Note by T.H. Kneen 19 November 1991, "this photo is later than B91.5-note replacement of bay windows by picture window in A.W. Jessep's time as Principal."Blsck and white photograph. Front view of house.a.w. jessep, principal, principal's residence, principal's house

The Peaks of Halls Gap The Grampians Series 2425Black and white post card of mountain views.The Peaks of Hall's Gap, Grampians Series 2425 (copyright)halls gap grampians

Yellow covered nine page booklet containing 19th Century views of Bendigo and Ballarat presented by Thomas Richard Jones, Chemist of Hargreaves Street Bendigo. Art Noveau figure of woman on front cover. Inside cover features T R Jones Dispensing Chemist and Druggist printed beside man holding a horse. List of Veterinary products supplied by Jones. Farmer's requisites included Strychnine, Toxa, Phosphorus, Poisoined wheat, Bi-sulphide of Carbon. Egg preserving fluid and milk preserving powder Rennet and butter colouring along with Drenches and Cattle medicenes supplied. View No1. Moorabel Falls Ballarat. View No 2. Statues of Leda and Spring Ballarat. View No 3. A Giant Palm Bendigo. View No 4. View from St Paul's Bendigo. View No 5. Unveiling 'The first Public Statue' Bendigo P/Office in background. View No 6. Statue Presented to the City of Bendigo by Cr Harkness. [Reclining greek beside dog fighting lion] View No 7. 'On the Campaspe, near Bendigo. View No 8 The Pine Avenue, Rosalind Park. View No 9. Scenes on Lake Wendouree, Ballarat. View No 10. Statuary in The Botanical Gardens Ballarat. View No 11. Statues of Burns & Moore Ballarat. View No 12. Botanical Gardens, Ballarat. Inside back cover features list of T R Jones products. Outside back cover features advertisement for T R Jones Universal Corn Cure, and Jone's Compound Pectoral Balm.Printed by Periodicacls Publishing Co, 21 Elizabeth Street Melbourne.bendigo, parks and gardens, bendigo chemist and local views.

Black and white photograph of Swanston St looking south from Little Collins St with the Town Hall in the view. Has a number of cable cars, horse drawn vehicles and motor vehicles in the view. In the view are shops for Rayners Ladies Drapers and a shop "Marlborough"Has "Brimson" on the rear in ink.trams, tramways, cable trams, town hall, swanston st

This image provides an additional later modified building view to that of the image of the original single storey building image published on back page of the 1910 MTS Annual Report. According to the Annual Report of 1915 the plans to build a residence on top ( the 2nd storey ) of the Port Melbourne building got the go ahead to commence and opened 1916. Originally designed by architect, Frederick Williams, who built the first brick Mission at Port Melbourne in the 19th C. Walter Butler was commissioned for the second storey.The Port Melbourne building in the image established in the 19th C., still survives. It was a key centre of operations for the Mission prior to the building of the Mission near Australian Wharf in 1907 and prior to the eventual opening of the current "Central Mission" in 1917. NB operations of The Port Melbourne Branch Mission were eventually transferred to the King George V memorial Building, dedicated in December 1937 but demolished in 1995. The Mission depicted here still survives as part of an apartment complex on the corner of Nott st.Positive photograph on medium format glass slide ; b & w image of brick building taken from a corner street level view, with upper storey at one end on glass transparency with a flagpole and flag (Flying Angel) just discernible. The slide is edged with adhesive tape.missions to seamen institute, mission building, frederick williams, walter butler, port melbourne, beach road, mission to seafarers, nott street

Black and white photograph showing some vacant land and new houses under construction. Developed area in background. (3 copies)Typed below photograph, "View from Loughnan Rd. looking south east, 1949". Written on backing sheet, "View from Loughnan Rd. to corner Harrison and Andrew Street, c1949".

The donation was accompanied by the following letter from the donor: "Hi. I found these in with family photos. Taken by family as Mamie McLeod was living in Fellows Street, Kew, so would be near there. Retain (or discard) as you see fit." [Donor's name and address withheld from public view]. To gain an insight into the flood levels at Kew, it is worth reading newspaper accounts of the event. The Age published an article - Valuable Gardens Destroyed at Kew - on 25 September 1916: "VALUABLE GARDENS DESTROYED AT KEW. From the heights of Studley Park, Kew, a splendid view of the flood waters can be obtained, and yesterday afternoon, despite continuous rain, crowds of citizens assembled there to witness the spectacle. There is a vast stretch of water some 300 or 400 yards broad, above the foot bridge connecting Gipps-street, Collingwood, and Studley Park. The river is only about 3 feet from the top of the embankment connecting with the ramp of the bridge on the Studiey Park side. When the upper llood waters come down it is almost a certainty that tne embankment will be submerged and the bridge rendered impassible. Below the bridge the waters again stretch out, and have submerged all the low-lying land on the Collingwood side and invaded the back premises ot the Kodak Co., Phoenix Biscuit Factory, a tannery adjoining thereto, the Shamrock Brewery, and Chinese gardens in the vicinity. At Walmer-street-bridge, at the end of Studley Park, the low-lying land on the Kew side is covered with water to the depth of many feet. Tlie land in question is owned in a great part by Mr Frank Lavers who haa gone in for intense culture on a pretty liberal scale on both the slopes of the hill and on the river flat. On the latter he is cultivating many acres of asparagus, and has at a considerable cost spent three years in preparing the ground and installing an irrigation system, reticulated from the Yan Yean water supply. This year the asparagus was put down, and the plants were in a promising condition. Tlie flood waters are now flowing fast over the land. The crop is ruined, and three years' work and expenditure destroyed. Mr. Laver's private residence fortunately is high above flood level, but two houses he owns off Young-street have been flooded out. Having been warned in time, the tenants removed their furniture hefore the water came down to Mr. Laver's residence, where they themselves have been given accommodation in the meantime. All the river flats in East Kew are under water. One or two low-lying houses have been flooded. Chipperfield's boat shed at Willsmere is nearly covered, and some Chinese gardens in the vicinity are several feet under water."This, and the other three photographs donated of floods in Kew are believed to be the earliest in the collection. Together with our original MMBW River Yarra map showing flood levels, these items, when compared allow researchers to gain a visual perspective of the extent of the flood in 1916. Panoramic view, believed to be looking north towards Fairfield from the Zig-Zag Bridge on the River Yarra. The inscription on the reverese identifies it as taken before 1920.Inscription on reverse in ink "(pre 1920) Flood from Zig-zag bridge Yarra River, Kew Vic."river yarra, kew, floods 1916, zig-zag bridge

Black & white "Murray Views" souvenir photograph - View towards Mt. Dandenong from Heatherdale Road along Maroondah Highway, Ringwood. Circa 1950s.

Black and white "Murray Views" postcard - View from eastern bank of Ringwood Park Lake, railway line hidden by trees in background. Circa 1948."1948" handwritten on back.

3 coloured postcards and 8 coloured photographs of scenes on Churchill Island including an aerial view, homestead, outbuildings, vegetation, views, cairn and coastal scenes.Postcards say Churchill Island, Victoria. Victoria Conservation Trustchurchill island, churchill island heritage farm, churchill island - homestead, samuel amess

This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. While the page heading says "architect: Walter Burley Griffin", in fact Edward F. Billson designed it.From the Victorian Heritage Register Database - Citation for 45 Balaclava Road https://vhd.heritagecouncil.vic.gov.au/places/35562 (as at 12/10/2020) The house at 45 Balaclava Road, Caulfield North has architectural importance as an early example of the work of Edward F. Billson, whose work demonstrated the influence of the internationally distinguished American architect Frank Lloyd Wright and his one time colleague, Walter Burley Griffin with whom Billson worked in partnership for a period. It is presumed to be the earliest important example Billson's work and attains special importance as an early example of modern architecture in Australia, the earliest work of Griffin preceding it by only five years.Page 29 of Photograph Album with four photographs of close up views of architectural details of a window and doors including three interiors and one exterior view.Hand written: Neg 263 [under top left photo] / Neg 269[under top right photo] / Neg 261 [under bottom left photo] / Neg 267 [under bottom right photo] / 29 [bottom left]trevor hart, caulfield north, balaclava road, edward f. billson, frank lloyd wright, walter burley griffin, modern architecture, 1910's, gables, double storey houses, windows

Black and white photograph of Pall Mall, View Point, View Street from the Camp Reserve. Post Office on L.H. side ( J. Lerk 11.02.2000 )A. Foxplace, streetscape, view point/pall mall

black and white photo: View from the Union Bank ( later ANZ) across View Street towards Temperance Hall. Shows columns and decorative capitals.cottage, miners, james lerk 5.11 1999: 'view from manager's office, union bank, view st. bendigo, looking at temperance hall extensions'

Slide. Bendigo Views. Scenic view of Bendigo with a tall brick chimney near some large buildings. ADI, Australian Defence Industries now THALES.slide, bendigo, bendigo views, bendigo views

The Sale Methodist Church was opened in 1865. It was replaced with a new church in 1965.B & W interior view of the Sale Methodist Church. View of the apse with font, communion table and wall painted arch "Worship the Lord in the beauty of Holiness".sale, methodist church, apse, painted arch

The Sale Methodist Church was opened in 1865. It was replaced with a new church in 1965.B & W interior view of the Sale Methodist Church. View of the apse with font, communion table and wall painted arch "Worship the Lord in the beauty of Holiness".sale, methodist church, apse, painted arch

The Gipps Street Wesleyan Methodist Church of 1874 and the adjoining school hall, were built in the Collingwood Flat area - one of the municipality's poorest areas. In 1903, the Collingwood Methodist Mission was established with its headquarters in the Gipps Street Church. Six Methodist Missions were created in inner Melbourne. Three churches were operated by the Collingwood Mission. They were: Sackville Street Collingwood, Elizabeth Street, North Richmond (demolished), and Gipps Street Collingwood (demolished). The Mission operated until approximately 1930.B & W exterior view of the Gipps St. Collingwood Methodist Church. The image is a street view of a group of children and an adult standing in front of the brick church.gipps st. methodist church, les gorrie, collingwood mission

.1 BLACK AND WHITE PHOTOGRAPH PANORAMIC VIEW PORT PHILLIP MINE 1870. .2 MOUNTED SEPIA PHOTOGRAPH PANORAMIC VIEW OF PORT PHILLIP MINEPORT PHILLIP 1870photographs, port phillip mine, mine 1870

View of Range View (Woolrich Nursery) Nursery under snow. The section owned by Jim Woolrich is up by the pine trees. The rest belongs to Ted Woolrich.The nursery. Jim's place up by the pine trees.woolrich, woolrich nursery, range view nursery, jim woolrich, ted woolrich, olinda, snow, nursery

Colour photograph: Lake View Hotel, 263 McCrae Street, Bendigo, white painted building, no verandah. Written on front in red 'Lake View Hotel'.bendigo, hotel, lake view

black and white copy: elevated view of Bendigo from Lower Pall Mall. Titled 'Birds eye view of Bendigo' on image. Treed area in foreground, townscape behind, ranges on skyline. In grey lead on back: view of Bendigo from Lower Pall Mallunknownplace, land, bendigo

Black and white postcard with the title "The Season's Greeting From Rutherglen", illustrated with photographic views of Rutherglen. Photos include: view across a vineyard, swans in Lake King, a street view, Great Southern Mine, and Garibaldi Mine. This one is an enlarged photographic duplicate of 449.10a rutherglen, vineyard, great southern, garibaldi mine

Yields information about the trams used by the AETA for a Ballarat tour to celebrate the Golden Jubilee of electric trams.Digital image from the Wal Jack Ballarat Album of the AETA Ballarat Golden Jubilee tour of 20/8/1955, of Specials 21 and 38, in Ripon St at near Sturt St, on View Point line. Photograph by Keith Kings. See image i2 for rear of photograph. i3 - hi res scan of print i4 - cleaned image by PCW - 22-9-2022On rear of photograph in ink "Ballarat Golden Jubilee of electric trams, Specials 21 & 38, in Ripon St at Sturt ST on View Point line. 20/8/1955" and Keith Kings stamp in top right hand corner with number "P(c)(4)" written in.trams, tramways, aeta, tours, golden jubilee of trams, ripon st, view point, tram 21, tram 38

Yields information about the operation by the Begonia Festival and in particular when 661 was repainted.Set of 8 colour prints of BTPS trams during the 1984 Begonia Festival, just after the repainting of 661 has been completed. Each print has two small copies of the main photo on the right hand side. Printed on Sakuracolor paper. .1 - 661, 27 and 38 at the depot .2 - 661 at St Aidans drive with the parking fee collectors in the view. Interior cab view showing controller, brake handle and pressure gauge. .3 - crossing 14 at the loop. .4 - 661 and 27 at the depot .5 - interior view of No. 14 .6 - interior view of depot with 28 and 26 being rebuilt in the view. .7. - interior view of 661 .8 - interior view of 661 with the tram being swept out. trams, tramways, begonia festival, btm, depot, wendouree parade, tram 661, tram 27, tram 38, tram 14, tram 28, tram 26

Par of "Woolcock Gallery Collection". Exhibited CEMA 1989.Flower stem view on left, with flower details on right, leaf and stepal details on left. On far left are two leaf views of front and back in dark green - back view shows smalls hairs on leaf. On lower left is a side view of the leaf. The stem study depicts leaves up both sides of the central stem and side stems. Two stems have flowers near the top end. The flowers are dark yellow with an orange tinge, with red and purple centres. On right is a detail of stem and leaves, two side views of flower buds, a top view of full flower and a side view of full flower. Mounted in a double matt (off-white on pale tan) in a gold paint and wood glazed frame.Front: Pultenaea humilis (lower left) (pencil) CEW 29/1/77 (signature, lower left) (pencil) Back: 3 (upper left) (pen)cema, botanical, collin woolcock, botanical drawings, woolcock collection

Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Stem view and details of a flowering plant in colour pencil. On left a stem view depicts stem with two off shoot branches of leaves and pea flowers on a long stem. The leaves are dark green, flat, long and gradually tapered with paler central vein. Flowers are purple with white partially blended striations. On right (t-b): front view of pea flower; side view with partial stem; rear view with sepals; leaf views with rear, front and side depicted in detail; side view of whithered flower. Numbered in pencil and typed letters on white paper affixed to surface of image. Mounted in double matt (pale grey on mauve), framed under glass in wooden gold and green frame.Front: Swainson phacoides (Dwarf Swainson Pea) (lower left) (pencil). CEW (lower centre in image) (maroon pencil). Back: 71 (upper left) (pen)collin woolcock, botanical, woolcock collection, cema, botanical drawings

View of Harry Walker's home taken from waht is now known as Ridge Road, Kalorama. Raspberry crops are in the foreground. This photograph has a detailed inscription on the back handwritten by John Lundy-Clarke in 1974.1908 view of H Walker’s home on Village Settle Lot 2 Section 1. Looking from what is now Ridge Road through the trees on Vil. Set Lot 18 to Barber’s house now known as “Forest Edge” on Vil Set Lot 25 down close to the Olinda Creek on Barbers Road. The Estate Agent’s modern office is on the edge of the patch of raspberries at the lower left as the C.R.B. Mt Dandenong Rd passes just behind Walker’s house crossing the picture behind the raspberries.walker, raspberry crop, forest edge, barber

Part of 'Woolcock Gallery Collection' Exhibited CEMA 1989.Stem, flower and leaf details of flowering plant in colour pencil. On left is a stem view depicting a woody central stem with thin leaves and smaller leafed stems ending in clusters of buds or orange pea flowers. On bottom left is a side view of orange pea-flower. On right (t-b): front view of flower; side view of emergent bud; leaf detail; rear view of flower depicting petals and sepals. Mounted in double matt (white on apricot), framed under glass in gold wooden frame. All views numbered in pencil and typed letters and numbers on white paper affixed to paper surface.Front: Dillwynia hispida (lower left) (pencil). 15/?/77 (lower left) (pencil, erased). Back: 40 (top left) (pen)collin woolcock, botanical, woolcock collection, cema

Items in the collection relating to C.J.C. McQuie MM, refer Cat No 9680P for his service details. .1) Postcard dated 13.9.18, to McQuie's Mother, talks about his eyes getting better and that there are 2,000 lads in the Hospital. .2).3).4) Postcards dated 15.9.18. McQuie relates how he has just been appointed 2nd Lieutenant and maybe moved to an Officers Hospital. .5).6).7) Postcards dated 18.9.18, to McQuie's Mother, relates how he is now out of bed, slowly getting better. .8) Postcard dated 22.9.18, McQuie talks about the Postcard picture and his collection of Postcards on bridges. .9) Postcard dated 19.10.18. The sender appears to be Ronald Ernest McQuie No 1977 3rd Reinforcements 21st BN. .10) Postcard dated 11.11.18, "Armistice signed, I have just been before a Board. Fortnight home service then G.S."Ten Postcards. .1) B&W view of Beaufort War Hospital, text on rear in purple. .2) .3).4) Sepia tone with views around Bristol, text on rear in purple, cards are numbered 1,2 & 3. .5).6).7) Sepia tone with views around Bristol, text on rear in purple, cards are numbered 1,2 & 3. .8) Sepia tone with view of Bristol area, text on rear in purple. .9) B&W with view of Castle Walls, text on rear in black, Piece of LH corner missing. .10) Sepia tone with view in a Church Salisbury, text in black.1) to .7) All have, "Ward 20 Beaufort War Hospital". four have "Bristol" on as well. .8) "Bristol" .9) "France, Best wishes for a happy Xmas and a peaceful new year". .10) "11.11.18 Salisbury"postcards, photos, mcquie