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NMIT (Northern Melbourne Institute of TAFE)Photographic Slides, Preston Technical School Activities 1981-1982, 1981-1982
Sets of slides in named folders: PTS Activities Programme. 51 col slides (processing date on slides DEC 75) 1975 Preston Technical School Camping Programme 1. 14 col slides (processing date on slides MAY/DEC 75) Preston Technical School Staff/Student Cricket match. 18 col slides (processing date on slides OCT/NOVDEC 75) Schools in! An overview of PTS . 52 col slides (processing date on slides JUL 75)1975 PTS visits Melbourne Zoo. 48 col slides (processing date on slides OCT 79) 1979 PTS Activities Programme. 24 col slides (processing date on slides MAY 75) 1975 7C Bonnie Doon Camp 1981 26 col slides (processing date on slides DEC 81) Preston Tech School Snow Trip 1981 19 col slides (processing date on slides AUG 81) Bonnie Doon Camp 1981 21 col slides (processing date on slides OCT 81) Bonnie Doon 1982 29 col slides (processing date on slides FEB 83) Canberra Year 9 1982 Part 1 40 col slides (processing date on slides AUG 82) Canberra Year 9 1982 Part 2 45 col slides (processing date on slides AUG 82) Canberra Year 9 1982 Part 3 45 col slides (processing date on slides AUG 82) Canberra Year 9 1982 Part 4 47 col slides (processing date on slides AUG 82) Scenic pictures of Canberra 1982 Part 3 35 col slides (processing date on slides AUG 82) Mt Martha Camp Year 7 1982. 72 col slides (processing date on slides MAR/SEP 82) Outdoor Education Camp Bonnie Doon 1982 Part 1. 30 col slides (processing date on slides MAR 82) Outdoor Education Camp Bonnie Doon 1982 Part 2. 32 col slides (processing date on slides MAR 82) Tasmanian Trip Year 10 1982 Part 1. 35 col slides (processing date on slides AUG 82) Tasmanian Trip Year 10 1982 Part 2. 40 col slides (processing date on slides AUG 82) Year 11 Beechworth Camp Art/History Part 1. 31 col slides (processing date on slides APR 82.) Year 11 Beechworth Camp Art/History Part 2. 44 col slides (processing date on slides APR 82.) Box of slides (no date) Slides of school areas “To use whenever guests are around” (36 slides) Loose slides (in elastic band) Various school activities. 31 col slides (processing date on slides 1982) A visual record of activities at PTS during 1981-1982.22 folders containing sets of photographic slides from 1981-1982 depicting Preston Technical School activities. Each set of slides is housed in a cut down manilla folder. Also 2 sets of unnamed slides and one short reel of staff portraits.Each folder is marked with the name of the activity and slides are marked with cataloguing details (Dewey number) from PTS library.preston technical college, ptc, camps, excursions, canberra, beechworth, mt martha, bonnie doon, nmit -
Daylesford & District Historical Societyprint of artwork, 1882 comet sighted near Daylesford, circa 1887
A super comet known as the 'Great September Comet' and renowned by some to be the brightest comet ever seen. Visible by the naked eye in the Southern skies in 1882. Depicts visual record of a local sighting by early settlers of a special astronomical event in the Daylesford area in the 1880's.A print of art work depicting a man and woman near their hut in forest clearing, looking up to comet in sky. Rectangular shape, sepia colour and adhered on card. On front bottom; THE COMET of 1882 as seen from Sailors Creek near Daylesford Sept 6 at 4.30am. On back; Donated by O.Bell Musk Vale written in ink. Olive Bell of Bells Reef Road family hist Mathew Bell written in pencil. At bottom written in ink; Seen at 4.30a.m Sept 6 1882astronomy, comets, daylesford, sailors creek, bell, bell family -
Moorabbin Air Museum
Map - Visual Flight Guide Map AUS-VEC2 1969 - Visual enroute and terminal charts SE-Australia, map AUS-VEC2 29 May 1969
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Moorabbin Air MuseumMap (item) - Commonwealth of Australia Visual Charts, VEC (various), Terminal Chart (Various)
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National Vietnam Veterans Museum (NVVM)Book, Brown, Malcolm and MacGladrie, Stuar and Sutton, Candace, You're Leaving Tomorrow: Conscripts and Correspondents caught up in the Vietnam War (Copy 2), 2007
three highly respected Fairfax journalists take a fresh look at the dramatic events of the Vietnam War in this fascinating and richly visual book/three highly respected Fairfax journalists take a fresh look at the dramatic events of the Vietnam War in this fascinating and richly visual book/ 1961-1975 - participation - australian, vietnam war, 1961-1975 - journalists -
National Vietnam Veterans Museum (NVVM)Book, Brown, Malcolm, MacGladrie, Stuart and Sutton, Candace, You're Leaving Tomorrow: Conscripts and correspondents caught up in the Vietnam War (Copy 1), 2007
Three highly respected Fairfax journalists take a fresh look at the dramatic events of the Vietnam War in this fascinating and richly visual book.Three highly respected Fairfax journalists take a fresh look at the dramatic events of the Vietnam War in this fascinating and richly visual book. 1961-1975 - participation - australian, vietnam war, 1961-1975 - journalists -
Hepburn Shire Council Art and Heritage CollectionPublic Art Work, Patrick Jones, 'Poemscape: a physical anthology' - Patrick Jones. 1999, 1999
The work was installed at the cnr of Bridgport St and the Midland Hwy, adjacent to the Daylesford Library, in 1999. The work was commissioned by the Friends of the Library, Daylesford and funded by Arts Victoria and the Australia Council. Poemscape: a physical anthology is a much loved site specific installation work commissioned by the Friends of the Library, funded by Arts Victoria and the Australia Council, made by Daylesford resident Patrick Jones in response to his interests in the provision of public food, the development of locavore sensibilities and the rethinking of economies of material accountability and regard. Patrick Jones is a poet and non-fiction writer, a visual artist and ecological thinker. In 2013 Patrick Jones was awarded the degree of Doctor in Creative Arts from the University of Western Sydney for his thesis, 'Walking for food. Regaining permapoesis.'Public Art Environmental installation work installed near the Daylesford Library. Poemscape: a physical anthology comprises of 19 apple trees (18 Fuji apple trees and 1 Granny Smith apple tree) planted on the corner of Bridgport St and the Midland Hwy, adjacent to the library. Adjacent to each tree is a hardwood plinth at topped with a laser engraved brass plate that has been screwed in place. The text of each plate is by 19 poets including the artist and Daylesford resident Patrick Jones, local poets Peter O'Mara, Toby Sime and Robert Campbell, Australian poets Geoff Page, Kath Walker, D T Sime, Judith Wright, Ramona Barry, Jack Davis, Robert Campbell, Christopher Brennan and International Poets Dylan Thomas - Welsh, Sylvia Plath - American, Choku Kanai - Japanese, William Blake - English, Duo Duo - Chinese (translated from the Chinese by John Rosenwald), Yannis Ritsos- Greek (translated from the Greek by Kimon Friar & Kostas Myrsiades), Michel Deguy - French (translated from the French by Clayton Eshleman), Seamus Heaney - Irish and Rainer Maria Rilke - German. The title plate adjacent to the Granny Smith apple tree is by the artist/poet - Patrick Jones. See photographs with images of each of the laser engraved brass plates. permapoesis, artist as family, patrick jones, william blake, kath walker, chaku kanai, peter o'mara, sylvia plath, dylan thomas, geoff page, duo duo, d.t. sime, judith wright, yannis ritsos, michel deguy, ramona barry, seamus heaney, jack davis, rainer maria rilke, robert campbell, christopher brennan, hepburn shire, daylesford library, public art, installation art, environmental art, hepburn shire public art collection -
Inverloch Historical Society004253 - Postcard - In the tea tree, Inverloch (Same as 000809B), circa 1906
A visual portrayal of a well-worn bush pathway, possibly to the beach at Inverloch.Black and white standard size postcardCopyright by G. Ford, Leongatha. Printed in Britain. $10 hand-written in pencil on reverse side. tea tree, inverloch, g. ford, leongatha -
Robin Boyd FoundationBook, Aldous Huxley, The Art of Seeing, 1943
Hardcover w/Dust JacketLibrary plate: Edith Susan Gerard Boyd's Books/pen inscription 'Susan from ?Fats '44vision, visual defects, bates method, walsh st library -
Villa Alba MuseumBook, The papered wall : the history patterns and techniques of wallpaper, 1994
The papered wall : the history patterns and techniques of wallpaper / by Lesley Hoskins. Abrams (N.Y.) 1994, A history of wallpaper from its beginnings around 1500 to the present day. Hundreds of illustrations, not only of the papers themselves but also their settings in paintings and on the walls of contemporary rooms, offer a visual record of patterns for different uses, markets and tastes.non-fictionThe papered wall : the history patterns and techniques of wallpaper / by Lesley Hoskins. Abrams (N.Y.) 1994, A history of wallpaper from its beginnings around 1500 to the present day. Hundreds of illustrations, not only of the papers themselves but also their settings in paintings and on the walls of contemporary rooms, offer a visual record of patterns for different uses, markets and tastes.wallpapers - history, interior decoration - history, wall coverings - history -
The Royal Children's Hospital ArchivesPhotograph, Exterior view, Isolation Ward, Children's Hospital, Carlton, Circa 1920
From the album of J W GrieveThe photographic collection at the RCH has been identified as especially significant, and comparative research suggests that it is one of the biggest and most diverse visual records of children’s health held by any hospital in Australia. Spanning more than a century, the collection traces the changes in how children have been cared for. It also reveals the daily experiences of hospital staff and patients over its long history, and the deeply personal stories of medical care that can result in sorrow or relief.Black and white photograph, adhered to album page -
The Royal Children's Hospital ArchivesPhotograph, Operation in progress, Children's Hospital, Carlton, Circa 1920
From the album of J W GrieveThe photographic collection at the RCH has been identified as especially significant, and comparative research suggests that it is one of the biggest and most diverse visual records of children’s health held by any hospital in Australia. Spanning more than a century, the collection traces the changes in how children have been cared for. It also reveals the daily experiences of hospital staff and patients over its long history, and the deeply personal stories of medical care that can result in sorrow or relief.Black and white photograph, adhered to album page -
The Royal Children's Hospital ArchivesPhotograph, Ormond Ward, Children's Hospital, Carlton, Circa 1920
From the album of J W GrieveThe photographic collection at the RCH has been identified as especially significant, and comparative research suggests that it is one of the biggest and most diverse visual records of children’s health held by any hospital in Australia. Spanning more than a century, the collection traces the changes in how children have been cared for. It also reveals the daily experiences of hospital staff and patients over its long history, and the deeply personal stories of medical care that can result in sorrow or relief.Black and white photograph, adhered to album page -
The Royal Children's Hospital ArchivesPhotograph, Sir Redmond Barry's house from Carlton Gardens, 1894
From the Ida Bevan Collection. The Children's Hospital purchased Redmond Barry's house on Rathdowne Street and moved to Carlton in 1876.The photographic collection at the RCH has been identified as especially significant, and comparative research suggests that it is one of the biggest and most diverse visual records of children’s health held by any hospital in Australia. Spanning more than a century, the collection traces the changes in how children have been cared for. It also reveals the daily experiences of hospital staff and patients over its long history, and the deeply personal stories of medical care that can result in sorrow or relief.Black and white photograph adhered to a card -
The Royal Children's Hospital ArchivesPhotograph, The Snowball Ward, Children's Hospital, Carlton, 1908
The photographic collection at the RCH has been identified as especially significant, and comparative research suggests that it is one of the biggest and most diverse visual records of children’s health held by any hospital in Australia. Spanning more than a century, the collection traces the changes in how children have been cared for. It also reveals the daily experiences of hospital staff and patients over its long history, and the deeply personal stories of medical care that can result in sorrow or relief.Black and white photograph mounted on cardboard in plastic sleeve"WARDS, CARLTON Medical Ward - Snowball Ward 1908" is written in pencil on reverse of photograph. -
The Royal Children's Hospital ArchivesPhotograph, Night duty nurses, Children's Hospital, Carlton, 1923
From 'Carlton album' 1922-1925The photographic collection at the RCH has been identified as especially significant, and comparative research suggests that it is one of the biggest and most diverse visual records of children’s health held by any hospital in Australia. Spanning more than a century, the collection traces the changes in how children have been cared for. It also reveals the daily experiences of hospital staff and patients over its long history, and the deeply personal stories of medical care that can result in sorrow or relief.Black and white photograph with white border. Adhered to Page 5 of album."January 1923" handwritten in white pen at the top right of the page. "Night Duty" handwritten in white pen under the photograph. "Ruth Boehive, Jean Gilruth, Gwen Graham" handwritten in blue pen under the photograph and under the white writing. -
The Royal Children's Hospital ArchivesPhotograph, Nurse graduates ringing the ship's bell, Royal Children's Hospital, Parkville, 1968, 1968
The bell was salvaged from RMS Australia and it was tradition for nurses to ring it when celebrating success in their exams.The photographic collection at the RCH has been identified as especially significant, and comparative research suggests that it is one of the biggest and most diverse visual records of children’s health held by any hospital in Australia. Spanning more than a century, the collection traces the changes in how children have been cared for. It also reveals the daily experiences of hospital staff and patients over its long history, and the deeply personal stories of medical care that can result in sorrow or relief.Black and white photograph loose in sleeve -
The Royal Children's Hospital ArchivesPhotograph, Birthday party, Children's Hospital Orthopaedic Section, Mt Eliza, Circa 1937
The photographic collection at the RCH has been identified as especially significant, and comparative research suggests that it is one of the biggest and most diverse visual records of children’s health held by any hospital in Australia. Spanning more than a century, the collection traces the changes in how children have been cared for. It also reveals the daily experiences of hospital staff and patients over its long history, and the deeply personal stories of medical care that can result in sorrow or relief.Black and white photograph adhered to the album page. "THE BIRTHDAY PARTY." typed on album page. -
The Royal Children's Hospital ArchivesPhotograph, Nurse with infant patient, Children's Hospital Orthopaedic Section, Mt Eliza
The photographic collection at the RCH has been identified as especially significant, and comparative research suggests that it is one of the biggest and most diverse visual records of children’s health held by any hospital in Australia. Spanning more than a century, the collection traces the changes in how children have been cared for. It also reveals the daily experiences of hospital staff and patients over its long history, and the deeply personal stories of medical care that can result in sorrow or relief.Black and white photograph with a white border loose in sleeve"Sister Elinor Davies ('Dave') at RCHOS Copyright, The Argus F440" is written in pencil on reverse of photograph. -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Linton-Smith, Virginia, Gippsland Lakes Bibliography
The story of the mosaics on the Paynesville Promenade and a look at the people of Paynesville and its environment.township, visual arts -
Clunes Museum
Book, NATIONAL LIBRARY OF AUSTRALIA et al, CLUNES - A TOWNSCAPE STUDY OF A VICTORIAN COUNTRY TOWN
GENERALLY THIS SIDY IS AN ANALYSIS OF THE VISUAL FABRIC OF THE TOWN AND GIVES SUGGESTED GUIDELINES FOR FUTURE GROWTHBOOK - CLUNES - A TOWNSCAPE STUDY OF A VICTORIAN COUNTRY TOWN PRODUCED BY CENTRE FOR ENVIROMENTAL STUDIES. UNIVERSITY OF MELBOURNE 1977GENERALLY THIS SIDY IS AN ANALYSIS OF THE VISUAL FABRIC OF THE TOWN AND GIVES SUGGESTED GUIDELINES FOR FUTURE GROWTHlocal history, town scape -
Nillumbik Shire CouncilPublic Art: Robert BAINES (b.1949, Melb, Aus), Robert Baines, Transaction (Location: entrance, Nillumbik Shire Council Offices, Civic Drive, Greensborough), 1994
The site specific sculpture is located at the entry to the office of Nillumbik Shire Council. It was commissioned in 1994 by the Shire of Diamond Valley for their 20 year celebration. Baines was chosen from a short list of three artists. He is an internationally renowned artist, particularly in the field of gold and silver smithing. 'Transaction' takes on the visual and aesthetic vocabulary of its surroundings. It is a statement of the geometry and idiosyncrasy of its immediate site. The series of arcs are reinterpreted into longitudinal curves in the sculpture. It is a transaction between the place and the anticipated entry to the building. The title also suggests the flow of civil and administrative procedures that take place daily within the Shire's offices. A large cascading form in stainless steel. Multiple rows of concave dishes set on long steel stems, which progressively increase in size as they rise in height. The work plays elaborately with perspective, and its repeated shapes are arranged in a orderly mathematical series. It faces a wheelchair ramp lined with polished steel rails, and is integrated with the architectural features of its forecourt setting, for which it was designed. The piece is sited in a small garden area and can be viewed from within the building's foyer. In bright sunlight, its dish-shapes cast elliptical shadows across walkways and lawns. N/Apublic art, transaction, ekphrasis2017, stainless steel, disks, poles, council -
Nillumbik Shire CouncilWork on paper - Print (etching), Graham FRANSELLA, Beach I (figure), 1985
A finalist in the Shire of Eltham Art Awards in 1985. Born in Harrow, England, Graham Fransella studied at the Bradford School of Art, Yorkshire. He came to Australia in 1975. Graham Fransella lives and works in Melbourne and is represented by galleries across Australia.Fransella is an artist (printmaker) of national significance. “A feature of Fransella’s art is that it has an immediate visual simplicity, sometimes possessing the lucidity of graffiti-like directness, but this is attained through the most complex and intricate means. The surface on which he works is the arena in which he performs with an endless layering of marks, surfaces and signs. It seems that he surrenders to an intuitive process, one in which chance serves as an active collaborator. Ultimately his practice engages with the theory of the artist’s subconscious being allowed unbridled freedom of expression.” Sasha Grishin AM FAHA, in 'Gorgeous simplicity in signature themes: Graham Fransella', Sydney Morning Herald, April 5, 2014This etching depicts a busy and carefree day at the beach in bright colours of red and blue. The figures are drawn with spontaneity and simplicity, which is characteristic of Fransella's style. Figures are positioned in states of relaxation or bounce around beach scenes in joyful exuberance. eltham art award, etching, print, beach, figures -
Nillumbik Shire CouncilCeramic (tiles): Tom SANDERS, Untitled, c. 1970s early
Sanders was a well-known local potter who worked for a time with David Boyd at the Martin Boyd Pottery, before returning to Melbourne where he had some association with Arthur Boyd, at the pottery in Murrumbeena. Sanders set up a studio in Eltham in the early 1950s and made the first of a series of architectural ceramic murals with painter and print maker Lawrence Daws in 1956. After returning from his travels in Europe to Australia in 1964, he began to work solely on creating ceramic murals. Murals created during the second half of the 1960s and into the 70s can/could previously be found at Southland Shopping Centre in Cheltenham, Melbourne (1968) - now demolished, the National Mutual Centre, Melbourne (1964-5) - now demolished, Dee Why Library, Sydney (1966), Woden Valley High School, ACT (1967), Tullamarine Airport, Melbourne (1969, 1970), Perth Concert Hall (1971) and University of Melbourne (1975) (with John Olsen). Sanders has worked with many of Australia’s pre-eminent painters and ceramicists including Fred Williams and John Olsen. In 2015 Nillumbik Shire Council will be installing a mural by Sanders, donated by Tom and his family before Tom passed away in 2009, for the redevelopment of the Eltham Town Square. During the 1970s Sanders produced a number of tapestry designs. Highly respected artist and one time local resident Hilary Jackman worked with Sanders developing and adapting his tile designs to be translated into silk tapestries that were made in Japanese Mills of Kawashima Orimono in Kyoto. They were displayed in the big Hall in the NGV. Sanders gave these tiles to Jackman as payment for her work. The tapestries are based on abstract designs and have a cotton warp, and silk weft. The tiles are similar to Sanders’ other mural works such as Wall of the Moon (Homage to Miro) and the mural located in the Perth Concert Hall. It’s clear that Sanders was inspired by the Spanish surrealist artist Joan Miro from the 1930s in both philosophy and style. Miro’s work is quite playful, symbolic and imaginative. Miro’s preference for painting like this was “to express contempt for conventional painting methods, which he saw was a way of supporting a bourgeois society”. He "famously declared an "assassination of painting" in favor of upsetting the visual elements of established painting.” Three earthenware tiles, embossed with an abstract linear design. N/A -
Yarrawonga and Mulwala Pioneer MuseumCamera - Movie, Cinemax Auto Zoom with attachments
The camera is in very good visual condition it has a serial No. 362528 -
Koorie Heritage Trust
Book, Black, Lindsay, Aboriginal Art Galleries of Western New South Wales : part 3, 1943
Art in various forms was a general practice of the Aboriginals all over Australia. This is shown in many ways, such as the carved trees (dendroglyphs) of central New South Wales ... The most general form was the rock paintings and engravings (petroglyphs) found in many parts of the continent. In this book it is proposed to deal with rock paintings and petroglyphs of Western New South Wales.76 p. : ill., 2 maps; references; 22 cm.Art in various forms was a general practice of the Aboriginals all over Australia. This is shown in many ways, such as the carved trees (dendroglyphs) of central New South Wales ... The most general form was the rock paintings and engravings (petroglyphs) found in many parts of the continent. In this book it is proposed to deal with rock paintings and petroglyphs of Western New South Wales.aboriginal art -- visual arts - general -- rock engraving -- rock painting. -
Koorie Heritage Trust
Book, Black, Lindsay, The Bora Ground : being a continuation of a series on the customs of the Aborigines of the Darling River Valley and of Central New South Wales, 1944
... The incised trees at bora grounds have been seen when in use by keen observers... Besides recording the photographs taken in February, 1942, and diagrams of the Banaway Bora Ground, I have added numerous references and reports by explorers, early settlers and others who actually saw these bora grounds in use. The territory of the great Kamilaroi Nation was the centre of the teleteglyphs or incised trees at ceremonial grounds in the same way as the Wiradjuri Nation was for taphoglyphs or monumental trees and the Barkinji Nation for cylcons...64 p. : ill. ; 22 cm.... The incised trees at bora grounds have been seen when in use by keen observers... Besides recording the photographs taken in February, 1942, and diagrams of the Banaway Bora Ground, I have added numerous references and reports by explorers, early settlers and others who actually saw these bora grounds in use. The territory of the great Kamilaroi Nation was the centre of the teleteglyphs or incised trees at ceremonial grounds in the same way as the Wiradjuri Nation was for taphoglyphs or monumental trees and the Barkinji Nation for cylcons...arts -- visual arts - general -- carved and painted trees -- prehistory, early culture contact and history -- activity and resource sites., other: bora ground -
Koorie Heritage Trust
Book, Blandowski, William, Australia : William Blandowski's Illustrated Encyclopedia of Aboriginal Australia, 2010
Blandowski's "Australia" is simultaneously an encyclopedia of Aboriginal life, a visual record of Blandowski's travels from 1849 to 1857 and a collage which combines photograghs, original images and the works of other artists. William Blandowski was an explorer, natural scientist and artist who led a Victorian government expedition to the junction of the Murray and Darling Rivers from 1856 to 1857. This is the first publication in English of his nineteenth century illustrated encyclopaedia of Aboriginal life.v-vii, 188 P. map, ill. notes; photographs; facs. plates; footnotes; timeline; annotations.Blandowski's "Australia" is simultaneously an encyclopedia of Aboriginal life, a visual record of Blandowski's travels from 1849 to 1857 and a collage which combines photograghs, original images and the works of other artists. William Blandowski was an explorer, natural scientist and artist who led a Victorian government expedition to the junction of the Murray and Darling Rivers from 1856 to 1857. This is the first publication in English of his nineteenth century illustrated encyclopaedia of Aboriginal life.aboriginal australians -- murray river valley (n.s.w.-s. aust) -- social life and customs -- 19th century -- pictorial works. | aboriginal australians -- murray river valley (n.s.w.-s. aust) -- rites and ceremonies -- 19th century -- pictorial works. | material culture. | hunting, gathering and fishing. | body - scarification. | ceremonies. | recreation - games. | weapons - clubs and fighting sticks - fighting. | death - mortuary customs. | death - mortuary / funeral ceremonies - burial. -
Whitehorse Historical Society Inc.Audio - Vinyl Record 12'LP, Mitcham Choral Society - Methodist Hymns, late 1960s to early 1970s
1. Mitcham Choral Society formed in 1932 - later became 'The Melbourne Singers'|2. The record came from an estate parcel of goods donated to Eastern Relief and was presented to the Whitehorse Historical Society because of other items held in the collection.Methodist Hymns. Mitcham Choral Society conducted by Fred Watcford, under supervision of Willia, Flynn W&G Selected release.|*Now Known as 'The Melbourne Singer'musical instruments, accessories, audio-visual technology, audio appliances -
Whitehorse Historical Society Inc.Leisure object - Stereograph and accessories, circa 1920
Stereograph has been restoredStereograph made of wood. Two windows with magnifying glass in each. Wood and metal stand to hold picture card to be viewed. Three picture cards of siege guns, Duke of York Celebrations, Hobart; Pay day DelhiOn siege guns card, The Rose Stereographs Melbourne, Sydney, Wellington & London.audio-visual technology, audio - visual accessories, audio - visual appliances
