often overlaps those of several females. An interesting feature of their behaviour is the use of shared latrine (toilet) sites in open spaces such as rock ledges, for marking their territory and other social functions. Male quolls travel widely during the breeding season, with mating occurring during winter. All four species have a gestation period of 21 days. Because they are marsupial mammals, their young are born tiny and undeveloped and must work their way to the pouch, where they attach themselves to a teat to feed. Only the spotted-tailed quoll has a true pouch. In the other species, the young are protected by shallow folds of skin around the teats. As the pups grow, they dangle from the mother's belly; later, she carries them on her back. Quolls reach sexual maturity at one year. They have a naturally short life span, with smaller quolls living an average of only two years, and the larger spotted-tailed quoll about four to five years. The northern quoll is particularly short-lived. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.Average sized quoll with brown fur with white spots on body but absence on the long tail which is furry unlike the smooth body fur. The quoll has a small had with a pointed snout lined with sharp teeth, and thin membraned ears that are slightly covered in fur. The forelegs of the quoll are slightly smaller than the hindlegs, with all four legs featuring sharp clawed paws.On mounting board: BMM5984/ On Catalogue Tag (attached to left hindleg): Native Cat./ Catalogue. Page 50./ burke museum, taxidermy, taxidermy mount, fauna, animal, animalia, reynell eveleigh johns, quoll, native cat, dasyurus

Common wombats are short-legged, muscular, nocturnal marsupials that live in a wide variety of habitats throughout Australia. A common wombat can grow up to 1.2 metres in length and weigh up to 35 kilograms. The name “wombat” comes from the Darug language spoken by the Aboriginal Darug people, who originally inhabited the Sydney area. The wombat was first recorded in 1798 by explorer John Price on a visit to Bargo in New South Wales, however, wombats are depicted on Aboriginal rock-art that date back as far as 4,000 years ago. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. Medium sized stocky wombat with a broad head and two muscular forelegs and two weaker hind legs that are met with long sharp black claws. The hair is long, thick and coarse in brown/yellow shades. The head features two small black eyes that have been made from glass, two short pointed ears and a bare nose pad. On wooden mount: BMM 5901 /taxidermy mount, taxidermy, wombat, animalia, vombatidae, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, common wombat

This is a set of 40 photographs taken in 1992 during 4th Field Survey Squadron’s deployment on Operation MIZMAZE 92 in the Kimberley region of Western Australia from the 13th of May to the 14th of July 1992. The area of operations was Wyndham, Halls Creek and Sandfire Flat. It was a two-part operation involving the field completion of topographic maps and the acquisition of mapping control by GPS field parties utilising Texas Instruments TI4100 Global Positioning System receivers. Survey parties conducted field checking of topographic maps and GPS control acquisition in Perentie 110 Series Survey variant FFR Land Rovers. Three Bell Kiowa LOH helicopters provided by 162 Recce Sqn supported field checking and limited deployment of GPS surveys parties. C-l30 Hercules from 36 Sqn supported deployment and extraction of personnel and equipment to and from from the AO. A Cessna 404 Titan Ambassador from Vee-H Aviation was used as the Wild RC10 camera platform for aerial photography acquisition.This is a set of 40 photographs taken in 1992 during 4th Field Survey Squadron’s deployment on Operation MIZMAZE 92 in the Kimberley region of Western Australia. The colour photographs are on 35mm negative film and are part of the Army Survey Regiment’s Collection. The photographs were scanned at 96 dpi. .1) - Photo, colour, 1992. CAPT Craig Hersant. .2) - Photo, colour, 1992. Unidentified officer/soldier. .3) & .4) - Photo, colour, 1992. Aboriginal rock art - Wandjina Gunduran, Donkey Creek. .5) - Photo, colour, 1992. Aboriginal rock art - Track Wandjinas, Donkey Creek. .6) & .7) - Photo, colour, 1992. CAPT Craig Hersant. .8) - Photo, colour, 1992. Kimberley region topography. CPL Glen Weatherell. .9) - Photo, colour, 1992. Unidentified personnel .10) - Photo, colour, 1992. Supermarket at unknown location. .11) to .13) - Photo, colour, 1992. Caravan park at unknown location. .14) - Photo, colour, 1992. Old bridge at Fitzroy Crosssing. .15) & .16) - Photo, colour, 1992. Survey party in Perentie 110 Series Land Rover. .17) & .18) - Photo, colour, 1992. Kimberley region topography. .19) - Photo, colour, 1992. Kimberley region topography. CPL Glen Weatherell. .20) - Photo, colour, 1992. Kimberley region topography, possibly the Bungle Bungles. .21) - Photo, colour, 1992. Kimberley region topography. SGT Frank Downie. .22) - Photo, colour, 1992. Kimberley region topography: the Bungle Bungles. .23) - Photo, colour, 1992. Kimberley region topography: the Bungle Bungles. .24) - Photo, colour, 1992. Kimberley region topography: the Bungle Bungles. SPR Neil Pedler. .25) & .26) - Photo, colour, 1992. Kimberley region topography: the Bungle Bungles. .27) - Photo, colour, 1992. Kimberley region topography. .28) - Photo, colour, 1992. Survey party with Perentie 110 Series Land Rover. .29) - Photo, colour, 1992. Kimberley region topography. .30) - Photo, colour, 1992. Survey party outside Perentie 110 Series Land Rover. .31) & .32) - Photo, colour, 1992. Survey party operating TI4100 GPS Receiver next to Perentie 110 Series Land Rover. SGT Eddie Jacobs. .33) & .34) - Photo, colour, 1992. Survey party operating TI4100 GPS Receiver next to Perentie 110 Series Land Rover. Unidentified surveyor. .35) - Photo, colour, 1992. Kimberley region topography. Hand water pump at well. .36) - Photo, colour, 1992. Survey party in Perentie 110 Series Land Rover. .37) - Photo, colour, 1992. Kimberley region topography. CPL Glen Weatherell. .38) - Photo, colour, 1992. Kimberley region topography viewed from Bell Kiowa LOH helicopter. .39) & .40) - Photo, colour, 1992. Unidentified surveyor field checking a preliminary map in a Bell Kiowa LOH helicopter..1P to .40P – There are no personnel identified. ‘1992 OP MIZMAZE annotated on negative sleeve.royal australian survey corps, rasvy, 4 fd svy sqn, op mizmaze 92

viii, 341 p.; 23 cmnon-fictionAn anthology of the reminiscences of the children of the Port Phillip Aboriginal Protectorateindigenous australians, port phillip aboriginal protectorate

Aboriginal artist Leann Edwards before heading to USA to show her artwork to the world. Ten of her paintings launched by expatriate Australian gallery owner Mary Harbour Lakes Entrance Victoria. Also three colour photographs of Leann Edward paintings Dolphins, Kangaroo Bed Head,Balranald Pub displayed at Nungurner January and February 1996 numbers 04119.1, 04119.2, 04119.3 size 15 x 10 cmColour photograph of Aboriginal artist Leann Edwards Also three colour photographs of Leann Edward paintings aboriginals, arts and crafts

Patrick Dobson, Chair person of Australian Council for Aboriginal reconciliation, raising both flags at NowaNowa Primary School. L-R Ross Nichols principal, Alistair Thorp, Vanessa Hood, Jenny Cross, Katrina Mullett, Anika Onnus, Garry CrossBlack and white photograph of Patrick Dobson, Chair person of Australian Council for Aboriginal reconciliation, raising both flags at NowaNowa Primary School. L-R Ross Nichols principal, Alistair Thorp, Vanessa Hood, Jenny Cross, Katrina Mullett, Anika Onnus, Garry Crossaboriginals, people

15230 Sergeant Jeffrey Max Duroux, Royal Australian Infantry, Units:6 Battalion, Royal Australian Regiment* 9 Battalion, Royal Australian Regiment Vietnam service: 8 June 1966- 5 January 1969 Date of death: 5 January 1969, South Vietnam. *Duroux was a Battle of Long Tan veteran. He was an Aboriginal soldier, one of several who served in Vietnam.1x Australian Active Service Medal (clasps Thai-Malaya, Malaya, Vietnam) 1x General Service Medal (clasp Malaya) 1x Vietnam Medal 1x Australian Service Medal 1945-75 S.E. Asia 1x Australian Defence Medal 1x Republic of Vietnam Campaign Medal 1960- 1x Malaysia Medal 1x Infantry Combat Badge 3x Presidential Unit Citation Badgessgt. jeffrey max duroux, aboriginal, long tan, 6 rar, 9 rar, medal, badge, killed in action

This souvenir bookmark was for an international conference that highlighted the role Australia archives in an international forum held in Brisbane and in Australia for the first time. It is one of a large collection of bookmarks held at Hymettus that records historical events from the mid-nineteenth century to 2020. small Australian boomerang shaped bookmark with aboriginal motifs.boomerang, archives, bookmarks, conferences, brisbane