Hamilton Hill (Harold Hill 1858- July 1910) was a baritone singer born in Bendigo. In 1897 he was a member of Mr Bracy's Opera Company. In 1899 he left for San Francisco and then onto London in 1910. He began recording on both cylinders and discs in London in 1903 (as such he was the first Australian to make recordings for a mass audience). He toured extensively in Britain and the US, with occasional return tours to Australia. He died of consumption in Los Angeles leaving a widow and one child.A paper detailing the nearly lost history of famous Bendigo singer Hamilton Hill and his tours overseas.hamilton hill, theatre, music

Diorama depicts a village with the huts / houses one covered storage area, two APC'S, Barrow with wood, pig pen,tunnels by three, boat on waterway and soldiers (searching for VC) Scenery includes trees and vegetation, wood piles and house hold items.C1967 Diorama is in two pieces joined by landing bridge.diorama

Index, bibliography, notes, ill, p.211.non-fictionA chance discovery made on a tour of Anzac Cove provided an immediate link between Gallipoli and Melbourne’s Eastern Suburbs. In the lead up to the Centenary of Anzac, ‘The Sweetland Project’ (named after a Box Hill man, Stephen Sweetland) became a broader search for the connections between Gallipoli and the former Shire of Nunawading, revealing 27 men from the former shire who died during the Gallipoli campaign. This book traces their stories and the reaction to the Great War of the local community, and shows how personal and collective memories of their experiences still resonate today.world war 1914-1918 - campaigns - gallipoli, gallipoli campaign - personal recollections

Index, bibliography, notes, ill, p.250.non-fictionTwenty-two U-boat veterans tell their stories in this collection of their experiences, recorded by the author during several years of travel throughout Germany. While many books have been written about the U-boat war, this is one of the few that focuses on the lives of the submariners, and rarer still is its concentration on the crewmen rather than the officers. Melanie Wiggins interviewed seventeen men of the enlisted ranks, along with five commanders, to take readers into the terrifying world of underwater warfare, where every single crewman made a crucial difference in the fate of his boat. As she searched for and interviewed U-boat men, Wiggins also collected photographs from scrapbooks and archives, and consulted war-era personnel records and secret diaries. Her attendance at a reunion of the crew of U-682 netted a wealth of information as did her interviews with submarine veterans in Gؤrlitz, former East Germany. Her interviews with Admiral Otto Kretschmer just two months before his death and ninety-four-year-old Commander Jѓrgen Wattenberg in Hamburg add important dimensions to the work. Among the individual sagas included are Radioman Hans Bѓrck's description of his 1942 patrol to Aruba and the visit of Japanese submarine I-30 at Lorient; Fireman 2nd Class Josef Erben's explanation of how his boat, U-128, got stuck on a large rock and had to be hauled free; POW Ernst Gؤ:thling's memories of being wounded in a British prison camp when German planes mistakenly dropped bombs in the area.world war 1939 – 1945 –naval operations - germany, germany - u-boats

p.227.fictionKien's job is to search the Jungle of Screaming Souls for corpses. He knows the area well - this was where, in the dry season of 1969, his battalion was obliterated by American napalm and helicopter gunfire. Kien was one of only ten survivors. This book is his attempt to understand the eleven years of his life he gave to a senseless war.vietnam war 1961-1975 - fiction, vietnam war 1961-1975 - history

Index, notes, ill, p.601.non-fictionTake a journey back to the front line with two Australian veterans as they retrace the footsteps of soldiers and politicians, villagers and the enemy in a meticulously researched new history of the Vietnam War. Thirty years after the end of the Vietnam war comes an objective analysis of Australia's involvement. The book shows the extent of Australia's engagement in the Vietnam war and its contribution compared to its allies. "For Australians, Vietnam remains one of the most difficult-and controversial-wars we have fought. On the fiftieth anniversary of Australia's first involvement comes Vietnam: the complete story of the Australian war, for anyone who wishes to understand why Australia went to war, and who wants to make sense of the intensely unrelenting warfare. For Bruce Davies and Gary McKay, the history of Vietnam-its wars, colonial domination, its search for freedom and its subsequent loss-speaks to an Australian anxiety of a very small population far away from the centre of an empire to which it was firmly committed. The rise of Japan, the war in the Pacific and the postcolonial independence of the peoples of southeast Asia, coupled with the mercurial influence of Ho Chi Minh and the rise of communism, form the background to the commitment of Australian forces. Vietnam takes the reader to the front line, describing the experiences of soldier, politician, villager, enemy; and into the war room to unpick the military and political strategies. We see the challenges the Australians faced against not only a dogged enemy, but also those by the allies in the quest to defeat a powerful counterinsurgency. ... Meticulously researched and marked with acute critical analysis and a deep understanding of the place and the war, Vietnam shows the experience of Australian soldiers as never before.vietnam war 1961-1975 – history, vietnam war 1961-1975 – australian involvement

Bibliography, ill, p.223.fictionIt is 1915, during World War I at Gallipoli, and Lt. Roy Irwin is missing. The young woman who loves him, and the men who fought beside him, begin their search for Lt. Irwin. Later, in 1919, historian C.E.W. Bean returns to Anzac Cove with artist George Lambert and soldier Harry Vickers to solve the greatest mystery of the campaign, to discover Gallipoli's secret. Forward to 2015, and Dr. Mark Troy's quest to preserve the peninsula from roadworks is sidetracked by political intervention and diplomatic intrigue. But a flirtation with a dynamic young woman from Army Intelligence uncovers long-forgotten documents protecting Gallipoli's graves. In this eagerly awaited book, one of Australia's leading historians uses a playful hybrid of history and fiction - moving between the historical realm and the world of the imagination - to recreate the most dramatic moments of the Gallipoli campaign in World War I.gallipoli campaign - fiction, war stories

Photograph. Eaglehawk D & A Procession. Clan McLeod Pipe band.photo, eaglehawk d & a procession., eaglehawk dahlia & arts procession. also search: eaglehawk d & a procession

p.240.non-fictionThe search for missing military personnel in Vietnamvietnam war 1961-1975 – us - involvement, vietnam war 1945-1975 - missing soldiers

Private James Edward Matthews (3174) was one of four first cousins living in the Myrtleford district killed during World War 1. He was in the 60th Battalion, A.I.F. action at Fromelles, France, and was killed in action, aged 19 years, on July 19,1916. He was the son of Richard and James Matthews of Myrtleford and has no known grave, but is "Remembered with Honour" at V.C. Corner, Australian Cemetery and Memorial, Fromelles. James attended Myrtleford State School 955; his death is recorded on honour boards at the Uniting (formerly Methodist) Church, the school honour board and at the Soldier's memoral Square. A memorial window at the church includes names of the four cousins.The portrait reminds viewers of the youth of many A.I.F. volunteers, the outcome of actions such as that at Fromelles in 1916 and the impact on families in small communities. It also relates to the ongoing search for identifiable remains of those personnel without a known resting place. Framed original sepia photograph, head and shoulders, of World War 1 soldier in full dress uniform.James E. Matthews, 60th Battalion, Killed in Action, 19 July, 1916. Photography: Talma & Co., Melb.james matthews 60th battalion fromelles

an original painting of two soldiers and a tank in front of a building that has been destroyed. Lots of grass and trees also in the paintingpainting, vietnam lest we forget, soldiers

As the Vietnam War ground to an end, American forces were being withdrawn from combat duty. But some were still fighting for their lives: the prisioners of war. There were two operations lauched to rescue the POWs. One - the legendary Son Tay Raid - was revealed to the public. The other was classified as Top Secret. This is the incredible true story of that almost-forgotten mission.. 1961-1975 - prisoners and prisons, north vietnamese, prisoners of war - united states, vietnam war - 1961-1975 - search and rescue operations, u.s. navy seals, operation thunderbird, pows, son tay raid

Shortly before 8 a.m. on 16 March 1968, C Company, 20th Regiment, 11th Brigade, Americal Division, on a search and destroy mission in Quang Ngai Province, South Vietnam, entered the hamlet of My Lal, by noon every living being the troops could find was dead - more than 400 women, children and old men had been systematically murdered.my lai massacre (vietnam : 1968), vietnam war, 20th regiment, 11th bridade americal division, quang ngai province

So that others may live - that was the pilots' creed. They flew low and slow, at treetop level, at night, on monsoons, amd in point blank range of enemy guns and missiles. 1961-1975 - search and rescue operations - vietnam, vietnamese conflict , 1961-1975 - search and rescue operations - laos, 1961-1975 - aerial operations - american

Mick Berrigan was critically wounded in Vietnam in 1967. He returned to Australia and a system which was totally unprepared to rehabilitate him of provide any support for his extensive brain injury. This is the story of his courage and persistence in his fight to be his own person. It is about his parents and affect their constant search for help on Mick's behalf had on their lives. It is also about me, his sister, and how I became his 'significant other'.vietnam war, 1961-1975, war wounds -- biography, rehabilitation -- australia -- biography

Mick Berrigan was critically wounded in Vietnam in 1967. He returned to Australia and a system which was totally unprepared to rehabilitate him of provide any support for his extensive brain injury. This is the story of his courage and persistence in his fight to be his own person. It is about his parents and affect their constant search for help on Mick's behalf had on their lives. It is also about me, his sister, and how I became his 'significant other'.vietnam war, 1961-1975, war wounds -- biography, rehabilitation -- australia -- biography

Mauve and Pink cover with a painting of a large brown lace up boot. The book title is depicted on a wrought iron sign. non-fictionBerlin, 2010: A deathbed promise launches Kathy Giuliano on a quest for the truth about her family during World War II. Alone, she travels to Berlin in search of an enigmatic octogenarian who holds the keys to the past. The only clues to his identity and whereabouts and are a black-and-white photograph and an outdated address in Reinickendorf. England, 1938: After fleeing Nazi Germany for the safety of England, a teenage boy is captured when Churchill gives the order to 'collar the lot'. One of 2,000 prisoners on the hell-ship Dunera, he is sent to Australia. At the 'family camp', he makes footwear and forms life-long friendships. Eight years later, what does he find when he returns to Berlin? Victoria, 1943: With the Japanese at Australia's doorstep, a mother and daughter are arrested at their cane farm in far north Queensland and sent 'down south'. Their crime? Teaching the Italian language to school-children. The internment camp at Tatura changes everything. The secrets they share must be kept for the rest of their lives.ww2 italians, internment, tatura, queensland, debbie terranova, berlin

Commissioned by the Friends of Wombat Hill Botanical Gardens and gifted to the Hepburn Shire in 2012. Historical Significance - In 1848, Irish immigrant John Egan took up land on the future town site then known as Wombat Flat. He and a party of searchers found alluvial gold in 1851 on ground now covered by Lake Daylesford initiating the local gold rush. Other finds quickly followed. With the finding of alluvial gold a town site was surveyed and founded in 1852. Initially called Wombat, it was renamed Daylesford. Cultural and Artistic Significance - Miriam Porter's 'Wombat' is a symbol of the Wombat Hill Botanical Gardens where visitors and locals alike love being photographed. Large scale solid redgum wombat sculpture.Artist intends to sign the work with 'M' on one leg.daylesford, hepburn shire, public art, miriam porter, wombat, art, sculpture, red gum, australian wood, australia, tourist attraction

tullaree, lady of the swamp

tullaree, lady of the swamp

Hardcover w/ Dust JacketBaillieu Knight Frank Fridge Calendar and a postcard from Susie and her partner (A.) to Mrs. J. Davieswalsh st library

This is a review of Robin Boyd's book 'The Puzzle of Architecture'. Newspaper clipping. the puzzle of architecture, walsh st library

Alma Shanahan (1924-2015) was a Victorian potter who came to live at Clifton Pugh's Dunmoochin art colony at Cottlesbridge, on Melbourne's outskirts in 1953. Unable to join the co-operative proper, as she was a potter, not a painter, she built her house at the top of the hill, 135 Barreenong Road, Cottles Bridge. The c.1953 house is historically, aesthetically and architecturally significant because it is a good example of the design and ethos of mud brick dwellings synonymous with Eltham and features the extensive use of recycled materials, which was characteristic of the 'Eltham style' of architecture. Like the others in the artist community, Alma Shanahan built her own residence in stages out of local materials. Shanahan was later joined by neighbours and Dunmoochin potters Peter and Helen Laycock. She trained for a term with Peter Laycock but was otherwise self-taught, basing her practice on the teachings of Bernard Leach. After Pugh's death in 1991 she became the longest standing Dunmoochin resident. Her works are incised with her full name. Alma Shanahan was a part of the Dunmoochin Artist's community whose (other) members (Kevin Nolan, John Howley, John Olsen, Mirka Mora, Peter Laycock, Helen Laycock, Peter Wiseman and Chris Wiseman) made an important contribution to Victoria's cultural history. From the mid 1950s Pugh persuaded a number of other painters, as well as potters and other artists, to come and live at Dunmoochin and they formed one of Victoria's most important artist communities. She started potting around 1961 (aged 37). "Horse Power" was made using Chullora clay, which indicates it was made during her first seven years of production. Horse Power is about man's search for "energy" and how the "energy" can turn around. Made from Chullora (Sydney) clay. Glazed stoneware plates (x2) with brush decorations resting on hand made ceramic stands. Plate one: 2006.64.1VA (Horse Power + stand) shows a figure on horse back with blue foliage in background. Plate two: 2006.64.2VA (Flip Side + stand) shows a horse with figure under it's hooves. Hand painted signature in brown/black on back of both plates; "Alma Shanahan"shanahan, stoneware, glaze, plates, horse, dunmoochin