This handmade women’s nightgown features hand-worked Broderie Anglaise yoke and trim. It is one of seven handmade items of white cotton underwear, all made with beautiful needlework and embroidery skill. The lingerie once belonged to the donor’s great-grandmother’s family, the Paton family of ‘Trefnant’, Yangery, in southwest Victoria. This design of nightgown was worn by females in the 19th century and is still worn today.The collection of women’s late-19th-century undergarments is an example of clothing that women would include in their wardrobes. The garments add to the study of the evolution of women's fashions and practicality for the early Australian settlers. The fine linen fabric and the careful needlework in these handmade garments and hand-worked lace trims reflect the maker’s dedication to making even serviceable garments beautiful to look at and wear. Women's long straight nightgown, white cotton, with long sleeves gathered at the cuff, stand-up lace collar, and a small catch closure on the bodice's centre opening. Hand-worked Broderie Anglaise yoke and sleeve tips.flagstaff hill maritime museum and village, maritime museum, maritime village, warrnambool, great ocean road, southwest victoria, victorian era, nightie, nightgown, women’s nightwear, sleepwear, night dress, women’s clothing, women’s fashion, lingerie, 19th century, handmade clothing, broderie anglaise, hand-made broderie anglaise, paton family, trefnant, yangery, nightdress

In the early years of the 20th century adequate technical education was lacking and became a focus in the Victorian Parliament. After much debate and discussion among politicians and educationalists, the 1910 Education Act No 2301 was passed, making possible the establishment of new technical schools to address the dearth of skilled trades people. In July 1912 Collingwood Technical School opened in the modified bluestone buildings at 35 Johnston St, originally built in 1853 as the Collingwood Town Hall and Court House. Within three weeks, there were 57 boys enrolled - studying preliminary carpentry and pattern-making, plumbing, engineering, sheet iron work and bricklaying. They attended two hours a night on three evenings a week. In 1913, the school opened its doors to juniors and took residence in new permanent buildings erected on the site. It was classified as a trades school by the State Education Department. Two years later courses in electrical wiring and electrical and mechanical engineering were introduced. In 1988 Preston College of TAFE and Collingwood College of TAFE merged to become Northern Metropolitan Institute of TAFE (NMIT). (http://victoriancollections.net.au/organisations/northern-melbourne-institute-of-tafe)Red soft covered book of 60 pages. Contents include: List of President, Council and staff, constitution, aim of the school, scholarships, evening classes, advice to parents, Railway fares, tram fares, free travel, general rules for students. syllabus of work, evening work. Images include carpentry class, Bricklaying, plastering and Turning & Fitting classcollingwood technical school, collingwood, tafe, nmit, northern metropolitan institute of tafe, carpentry, bricklaying, plastering, turning and fitting

Five black and white photographs of displays of student work in what could be a town hall. It is unclear whether they are of Collingwood Technical School students work or of work by Technical school students generally. They are undated but estimate they could be 1950s judging from clothes on display. The photographs were taken by Ritter Jeppesen Studios, 107-111 Lonsdale St, Melb. O.I.collingwood technical school, technical school students, students displays, nmit

Black and white copy of original portrait showing a man seated on bench with a lady standing to his right, resting her elbow on back of the bench. A plant in front left, bottom corner of photo. Man is wearing a dark suit, white shirt, bowtie and corsage, he also has a mustache. Lady is wearing a dark fitted dress with fur around bodice, horizontal striped top with cuffs exposed. Embroidered stick out shoulder pads, dark curly hair and rings on her left hand."Michael O'Meara & wife nee Beatrice O'Leary".michael o'meara, mrs beatrice o'meara (nee: o'leary)

An exercise book covered in brown paper. Used for Music school work in 1948 by Judith Stone in Mrs Francis' class. 61 p. of which 43 pages have school work written in fountain pen.williamstown high school, music, exercise book, 1998, students work

Nelson’s New Drawing Course was in use around the early part of the 20th century. The owner of this particular copy Mary Norman, was born in Ararat in July 1883. She produced her first public work in 1900 and came to Warrnambool in 1901 and worked with S. Pearce Fuller. She taught at Warrnambool Ladies’ High School at Upton in Canterbury Road and also took art classes at Fullers Art School. She left Warrnambool in 1906, going first to Echuca before returning to Ararat where she set up her studio and held her first public exhibition in 1908. She married Jesse Bail in 1922 and had one child Jessica in 1923. She died in 1962 in Ararat, aged 79. Mary Norman worked in Warrnambool, and has left a significant amount of work of scenes from around the district. The Warrnambool and District Historical Society has five in its collection, Gaul’s Cave, Mermaid Cave, Seascape, Wreck of “La Bella”, Clifton Banks, Hopkins River.Dark olive green hardcover book with black scrolling and coat of arms at bottom of cover. Text in black. It covers such subjects as freehand and freearm drawing, mechanical drawing clay modelling colour work and paper cutting. It contains diagrams as well as instructions. Handwritten in black ink inside front cover, “Mary Norman, Ch of Eng DHS Echuca May 1908. Black ink stamp, 1909 Mary Norman Studio Ingor St Ararat. Thomas Nelson and Sons London Edinburgh and New York 1905.warrnambool, nelson's drawing course, teacher's handbook, mary norman, warrnambool artists

'Tiles from the Boomerang Studio' is a prototype of the work 'Year 2052', created while Mooney was an Artist in Resident at Laughing Waters in the Boomerang studio in 2002. Records of flora were collected in and around the Gordon Ford garden in Laughing Waters Road. The work 'Year 2052' is made up of '77' tiles and was acquired by Geelong (Regional) Art Gallery in 2003. Whilst working at the Boomerang studio, local based artist Mooney noticed that “a battle raged in the bush between non-indigenous plants and indigenous plants”. She also noticed how humans “invade” land, changing the surrounding environment and causing irreversible damage. This work is an interpretation of the fragility and value of Nillumbik’s indigenous flora and of its conflict with introduced species. The title of the work (Year 2052) and look of these ‘fossilised specimens’ asks viewers to cast themselves into the future and to look back at today. “These tiles have been found; an incomplete record of flora collected in and around the Gordon Ford garden in Laughing Waters Road. The tiles appear to have been made at the beginning of the millennium. The viewer is asked to contemplate which species are missing”. Mooney works with collected indigenous items to emphasis the beauty of their natural shapes, while at the same time introducing selected materials of contrast or sympathy. Her work creates a great sense of “stillness and peace, of simplicity and connection with the natural world as well at the vanishing Australian bush.”This work is made up of seven handbuilt earthenware oval/round clay 'tiles' - (eight pieces - with one tile intentionally broken), brown in colour and bisque and blackware fired, giving a matt black ash coating on each of the tiles' surface. Each tile has an imprint of a floral specimen indigenous to the Laughing Waters area in Eltham. Each tile has an imprint of the following specimens: tiles, earthenware, flora, indigenous, bisque, boomerang, ford, laughing waters

A photo taken in the Halls Gap Hall at what is said to be one of the best of the early Flower Shows of native flowers. The first flower show was held in 1933 at the suggestion of local resident Jack Watson. Four years later head teacher Grant Greenwood suggested a show be held and due to its success it continues to this day (2010).The photo shows floral displays, arranged on tables along walls and in the centre of a room. There is a bench seat in front of the table in the centre of the room (right side of the photo). Photos and paintings can be seen on the wall on the left side of the photo. "One of the first flower shows Native Flowers Ida Stanton" hand written in pen on back of phto.events, wildflower show

A small grey coloured statue depicting a farmer's wife sitting on a bench. Beside her is a basket with a rooster in it. The item is accompanied by a small paper folder explaining the statue's connection with the Dutch folk song: Zoete Lieve Gerritje.The pink paper folder contains a description of the story of Zoete Lieve Gerritje in Dutch, French, German and English.

Used in the kitchenMetal frame painted blue, has four holes in base so it can be bolted to a bench. Rotating handle with wooden grip connected to a slicing disc with three slots. Has hole in the front into which a bean is inserted.None

2 copies black and white photograph. Group of 16 students who graduated in 1969-1970. Students seated and standing on tiered benches. Also piece of tracing paper with names on which can be laid over the photograph.On reverse, "Photograph by Information Branch Victorian Department Of Agriculture Ref. No.D.1012.A."1969, 1970, student group 1969-1970

Black and white copy of original photograph of a lady in light clothing with broad brimmed hat, resting her hands on the shoulder of a man sitting on a bench seat. Man dressed in dark suit with white hat and dark ribbon."Henry and Edith Francis".henry francis, edith francis

Four page knitting pattern booklet featuring black and white printed graphics and text. The colour cover shows a woman sitting on the back of a park bench, wearing a yellow woollen top, tartan skirt and red stockings.front: [printed] 928 / PRICE / CODE / C / VillaWOOL Belvedereknitting, pattern, fashion, knitwear, women, villawool

Colour printed postcard of cross bench tramcar, Bendigo 17 with the driver on the step and passengers on the tram. Produced by Nu-Color-Vue. Has details of the tram on the rear, along with the publishers symbol, location for a stamp and an address block.On rear of card in pencil "21" in a circle.trams, tramways, bendigo, toastrack tram, tram 17

Postcard Album of Blanche Sly. Postcards stored in Folder 81 (49 postcards). 1403.1 - 1403.28 Grey linen look cover with picture of a small sailing boat pasted centre front pf cover. Partly torn sticker on lower LH corner. Blanche Victoria SLY Born: 11 Oct 1890, daughter of William and Hannah Sly Address: 1913; Loddon Vale Address: 1980; 100 Barnard Street Bendigo Died: Bendigo 12 June 1982, buried Bendigo G3 William Sly: Born: 1856 at Smythesdale, Victoria Married in Victoria in 1887; Hannah Theilman Died: Bendigo 1937, buried Bendigo G1 Hannah Sly Nee Theilman Born: 1866 Married in Victoria in 1887; William Sly Died: Bendigo 1948, buried Bendigo G3 See additional Research .Postcard Album of Blanche Sly containing 49 postcards. See 1403 B&W studio photo of two ladies sitting on a bench, looking skywards. Cottage and flowers as a backdrop. A poem 'The Better Land' beneath the photo.Addressee - Miss E Port (Staff), The Convalescent Home, Woolton. Nr Liverpool Sender - Florrie, The Vicarage Date stamp Jan 15, 1906postcard, collector, blanche sly

Black and White Photographs 8 partly hand operated presses and jigs for undertaking a particularly assembly process at Preston Workshops. Has foot controls on the underside of the bench. No details of date - assume c1975. Black and Decker presses.On the rear of the photograph has in pencil "Presses - jigs - Preston - MMTB"trams, tramways, preston workshops, equipment

Set of two 35mm Kodak white cardboard colour slide by Keith Kings of 24/12/1967 - .1 - St Kilda Junction, looking north along St Kilda Road, showing the nature of the diversion from the junction for Wellington St. .2 - Dandenong Road, showing the track diversion work for Dandenong Road/Queensway, Windsor.Keith Kings stamp and number "15-1" and "15-5"", with details of exposure. .1 - SW6 car on temporary track at St Kilda Junction looking north from turnout during freeway work .2 - Dandenong Road west from Hornsby St with section of straight track ready to replace curves onto new b.v.w. track to Chapel St - 907 coming off soon to be abandoned street track.trams, tramways, st kilda junction, trackwork, road works, dandenong road, queensway, tram 907

Item in a collection re VX35201 Edgar Martin COLLIHOLE. Enlisted 17.6.1940 age 25 years 7 months in the 2/24th Bn AIF. His overseas service is listed as; Middle East 16.11.1940 - 25.2.1943, New Guinea 1.8.1943 - 22.2.1944, Netherlands East Indies 8.4.1945 - 8..11.1945. 1286 days which includes embarking from Australia to disembarking back in Australia. Discharged with the rank of L/Cpl on 11.2.1946. Enlisted 28/6/40. Discharged 11/1/46. L/Cpl 2/24 Bn.Literary work - Paper, cream with black type written print - One page.“Lt. Gen Morshead's Address at Presentation of Decorations won here”lt.gen morshead, valedictory address, tarakan, e d collihole, ww2

1 photo of a single storey house, return veranda with iron lace workormond, ulupna rd, houses, o’donnell, jenny

World War 2 Souvenir.Brooch - metal, diamond shaped filigree work. Australian Military Coat of Arms."AIF" Australian Commonwealth Military Forces.souvenir, ww2, brooch

The story of the Australian nurses who were POW of the Japanese for three and a half years.Hard Cover with Dust Cover. Dust Cover illustrates the work of the female POW's.Author JessieElizabeth Simons Publisher William Heinman Ltd. 1954

Metal work hammer. Short wooden handle. 255mm x 107mm.Ball and Payne flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village

University of Ballarat is a predecessor institution of Federation University Australia.Green soft covered book with examples of the work of arts academy students in 2004.arts academy, alumni, carmen merson, benjamin fairall, annaliese dekiere, ursula calderone, aimee wilson, brian spiteri, angela comben, leah mckee, blair angelo, candece cole, sylvia st james, sandra riddell, tarni rees, thea laidlaw, tegan crosbie, thurston bassett, erin lee bykersma, danielle court, felix cunningham, emil milos, felicity d'amelio, joanne sloothaak, jessica mcmillan, jacqueline sleight, scott pearce, rebecca stacey, shelley hollingsworth, stephen joseph romanczukiewicz, nadine sherer, rebecca barker, rachel skrobelak, stacey mcphee, felicity bath, eleisha vander heyden, dale smithwick, kristy muszkieta, kerrie ross, darren platt, dawn whitehead

David Ancrum Alexander was born c1925 and died in 2015. He practiced medicine in Ballarat but also had a keen interest in drawing and painting, mostly water colour. The sketch books range from 1971 to 2012. Each appears to be related to a specific theme - people, places, and characters in novels. Often this is mentioned on the cover. He became a member of the Art Acquisition Committee at the University Campus at Mount Helen. A Thanksgiving Service was held in his honour at Federation University in the Caro Convention Centre on 27 March 2015.52 sketch books, spiral bound. Pencil drawings and water colour workYear printed on cover of each book. Themes contained in book written on coverdavid alexander, doctor, ballarat, drawing, painting, water colour, art acquisition committee, ballarat university, federation university, caro convention centre, thanksgiving service, 1971, 2012, c1925, 2015