Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.River Mersey - Through Wind and Wave. One of a set of three [originally six] 'High Class Postcards of Memories of the Mersey, Beautifully Reproduced in Nature Colours', in their original brown envelope.The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928. postcards, george and edith weir, river mersey, postcards -- england (uk), weir collection

Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.River Mersey - The End of the Voyage. One of a set of three [originally six] 'High Class Postcards of Memories of the Mersey, Beautifully Reproduced in Nature Colours', in their original brown envelope. The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928."River Mersey - The End of the Voyage"postcards, george and edith weir, river mersey, postcards -- uk, weir collection

Collection of thirty-nine postcards donated by Jillian Rigby which had been owned by her grandparents, George and Edith Weir, who from c.1917 lived at 84 Princess Street, Kew. The mostly 'mint' postcards were purchased in Victoria and while travelling overseas. The sole dated postcard is dated from 1929. The postcards are numbered sequentially from 2017.0058.01-39. The remainder of the collection donated by Jill Rigby which was once owned by the Weirs of Broken Hill and Kew consist of costumes, costume accessories, photographs, and documents.The postcards in the Weir collection, especially those purchased on a trip or trips to the mother country, i.e. United Kingdom, represent a representative sample of sites that were considered significant to those Australians undertaking a reverse grand tour by member of the erstwhile colonies. Those postcards which are early views of Melbourne must have been produced commercially for some decades from the early part of the 20th century.River Mersey - Outward Bound. One of a set of three [originally six] 'High Class Postcards of Memories of the Mersey, Beautifully Reproduced in Nature Colours', in their original brown envelope. The postcard was probably purchased by George and Edith Weir on a trip to England and Scotland, circa 1928."River Mersey - Outward Bound"postcards, george and edith weir, river mersey, postcards -- uk, weir collection

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsThis long hat pin is adorned with a flat, oval-shaped, piece of black plastic. A raised pattern of small distinctively dome shaped molded plastic infill together with three larger shaped domes. Identical to KVHS 0361costume, female head wear, accessories hat pin

Historically this item represents women's fashion in the 1920s to 1950s. As the material used in the construction is not of a high monetary value it can be assumed it was a day to day working woman apparel to keep the hat firmly fastened into the hair. It does indicate that fashion of the time was important within the regionThis item is a reflection of both the fashion mode of the 1920s to 1950s when long hair needed to be controlled by hair pins rather than later manufactured hair sprays. It is also an example of society's mores of tidiness and quasi religious beliefs of covering the hair and head when outdoorsThis long hat pin is adorned with a flat, oval-shaped, piece of black plastic. A raised pattern of small distinctively dome shaped molded plastic infill together with three larger shaped domes. Identical to KVHS 0360costume, female head wear, accessories hat pin

Pure wool black and dark green check pattern suit jacket. Single-breasted fastened with three buttons (2.4cm diameter) and two press studs. Buttonholes on a placket, of fabric cut diagonally. Classic collar. Top button at throat. Back of jacket made from four pieces. Front of jacket made of three pieces on each side to form shaping. Pockets inserted to seams at waist level on both sides of the jacket. Long sleeves tapering to wrist. Pure wool. Black and green, woven in a check design A-line skirt, with a long stitched down ''plackett'' effect of fabric cut diagonally, opening to a pleat, just left of centre front.Label inside back neck, ''Hanro tailored by franchise from Handschin and Ronus Ltd Switzerland. 100% wool. 18.costume, female, hanro pure wool jacket

Bright peach coloured wool and nylon blend knickers. Elastic waist inside casing. No side seams. Thigh length legs with cuffed bands. Full width crotch insert.Inside centre back ''Hanro OS 80% wool/nylon Swiss Inspired''. Swing tag '' S 700/210 OS T3''costume, female, bright peach knickers

Long sleeved full length dress of black synthetic silk fabric. Fabric has silken feel with a smooth satin like backing. Front has U shaped neckline with panel of cream silk lace extending from shoulder to below neckline(28cm). Back neckline faced with lace fabric. Front and back have a narrow central panel(16cm) of fabric extending from shoulders to hemline. The panels are extended at the waistline to join the front and back with loose tabs.The centre panel on the front bodice is edged with a finely pleated frill of synthetic fabric. The centre panels at front and back are also edged with finely pleated frills, from 42cms above hemline to the hem. The bodice is completed with side panels attached to the centre panel The skirt is completed with side panels attached to the centre panels. Set in sleeves have a squared extension that extends to the elbow. From the elbow the sleeves taper to narrow fitting at the wrist. The upper seam of the sleeves from the elbow to the wrist are edged with a finely pleated frill of synthetic fabric. The upper seam of each sleeve from elbow to wrist have fifteen decorative back and gold buttons stitched along the lower edge of the frill. Dress is unlinedcostume, female, black synthetic silk dress

Black dress of synthetic crepe fabric. Sleeveless bodice with darts at front from waist to bustline. Side panel inserts under arms to waist. Back has opening from neck to below waist with metal zipper(53cm). Peplum(8cm) at waist front and back. Decorative bows of black cord at waistline at each hip. Long tassels.Knee length skirt is knife pleated. Dress is unlined.Markings/Inscriptions Label attached to lower zipper. ''A59110 mf ex st sz'' Handwritten ''Sample'' ;Y127' '12'.costume, female, black synthetic crepe dress

Calf length, waisted purple dress of synthetic crepe fabric with elbow length sleeves. U shaped neckline at front. High rounded neckline at back with centre 8 cm opening fastened with two hooks and eyes. Decorative beading at centre of bodice. Flower and leaf patterns. Bodice has two small pleats at waistline on each side . Padded shoulders. Side opening at waist on LHS with 20 cm metal zipper. Same fabric belt with 4 cm fabric covered buckle of different purple colour. Front of skirt has eight gored panels from the waistline. Back of skirt has three panels. Dress unlined.costume, female, calf length purple dress

Navy blue dress of synthetic crepe fabric. Length to just below the knee. Elbow length set in fitted sleeves. Square neckline. Narrow shoulder sections gathered into bodice at each corner of neckline at front. Decorative buttons on seam- three each side (two missing on LHS).Padded shoulders. Three horizontal pleats at waist line that taper and narrow at centre back. Centre back opening fastened with thirty one fabric covered buttons and cotton cord loops Skirt made from two sections. Front section ungathered. Back section has four inverted pleats falling from 15 cms below the waist to create fullness. Hemline faced with 7 cms cotton fabric.costume, female, navy blue synthetic crepe dress

Long sleeved black synthetic crepe dress. Cross over shawl collar to waist to form V neckline.Collars edged on outer sides with decorative black spiral embroidered backless buttons. Long sleeves tapered slightly to wrist. Calf length skirt is made up of ten gored sections. Five narrow gores across centre front, two side panels and three wider sections across the back. Five front sections of skirt have decorative brown stitching on seams for 19cm from waist. Dress is unlined.costume, female, long sleeved black crepe dress

Clothing. Black and white two piece bikini, size 10. Strapless top of nylon fabric - black with white spots. Two cups separated at centre with a decorative metal zipper (6cm). Each cup has a shaped foam insert. Bikini bottom of nylon fabric, black and white horizontal stripes (1.5cm). Hi cut leg. Two decorative black and white ties stitched on side seams (16 cm).Metal tag ''RIP CURL'' on LHS of bikini topcostume, female, black and white two piece bikini

Clothing. Navy blue bri-nylon swimming togs, commonly known as ''budgie smugglers''. White drawstring through casing at hipline. Red dart shaped Speedo logo appliqued above right legline. Double panel of fabric at centre front. Belonged to the donor, Richard Lethlean, late 1950's 1960's, while in his late teens and whilst a member of the Hilda Swimming Club. Hilda pool was located in Townsend Street, where the YWCA is presently situated.costume, male, speedo swimming togs

Fine white cotton, embroidered cotton. Cap type shoulder/sleeve.Totally embroidered. Yoke has Vshaped panel of finely embroidered cotton, edged with a cotton panel, edged in fine embroidery. These strips are repeated down the long organdie skirt. A deep panel of embroidered cotton organdie type fabric reaches from the hemline to the yoke. Handsewn, extremely fine seams. White cotton tape tie at back neckline, and back yoke. Garments from the Executor of Estate of late Frieda Kahland. See also 11400.122, 11400.363, 11400.364, 11400.365.costume, children's, babies christening gown

Mauve and white abstract patterned, silk shirt maker styled dress. Extended shoulder to form elbow length sleeves. Triangular gusset at underarm. Large revere collar, which extends into a cross-over type front (no visible fasteners). Self fabric belt with covered buckle and loops. Five knife pleats at front-facing to centre front, on each side of front. Four knife pleats each side of centre back. Zip placket at left hand side. Garments from the Executors of Estate of late Frieda Kahland. See also 11400.122, 11400.363, 11400.365, 11400.366.costume, female, mauve/white silk shirt style dress

Black silk-satin machine stitched dress. Dropped waist with bans 3.5 cm wide across front. Pleat from neckline to dropped waist, 2.5 cm wide and fastened down by four groupings of two one cm diameter buttons, mauve in colour. Four rows of narrow pin tucks each side of centre front and one tuck one cm wide on outer side of pintucks. Six press stud fasteners concealed under left hand tuck. Fold down collar, with two silk embroidered flowers appliquéd at collar fronts. Three quarter length sleeves slit at lower edge, and trimmed with two mauve buttons and two silk flowers appliquéd at each lower edge. Four knife pleats at each side of front skirt/ Back straight through from shoulders.garments from the Executors of the late Frieda Kahland 11400.122,11400.364, 11400.365, 11400.366.. Donated by A.L.Lienhop of Harcourt.costume, female, black silk-satin dress

White cotton full length long sleeved ladies nightgown. Front yoke of lace panels with diagonal patterns and gathered lace edges. Gathered lace frill around neckline (5cm). Fabric yoke at back with gathered back panel. Set in sleeves with 5cm lace edge at hem. Decorative lace insert above lace edge. Front opening with two white buttons.''A.Chafer'' wriitten in texta on inside back of yoke.costume, female, white ladies nightgown

Yellow evening dress of chiffon over taffeta fabric. Full length with short sleeves and round neckline. Empire line. Inverted pleats from bodice to hem at centre front reveal a panel insert (33cm), decorated with ribbon embroidery. Large fabric bow attached at bodice at top of inverted pleats. Sleeves decorated with ribbon embroidery 38cm zipper at centre back from neckline.costume, female, yellow evening gown

Camisole. Cream cotton, 4 metal buttons,covered in fabric. eyelet and embroidered pattern on front and sleeves, and across shoulders at back.Bodice is gathered at front and back, onto a peplum, which has rounded fronts. Short cap sleeves, edged in embroidered cotton scallops.costume, female, underwear

Camisole. Ivory coloured fine cotton with lace inserts. Short sleeves edged with lace. Round neck. Front opening with three buttons. Small peplum. Cotton tape tie around waist. Two looped panels of lace inserted into each side of front. One looped panel of lace in each sleeve, Fabric probably was once a tufted voile.costume, female, underwear

Camisole.Woven lace at neck, and armhole edge. Bodice in four sections: Upper bodice - voile, joined to an 8cm band of woven lace, joined to an 8cm band of voile. Front has two inserts of the lace 8cm X 7cm. Delicate robia voile. Another 7cm deep band forms a finish similar to a peplum. A drawstring passes through a casing to form this panel. Woven lace shows a ''leaf'' shaped design.In ink Bendigo Historical Soccostume, female, underwear

Camisole. Wide boat shaped neckline. Short flared sleeves, cut on the bias. Sleeves sewn in to give a rolled effect to the seam. Linen. All hand stitched. (JH) Mended in a beautiful hand stitched manner. 8 metal eyelets for tying in front. Much mended, Delicate, (Beautiful).costume, female, underwear

Camisole. Cream coloured cotton. Lace yolk with short sleeves edged with lace. Front opening with three buttons. Small peplum. Cotton tape tie at waist. Lace yoke octagonal in shape, 9cm deep. Round neckline edged with lace - 2.5cm deep. Machine stitched. Drawstring tape at waistline. Three fabric covered buttons. Hand stitched button holes.costume, female, underwear

Camisole. Ivory coloured fine cotton with lace and embroidered inserts. Lace edged sleeves. Square neckline with front opening with four pearl buttons. Small peplum. Cotton tape tie at waist.costume, female, underwear

Camisole. Sleeveless. 5cm wide embroidered lace edges the neckline and arm holes. A 7cm wide peplum, with a spoke stitched hem. Three lace loops are sewn into the back of garment, two of which enclose the blue bird, and pink flower embroidery. Machine stitched.costume, female, underwear

Camisole. Ivory coloured fine cotton with cut out embroidery lace edge along hem with inverted Vshape. Front opening with three buttons with patterned edges. Cap sleeves. Round neckline has scalloped, embroidered edge, and insertion for a ribbon to drain the neckline. Identical inserrtion and scalloped edge on the short sleeves.costume, female, underwear