Showing 5164 items matching "dream-like"
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Mont De Lancey
Artwork, other - Pot
An old teapot covered 'mosaic like' with pieces of broken china. A memento of familiar objects 'lost', a popular idea during the 1930's. From the home of an Aunt of Miss Margaret Mitchell. Round large teapot with coloured ceramic pieces attached all over the pot, rough texture, with a smooth base.teapots, mosaics -
Bendigo Historical Society Inc.
Document - VIKKI SPICER COLLECTION: BENDIGO OPERATIC SOCIETY PROGRAMME BOOKLET, March, 1958
White Paper & Red Text Bendigo Operatic Society Programme Production 'You're in Love' Capital Theatre Bendigo performances March 24, 25, 26 and 27, 1958. J.C Williams Ltd Arrangement 'You're in Love' A Musical Comedy in Two Acts. Music Rudolf Friml, Book & Lyrics Otto Hauerbach & Edward Clark. Production Norman Lee. Cast Max Beckwith, Brian Brewer, Barbara McGregor, Celia Douglas, Gertrude Perry, Bert Donovan, Alfred Annison, Mervyn Penno, Joseph Quigg, Ann Stone & Rosalie Spencely. Production songs include: 'Married Life,' 'You're in Love,' 'He Will Understand,' 'Be Sure It's Light',' Dreaming,' 'Things You Must Not Do,'and 'Loveland.'Cambridge Press Bendigo.clubs and associations, theatre, bendigo operatic society -
Nillumbik Shire Council
Sculpture: Liz Williams, Liz Williams, In Love, c.1996
Williams' use of the dog and poem was inspired by a print by the late Barbara Hanrahan (an artist friend) in which a women was holding a cat accompanied by a dog and in which words from a William Blake poem were included / After her mother died Williams made a work of her mother with the dog, holding the cat and using the same words in the Hanrahan print / The dog is a family pet; Dolcie, that Williams fell in love with / The dog as a symbol has been used in fifteenth and sixteenth century painting to represent fidelity in marriage / The use of the dog is also a contradiction to the themes in this work by Williams / Williams found that many of her women friends were having emotional and romantic difficulties, suffering from the same malady again and again, feeling rejected, destroyed and having unfulfilled desires / The female figure standing on her hands is not seeing things realistically / The figure is head over heels, vulnerable, with her skirt around her head revealing more than normal / The text enhances the meaning of the work and draws the viewer into experiencing the foolishness of love, demanding the viewer travel around and around to read it / Overall the dog provides structure to the work and a reliable object on which all else balances / Balance has been one of the recurring or repetitive themes within William's work / It references the physicality of clay, the difficulties in creating balance with the clay and balance in the work / Williams' work is about form rather than colour / Sometimes she uses a coloured clay like a pale terracotta / Williams likes the flatness of the surface in relationship to the marks of the text / She describes herself as a Minimalist, paring down the form to the bare essentials. 'In Love' was a finalist in the 1997 Nillumbik Art Award held at the Eltham Community and Reception Centre, Pitt Street, Eltham. A ceramic sculpture made of white stoneware clay (coated with a wash of gesso) of a girl doing a hand stand on the back of a dog (retriever?) / Her face/head is partially covered by her skirt which has come down / Her skirt is inscribed in the round with the poem "The Lady's First Song" (1938) by W.B. Yeats (see inscriptions and markings) / The dog is looking straight ahead and upwards towards the sky and his tail is pointing straight out. The dog is covered with cross-hatch incised lines to give the illusion of fur and texture / Hand written inscription of W.B. Yeats poem "The Lady's First Song" (1938) on girl's skirt / I turn round / Like a dumb beast in a show. / Neither know what I am / Nor where I go, / My language beaten / Into one name; / I am in love / And that is my shame. / What hurts the soul / My soul adores, / No better than a beast / Upon all fours.williams / yeats / love / ceramic / stoneware / dog -
Bendigo Military Museum
Postcard - POSTCARD - PHOTOGRAPHIC WW1, Daily Mail, cWW1
Cards collected by J.P. Vercoe, No. 2530. Part of the Cooper Collection.1. Coloured postcard featuring a soldier carrying a wounded comrade out of a trench. Soldier wearing helmet in trench. Caption of photo in black type. 2. Coloured postcard featuring soldiers in uniform observing a military band. Railway line and soldiers on horseback in background. Caption of photo in black type.1. Caption in black type: "A Gallant rescue under fire. This man saved twenty lives like this." Faded handwritten letter on back. 2. Caption in black type; "Black Watch" pipers playing to the Captors of Longueval. Faded handwritten letter from “J.P. Vercoe”cooper collection, john p. vercoe, postcard, ww1, black watch -
Kiewa Valley Historical Society
Iron - Electric, c1950
This iron is typical of the electric irons used in the 1950s. It didn't have a thermostat like the irons that followed so care had to be taken not to leave it on too long. Women in their domestic role used irons.The Kiewa Hydro Electric Scheme commenced in the late 1940s when Mt Beauty township was created. Amongst the shops in the main street was an SEC shop which sold electrical items. "Creda" Electric Iron with plug-in cord. A metal steel base iron with a wooden handle and a thumb rest. The handle is bolted onto the iron with 2 large screws. The cord is coloured maroon except where it is repaired with black tape. The cord socket plugs in behind the handle of the iron. CREDA Cat. No 6; Man. No.; Volt 200; AMPS 2.7 iron, laundry, household, electric, pressing clothes, domestic -
National Vietnam Veterans Museum (NVVM)
Equipment - Medical Kit, general purpose
Standard Army issue used in Vietnam to protect medical items from wet. Soldiers also often stored other things they valued, like letters and photographs, in them to keep them dry.A green plastic bag with the name and list of items and instructions in yellow. A brown shoe lace tie at the top of the bag. A plastic pouch with partitions for various items goes inside the green sleeve. The contents of the pouches are: 4 x Sanax Phthalyl Sulphatiazole tablets for dysentery, 2 x Sanaz Compound Codeine tablets for pain, 2 x Sanax detergent impregnated cloth, 2 x gauze bandage (3" by 6yd), 1 x Sanax absorbent cotton, 1 x Instructions for Savlon Antiseptic cream, 2 x triangular bandages all things commonly used for general first aid.D (broad arrow) D 524/65 Outfit First Aid/ General Purpose D (broad arrow) D Made by Sanax Pty Ltd, 223 Bay Rd, Sandringham, Victoria 524/65 Out At First Aid General Purpose first aid, medical, medication, bandages, kit, vietnam -
Melbourne Legacy
Photograph - Photo, Widows function, Fete, 1993
Widows beside trading tables of books and plants at Legacy House. It could have been a fundraising event. Names unknown. Same film as the photos of a cake shaped like the Shrine of Remembrance (00673).A record of the type of activities Legacy provided as a social outlet for widows. Colour photo x 2 of trading tables of craft and plants at Legacy house.Printing on the back "MCP * Nov93" on Kodak paper. 00674.1 has Pg 6 (C) in blue pen. 00674.2 has Pg 6 (A) in blue pen.widows, activities -
The Beechworth Burke Museum
Geological specimen - Yellow Sandstone
This specimen is from Barefoot Hills, Victoria. Sandstones are economically important as major reservoirs for both petroleum and water, as building materials, and as valuable sources of metallic ores. Most significantly, they are the single most useful sedimentary rock type for deciphering Earth history. This specimen is part of a larger collection of geological and mineral specimens collected from around Australia (and some parts of the world) and donated to the Burke Museum between 1868-1880. A large percentage of these specimens were collected in Victoria as part of the Geological Survey of Victoria that begun in 1852 (in response to the Gold Rush) to study and map the geology of Victoria. Collecting geological specimens was an important part of mapping and understanding the scientific makeup of the earth. Many of these specimens were sent to research and collecting organisations across Australia, including the Burke Museum, to educate and encourage further study.A sedimentary rock composed mostly of quartz sand. Sandstone is the second most common sedimentary rock after shale. Sandstones consist of sand-sized grains principally quartz, feldspar and rock fragments. The two major classes of sandstone are arenite and wacke. the colour of sandstone varies from grey, yellow, red and white reflecting the variation in mineral content and cement and is gritty to touch (like sandpaper).Geological survey / R.... S 61 / Loc Bareboot Hills / Sheet / 24SE / 94 /burke museum, beechworth, indigo shire, beechworth museum, geological, geological specimen, mineralogy, sandstone, yellow sandstone, victoria, barefoot hills -
Kiewa Valley Historical Society
Circumcision Trimmer x2
This medical / hospital instrument was used in the Tawonga District General Hospital which was built in the 1950s specifically for the increase in population due to the Kiewa Hydro Scheme.Historical: Shows the development of scientific hospital equipment. Provenance: Used in the Tawonga District General Hospital which was remote and therefore required good equipment.Shape is like a stapler. Stainless steel. 4 parts that fit together. 1. a screw with large top. 2. Flat piece with oblong hole and round hole at end which 3. fits in standing up. Has a black knob at one end. 4 attached to 2 with screw (1.) This is flat at screw end then rises up and bends over to clip on with part 3'Little / Trimmer/ 14 CM' embossed on flat piece (2)medical instrument. hospital equipment. circumcision. tawonga. mt beauty. -
Mission to Seafarers Victoria
Ceremonial object - Candelabra, circa 1900
The origins of the brass candlestick holders are unknown. However, they both are on display in the memorial Chapel of St Peter aka the Mariners' chapel. Given the style of the candlesticks it is possible that they were initially in use at either the original Port Melbourne chapel operating in the late 19thC. or possibly used at the 1907 building, Siddeley st where an improvised chapel was established. The Memorial Chapel of St Peter is a crucial part of the Mission to Seafarers Melbourne building complex, underscoring the relationship between the organisation and the Anglican Church, as well as being a site of continuous usage since the building was opened.This brass candle stand or floor candlestick holder is one of a pair. The candle holder is shaped like an open flower. There is elaborate brass ornamentation, floral in nature. Below is an angel figure holding a sword with both hands with the tip pointing toward its feet. The base of the candlestick is a tripod with three winged dogs, forming the feet. There is elaborate ornamentation that in turn connect each of the dogs together.candelabra, st peter chapel, flinders street, mission to seafarers, seamen's mission -
Flagstaff Hill Maritime Museum and Village
Equipment - Hand Barrow, 1860s
This hand barrow, sometimes called a Welsh hand barrow, was used to transport a load of marine rescue equipment from the beach cart to the rescue site, particularly over hilly, uneven or rough terrain. Hand barrows were in common use in the 19th century. Saving lives in Warrnambool – The coastline of South West Victoria is the site of over 600 shipwrecks and many lost lives; even in Warrnambool’s Lady Bay there were around 16 known shipwrecks between 1850 and 1905, with eight lives lost. Victoria’s Government responded to the need for lifesaving equipment and, in 1858, the provision of rocket and mortar apparatus was approved for the lifeboat stations. In 1859 the first Government-built lifeboat arrived at Warrnambool Harbour and a shed was soon built for it on the Tramway Jetty, followed by a rocket house in 1864 to safely store the rocket rescue equipment. In 1878 the buildings were moved to the Breakwater (constructed from 1874-1890), and in 1910 the new Lifeboat Warrnambool arrived with its ‘self-righting’ design. For almost a hundred years the lifesaving and rescue crews, mostly local volunteers, trained regularly to rehearse and maintain their rescue skills. They were summoned when needed by alarms, gunshots, ringing bells and foghorns. In July 1873 a brass bell was erected at Flagstaff Hill specifically to call the rescue crew upon news of a shipwreck. Some crew members became local heroes but all served an important role. Rocket apparatus was used as recently as the 1950s. Rocket Rescue Method - Rocket rescue became the preferred lifesaving method of the rescue crews, being much safer that using a lifeboat in rough seas and poor conditions. The Government of Victoria adopted lifesaving methods based on Her Majesty’s Coast Guard in Great Britain. It authorised the first line-throwing rescue system in 1858. Captain Manby’s mortar powered a projectile connected to rope, invented in 1808. The equipment was updated to John Dennett’s 8-foot shaft and rocket method that had a longer range of about 250 yards. From the 1860s the breeches buoy and traveller block rocket rescue apparatus was in use. It was suspended on a hawser line and manually pulled to and from the distressed vessel carrying passengers and items. In the early 1870s Colonel Boxer’s rocket rescue method became the standard in Victoria. His two-stage rockets, charged by a gunpowder composition, could fire the line up to 500-600 yards, although 1000 yards range was possible. Boxer’s rocket carried the light line, which was faked, or coiled, in a particular way between pegs in a faking box to prevent twists and tangles when fired. The angle of firing the rocket to the vessel in distress was measured by a quadrant-type instrument on the side of the rocket machine. Decades later, in about 1920, Schermuly invented the line-throwing pistol that used a small cartridge to fire the rocket. . The British Board of Trade regularly published instructions for both the beach rescue crew and ship’s crew. It involved setting up the rocket launcher on shore at a particular angle, determined by the Head of the crew and measured by the quadrant, inserting a rocket that had a light-weight line threaded through its shaft, and then firing it across the stranded vessel, the line issuing freely from the faking board. A continuous whip line was then sent out to the ship’s crew, who hauled it in then followed the instructions – in four languages - on the attached tally board. The survivors would haul on the line to bring out the heavier, continuous whip line with a tail block connected to it. They then secured the block to the mast or other strong part the ship. The rescue crew on shore then hauled out a stronger hawser line, which the survivors fixed above the whip’s tail block. The hawser was then tightened by the crew pulling on it, or by using the hooked block on the shore end of the whip and attaching it to a sand anchor. The breeches buoy was attached to the traveller block on the hawser, and the shore crew then used the whip line to haul the breeches buoy to and from the vessel, rescuing the stranded crew one at a time. The rescue crew wore scarlet, numbered armbands and worked on a numerical rotation system, swapping members out to rest them. This hand barrow is significant for its connection with local history, maritime history and marine technology. Lifesaving has been an important part of the services performed from Warrnambool's very early days, supported by State and Local Government, and based on the methods and experience of Great Britain. Hundreds of shipwrecks along the coast are evidence of the rough weather and rugged coastline. Ordinary citizens, the Harbour employees, and the volunteer boat and rescue crew, saved lives in adverse circumstances. Some were recognised as heroes, others went unrecognised. In Lady Bay, Warrnambool, there were around 16 known shipwrecks between 1850 and 1905. Many lives were saved but tragically, eight lives were lost.Hand barrow; a transporting device carried between two people walking one in front of the other. A wooden ladder-like frame with two handles at each end, blue painted body with unpainted handles. Seven equal-length slats are joined at equal distance between two parallel poles, and two longer slats are attached diagonally between the first and last slats as a brace. flagstaff hill maritime museum and village, flagstaff hill, maritime museum, maritime village, warrnambool, great ocean road, lady bay, warrnambool harbour, port of warrnambool, tramway jetty, breakwater, shipwreck, life-saving, lifesaving, rescue crew, rescue, rocket rescue, rocket crew, lifeboat men, beach rescue, line rescue, rescue equipment, rocket firing equipment, rocket rescue equipment, maritime accidents, shipwreck victim, rocket equipment, marine technology, rescue boat, lifeboat, volunteer lifesavers, volunteer crew, life saving rescue crew, lifesaving rescue crew, rocket apparatus, rocket rescue method, shore to ship, rocket apparatus rescue, stranded vessel, line throwing mortar, mortar, rocket rescue apparatus, line thrower, line throwing, lifeboat warrnambool, hand barrow, manual transport, welsh hand barrow -
Glen Eira Historical Society
Photograph, Gloucester Court, 6, Murrumbeena, 2001
Originally labelled "Beauville Estate, Established 1936, Still Thriving 65 years on, 10th March 2001", the Beauville Estate Album contains colour photographs of houses in the Estate. They were taken around the time of the Beauville Estate’s 65th Heritage Celebration held on 10/03/2001 and donated to the Caulfield Historical Society shortly afterwards. Photographer unknown. City of Glen Eira’s Heritage Management Plan Vol 2 p79 (this is p84 of the pdf version) – HO12 Beauville Estate and environs, Murrumbeena: The Beauville Historic Area is important at the State level as the first large housing estate undertaken by the AV Jennings Construction Co, later Jennings Group Limited, Victoria’s largest home builder. It is important also as a very early estate development incorporating a range of features other than houses and including made roads, shops and recreation facilities. In this respect it was the forerunner of the comprehensively planned housing estate of the post war era. The estate is distinguished by its aesthetic values, as is the earlier and comparable Hillcrest Estate, which are formed by a combination of restrained diversity in house styles, with the exception of no. 30 in the emerging International style, and by a landscaped garden environment. Colour photograph of a fence with four rows of unpainted variegated brown bricks at the bottom and six cream rendered columns topped by two rows of the same unpainted bricks. Timber pickets painted in the same colour complete the fence between the columns. The pitched roof of the rendered house can be seen in the background and the gable has a simple aeroplane-like decoration. Tall trees are behind and in the foreground. murrumbeena, houses, architectural styles, 1930's, inter war style, a.v. jennings, av jennings, jennings, brick houses, beauville estate, gloucester court, sir albert victor jennings, a v jennings construction co, beauville estate heritage area, glen eira city council, architectural features, jennings group limited, land subdivision, gardens, beauville historic area, rendered houses, timber and brick fences -
Bendigo Historical Society Inc.
Photograph - GROUP OF PEOPLE IN GARDEN SETTING
Sepia image mounted on board: two women and two men, sitting and reclining on grass . Woman on LH side dressed in long dress, leg-of-mutton sleeves, hat, other woman long dress, hat on grass in front. Men are wearing three piece suits, ties, and boaters. Written on bottom of image : Rose Herbel, A Dehne, Dora Herbel, Wm. Kileen, As we like it !person, group, group in park, sandhurst, bendigo, group portrait, 'as we like it'. -
Bendigo Historical Society Inc.
Document - ANCIENT ORDER OF FORESTERS NO. 3770 COLLECTION: CORRESPONDENCE
Letter written on blue paper and dated May 9 1870. Bro William Hollows has permission to apply to Court King of the Forest for the benefit of the Medical Officer of that Court. Should Court King of the Forest grant the application Court Freedom would like to be informed the amount charged by the Medical Officer per Annum and if it is to be paid Quarterly, half Yearly, or otherwise. Signed Thos. H. Pearce.societies, aof, correspondence, ancient order of foresters no. 3770 collection - correspondence, court freedom, william hollow, court king of the forest, thos h pearce -
Bendigo Historical Society Inc.
Photograph - LONG GULLY HISTORY GROUP COLLECTION: HERCULES/ENERGETIC MINE
Black and white photocopy of the Hercules/Energetic Mine. The photo shows the poppet legs, mine building and brick chimney. There is also heaps of tailings. In the foreground is a dam, with what looks like ducks/geese on it. Written on the back: One of the mines that Sir John Quick worked in. He used to drive a Horse Whim. Hercules / Energetic Mine. Energetic Mine first then amalgamated to H/E.bendigo, history, long gully history group, the long gully history group - hercules/energetic mine, sir john quick -
Bendigo Historical Society Inc.
Photograph - BAND TUG OF WAR TEAM : EAGLEHAWK, 1895?
Sepia photo, on cream board, of band of tug of war team Eaglehawk. Man in suit in centre with fob chain and bowler hat. Competitors in trousers with stripes, belts with motif. Flannel like shirts. Trophy in centre with rope coiled underneath. Inscriptions (on front (H.J.G Biggs Eaglehawk, right bottom. Eaglehawk, left bottom.) 'Royal Historic Society of Victoria / Bendigo Branch' circular stamp.organization, club/society, band tug of war eaglehawk, prev, acc no. g.p. 36.(24 red ballpoint cross out.) -
National Vietnam Veterans Museum (NVVM)
Booklet, Australian Army, Australian Army: Signal Training (All Arms) Pamphlet No. 6: Communications Security, 1971 (Copy 2), 1971
A blue coloured cover with all information in black ink. Top right corner reads DSN 7610--66-039-4906. Above Australian there is a kangaroo above two crossed swords and a crown above them. Down the left hand side a two punch holes. There is a dark rectangular near the top left hand side of the booklet which looks like an adhesive mark.australia - armed forces - service manuals, signals, signal training -
Numurkah & District Historical Society
Candlestick holder
Blue metal flat base (painted) with a finger handle. In the middle of the base is blue painted metal cylinder. All of this blue painted area looks like a "cup & saucer". Inside the "cup" is narrow white painted metal cylinder with a larger opening at the top to insert a candle. There is a metal wire spring clamp around this opening which could have clamped small glass surround (missing)candlestick holder, candles, light -
Ballarat Tramway Museum
Negative - Birney No. 28 after leaving Charing Cross, Wal Jack, 7/03/1954 12:00:00 AM
Negative and Digital images of the Wal Jack Bendigo Negative file of Bendigo Birney No. 28 after leaving Charing Cross. Photo by Wal Jack, 7-3-54, mostly like the same date as other photographs using the 125 film format. In the background are signs or shops for City Club Hotel, a Cafe, Greys cigarettes, Marshalls Fruit Supply, Desmond's electrical appliances.trams, tramways, bendigo, birney, tram 28 -
Ballarat Tramway Museum
Sign - Warning Sign - Entering or leaving this car, Melbourne and Metropolitan Tramways Board (MMTB), "Entering or leaving this car from the Wrong side is prohibited. Maximum Penalty - Five Pounds", Preston Workshops
Brass sign, engraved with the words "Entering or leaving this car from the Wrong side is prohibited. Maximum Penalty - Five Pounds" with four screw holes in each corner and a border. Has some scratching on the rear with possibly "711" scratched into the rear. Would appear to be a later version of Reg Item 6874. May have been taken off a bogie tram as more like a MMTB sign. trams, tramways, tramcars, signs, passengers, btm, ballarat tramways -
Bendigo Historical Society Inc.
Postcard - BENDIGO EASTER FAIR COLLECTION: EASTER MONDAY FESTIVAL, 1906
Coloured postcard showing the Easter Monday Festival, Bendigo date unknown. The postcard is addressed to Miss Bush, Bower House, Bairnsdale and reads: Dear Marlie, you will see a procession like this at Easter. Will we all have fun then! With much love from Kingsley. The postcard is inside an envelope With a blue and yellow dragon on left hand side and the words Come to the Bendigo Easter Fair.event, easter fair, bendigo easter fair -
Surrey Hills Historical Society Collection
Photograph, 181 Union Road, home of Mr and Mrs Antonio Clota
The house was built in 1910. The Clota and Sans families were part of a group of families of Spanish (Catalan) background who lived around Surrey Hills, many of whom are buried in Box Hill Cemetery. The house was built for Antonio and Josepha Clota and passed on to their daughter Josephine Sans and her family. Antonio's full name: Antonio Eusebio Miquel CLota (1869-1940; died Surrey Hills) had 3 brothers who came to Australia with him. Louis Clota (1864-1925); Marcus Clota (1866-1940) died Surrey Hills; Eusebio Clota (1869-1919). Their parents remained in Spain. Josephine Clota and Kim Sans had photos taken on the front entrance to the house when they were married on 9 May 1919. The wedding was reported in Punch.Black and white photo of the home of Mr and Mrs Antonio Clota; later the home of their daughter Josephine and son-in-law, Kim Sans and family. It shows bluestone curb and channelling in Union Road and a substantial wire mesh fence. The street tree looks like a plane tree and is a relatively young plant. Ther house is single storey brick with a tile roof and solid pillars supporting the verandah.houses, antonio clota, josepha comellas, josepha clota, catalan families, josephine clota, josephine sans, kim sans, joaquim sans, francis clota, frank clota, box hill cemetery -
Surrey Hills Historical Society Collection
Photograph, 87 Essex Road, c 1930 (demolished), 1930
A check of the electoral rolls points to this being the home of Frederick Harry Percival Lamble, labourer, born in Collingwood. He and his family continued to live at 87 Essex Road until his death in 1968 and his occupation is consistently given as labourer. His wife Bessie Louisa Woods died in 1957.Black and white photo taken from the street of an Edwardian style timber house with 2 chimneys, one of which looks like a kitchen or laundry chimney. The house stands behind a white wooden picket fence in a mature garden which conceals the bull-nose verandah. The house appears to have a slate roof with galvanised capping. To the left can be seen the roofs of houses in Durham Road.timber houses, edwardian style, essex road, lamble family, durham road, bessie ethel lamble, bessie ethel smith -
Surrey Hills Historical Society Collection
Photograph, Surrey Hills looking south-east from the steeple of Holy Trinity Church, 1921, 1921
The property in the foreground is 'Edgeware' at 171 Union Road, a house built by the Zeplin family. It became the home / residence of Dr Percy Liddle and later Dr James Landells Blakie. By the time this photo was taken Dr Blakie had moved across the road to 174 Union Road. In the background behind the 2 houses in the foreground is the Surrey Hills Stationmaster's house, sitting behind a picket fence. The Alan Holt register gives a build date of c1915 for this house, which fits stylistically. The first stationmaster was probably Michael Ginnane, who stayed in the area after he retired, moving to 1 Russell Street. This property was listed as 8 Bedford Avenue, the only house on the south side of the road. It was demolished in c1972 to make way for widening of the rail track with a third line. The photographer Norman Carter took many photos of Surrey Hills and Mont Albert from the 1920s, in particular of events and activities associated with the Church of England.Black and white photo taken from the steeple of Holy Trinity Church looking across housing towards the railway line and Albany / Windsor Crescents and on towards Canterbury Road. Surrey Hills Primary School and St Stephens Presbyterian Church feature prominently on the horizon. The stationmaster's cottage is centre left adjacent to a large conifer-like tree, with a white fence delineating the railway yards.On back of original: "6-11-21" and in a different hand in biro: "from tower of Holy Trinity Church"albany crescent, windsor crescent, st stephens presbyterian church, surrey hills primary school, railways, stationmasters' houses, bedford avenue, norman carter, edgeware, dr percy liddle, dr james blakie -
Bendigo Historical Society Inc.
Clothing - ANDREW - MONSANT COLLECTION: BLACK LINEN-LIKE DRESS
BHS CollectionBlack linen-like dress. Peaked collar. Front opening, fastened with five press studs. Seventeen covered buttons decorate the front opening from neck to waistline. A three point five cm wide band marks the waistline, caught at eight points.Skirt has four panels of fabric. Long set-in sleeves have a turn-back cuff, decorated with three covered buttons. -
Melbourne Tram Museum
Map, Morgan Street directory - map of VR Trams, Map - 1940s?
Map - assembled from sheets of the Morgan Street directory for the two VR street tramways from St Kilda to Brighton and from Sandringham Station to Beaumaris or Black Rock. Comprises four sheets taped together and one loose sheet. Tram route marked in green felt pen. Has many adverts on the rear and front for funeral parlours, hotels, real estate agents and the like.trams, tramways, map, vr, sandringham, black rock, beaumaris, brighton, st kilda -
Port Melbourne Historical & Preservation Society
Photograph - Truck Stranded on Princes Pier, 18 Nov 2003
On Friday 16 August 2002, a truck carrying the tower crane counterweights from the 4th residential tower in Beach Street, entered Princes Pier to turn around and fell through the decking. The area was fenced off and a year later on 18 November 2003 the truck was extricated by a crane on a barge. The hole was covered by a steel box like structure until the Pier was renovated at a later date.piers and wharves - princes pier -
Port Melbourne Historical & Preservation Society
Photograph - Truck Stranded on Princes Pier, 18 Nov 2003
On Friday 16 August 2002, a truck carrying the tower crane counterweights from the 4th residential tower in Beach Street, entered Princes Pier to turn around and fell through the decking. The area was fenced off and a year later on 18 November 2003 the truck was extricated by a crane on a barge. The hole was covered by a steel box like structure until the Pier was renovated at a later date.piers and wharves - princes pier -
Port Melbourne Historical & Preservation Society
Photograph - Truck Stranded on Princes Pier, 18 Nov 2003
On Friday 16 August 2002, a truck carrying the tower crane counterweights from the 4th residential tower in Beach Street, entered Princes Pier to turn around and fell through the decking. The area was fenced off and a year later on 18 November 2003 the truck was extricated by a crane on a barge. The hole was covered by a steel box like structure until the Pier was renovated at a later date.piers and wharves - princes pier -
Port Melbourne Historical & Preservation Society
Photograph - Truck Stranded on Princes Pier, 18 Nov 2003
On Friday 16 August 2002, a truck carrying the tower crane counterweights from the 4th residential tower in Beach Street, entered Princes Pier to turn around and fell through the decking. The area was fenced off and a year later on 18 November 2003 the truck was extricated by a crane on a barge. The hole was covered by a steel box like structure until the Pier was renovated at a later date.piers and wharves - princes pier