This book was owned by John Crawley, engineer, architect and surveyor. He was appointed District Engineer for the Public Works Department for the Western District in 1866. He was the Shire of Warrnambool Engineer from 1874 to 1895 when he was succeeded by his son.This book is of interest as it contains examples of architectural designs from U.S.A. in the 1870s. Designs such as these influenced the designs of buildings in other countries including Australia. This book is also of interest because of its connection to John Crawley, a member of the Crawley family that had a long and influential association with the Shire of Warrnambool.This is a hard cover book. It has a brown cover with gold lettering. The book has come apart from its binding so many of the pages are loose and the covering on the spine is missing . The front cover is somewhat stained and the edges are worn. The book has many diagrams and illustrations.The inscriptions are handwritten in black ink J. W. Crawley Warrnambool J.W. Crawley 1879john crawley

Good Old Days Medal: Front inscribed ÍN MEMORY OF THE GOOD OLD DAYS 1768'Has Royal Coat of Arms. On the back is a picture of George 111 and inscribed 'GEORGIUS 111 ET GRATIA' Very worn and thin. Hole punched above King George's head for wearing. Box 625numismatics, medals - commemorative, in memory of the good old days , george 111, georgius 111 et gratia .

This Commode Chair has been skillfully adapted by a bush carpenter from a kitchen chair - possibly for an invalid at a time when toilets were usually outside and often difficult to reach. The hinged seat is held up by a wire hook (No.8 fencing wire), and the seat can be lifted to remove the commode pot. The cream paint is of the type universally used for kitchen furniture before a more diverse range of paint colours became available.A wooden commode chair converted from a kitchen chair with four round legs and a hinged seat. Underneath is a hole to hold chamber pot or covered commode. The backrest consists of three turned spindles between squared timber that supports a carved rail across top. It is painted with cream paint that is rather worn.chairs, adaptation

Huttley - Martin FamilyCard: Cream foxed. Stained, worn. Photograph B/W: 1 Woman Seated, white dress holing bouquet hair hair hanging loose over right shoulder, ribbon around head. 1 Male standing to left with arm resting on back of chair, wearing 3 piece suitEmbossed on card: With Best Wishes. Printed on card The Burlington Studios 254 Bourke St Melbourne. O Rear of Card Madge & Ray Huttleyhuttley, martin

The Fashion & Design collection of the Kew Historical Society includes examples of women’s, men’s, children’s and infants’ clothing from the 18th, 19th and 20th centuries. Items in the collection were largely produced for, or purchased by women in Melbourne, and includes examples of outerwear, protective wear, nightwear, underwear and costume accessories.Kew was declared a separate municipality in 1860. To commemorate this, a number of events were held in Kew, including a Centenary Dinner Dance in 1960 at which the speakers were Sir Robert Menzies and Cr WHS Dickinson. As the Mayoress, Mrs Doris Dickinson accompanied her husband, wearing this dress. Evening dress, made of unlined grey velvet, worn by the Mayoress, Mrs Doris Dickinson, (wife of Cr WHS Dickinson), to the Kew Centenary Dinner Dance in the Kew Civic Hall. The dress has matching cream kid gloves. The dress was donated by Mrs Judith Goodes, a daughter of Cr. and Mrs. Dickinson.cr whs dickinson, mrs doris dickinson, australian fashion - 1960s, women's clothing - 1960s, city of kew centenary - 1960, evening wear, evening dresses

A wooden tennis racquet with solid, convex throat, cloth whipping around shoulders, and fine grooved handle grip. Model name across crown on obverse is worn and unintelligible. Inscription along throat on obverse: T.H. PROSSER + SONS. Materials: Wood, Gut, Ink, Leather, Glue, Lacquer, Metal, Clothtennis

School badge for Clarendon Presbyterian Ladies College 1921 - 1973, donated to the school by Michael Dunn. Michael's mother and aunt (unidentified) both attended CPLC in the 1930s. The badge worn worn as a tie-pin or fixed to the entre of the tunic bodice. It is possible the gold badge was for senior students or prefects only and the silver badge for other students. Gold-plated badge in the shape of the school crest; blue scrolls below shield have silver lettering; shield features star, open book and motto; burning lamp on top of shield; pin fastening fixed across reverse of badgeclarendon-presbtyerian-ladies-college, badge

Manufactured to be worn on uniforms by the crews. See item 2596 for a nickel silver sample which was the type worn by tram crews. See also item 3777 for another example. Numbers held are: - 388, 390, 2868 (which appears to have been used), 3431, 5265, 5958, 6408. The depth of the badges vary from 15 to 20mm.Demonstrates a MMTB "gold" numeral badges for crews.Set of seven, gold-tone brass MMTB Numerals - Have two metal lugs fixed onto the rear to enable it to be fixed to a uniform. Some have the clips fitted to them. In the middle on the rear of two of the items is the manufacturer's name "STOKES" and "Melbourne" stamped into the badge. badges, cap badges, mmtb, uniforms, crews

Veil worn by Margary (Madge) Isabelle Brydon. Was later worn by many (about 15) local ladies who lived in the area of Rushworth. Madge's daughters, Molly and Isobel both wore the veil at their weddings in 1938 and 1945. Donor is granddaughter of bride. Veil made by bride and described in the Waranga Basin newspaper at the time. Margary (Madge) Brydon married Edward (Ward) Sprunt at the bride's family home in Carag Carag, Victoria on 10th April 1912. Veil also worn by Mary (Molly) Leith at her wedding to William (Bill) Paynter on 18 January 1932 at Stanhope Presbyterian ChurchCream 1912 cotton net Princess veil. Lace is handmade tape and cotton embroidery. See Also NA3494 -wedding dress, NA3496 - shawl and photograph NA3498costume, female ceremonial

This dress was worn by Beatrice Coulson on her marriage to Archie Henry Robinson on 17.3.1945 at the Methodist church in Orbost.The wedding gown is provenanced and in good original condition and is of historic significance as an object directly related to the Robinson and Coulson families.A hand-made long magnolia slipper satin wedding frock with a high draped neck and full flared skirt. It has a train at the back. It has long sleeves , covered buttons on the back, shirring on the front and a decoration of white flower shapes on the front.coulson-beatrice robinson-archie wedding-dress costume

Police uniform peaked cap circa 1939-45. officer Pattern worn during WW2 period.Green police Hat. Top is green felt with bright green lines. Second level black felt around circumference of hat about 5 cm wide. Front peak Dark Green, plastic. Silver Rope Braid - two strands going from one ear around front to other ear. Nazi emblem on front with Swaztika and Eagle. On top small silver button with one dot in the middle. Inside lining is orange material with brown band around middle of rim.Size "55 1/2" Brand "Braunschweig" and some other indecipherable writing. uniform, german police, peaked cap, ww2

Badges worn on uniform to identify wearer as Australian. refer 5687 for details on NX94268, Roy H. Taylor.1 & 2. Shoulder badges (one with a pin and one without pin), in shape of Rising Sun over a Crown and Inscription. Metallic and brown in colour. 3.Brown metallic Rising Sun hat badge with pin on back.All have inscription "Australian Commonwealth Military Forces".rising sun badges, ww2, uniform

A complete replica uniform set of clothing and all items that were or could be worn by a first AIF soldier.Light horse brigade .1) Jacket, 100% wool with cotton lining. 7th Battalion AIF colour patches with a brass A signifying original ANZAC on both sleeves. Right sleeve has sergeant's stripes & 5 blue & 1 red chevron stripes. Left sleeve has 3 brass bars re WIA 3 times. Rising Sun badges on each collar & Australia badges on shoulder straps. Belted at waist. .2) Jodphurs, khaki corded wool. Brass button up fly. .3) Braces, red, white & blue oblique striped. .4) Hat, size 57, khaki Akubra with felt pugaree, leather chin strap, & blackened brass Rising Sun badge on upturned rim. .5) & .6) Puttees, pair, khaki wool felt with khaki cotton tapes. .7) & .8) Boots, pair, size L, tan coloured leather with dark brown leather laces, leather soles with metal reinforcing on heels..1) & .2) Makers labels. .4) Hat: Akubra, Made in Australia; On badge: Australian Commonwealth Military Forces. on hat: "5.7 Akubra Made in Australia"uniforms-army, costume - male footwear, costume - male headwear

Part of uniform worn by Cpl Bramley, in charge of Catafalque Party at Montmorency RSL ANZAC Day 2006Blue cotton, Shoulder markings Australia, Corporals Chevrons on arms. Sewn Patch ADI Vic 1992, Size 90R, clothing, jacket

8 year old Taj designed footy socks to be worn in the Northern Football League's Indigenous round.News clipping, black text, colour image.st marys football club, greensborough, st marys parish greensborough

Australian Army Signaller Trade Proficiency Badges were worn during the WW2 era ?1930-1942This is an original badgeMetal, crossed flags, ?brass, backing plate, has two split pins.signallier badge

Wedding dress and veil worn by Margaret Vyner at her wedding to Ian McKendrick on 11th January 1958The McKendrick family came to Mt Beauty very early in the Kiewa Hydro Electric Scheme (KHES) days. Their son, Ian, worked in the Mt Beauty Post Office for 40+ years. The Vyner family were long time employees of the SECV working on the KHES and were residents of Mt Beauty. Margaret was a nurse at the Tawonga District Hospital at the Tawonga site and at the Mt Beauty site.Long soft white taffeta under-skirt. The outer is cut on the cross, made of nylon and with a train and has appliqued lace of a flower and is beaded. The sleeves are long and shear. The taffeta bodice is fitted with a featured V waistline. The sleeves are pointed (to cover over the hand) with a flower applique. There are 5 pearl buttons down the back and are fastened with loops. The side zip is metal and on the right hand side and at the top there is a hook and eye. The bridal veil - A large tulle circle edged with lace and formed into a 2 tiered veil held together with a green covered wire circlet decorated with wax flowers.vyner family, mckendrick family, wedding dress with veil

Donated Ansett Hostess / Stewardess orange bowler hat with turned brim, made & worn 1972 - 1977Ansett Hostess hat, bowler-style with turned brim. Tangerine-orange poly-cotton with 2cm wide black grosgrain ribbon trim on hat body and on edge of brim. 8cm wide bow on both trims at rear of hat. Crown is 12cm high measured from lower edge, 4cm turned brim. Hat size 19&1/2 inch circumference. Hat-elastic secured to sweat-band.White label with black print indicating manufacture by Nivek Headwear Reg.Melb. ansett australia, hostess / stewardess, bowler hat, turned brim, tangerine orange, 1970s

Donated to Sir Reginald Ansett Transport Museum. Formerly worn by Ansett Airlines pilot. Frank McClelland.Complements the collection of air flight crew attire.Pilot's peaked cap. White vinyl crown. Black cotton exterior band supported by rigid internal rafia band. Acrylic interior lining. Has perforated leather sweat band. Rigid visor made of green vinyl, covered by navy blue cotton fabric. Insignia features a golden bird in flight, with a depiction of Australia, in red, as background, beneath a golden royal crown, and surrounded by a golden wreath of feathers. Navy blue mounting.No inscriptions. No markings.

This evening dress was presumably worn by Mrs Marjorie McKeown (nee Ford) in the Orbost district in the 1940s-1950s. A full-length black evening dress. The arms and top of the bodice are made from mauve/puce coloured lace which has small flowers trimmed with beads. At the bottom of the dress is a broad trinm of puce coloured lace which has been bordered at the top with sequins. The dress has a zip at the side of the bodice. The main fabric is possibly rayon.Van Rothcostume-famale evening-dress

This style of bonnet was commonly worn outdoors by women in South West Victoria in the late 1800s - early 1900sThe bonnet is significant as a typical of women's outdoor headwear in Australia in the late 19th and early 20th century.Ladies outdoor bonnet, white cotton with narrow mauve stripes and small flowers. Bonnet is trimmed with frills and straps to tie under the chin. Dated late 19th to early 20th century.flagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village, ladies bonnet, outdoor bonnet, hat, bonnet, headwear, ladies clothing, late 19th century bonnet, early 20th century bonnet, women's fashion, australian fashion, australian millinery

This lady's, black silk and lace camisole was worn in c1900 by a member of an early settlers family of Moorabbin Shire. Early settlers and market gardeners established their families in Moorabbin Shire and this item shows the skill and craftsmanship of the women of these families A lady's, black silk and cotton lace camisoleclothing, moorabbin, ormond, bentleigh, dressmaking, cheltenham, market gardeners, early settlers, craftwork

This pair of hand crocheted white cotton gloves is an example of the style worn by women in the Shire of Moorabbin c1930 Gladys Reed was a member of the Ormond Choral Society c 1950. who performed plays and musicals the City of Moorabbin and these fine lace gloves were hand knitted and used by her family. 1 pair of lady's white cotton hand crafted fine lace gloves .

The cross worn by Father Vasyl Kmetj, a priest of the Ukrainian Catholic Church, when performing religious activities.Metal cross on metal chain. body of Jesus Christ hanging on cross. a prayer on the back of the crosscross

Worn by all Army personnel and civilian employees whilst deployed on research trips prior to camouflage uniforms.Green army armband/brassard with white writing in a white round circle.Australian Army, Engineering Development Establisment.brassard, arm band