Black & White studio portrait photo. Male aged approx twenty-five years. Turned up collar without tie. Flower posy at lapel. Printed on front. H Vanheems Photo.H Vanheems,photograph, person, male

A Collar stud made by Herbert Keith Merriman, under the company name "British Make Gilt". It has a white end piece at the larger end, with a red gemstone set into the detachable smaller end.bendigo, gold mining, qc binks, qc binks

Nurse's red , pure wool flannel cape. Peaked collar. Stitched down, peaked tab at each shoulder line. Circular in shape, with one centre back seam. Worn by Merryn Ellison.Tape inside cape with name' Merryn Ellison.costume, female, nurse's red cape

Clothing. Dark brown fur collar lined with dark brown satin. Cord hook and cord loop at either end. Dark brown fur cuffs. Unlined, hemmed with black cotton tape.costume accessories, female, fur collar and cuffs set

This robe was worn by G.G.Ashworth, RAAF 0315515, when he was serving as a chaplain (3rd class) in Vietnam from 30/11/65 until 17/02/66. This robe was worn by G.G.Ashworth RAAF 0315515 when he was serving as a chaplain in Vietnam from 30/11/65-17/02/66Blue cotton fabric(gabardine) ecclesiastical robe with pleated back. Crossover lapels have four black plastic buttons. Robe is partly lined with black taffeta and has a stand-up collar.ecclesiastical robe, vietnam, 1965-1966, ashworth, chaplain, raaf, robe, priest

Jungle green army coat - tropical. 4 pockets on ront 2 buttons each pocket, white collar attached - long sleeved. Hand sewn. 3 small holes in back of coatclothing, army

Rev. Farquhar Chisholm (1878 - 1953), Presbyterian minister, was born in Inverness, Scotland and ordained in 1908 in Kerang. He was a minister in country Victoria and Ballarat and was chaplain of Scotch College from 1919 - 1926. Farquhar Chisholm organised the building funds for Morongo Presbyterian Ladies' College Geelong and the Freemasons' Hospital and was a past grand chaplain of the Masonic Grand Lodge.Matte, black and white studio head and shoulders portrait of Rev. Farquhar Chisholm who is looking to his right and wearing his clerical collar. There is pencil and ink hand writing on the back of the photograph.rev farquhar chisholm, south melbourne presbyterian church, masonic lodge, morongo presbyterian ladies' college geelong, scotch college melbourne

Albert Thomas Holden was born in 1866 at Geelong, died in 1935 and is buried in Boroondara cemetery. From 1883-84 he taught in Kyneton and became a Methodist lay preacher. He graduated with a B.A. from Ormond College in 1888. He entered the Methodist ministry and worked in Burwood and at the Omeo Home Mission. During 1892 he toured Europe and the Middle East with Rev Bickford. In 1898 Holden was an army chaplain and served South Africa. He became Methodist Chaplain General in 1913. In 1904 Holden became Secretary of Methodist Home Missions and traveled throughout Australia. Holden was General Superintendent of the Methodist Church of Australasia from 1929 - 1932 and then President- General. Holden became a Freemason in 1898. [taken from the Australian Dictionary of Biography]Sepia tinted portrait print of a photograph of Rev Albert T Holden who is looking to his right and wearing his clerical collar. The print is a page that has been removed from a book."REV. ALBERT T. HOLDEN, B.A., President of the Conference, 1915."rev albert thomas holden methodist minister, rev albert thomas holden methodist conference 1915 president

Year taken 1912-1913. Married to Arthur Redding Brent. Born 1872 Died East Malvern 1956. Buried Brighton Cemetery.B/W photograph. Lady hair turning grey - Lace around throat of white short sleeve blouse. Dark coloured top(see through) with collar. Age of Ada approximately 40years. portrait

Cream Lady Pelaco blouse. Size 12. Five front covered buttons with 6 rows of stitching on either side of opening. Peaked collar with tie front.Long sleeves with covered button at wrist.Pelaco Ladycostume, female

This light woollen evening dress is made from Peppinella, a new fabric Norma Tullo introduced into her range in 1973. The fabric was used exclusively by Tullo, and came from the wool of Peppin Merino (first introduced into Australia in 1858 by the Peppin brothers). According to the papers of the day Tullo’s 1973 winter collection featured ‘St. Trinian’s styles to garments dripping lace, in bold plain colours to floral prints.” Shirley Lyle designed the floral fabric. Norma Tullo (1935-2019) was one of the leading fashion designers of her time, establishing her label in 1956. After establishing a business the Old Metropole Arcade in Melbourne in 1956, with three sewing machines, Tullo's ready to wear fashions for young women became sought after, and her business flourished. In 1966 the Japanese department store chain Isetan Co Ltd began to mass-produce her garments for their stores across Japan. Tullo closed her label in 1977, and later worked for Fletcher Jones. Ann Carew, 2020The dress is historically significant as a dress designed by Norma Tullo, a leading fashion designer of the 1960s and 1970s. During this period the Australian Wool Industry strove to promote wool, and to develop light woollen fabrics to compete with new synthetic fibres such as rayon. The garment is historically significant for the use of a merino wool showcasing its versatility for dress fabrics. Full length woman's dress with full skirt and long sleeves, collared with open neck and pleat work on bodice. Material is predominately red with a repeated pattern featuring posie of blue and mauve flowers.Inscribed, black label on back neck left of zip, 'TULLO/IN/PEPPINELLA/AUSTRALIA MERINO WOOL'; Inscribed, white satin label on back neck right of zip, 'DRY CLEAN ONLY'; Inscribed, white satin label underneath above label, 'SIZE 12/To Fit Bust 34"/To Fit Waistwool, rmit design archives, rmit university, woman's dress, textile design, australian fashion

Army Service Dress complete,1XPants, 1XJacket with Cpl. Strips, 2XInsignas on collar bayonet & wreath, Polyester Shirt with tie, 1X Slouch Hat with Engineer hat badge, Pugeree no chain strap.vietnam war, 1962-75, uniforms, ballarat rsl, ballarat

Photograph of Jo Barber wearling the presidents collar on the night she was elected President of the Old Colonists' Association of Ballarat proposing a toast to John Lewis, newly elected President of the Old Colonists' Club.jo barber, old colonists' association of ballarat, president, john lewis

The 13th Light Horse Regiment (AIF) was raised at Broadmeadows Victoria in March 1915. Following service at Gallipoli the regiment was broken up with squadrons going to France as Divisional Cavalry Squadrons of 2nd, 4th and 5th Divisions. The regiment was reformed as firstly 1st Anzac Corps Mounted Troops and later Australian Corps Mounted Troops.Khaki jacket with 13th Australian Light Horse Regiment colour patches and "A" insignia, Rising Sun collar badges, "Australia" epaulette titles, metal buttons and World War One ribbon bar.uniform, 13th, aif, wwi, world war one, light horse

The 8th/13th Victorian Mounted Rifles was raised as a regiment of the Royal Australian Armoured Corps on 1 May 1948 with Headquarters in Melbourne and squadrons in Sale, Benalla/Wangaratta and Albury. In 1955 Regimental Headquarters moved to Wangaratta and a second squadron was located at Albury. The Sale squadron transferred to 4th/19th Prince of Wales’s Light Horse. In 1977 8/13 VMR Regiment was reduced to an independent squadron A Squadron 8th/13th Victorian Mounted Rifles and in 1991 was linked with 4th/19th Prince of Wales’s Light Horse forming the VMR Squadron of that regiment. This uniform has an unusual combination of accoutrements, possibly worn on special occasion such as a lance guard or attendant at formal dinner.Service dress jacket with silver buttons, 8/13 Victorian Mounted Rifles collar badges and silver corporal chevrons. Is dress with black webbing belt and black bandolier. Mounted on half-mannequin.uniform, vmr, victorian mounted rifles, corporal

The Fashion & Design collection of Kew Historical Society includes examples of women’s, men’s, children’s and infants' clothing from the 18th, 19th and 20th centuries. While the collection includes some examples of international fashion, most items were handmade or purchased in Melbourne. White cotton voile blouse with short sleeves. Neckline ornamented with collar and jabot style front edged with tape lace. Sleeves also ornamented with tape lace. Sleeves and neckline gathered with roulauxfashion and textiles collection - kew historical society, lace, women's clothing, australian fashion

A tennis racquet with wedgeless, open throat, and originally featuring cloth tape binding the lower shoulders and upper shaft, and collaring mid-shaft and butt. Materials: Wood, Gut, Glue, Lacquer, Metaltennis

Amelia Allan (Amy) Jacobs on her marriage to James Dodgshun in 1916; photographed at the home of her grandfather, "Terreglea" in Boundary (Warrigal) Road, Surrey Hills. Amelia attended Ormiston Girls' School in Mont Albert soon after its opening in 1900. Her mother was Eleanor Mills, youngest daughter of Robert Shortbridge Mills and Ann Lovelady. She died soon after the birth of Amy. Her father was Henry Atwood Jacobs. Following Eleanor's death Henry married Amy Lilian Scales. The donor Winifred Yarnold (nee Jacobs) was their youngest daughter and Amy's half-sister.Lady dressed as bride wearing a white dress and possibly a lace jacket with a fluffy collar and matching hat, carrying a large bouquet of flowers. The man is wearing a dark suit and carrying a top hat.wedding dresses, house names, surrey hills, warrigal road, clothing and dress, hats, terreglea, the tower house, weddings, wedding parties, ormiston girls school, schools, mont albert, miss amelia allan jacobs, miss amy jacobs, mr james dodgshun

Black silk satin cape with corded design. Black fur trim on collar, centrefront openings and hem. Lined with quilted black silk. Watch pocket on left proper interior. Wool interlining.cape, 1890s

Pat Grainger (1930-2023) had a distinguished career as a graphic designer. In the 1960s she lived in Brighton and was working with her husband Les Mason in the influential Les Mason Graphic Design studio in South Melbourne. This was one of three Norma Tullo outfits she owned at the time; she believed it would have been around 1967. Pat was a founding member of Port Melbourne Historical and Preservation Society and was active in local history and environmental and social justice causes. Norma Tullo (1936-2019) was an influential Melbourne fashion designer circa 1960s-1980s, part of a new wave of younger designers creating youthful, modern and affordable styles for a young market.Black and white paisley nylon hot pants dress (.1) with collar. Front button fastening with seven fabric covered buttons; short sleeves and accompanied with short red wool scarf (.2).Label, white text on black: "TULLO".pat grainger, paisley, melbourne designers, pat mason, norma tullo, 1960s

Paul Leonard wore this shirt and vest to a Brighton Primary School fundraiser in the late 1960s. His wife Heather wore a matching yellow and orange dress, with hand painted yellow and orange shoes. Paul and Heather lived together in Male Street for forty years until his death in 2002. Paul worked in advertising and later became a painter, mainly of Australian icons.Cotton men's shirt (.1), mustard yellow with purple collar, cuffs and buttons. Men's knit vest (.2) featuring yellow and navy blue horizontal stripes and trimmed with narrow red stripe.paul leonard, heather leonard, brighton primary school, 1960s

A girl's white cotton dress. The collar has floral embroidery, puffed elasticised sleeves, a pleated front with three plastic buttons and floral embroidery. it has a flared skirt with pleating around the hemline.Label - "Colonial Recollections. 100 % cotton. Made in India".dresses, girls clothing

This is understood to be a photograph of William Ochiltree and Samuel Ambrose Lewers, the children of William Ochiltree Lewers (b. 1867) and his wife Caroline, nee Murrell. William (Bill) was born in 1910 and Samuel (Sam) in 1911.Black and white photograph of two young boys dressed in knickerbockers with large lacy collar, shoes and long socks, standing either wide of a small table holding two horse and cart toys. Bill and Sam Lewersbill lewers, sam lewers

Robert Harper and Co. Ltd. was an Australian company involved with sugar refining and starch and oatmeal production. Silver Star Starch was a well-known product and starch was used extensively in most households, mainly for shirt collars, aprons, nurses’ uniforms, household linen, tablecloths, doyleys etc. This item is of some interest, both for display and as a good example of housekeeping methods of the past (up to about the 1970s). However, the starching of clothing does continue today, mainly for special purposes – theatre costumes, clerical and ceremonial garb etc. The item can be specifically used by the Warrnambool and District Historical Society in any display connected to the 1896-7 Warrnambool Industrial and Art Exhibition as this exhibition had, as one of its competitions, the Silver Star Starch Ironing Competition (see pages 96-7, book, ‘The Great Warrnambool Exhibition’, by E. O’Callaghan, Collett, Bain and Gaspars, 2002)A box that contained 12 ounces of Silver Star starch for domestic use, mainly for ironing clothes. The box, a product of Robert Harper and Company Limited, Victoria, Australia, has several advertising captions – ‘Won’t Stick to the Iron’, ‘The Best in the World’. ‘Requires no Boiling’, and has directions for use. The front of the box has an illustration of two women from Victorian times using the product,warrnambool, silver star starch, robert harper & co ltd

Thermals, top and pants, jungle green colour, polyester/spandex fabric, grid structure and fleece lining. Nylon and metal zipper. 1. Top - polo shirt shape with collar, long sleeves with thumb hole and half zipper front closure. Black colour polyester manufacturers label, back below collar. 2. Pants - Long Johns - elastic waistband, front fly opening, long legs. Manufacturers label, back below waistband - black colour polyester fabric.Manufacturers information on label - white and gold print. 1. "GEN111/ SIZE M/ LONG SLEEVED TOP/ LEVEL 2/ HELIKON.TEX.COM/ ART.ID: BL-UH2-PO/ STOCK NO. 9415-09-229-1357/ NATO SIZE 7585/ 9404/ ACCORDING TO U.S. ARMY / SPECIFICATION." 2. "GEN111/ SIZE M/ LONG-JOHNS/ LEVEL 2/ HELIKON.TEX.COM/ COMFORT DRY/ HELIKON-TEX.COM/ 95% POLYESTER 5% SPANDEX/ AVOID USE OF FABRIC SOFTENERS/ ART.ID: SP.UN2.PO/ STOCK NO. 9415-09-229-1357/ NATO SIZE 7585/ 9404/ ACCORDING TO U.S. ARMY / SPECIFICATION." "PO#1325" uniform, army, underwear, thermals

1. Coat - dark blue colour wool fabric RAAF overcoat. Collar, shoulder epaulettes with grey colour embroidered lettering - "RAAF", double breasted, gold colour plastic buttons with shank and raised emblem, Queens crown and wings - RAAF. Inset side pockets. Blue colour cotton lining with concealed pocket. White cotton manufacturers label. Inside back below collar. 2. Belt - fabric as coat with gold colour plastic slide buckle.Manufacturers Information - blue and black ink print. 1. Blue ink print "DAVID KLEIN/ PTY LTD/ 22 PATRICK ST. MEL/ 32 3771/ NAME/ DATE/ PURE WOOL" Black ink print - "DAVID KLEIN PTY LTD/ VICTORIA / 1966/ ^/"uniform, raaf, overcoat