A wooden racquet with a red-painted concave throat, and grooved handle. Inscription across the throat on obverse, accompanied by an emblem of a hand grasping three thunder bolts: FLASH. Below on stem: MAGNAN. Manufacturer's emblem, featured on throat on reverse, comprises of the letter 'M' at the centre of a gold ribboned black badge. Inscription: N.J. MAGNAN CORP./NORTH ATTLEBORO,MASS, U.S.A. Illegible hand-written name and intials on head and stem also feature. Materials: Wood, Gut, Plastic, Leather, Cloth, Metal, Glue, Lacquer, Inktennis

A wooden racquet with white plastic shoulder supports, and grooved handle. Inscription across the throat on obverse, accompanied by an emblem of a wreathed owl on a book: UNIVERSITY. Below on stem: MAGNAN. Manufacturer's emblem, featured on throat on reverse, comprises of the letter 'M' at the centre of a gold ribboned black badge. Inscription: N.J. MAGNAN CORP./NORTH ATTLEBORO,MASS, U.S.A. Materials: Wood, Gut, String, Leather, Cloth, Metal, Glue, Lacquer, Ink, Plastictennis

An Head 'Tournament Director' tennis racquet (1) with vinyl cover (2). Racquet features: aluminium frame with twin shaft; plastic bridge and butt cap; brown leather handle grip; and 'Graphite 6' netting. Manufacturer's name features on a badge adhered onto base of bridge, and, also across butt cap. Model name features along outer left shaft. Manufacturer and model name features across obverse of cover. AMF-Head logo and emblem feature across reverse of cover, and on metal zipper grip. Materials: Metal, Graphite, Leather, Plastic, Adhesive tape, Paint, Ink, Paper, Vinyl, Ink, Metaltennis

Metal tin containing two commemorative badges for 1999 U.S. Open and Louis Armstrong Stadium. Materials: Metal, Velvet, Ink, Enameltennis

There were numerous events in Kew, held during World War I, to support the War Effort. The 'Our Heroes' Carnival was held in the Kew Recreation Hall [dem. 1960], Wellington Street on the weekend of 9 and 10 August 1918. The event was held to gain financial support for the Lady Mayoresses' Patriotic League. Three press reports [see references] describe or illustrate the event. Organisation of the event was led by the Mayoress, Mrs Wynne, with the assistance of Mrs. H. Dodd and Mr. Hamilton Wilson. Stalls were operated by women selling items donated or created by individuals, organisations or institutions. While the badge is not mentioned in the references, it was clearly able to be purchased as a symbol of support for the event and for the cause for which it raised funds.The badge appropriates cultural symbols for political purposes. It is a rare example of a three-dimensional badge created to support Australian soldiers abroad during WW1. It is unusual in that the inscription is localised to the municipality rather than using a generic label. Badge - Small silvered metal kookaburra standing on a boomerang inscribed in capital letters with the words "Our Heroes Carnival, Kew". The badge has a pin on the reverse."Our Heroes Carnival, Kew"patriotic badges, world war 1, national symbols, cultural appropriation, badges, first world war -- fundraising, kew recreation hall

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.Round metal button with green background. The Belgian flag is shown in the centre with words printed in white above and below it. It is likely that this button was sold to raise funds to support the Australian army who went to Belgium’s aid in the First World War.For Belgium For Honorfirst world war (1914-18), patriotic buttons, badges

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A round pressed metal button in red, white and blue. The pale border is designed to look like a belt. The button was initially sold on the 24 March 1916, the day set aside as ‘Button Day For Our Fighting Men’ to raise funds for the servicemen fighting overseas."For Our Fighting Men"patriotic buttons, first world war (1914-18), badges

Most of the civic and sporting ephemera assembled by Francis Rigg were patriotic buttons. The use of these buttons as a means of raising revenue through patriotic sentiment occurred soon after Australia pledged allegiance to Empire. Buttons reflected ‘public sentiment, courage, patriotism, generosity and several [un- named] virtues’ such as the martyred mother of a ‘fallen’ hero. Attention was paid to attractiveness of design, encoded symbolism and high quality of production. Expressing ‘loyalty’, they were tokens to be kept for perpetuity. Female labour was used to operate the die that compressed the tin backing, photographic print and celluloid cover together. The pin was applied by hand. Women, of all ages, entered into the spirit of voluntary sales. Often they were sold at the entry and exit points of major pedestrian thoroughfares. The women of Kew set up a kiosk in front of the Post Office and the Railway Station to solicit their round, oval and square shaped wares. Pride in salesmanship was affected by publishing the name of the woman and her fiscal achievement in the major newspapers of the day. The button forms part of a collection of ephemera originally purchased by Francis Horace Rigg (19/10/1882-05/03/1946) of 50 Belford Road, Kew (Vic.). Frances Rigg was a local business identity in Kew, ultimately managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street, Kew from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and badges was inherited by his son, Ken Rigg (14/11/1922-19/01/2014). The collection was subsequently donated to the Kew Historical Society in 2015 by his grandson Adrian Rigg during the Gallipoli and Beyond Commemoration. The collection covers a period of almost 40 years. The majority of the badges are patriotic buttons, issued and sold during and immediately after World War 1 to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Round metal button in red, white, blue and gold showing a sun setting over the sea with words printed in red around border and on lower outer rim.hospital day, patriotic buttons, first world war (1914-18)

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A ‘Wattle Day’ button made of pressed metal. The design is of branches of wattle on a dark green background. The first ‘national’ Wattle Day was celebrated in Sydney, Melbourne and Adelaide in 1910. Public support for Wattle Day peaked during the First World War, when it was a potent symbol of Australia."Our Own For / Our Own"wattle day, first world war (1914-18), badges, fundraising buttons

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A circular pressed metal fundraising button that was produced at the beginning of World War 1. ‘Wattle Day’ was celebrated before, during and after the War. For each Wattle Day different designs were chosen. This design features sprigs of wattle on a brown background."Wattle Day"wattle day, patriotic buttons, first world war (1914-18), badges

Frances Rigg was a local business identity in Kew, at one stage managing the local branch of the English, Scottish and Australian (ES&A) Bank at 175 High Street from c. 1920 until the 1940s. After Francis Rigg’s death, the collection of buttons and medallions was inherited by his son, Ken Rigg (1922-2014). The collection was subsequently donated to the Kew Historical Society in 2015 by Francis' grandson, Adrian Rigg, at the time of the Gallipoli & Beyond Commemoration in 2015. The collection covers a period of almost 40 years. The majority of the buttons are patriotic buttons, issued and sold during and immediately after the First World World War (1914-1918) to raise funds for national and overseas causes. The collection also includes a number of locally significant sporting event buttons and sporting club medallions, issued in the 1920s and 1930s.Patriotic and other pressed tin buttons and badges were produced in large numbers in the first decades of the twentieth century. By nature, insubstantial and ephemeral, they have not always survived. The collections of badges, buttons and medallions in the Kew Historical Society collection is homogenous and yet diverse, ranging from buttons sold to raise funds for the war efforts in 1914-18 and 1939-45, to those used at festivals and sporting events. Because of the manufacturing process, many surviving buttons and badges have been affected by inadequate storage, suffering from oxidisation and physical damage. These survivors are now historically and socially significant artefacts, revealing much about the attitudes and values of the period in which they were produced. Their widespread distribution means that they are frequently significant at a local, state, national and international level.A pressed metal fundraising button released in 1919 to support the Royal Women’s and Queen Victoria Hospitals. In June 1919, The Argus reported that a ‘A well attended public meeting was held at the Town Hall yesterday afternoon to complete arrangements for the Button Day on June 27 in aid of the Women’s and the Queen Victoria Hospital. The Button Fund committee desires it to be known that several busy city sections are still vacant and that further offers of help in the sale of buttons will be welcomed’. It would appear that different buttons were released on the same day to support different hospitals in various urban and rural locations in Victoria."Women’s Day / Women’s Hospital 27th June 1919 [&] Queen Victoria Hospital"patriotic buttons, first world war (1914-18), royal womens hospital, queen victoria hospital, button fund

Uniform of a Victorian Branch Commissioner, with blue epaulettes and a green and yellow bread scarf. The uniform was worn by Dr. Geoffrey E. Miles (b.1928) a Scout at 2nd Kew, the Scout Troop affiliated with Trinity Grammar School. He was subsequently an Assistant Scout Master (ASM) at 2nd Kew and was later Group [Scout Master (GSM) in charge of the 4th Kew Scout Group. At one time the Victorian Branch Commissioner for Health, he was awarded the Medal of Merit for services to Scouting in 1993.Short-sleeved, collarless fabric shirt of khaki color, with embroidered badges. Also fabric neck scarf, with braid and vinyl holdfast (woggle). And leather belt with metal clasp with Scout design and a number of enamelled badges.scouts, 2nd kew scouts, geoffrey e. miles, trinity grammar school, 4th kew scouts

A guidon is the regimental banner or flag carried by a regiment of light cavalry or light horse. The 8th light Horse (Indi) Regiment was presented with the guidon circa 1927. The actual date is not certain. The guidon carries the battle honours accorded to the regiment for service in the South African War (1899-1902), World War One (!914-1918) and World War Two (1939-1945). The guidon passed into the custody of the 8th/13th Victorian Mounted Rifles Regiment when it was raised on 1 May 1948. At Federation, the Victorian Mounted Rifles companies in North East Victoria were reorganised into the 8th Light Horse Regiment. In 1912 the regiment was renumbered 16th Light Horse. The 8th Light Horse Regiment AIF was raised at Broadmeadows Victoria in September 1914 under the command of Lieutenant Colonel Alexander White and formed part of the 3rd Light Horse Brigade. The regiment served at Gallipoli where in a courageous but ill-fated charge at the Nek on 7 August 1915 it suffered horrendous casualties including Lieutenant Colonel White. Rebuilt in Egypt under the command of Lieutenant Colonel Leslie Maygar VC the regiment went on the serve throughout the Middle East Campaign. Colonel Maygar died of wounds at Beersheba when the regiment was attacked by enemy aircraft while waiting to follow up the successful charge of the 4th LH Brigade on 30 October 1917. The 8th Light Horse AIF was disbanded in 1919, but soon after re-raised as the 8th (Indi) Light Horse in the Citizen Military Forces, superseding 16th (Indi) Light Horse. It had its headquarters at Benalla with sub-units throughout the Upper Murray and Northeast Victoria. In December 1941, the regiment converted from horse to mechanised, initially as 8th Reconnaissance Battalion then in July 1942 it became 8th Cavalry Regiment and served in Northern Territory. As Japanese threat to the mainland declined the regiment was disbanded. In 1948, the 8th Light Horse was linked with 13th and 20th Regiments to form the 8/13 Victorian Mounted Rifles in the Citizen Military Forces. Guidon of the 8th Light Horse Regiment. Maroon corded cotton double thickness fabric with gold metal thread fringe, gold embroidered regimental number in Roman numerals, regimental badge and battle honours; colour patch below badge. Braided corded with tassels.Battle honours: "South Africa 1899-1902, Sari Bair, Maghdaba-Rafah, Jerusalem, Megiddo, Damascus, Defence of ANZAC, Rumani, Gaza-Beersheba, Jordan (Es Salt), Sharon, South West Pacific 1943-1944"guidon, 8th light horse, battle honours

Presentation to the Sergeants' Mess of 8/13 VMR by Cadre Staff member Sergeant RC Tetley when leaving the regiment at the completion of his posting. The presentation of a gift of this type was a common practice in regimental circles.A bespoke object with relevance to the character of an RAAC regiment using as it does a shell case from a fighting vehicle used by 8/13 VMR and indicative of business procedure in Mess meetings.Chairman's gong made of a chrome plated 76mm shell case suspended from a chrome plated metal frame mounted on a stained wooden base. Silver 8th/13th Victorian Mounted Rifles Regiment hat badge is mounted on front side of base. Stained wood and chrome plated metal gavel sits on two rests on rear side of base. Small engraved plaque attached to base at rear.On presentation plaque: "Presented to 8/13 VMR Sgts Mess by 2782108 Sgt RC Tetley Dec 1984"; and markings on base of shell case: "76mm ARMD C PW 175 ME 1970"sergeants' mess, 8/13 vmr, tetley

20th Light Horse Regiment serving in a infantry role was posted to Merauke on the southern coast of Dutch New Guinea (now the Indoneasian province of Papua) in 1943. It was the only Australian Light Horse regiment to serve overseas in WWII. Sergeant Adrian Dunne, a native of Tocumwal NSW, was killed in action 12 November 1944. He was aged 25.Rare evidence of the service of the only Australian Light Horse regiment to serve overseas in World War II (1939-45). Timber framed display panel containing Australian Commonwealth Military Forces hat badge (Rising Sun), 'Australia' metal shoulder title, 1939-45 Star, Pacific Star, 1939-45 British War Medal and 1939-45 Australian Service Medal; and Colour patch of 20th Light Horse Regiment, black over gold. Objects are protected by a Perspex front cover sheet. Sgt Dunne's name is spelled incorrectly on the panel.20th Light Horse / Sgt Adrian Dunn / VX81616 Tocumwal / Killed Dutch New Guinea 1943.military, world war two, wwii, dunn, merauke, new guinea

Worn by VX45541 Lieutenant Louis A Jackson who served with 2nd/8th Armoured Regiment in Australia and New Guinea during WWII. Following its return from New Guinea in 1944, 2nd/8th Armoured Regiment had a change of role and was redesignated Numbers 41, 42 and 43 Landing Craft Companies and served in Pacific Islands till the end of the war. In 1947, Louis Jackson joined the Citizen Forces (CMF) and served as a captain in the 8th/13th Victorian Mounted Rifles. This uniform is a well provenanced, representative example of WWII clothing as worn by an officer of an armoured regiment. Service dress winter jacket with 37 pattern webbing and belt, and revolver holster. Jacket has lieutenant rank insignia, 'Australia ' metal shoulder titles, 'Rising Sun' collar badges, colour patches of 2nd/8th Armoured Regiment AIF, ribbon bar for 39-45 Star, Pacific Star, British War Medal 39-45 and Australian Service medal 39-45. Overseas service chevrons on right sleeve.uniform, 2/8th armoured regiment, jackson

Geoffrey R Fink volunteered for military service in early 1940. He served initially with 3rd Division A.A.S.C. but was discharged as being in a reserved occupation at the Aircraft Production Commission. He resigned from the Commission and joined the AIF on 28 July 1941 and was allotted to 2/8th Armoured Regiment. He served with the regiment in New Guinea and on return to Australia was transferred to No 41 Landing Craft Company serving out the war in the South Pacific. Geoffrey Fink died 14 March 2008 aged 86 at Wangaratta Victoria.This object is a well provenance, in good condition and completeness, and is a fine example of the uniform worn by a soldier who served in the Second World War (1939-45) in an unusual combination of roles, armoured corps and water transport. Service dress winter jacket with 'Australia' metal shoulder titles, 'Rising Sun' collar badges, miniature 2nd/8th Armoured Regiment colour patches above Landing Craft Company colour patches. Overseas service chevron on right sleeve. Ribbon bar: 1939-45 Star, Pacific Star, British War Medal 1939-45 and Australian Service Medal 1939-45. Jacket worn by VX60307 Trooper Geoffrey R Fink, 2nd/8th Armoured Regiment and 41st Landing Craft Company, WWII. uniform, metal, fink geoffrey r mr

VX 42774 Captain Robert (Bob) Fyffe, a grazier from Tocumwal, NSW, served with the Tocumwal troop of the 20th Light Horse prior to WWII (1939-46). He enlisted at the outbreak of war and served with the 9th Division Cavalry Regiment in North Africa. During the attack on Trig 22 on 17 July 1942 Captain Fyffe commanding a composite squadron manoeuvred his tanks to knock out machine guns and anti-tank guns enabling 2/32 Battalion to capture the objective. Captain Fyffe was awarded the Military Cross for his leadership and courage in the action. This was 9th Division Cavalry's first tank action of the war.Fine example of a uniform worn by a well known grazier and citizen soldier of the Tocumwal district, southern NSW, in both peace and war.Khaki wool serge officer's tunic with leather Sam Browne belt and revolver holster, and slouch hat with emu plumes and 20th Light Horse hat badge against red backing. Tunic has 20th Light Horse colour patches. overseas service chevrons and ribbon bar for Military Cross, 39-45 Star, Africa Star, Defence medal, British War Medal and Australian Service Medal 1939-45; metal Australia shoulder titles captain's rank stars and Rising Sun collar badges. Uniform worn by Captain Robert Fyffe MC, 20th Light Horse and 6th Division Cavalry Regiment AIF.. uniform, fyffe robert captain mc, 20th light horse, 9th division cavalry regiment, military cross

USTA guest pass badge for Davis Cup. Also states: 'Louisiana-Pacific U.S. Davis Cup Team Sponsor'. Materials: Ink, Metaltennis

.1 25 year bar - white background red lettering .2 30 year bar - navy background silver lettering .3 40 year bar - yellow background silver lettering .4 45 year bar - gold background black lettering .5 Medal attached to red ribbon supported by metal banner. Medal is round, white background with navy in centre. Gold enamel images of hose pump fittings and other firefighting regalia are imposed on the front of the medal. A gold coloured metal insignia is pinned to the red ribbon. A pin on a swivel is attached, this pin is used to attach to clothing. .1 25 YEARS .2 30 YEARS .3 40 YEARS .4 45 YEARS .5 LIFE MEMBER is on top of red ribbon, CLUNES is on bottom of red ribbon/INSCRIPTION on reverse of medal "Presented to J. T. Hardin from Officers & Members Clunes Urban Fire Brigade in appreciation of service 5-9-1986" j t hardin, sevice medals

With numbers increasing, the AFB began printing their own paper badges rather than relying on metal ones. The blank template could then be modified with a name, if desired. In this example, a laminted card is attached to a metal and plastic clip. The front of the badge has the guiding light symbol next to the words 'Association for the Blind', a space underneath and then 'Volunteer' at the bottom of the card.Large badge with yellow background and black writingAssociation for the Blind Volunteer badges, association for the blind

With numbers increasing, the 3RPH began printing their own paper badges rather than relying on metal ones. The blank template could then be modified with a name, if desired. In this example, a laminted card is attached to a metal and plastic clip. The front of the badge has a person facing upwards to a microphone whilst sound waves radiate around them. To the right of this symbol are the words 'Association for the Blind', '3RPH 1629' and then 'Radio for the Print Handicapped' above the name of the badge holder. The wearer's name is then embossed in Braille at the base of the badge on a blue background. This badge was donated by Marjorie West.Large badge with white background and black writing and braille at the baseAssociation for the Blind 3RPH 1629 Radio for the Print Handicapped Marjorie West badges, association for the blind

Badges were created to identify staff members. These consisted of a oval with a gold lighthouse on a blue background and the words 'For the Blind' in gold across the middle of the lighthouse . Around the outside, 'Royal Victorian Institute for the Blind' was written in gold against a navy blue background. 1 metal pin with gold lighthouse on blue background'Royal Victorian Institute for the Blind' royal victorian institute for the blind, badges

To honour the commitment of its Auxiliary, badges were awarded to commemorate 25 years of service. These consisted of a oval with a gold lighthouse on a blue background and the words 'Auxiliary' in gold across the middle of the lighthouse. Around the outside, 'Royal Victorian Institute for the Blind' was written in gold against a navy blue background, as well as the number '25' at the base of the lighthouse. 1 metal pin depicting a gold lighthouse with shining light and writing around outside'Royal Victorian Institute for the Blind' 'Auxiliary' '25'royal victorian institute for the blind, badges

A pin honouring Century Club members of the Association for the Blind. It has the guiding light symbol, with dark blue 'wings', on a cream coloured background. The words 'Century Club' are below the symbol and "Association for the Blind" around the top two-thirds of the symbol in gold lettering. 1 metal pin with gold writing and Guiding Light symbolAssociation for the Blind Century Clubassociation for the blind, badges

A Secretary badge was struck to identify this important role in the sighted community. These consisted of a rectangle with the words 'Secretary' in gold writing on a pale blue background and 'RVIB' written in gold against a blue background. 1 metal pin with gold writing on blue backgroundroyal victorian institute for the blind, badges

A Treasurer badge was struck to identify this important role in the sighted community. These consisted of a rectangle with the words 'Treasurer' in gold writing on a pale blue background and 'RVIB' written in gold against a blue background. 1 metal pin with gold writingroyal victorian institute for the blind, badges

To raise funds for the Royal Victorian Institute for the Blind, these badges were sold by street sellers in Melbourne. "Help the Blind" - A red, white and gold badge, circular, with four scroll shapes on the edges. The centre is white, with 'Help the Blind' in gold; the outer area is red with gold edging and words, 'as a thanksgiving for sight'. Some badges have paper numbers on the reverse. Metal pin with red and white enamel, and gold edgingHelp the Blindroyal victorian institute for the blind, badges

To raise funds for the Royal Victorian Institute for the Blind, these badges were sold by street sellers in Melbourne. A gold colour Australian coat of arms (Kangaroo and emu beside a shield with a star at the top), sits above a blue enamelled boomerang. In the shield is the letter 'B' in blue enamel. 'For those who cannot see' is written in gold lettering across the boomerang. Metal pin with blue enamel letteringFor those who cannot see royal victorian institute for the blind, badges

To identify members of its Auxiliary, badges were provided. These consisted of a oval with a gold lighthouse on a light green background and the words 'For the Blind' in gold across the middle, either side of the lighthouse. Around the outside, 'Royal Victorian Institute for the Blind' was written in gold against a black background, with 'Auxiliary' across the middle of the lighthouse. 1 metal pin with gold lighthouse and shining light'Royal Victorian Institute for the Blind' 'Auxiliary'royal victorian institute for the blind, badges