Carpet samples created by Godfrey Hirst, a carpet mill whose history spans back to 1865 when the Victorian Woollen and Cloth Manufacturing Company began operations in Geelong and was purchased in the 1890s by the man Godfrey Hirst. Godfrey Hirst’s entrepreneurial skills and knowledge of the industry led to the great success which saw the company expand in multiple forms over the next century and a half. Today, thousands of metres of carpet are produced by Godfrey Hirst every day, and their flooring can be found in millions of homes. These 6 carpet samples date from the early 1990s and each have a unique colour pattern and design.Each carpet sample is made with a pile fibre that is 100% wool. The primary backing of the carpet is a woven polypropylene with a secondary backing a woven jute. Carpet 8102.1's colour name is Slate. It has a dark grey background with a red and blue diagonal stripe. The pattern repeats in a 10cm x 11.5cm block. Carpet 8102.2’s colour name is Terracotta. It is a mostly block pink colour with no repeating pattern. It has occasional flicks of grey. Carpet 8102.3’s colour name is Arctic Night. It has white, light blue and grey colours repeating one after another in a diagonal line. Carpet 8102.4’s colour name is Ivory. It has a brown background with a cream colour diamond. The pattern repeats in a 15cm x 15cm block. Carpet 8102.5’s colour name is Glenwood. It has a thin darker green and lighter green horizontal stripe spanning its entire width. These stripes repeat the height of the carpet. Carpet 8105.6’s colour name is also Ivory. It has a brown background with a cream colour leaf pattern. The pattern repeats in a 92cm x 92cm block.Wording on rear: Numerous. See Media.godfrey hirst, carpet, textile manufacture

A Textile Designer’s Fabric Sample Book is an important tool for keeping a record of past designs. This is useful in order to showcase a designer’s previous work; functioning like a portfolio or a résumé. They also serve as a source of inspiration, sometimes even providing a template to re-release iconic designs. The National Wool Museum has a large collection of Fabric Sample Books. They reveal the colour and daring designs produced by textile mills across various time periods. This Fabric Sample Book is from the 1920s and gives us insights into design trends that are now over a century old.The cover of this book has a brown/grey marble. It carries many marks and oils from the hands, after more than a century of use. A strip of red tape has been added to the spine of the book in order to give it integrity. The book internally has white pages that have turned a brown/cream with age. These pages have a faint blue line printed horizontally across them, to assist with handwriting. The contents of the pages are fabric samples which have been staple to them, as well as handwriting with a blue ink. The pages also include technical drawings, relating to the fabric samples and how such samples were woven together.textile design, textile manufacture

This Remington No.12 typewriter is of the typebar, front-strike class. It was made by the Remington Typewriter Company of Ilion, New York, U.S.A. in about 1925. The Model No. 12 was introduced in 1922 and was one of the first 'visible writer' machines, in which the typed characters were visible to the operator. Previous models were of the upstrike class in which the characters were typed on the underside of the platen. To see what had been typed the operator had to raise the platen, meaning the typist was typing blind much of the time. This machine was used by Margaret Ganly née Burn in the 1930s. It was purchased for her by one of the sons of William Pride, a famous saddle maker in Geelong, William was Margaret’s grandfather. The typewriter was donated with original sales receipt and servicing tools. Margaret worked at Dennys for 7 years during the 1930s. The typewriter is accompanied with a story written by Margaret about her time working at the company. Margret married Jack Ganly, a fellow employee of Dennys. The Ganly name was well known within Dennys, with three generations of the Ganly family working at the company. WORKING CONDITIONS & OFFICE WORK DUTIES. Written by Margaret Burn in 2021. Worked at Dennys Lascelles in the 1930s. In the 1930s coming out of the Depression, jobs were hard to come by and had to be clung to by efficiency and subserviency. There was no union to protect workers – bosses could be tough and rough. Dennys Lascelles revolved around fortnightly wool sales in the “season” – September to May. Sale day was always a day of suppressed excitement. Preparation from a clerical point of view was complete and we now awaited the aftermath of the actual wool auction. The building teemed with people. There were country people down to see their wool sold, buyers of many nationalities, or from the big cities, who were coming in and out of the building all day. Their role was to inspect the acres of wool bales displayed on the show floors; however, caterers were present to feed clients, and there was plenty of social interactions on top of business. The office staff did not go home but waited until the first figures came back from the wool sales and the machines went in to action, both human and mechanical, preparing the invoices for the buyers’ firms. This comprised of lists of lot numbers, weights, prices per lb., and the total prices paid. A lot of this was done by old-school typewriters, making this work a big, heavy, tiring job. Before the finished lists could be dispatched, they were collated on an “abstract”. The lists had to balance with the catalogue from which the invoices had been prepared. This never happened automatically. All the paperwork had to be split up amongst pairs of workers and checked until discrepancies were found. This would happen until midnight but occasionally went until 2 or 3 am. Once complete, the invoices could then be rushed off to the buyers’ firms usually in Melbourne, and hire cars took the staff home. It was back on the job the next morning, usually around 8.30. The office hours varied according to the size of the sale and work involved. Some days started as early as 8 and could finish around 5.30. The second phase of work began with the account sales to be prepared for the sellers of the wool. These detailed all the weights, descriptions of wool, brands, and prices. One Sales account could have multitudes of lot numbers, all needing to be individually described. Various charges needed to be deducted such as finance for woolpacks, extra stock, or farmers who were given a loan to live on during the season. Details of how payment was to be made was also noted, whether the seller was to be paid by cheque, to a bank, or credited to their account with the company (which often left the seller still in debt). For a couple of months in the winter, things were quieter when staff took holidays and were sometimes given afternoons off. But there were still weekly skin sales and stock sales around the state. The annual end of June figures to be prepared for a big company like Dennys with branches all around the state also kept the staff busy. In good years there was sometimes a bonus. On sale days there was a bar open for the clients and wool buyers. This added to the excitement for the young girls, who were strictly barred from using it, but somehow managed to sneak a gin and tonic. This is how I had my first ever, before the evening meal. There was also the romantic notion in some minds, with all the influx of males, that some of us might end up on a wealthy station, or be noticed by an exotic buyer. To my knowledge, this never happened at Dennys Lascelles Limited. Group staff photo at Dennys Lascelles Limited. Margaret Burn. Age 18 or 19. Jack Ganly (Margaret’s future husband). 22.The typewriter has a black painted metal frame. The top section of the typewriter consists of a cylindrical platen on a carriage featuring plated metal fittings. A curved folding paper guide sits behind the platen and moves on the horizontal axis when the user types on the keyboard. A horizontal semicircular type basket with typebar links the top section to the lower keyboard. The ink ribbon is carried between two spools on a horizontal axis, one on each side of the type-basket. At the rear, a paper tray features gold lettering which reads ‘Remington’. At the front, a four-row QWERTY keyboard is found with 42-character keys total. 'SHIFT LOCK' and 'SHIFT KEY' are to the left of the keyboard, 'BACK SPACER' and 'SHIFT KEY' to the right. All keys are circular, white with black lettering. At the top of the keyboard are five circular red keys with the numbers 1-5 displayed behind their respective keys. A Spacebar is found along the front of the keyboard. The typewriter is accompanied by a cardboard box. This box contains the original sales receipt, on blue paper with grey lead handwriting. It also contains spare parts, a spare ribbon stretched between two spools, and cleaning tools such as brushes of differing sizes. Serial Number. Engraved. "LX45395" Gold lettering. Paper tray. “Remington” Gold Lettering. Behind keyboard. “Made in Ilion, New York, U.S.A. Gold Lettering. Mirrored both sides of type-basket. “12”remington, dennys lascelles ltd, worker conditions 1930s

The donor (Lynn Fitzpatrick) purchased these knitting needles 20 years ago from an opportunity shop. Aero Knitting Pins are a discontinued brand that were popular in the 1960s, 70s and 80s. They are made of smooth, aircraft-quality anodized aluminium. To this day, they are a popular and sort after knitting needle. Being a long-lasting product, they are often given as heirlooms. Abel Morrall was a major needle manufacturer from Studley, a town near Redditch. In 1785, Michael Morrall who was taught the art of needle making by a maternal uncle, moved to Studley. He founded the Abel Morrall company with his brother Abel, and another unnamed brother-in-law. Within five years the company was producing 40% of the 2.5 million needles that were made each week in the Redditch area. In 1811 the company introduced the concept of creating the eyes by using a stamping press. Additional machines were invented by them throughout the 19th century leading to major improvements in the way needles were produced. Abel Morrall demonstrated their needle making machinery at the Great Exhibition of 1851 and Queen Victoria personally inspected it. The company selected the demi-griffin for its trademark in 1861, which can be seen on older products produced by the company. Set of four knitting needles stored within paper packaging. Packaging features black, red, and white ink, detailing the selling points of the Aero Knitting Pins. The packaging folds with 3 main sections, each providing different insights into the knitting needles. Examples of this are " CANNOT SOIL LIGHT WOOL", "...SPECIALLY TAPERED POINTS WHICH WILL NOT INJURE THE FINGERS" and "RUSTLESS-NON-GLITTER FINISH". As the packaging unfolds, the grey knitting needles become visible. The needles can be removed from the packaging by sliding them through small bands of paper that hold the needles secure while in transportation. The four knitting needles are a “NEUTRAL” grey colour finished in a double point style.Printed. Orange, White and Black Ink Numerous, see multimediaabel morrall, knitting needles, knitting pins, 1960s home knitting

The National Wool Museum accepted a donation from Brian Licence in 2022 of several mementoes relating to his career in the wool industry. This Wool Classing Exercise Book was written by Brian in his time at the Gordon Technical College from 1960-62. Brian studied Wool Classing and worked for a decade in this profession before moving to Melbourne which required him to change careers.This Wool Classing Exercise book begins with a grey cover and a blue and silver metal binder. It has the number “240” handwritten in white pencil at the centre of the cover and “Brian Licence Animal Husbandry” written in blue ink on the top right corner. Internally, the book is handwritten with occasional hand drawn images. This work is completed on yellowed pages with faint blue lines, for assistance in clarity of handwriting. The pages are surrounded by a margin of red pen. The exercise book’s content is about basic animal husbandry for sheep that a Wool Classer may need to know while in a shearing shed. It is handwritten. A selection of pages have been photographed to give an impression of the information taught in classes 60 years ago. This includes information about: - Dentistry - Skeletal - Blood Circulation - Breathing - Internal parasites The book has 50 completed pages of handwriting on both front and back. Handwritten, white pencil. Centre of cover. “240” Handwritten, blue ink. Top right corner of cover. “Brian Licence. / Animal Husbandry” gordon institute geelong, 1960s sheep farming, wool classing, sheep dentistry, sheep skeletal, sheep blood circulation, sheep breathing, sheep internal parasites

Black and white photograph mounted on light grey coloured card. Photograph shows Sargood's Drawing Room looking towards the north facing bay window.Stamped onto front left bottom corner of photograph: 'Johnstone & O'Shannessy/ & Co./ Propy. Ltd/ Collins St. Melb.' Written on photograph: 'DRAWING ROOM' rippon lea, sargood family

Black and white photograph mounted on light grey coloured card. Photograph shows Sargood's Bedroom taken looking towards the west facing bay window.Written on photograph: 'BED ROOM' Written on front of mount: 'Rippon Lea' sargood family, rippon lea

Black and white photograph mounted on light grey coloured card. Photograph shows Sargood's Sitting Room taken from the East wall.Stamped onto front left bottom corner of photograph: 'Johnstone & O'Shannessy/ & Co./ Propy. Ltd/ Collins St. Melb.' Written on photograph: 'SITTING ROOM' sargood family, rippon lea

Black and white photograph mounted on light grey coloured card. Photograph shows Sargood's Dining Room taken from the north-west corner. Photograph incorrectly identified as the Drawing Room by the photographic studio. Written on photograph: 'DRAWING ROOM' Stamped onto front left bottom corner of photograph: 'Johnstone & O'Shannessy/ & Co./ Propy. Ltd/ Collins St. Melb.' Written on verso of mount: 'Copy of this photograph. Rippon Lea pamphlet' sargood family, rippon lea

"The Australian Eleven", from the display board which hung in the Geelong Wool Exchange, Corio St, Geelong until the building was sold in 1985. Sheep were from the "Wanganella" station in Victoria.Panoramic black and white photograph of eleven merino rams in full fleece, standing in a row in front of a wire fence. The photograph has a dark, tree-lined background and each side has been blackened out. Photograph is glued to cream cardboard. Bands of glue are visible where photograph has been fixed to mounting board. Grey paper pieces glued to the back of the cream board.merino sheep, sheep australian, pastoral industry history, geelong woolbrokers' association geelong wool exchange, western district, victoria, 'wanganella' victoria, sheep - australian, pastoral industry - history

Belonged to donor's mother.White terry towelling cotton top decorated with 2 'dots - coloured yellow,dark blue, aqua,red (pink) and grey. Nehru collar with 2 white buttons. Sleeveless. Known as Bathing coat or jacket. Patch pockets at an angle. Jacket is body length.costume accessories, female

Collected by Adele Grey and owned by Jenny Lang who was a member of the Embroiderers Guild of Victoria and held exhibitions of her work at the Arts & Crafts SocietyTwo White pillow shams (3861.1 and 3861.2) with white embroidery flower design and eyelet work in each corner and oval design in centre. 7cm crochet lace around edge. Make Reg No NA3861.1-2manchester, bedding

Embroidered pieces donated by Adele Grey from the collection of Jenny Lang who was a member of the Embroiderers Guild of Victoria and held exhibitions of her work at the Art & Crafts SocietyWhite oval shaped dressing table centrepiece. White embroidered flower design. 6cm crochet lace around edgemanchester, table linen

Mitcham Bowling Club spoons. Crest surrounded by aqua border inset with red flowers on white background. The other half has yellow background depicting bowling balls. In grey plastic coverMitcham Bowling Club/Paramount EPNS (A1)recreations, sports, domestic items, cutlery

Pair of plain white doeskin gloves; pull on wrist length gloves. Makers information stamped in grey ink on inside wrist. Size 6 1/2. 'V' shape 'cut' in wrist hem.In right hand glove 'Washable Doeskin / made in England'|Also numbers '6 1/2' and '2873' in left hand glove.costume accessories, glove accessories

Doll's bed belonged to Bruce Reynolds daughter.Metal doll's bed with knitted cover, cotton mattress, white polyester pillow with cotton pillow case embroidered with blue rabbit. Nylon quilted cover, grey with pink rose lined with yellow floral cotton. Rug is nine knitted oblongs joined together.Quality Tontine Products. David Galt Industries, Melbourne.toys, doll's furniture, toys, dolls' accessories

Donors were:- Hepburn, Mrs A.E. Hepburn, Miss E Hepburn, Mr. Hepburn Mr. Zeogh Holman, Mrs. Evalie.The Illustrated Australian News published 1864-1896 was a pictorial newspaper based in Melbourne. It was published by David Syme & Co. The framed etching was copied from a supplement in the newspaper. The State Library of NSW. Search Manuscripts, Oral History, and Pictures Catalogue, has copies of the newspaper.A black and white etching titled 'A Native Funeral. A reminiscence of the Murray River' in a black frame with gold inner edge and grey mount. Picture features six canoes with lead canoe, in centre, carrying a body covered with foliage. April 2012: During restoration it was found under the original mount board the print 'Supplement to the Illustrated Australian News December 1885' First Nations.Supplement to the Illustrated Australian News December 1885illustrations, etchings

Very fine black cotton shawl with 5 inch brown, black and grey striped border. One corner is embroidered with brown and white flowers. It is thought that the lady's name is Mrs.S. Smith (nee Miss.S.Scott) See photo NP855 and photo framed NA2194costume accessories, female

Black and white photo on Grey Mount - Vermont State School Committee and Staff - L to R Back Row, Mrs Stevens, Hall, Barnard, Blank, Overton. L to R Centre Row - Mrs Harvey, Miss Clements (teacher) Mr Emray (teacher), Miss South (teacher), Mrs Carlton, Campbell, Blank, Johns, Morris, Mr. O'Brien (teacher), Mrs Kiddle. L to R Front Row - Mr. Davey, Johns, Mrs Brockell, Mr. Armstrong, Mr. Worsdell (Head Teacher), Overton, Reynolds, Campbell.stevens, mrs, hall, barnard, overton, harvey, clements, miss, emray, mr, south, carlton, campbell, johns, morris, o'brien, kiddle, davey, brockell, armstrong, worsdell, reynolds, vermont state school, no. 1022, warren, frances

Bought by Valda Arrowsmith during 1980sBeaded handbag. Background beading is in small grey beads. There are four square sections on each side with coloured beads forming geometric patterns in red, green, pink and white beads. There are two handles which are beaded in small grey beads with grey silk lining. The bag is lined with grey silk. There is a zipped compartment inside and a metal clip to close it.costume accessories, female

Donated by Robin Goucher who was a student at Nunawading High SchoolSchool Pennant. Blue Felt 43cm x 17cm. Printed white shield 8cm x 9cm with Nunawading High School down the centre of pennant. Two grey felt loops for holding display on pole.Nunawading High Schooltrophies & awards, education

Presented to Lance Corporal Rahman, on deployment to East Timor April-October 2000 from collection at Mitcham R.S.L. Sub BranchDark grey cardboard box containing: .2 wet ones, .3 schick ultra plus shaver blades pack, .4 Mitcham deodorant pack,.5, .6 Johnson's cotton buds, .7 & .8 shaving soap stick, .9 Colgate tooth brush, .10 Colgate total toothpaste, .11 & .12 Palmolive soap, .13 & .14 Cashmere Bouquet soap, .15 Green plastic nail brush, .16 black plastic comb, .17 shaving brush, .18 lip balm, .19 Colgate dental ribbon, .20 chrome nail clippers, .21 White small towel.Defence personal items packDefence personal items pack. Male NSN 8465 66 145 6306personal effects, travel goods, uniforms, army, personal effects-toilet requisites, shaving

Elizabeth WEBBER nee EDDY. c1851 - 1928, the daughter of James & ... EDDY was born in Cornwall cl 851. At the time of her marriage she was living at her father's home in Ballarat where James EDDY was a ginger beer manufacturer. Elizabeth, who was 21 years of age exchanged marriage vows with the Reverend Samuel Phelp WEBBER on 4th April 1871. The groom who had left Cornwall in April 1869, was 29 years of age.| The wedding rites, performed by the Rev. Richard WARREN, were those of the Bible Christian Church which at a later date combined with various branches of the Wesleyian to become at the end of the 19'h century, the Methodist Church of Australia.| During Samuel's ministry, he and his wife moved around Victoria - in the goldfields of Ballarat & Sandhurst, later named Bendigo; Horsham and Daylesford and a city parish in Fitzroy. He was also (sic) President Conference B.C.C.| Samuel died during the summer of 1897, on the 14th February, St| Valentine's Day.| It is thought by a family member that this couple had five children, three girls and two boys.| After his death, Elizabeth who was confined to a wheel chair lived with her children. While visiting a daughter in Adelaide she died on Christmas Eve 1928.| Elizabeth,' with a younger daughter made baby wear to augment their income. This daughter's daughter, Beryl married W. GRAY.| The photograph and the above information was supplied by Elizabeth's granddaughter, Beryl B. GRAY and her husband.| Victorian Records; Marriages, 1871; number 2247N|B. Beryl GREY was for a number of years an active member of the Nunawading Historical Society. 27 March 2004Black and white photo of Mrs. Elizabeth Webber.webber, elizabeth

Chef doll on wooden stand. Wooden swivelled head on wooden body. White chef hat and apron, blue shirt, grey trousers (all made of cloth). Painted brown shoes. Painted face.Polandtoys, general

Black and white photograph, mounted on grey cardboard, showing 4 sculls of different classes grouped together on Lake Moodemere to pose for the photograph. A few of the oarsmen are identified on the back of the mount.On back of mount: "Crews Lake Moodemere | Eight Oared. Cox ____, Stroke ____, 7 Seat A N Jackson, 6 _____, 5 _____, 4 A W Chambers, 3 _____, 2 _____, Bow _____ | Gig 4 oar. Cox _____, Stroke _____, 3 _____, 2 _____, Bow _____ | Outrigger 4 Oar. Cox _____, Stroke Jim Woods, 3 _____, 2 _____, Bow _____ | Pair Oar. Cox _____, Stroke _____, Bow Buckingham."rowing, lake moodemere, sculls

Mr Blaickie an Uncle of Mr S.W. McDonald, Local ResidentBlack and white photograph, mounted on grey cardboard, of Blackies Traction Engine and Threshing Machines - 16 Men in photo - child sitting on wheel- Bags of chaff in Foreground - Tree covered hill in background.On back of photo: "Blaikies Traction Engine & Thresher. Taken Porepunkah 1900 early. Blaikies were Uncles of Mr [illeg] McDonald. A Mr Blackies on engine"agriculture, threshing, blackie, traction engine, farm equipment

Print of 20.1Black & white photographic print of 20.1, mounted on grey card (Photograph of a band)Bottom right hand corner: "Copy / Alf L. Bowden / The Studio / Corowa / NSW"

Black and white photograph, mounted on grey cardboard, of wheat harvest, showing bags of grain, stack of straw, horses, men and machinery.On back of mount: "Mitchell Bros. Threshing Machine and Chaffcutter props. Balldale, N. S. Wales, 1912"mitchell brothers threshing machine, threshing machinery, chaffcutters, balldale, harvesting

Donated by Bramich, Margaret, a relative of Miss Williams, Beth. Beth is a member of the Rutherglen Historical SocietyHeavy based, silver grey mixer & fruit squeezer. Silver coloured mixers, white squeezer, black rubber mat