This image highlights the rural nature of the area during the 1950s where areas that are now major highways and intersections appear like country roads.Black and white photograph of the intersection of Warrigal Road and Centre Road in Oakleigh. There is a truck travelling south toward the camera along Warrigal Road which is a sealed road. On the right hand side is a Caltex petrol station with a street sign for Centre Road.Handwritten in blue ink on reverse: 2191 Handwritten in red ink on reverse: 72%oakleigh, cars, roads, suburbs

Soft cardboard cover, dark blue print on front & spine, block print on back. 4 coloured illustrations of POW scenes on front and one coloured illustration on books. 158 pages, cut plain paper. Black & white illustrations of POW scenes & personnel. WWII autobiography of reflections, recollections & images.“Black printed label adhered to front flyleaf. In appreciation; I would like to make it known, that this copy, being one of the fifty copies sponsored by Mr Leigh Bates, Dally Sullivan, Ian Bennett, and Colin Ferguson is presented in memory of their relatives and friends who died up there in the wilds of North Borneo.....B.Y.”books, borneo, my war

In late 1883 the Melbourne based photographers Stevenson and McNicoll visited the Bacchus Marsh township and nearby districts. They are known to have been visiting the town in September 1883 and by November 1883 they were reported to have moved on to Myrniong and Ballan. During their visit they took numerous photographs. The images produced comprise scenes of shops and businesses in Bacchus Marsh, public buildings like the Court House and Bacchus Marsh Primary School, houses and their owners and several broader views of streets. The photos were then offered for sale. Photography businesses also sold albums for purchasers to display their photos.A unique and comprehensive set of images of people and places in the Bacchus Marsh town and district at a particular period in time, September-November 1883. This album of "carte de visites" photographs presents a rare compilation of the work of the Stevenson and McNicoll photography business. This team of photographers are known to have made several visits to towns and districts in the rural areas of Victoria and southern New South Wales in the 1880s and this album represents a very rare example of their non-portrait photography. The album is an example of the Victorian middle-class fashion to display family photographs for themselves and their visitors. These albums were often very expensive and in themselves evidence of the affluence of the family. They were made possible by the popularisation of photography as a social medium and were a forerunner of the coffee-table book. Medium sized leather-bound album, brown, front cover engraved with gold tooling in a starburst pattern. Pages are gold-lined. The inside front and end covers are in pale blue silk embossed with a gold floral pattern. The metal locking clasp is broken. The front page has a floral wreath of roses and forget-me-nots and a dragon-fly. The word "Album" is in the centre of the wreath, printed in gold in Gothic print. There are nine pages with pockets for four 65mm x 105mm sized "carte de visites" style photographs. Several feature pages have a single pocket for a larger photograph, or double pockets, possibly designed for family portraits. These portrait pages are also decorated with floral wreaths and insects, reflecting the theme of the frontispiece page. The smaller photos in the album were taken by the Melbourne photographers Stevenson and McNicoll, There are 48 of these smaller images. The images were created around September 1883 when photographers for Stevenson and McNicoll are known to have visited Bacchus Marsh and district. The images comprise scenes of shops and businesses in Bacchus Marsh, public buildings like the Court House and Bacchus Marsh Primary School, houses with their owners and several broader views of streets. References to various photos being created and being available for sale are mentioned in the Bacchus Marsh Express newspaper during September to November 1883. Each smaller photo has printed on the verso: Light & Truth. Copies of this Portrait can be had at any time by sending the Name and Post Office Money Order or Stamps for the amount of order to Stevenson & McNicoll, late Benson & McNicoll, Photographers. 108 Elizabeth Street, Melbourne.bacchus marsh vic. history, streetscapes, shops bacchus marsh vic., roads and streets bacchus marsh vic., stevenson and mcnicoll photographers, stevenson and mcnicoll 1883 photographs of bacchus marsh and district

Jensen is mentioned in the report of the Synod meeting talking about stewardship. "Mr Jensen took up the earlier theme of the church's poor record of giving - 'Most people in our church are like Cain, who brought an offering to the Lord. The minority are like Abel, who brought the first fruits to God,' he said, 'Most of us bring to God what we have left over,' and, as with Cain, God cannot bless it."Jensen and Tuimaualuga are shown, seated, in conversation.C&N identificationjensen, david, tuimaualuga, litala, tasmanian synod 1984

Production of the mugs was inspired by the interest of visitors in purchasing a mug like the ones on display created by an artist Catherine Bell in 2017 for the Sounding Histories exhibitions.This mug added to the Mission collection as a contemporary example of MTSV memorabilia and promotion and features bth current logo and image of the building complex.Pale gray ceramic drinking mug with a mid-blue lining and a large handle (1668). Colour image transfers decorating outer walls.The Mission to Seafarers logo in a blue oval with 'Caring for Seafarers since 1857' printed in blue underneath is printed on the front. On the back in dark gray is a stamped effect of a street scape with Mission buildings with 'www.missiontoseafarers.com.au . On the underside a paper lined is adhered with a printed barcode and price of $12.00. mtsv memorabillia, mug, souvenir, mtsv shop, marketing

A plane used by a cooper to smooth the inside of barrels can also be used for smoothing other curved surfaces like chairs or round poles etc.A tool of the cooper and other woodworking tradesmen that has been in use since the making of barrels and wooden buckets for hundreds of years without much change to the design or how the tool is used. The subject item at this time cannot be associated with an historical event, person or place, provenance is unknown, item assessed as a collection asset as it is believed to have been produced before 1950.Round shave also known as Coopers In-shave, metal curved blade with two wooden handles. Noneflagstaff hill, warrnambool, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, curved smoothing plane, coopers tools

Frustrated Mernda commuters have inundated the Hurstbridge line, packing into peak hour services and filling the Watsonia station carpark "like never before".News article 1 page, black text, colour image.hurstbridge line, watsonia station, mernda commuters, hurstbridge line upgrade

Quite an event for a small town like Peterborough! The Commonwealth Games Baton Relay passed through Peterborough in 2006. Who was running is yet to be confirmed.A local highlight and commonwealth event.Three photographs of the Baton Relay through Peterborough.Handwritten on each photograph is the Baton Relay 2006.peterborough, commonwealth games queen's baton relay 2006

The red-winged blackbird is native to North America. They live in a verity of places from southern Alaska at its northern most point, to the Yucatan peninsula in the south and covers the greater part of the continent reaching from the Pacific coast of California and Canada to the eastern seaboard. Populations that are most northerly migrate south after the mating season, but some of the populations in the central and western United States, Central America and the Gulf Coast are resident year-round. In the breeding season, Red-winged blackbirds are found in a range of fresh and saltwater environments, including in small trees and bushes along marshes and watercourses, in agricultural areas and dry meadows. During migration, they can be found in, pastures, prairies and cultivated fields. They are polygamous. The Red-winged blackbirds are known for their scarlet and yellow shoulder patches but on this specimen are rather dull and the feathers are not as glossy black as they are in other images. It is mounted accurately but the feathers appear to be ruffled. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.The Red-Winged Blackbird is one of the most common birds in North America and is the most boldly coloured one. The males are glossy-black with shoulder patches of scarlet and yellow which they are able to puff up or hide according to their level of confidence. Females look like a big, dark sparrow, being a subdued, streaky brown. The colouring of this particular specimen identifies it as male.[torn] page 58 / Tag: A. 4423taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, reynell eveleigh johns, bird, american birds, north america, red-winged blackbird, red-winged starling, migratory, alaska, canada, saltwater

CEMA Art Collection. Part of "A Community View" 150 years in Portland Screenprint Exhibition. Part of Angela Gee Residency 1983 and 1984.Laminated screenprint of four seagulls on a blue, orange and yellow diamond-shaped grid. The seagulls are created through black outline and shading. Seagulls are in various poses, all with wings extended. The grid alternates from blue diamond shapes to those which fade from orange at the top to yellow at the bottom. The grid is surrounded by a blue and white cloud-like border.Front: 12/20 Cape Nelson at Sunset. Catherine Taylor Back: 43

This handmade green glass bottle was made using the turn-moulded or rotated-moulded method, a variation of the mould-blown process. The bottle has the remnants of a cork seal in its mouth. It possibly contained ginger beer, soda or mineral water, flavoured drinks, liquor or wine. The bottle’s shine has been worn from around 3/4 of its body, indicating that it has been resting horizontally on an abrasive surface, perhaps in the ground or on a river or sea bed. TURN-MOULDED BOTTLE production method This bottle was handmade using the ‘turn-moulded’ process, one of a variety of mould-blown processes that followed the earlier mouth-blown method. The maker would add a portion of hot soft glass to the end of his blowpipe then blow air through the pipe while placing the end inside a bottle mould. The mould was then turned and twisted, giving the bottle a round, seamless body, and usually a round indented base. The cooled body of the bottle would then be finished with the addition of an applied top. A small amount of soft glass would be applied to the top of the bottle and a lip would be formed using a tooling implement. A concentric ring would also form below the lip, caused by the rotated lipping tool. The bases of bottles made with the turn-moulded method were generally not embossed but would commonly have a mamelon or ‘dot’ in the centre of the base. SEALING THE BOTTLE After filling this type of bottle with its contents it is then sealed with a straight, cylindrical cork with the aid of a hand operated tool called a bottle corker. The bottle corker compresses the cork as it is driven into the bottle. Once inside the bottle the cork expands evenly into the opening to tightly seal the contents – the denser the cork the better the seal. Brown, brown glass. Handmade turn-moulded bottle with seamless body and tooled lip. Deeply indented base has push-up mark with a ‘mamelon’ nipple-liker bump in the centre. Bottle is straight from base to half height then tapers to a shoulder over the next quarter, than almost straight up to the mouth. Produced in 1880s to 1910’s. flagstaff hill, warrnambool, shipwrecked coast, flagstaff hill maritime museum, maritime museum, shipwreck coast, flagstaff hill maritime village, great ocean road, brown glass bottle, handmade glass bottle, bottle with indented base, turn-moulded bottle, rotate-moulded bottle, tooled lip on bottle mouth, applied lip bottle, bottle corker, ginger beer bottle

This is an owner's manual for model 110 land rover (6 x 6). It shows equipment layout, weights CTC, It looks like a "Local" copy on foolscap - orange paper. It has an outline drawing of a 6 x 6 land rover with canopy. It is bound with 1 staple in top LH corner. At the bottom are words "Driver Trg Precis - October 96"passchendaele barracks trust, land rover 110, owners manual

Playing cards of Japanese aircraft, black & white, design backing. .1) 9 of Clubs: 97 Dive Bomber like US Douglas A-24. .2) 10 of Club: 96 Mitsubishi H/Bomber - Army. .3) Jack of Clubs: 97 Kawasaki Flying Boat - Navy. .4) Queen of Clubs: Fiat BR-20 H/Bomber - Army.toys - games, documents - cards, military history - recreation, passchendaele barracks trust

Souvenirs collected from the Battlefields of Gallipoli, Pozieres and Fromelles by PETER SIMMONS A43266 (RAAF) Souvenirs - collection of 17 items from the battlefields of Gallipoli, Pozieres and Fromelles. Items include bullet casing, shrapnel, equipment, items and stores, Adhered to backing cardboard with a putty like, pressure sensitive adhesive (Blu Tack). Item labels - black ink on white adhesive paper labels. Frame - timber, with deep edge, cardboard backing board.Handwritten - black ink on white adhesive labels top L to R. "BULLET CASING/ FOUND GALLIPOLI/ 2009" "REMAINS OF RUM JAR, GALLIPOLI" "GALLIPOLI SHRAPNEL" 2nd Row L to R "PEBBLES FROM ANZAC COVE/ 2009" "SHRAPNEL/ FROM/GALLIPOLI 2009" 3rd Row L to R "AUSTRALIAN/TRENCHING TOOL/ FROMELLES 2009" "STONE FROM/ UNDER/ HILL 60 YPRES" 4th Row "BULLET CASING/ POZIERES/ BATTLEFIELD 2009" 5th Row "SHRAPNEL/ FROMELLES/ FOUND 1993" 6th Row L to R "CANTEEN/ HANDLE/ FROMELLES" "AUSTRALIAN/ EQUIP BUCKLE/ FROMELLES BATTLEFIELD/1993" "END FROM EQUIP/ STRAP/ FROMELLES/FRANCE" souvenirs, ww1, gallipoli, battlefields

Sectioned by Dr. Geoffrey Kaye.A metal inhaler which has been sectioned to reveal the interior, painted in red and blue to indicate direction of air flow. The large, bowl-like opening with metal gauze for attachment of a rebreather bag has been painted red, and the metal mask at the other end has been painted brown. The mask and bag mount meet at a 90-degree angle. inhaler, somnoform, anaesthesia

Early photograph of the Conservatory Gardens beside the Bendigo Creek. Palm trees are very small and only one statue beside the Conservatory. A line of horse drawn vehicles are parked along the street. W. H. Oakley, Undertaker is across the street and Dimond Bros. Photo Enlargers is beside them. The Gardens are surrounded by a metal fence with a lattice like filling.place, bendigo, conservatory gardens, john jones collection - conservatory gardens, w h oakley, dimond bros

BHS CollectionKnee length fur fabric coat, lined with soft black satin-like fabric. Long sleeves, revere collar and five black button fastening at front, five machine stitched button holes. Shoulder pads give a broad shouldered profile. One button at top is high under the collar, allowing the coat to button up to the throat.costume, female, black fur fabric coat

Greeting Card With Best Love: Embossed Plastic like material with horseshoes, clasped hands and hand painted flowers with 'With Best Love' on the front. The plastic is attached to the card with gold thread which opens in the centre to reveal a round print of a lighthouse and sail boats. The card is inscribed with 'Many Happy Returns Of The Day' and a poem in silver print. Box 625ephemera, mementoes, birthday cards, birthday greeting card.

Copies (2) of original photo: Print attached to back of photo: 'The Hanro float in the Easter Procession circa 1934. The girls were Hanro employees, Maisie Kelly is on the left, but the names of the other three are unknown. Image shows four girls sitting on corners of float. Float has windmill like structure, paper flowers attached to sides. 1920's ?bendigo, institutions, easter procession, bendigo easter fair, procession, maisie kelly, hanro, float

Clothing. Light grey kid leather gloves, with a sueded 'chamois like' finish feel. A 12 cm long plackett at the wrist, fastens with three .7 mm, rounded pearl buttons. Six rows of fine machine stitching fan out across the back of the hand, giving the effect of three pin tucks. Top edge of the gloves is gently curved.costume accessories, female, light grey kid leather gloves

Document.KELLY & ALLSOP COLLECTION. Carbon copy of a letter written by ? Kelly to Samuel Carr, Kalgoorlie, dated 2 May 1897. Two pages 745 and 746 of a carbon copy book. Hand writing is faint and hard to decipher. In part it relates to the estate of Carr's late father. First part of signature at bottom not decipherable, but the rest looks like Kelly.? Kellybusiness, stockbroker, kelly & allsop, kelly & allsop collection, samuel carr, letter, kelly

Photograph - black and white - Ambrotype. This is two photo's in 2 frames that were joined, now broken in 2. The two women, they look like mother and daughter, photo taken with same table cloth, holding same flower, the outfits are similar, the material on the sleeves on both are the same. Photo book/frame is leather bound, inside the frame is gold embossed.person, family, mother and daughter, ambrotype. portrait 2 women.

Photograph - black and white - postcard. A portrait of a woman. Written on the back. ' I cannot go myself. So wish you a Happy Christmas, so I am sending you my photo, and shall be with you in spirit. Lots of Love and Best Wishes for all. EWW (looks like EWW). So assumption is then that this is a photo of Elma Winslade Wells.person, individual, wells family (elma), elma wells.

Photograph - black and white. Photograph of a wedding party. Bride standing in full length wedding dress, groom sitting on her left. Groom wearing bow tie and 3 piece suit. Looks like a family photo, parents, bridesmaids, best men, 2 young girls and a toddler. 14 adults (include bride and groom) and 3 children.R.Vere-Scott, Hannan St., Kalgoorlie, W.A.person, family, wedding portrait, cloonan family collection.

The couple from this photo has gone through great hardship in the period they spent as refugees. They fled Southern Vietnam (Ca Mau) after the Vietnam War in late 1979 when the chinese have invaded and settled in Vietnam. They came on the #91 boat called Minh Hai 375 and arrived at the island on 10/22/1978. Prior to that they were ambushed by pirates who tried to rob, rape and completely take advantage of the vulnerable state the refugee people in. They recall having to purposely sink the boat so that they can be allowed into the country.This photo is great evidence to the family value Vietnamese refugees hold in the period of the period of fleeing the poor conditions that exists back in their country. People put their life online just to HOPE for a better life. Family portrait of a couple and first born child (son) in front of what look like their home at the time. This was taken at 1979 on the island called Pulau Bidong. It's a photo which has been laminated onto a light blue backing paper. The photo's corner has also been rounded with hand written label stating; 'Pulau - Bidong 1979' pulau - bidong 1977

Highly decorative silver-coated object in the shape of a four-pronged fork. A sailing ship forms the top of the handle. The handle (or stem) has 2 curlices on each side. The main section depicts a homely interior in which a seated woman plays the harp, a man stands listening and a child sits on the potty. The whole is surrounded by raised vine-like patterning. A very tiny triangle is engraved in the point of the fork at the back.