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Whitehorse Historical Society Inc.
Book - Koorie Heritage Trust/ Museum Victoria, Creative Solutions, Koorie, 1991
The "Koorie" exhibition which opened in 1988 is devoted to over 40,000 years of Aboriginal cultural heritage in south eastern Australia and displayed in the Kershaw Hall, Museum of Victoria. This book provides details and photographs of the exhibition.This book describes the "Koorie" exhibition which is devoted to over 40,000 years of Aboriginal cultural heritage in south eastern Australia and displayed in the Kershaw Hall, Museum of Victoria.non-fictionThe "Koorie" exhibition which opened in 1988 is devoted to over 40,000 years of Aboriginal cultural heritage in south eastern Australia and displayed in the Kershaw Hall, Museum of Victoria. This book provides details and photographs of the exhibition.aborigines, museum victoria -
Whitehorse Historical Society Inc.
Document, An Archaelogical Monitoring Program at Deep Creek and Loughnan Roads, Mitcham, Victoria, October 2001
The report on an archaeological monitoring program at Deep Creek and Loughnan Roads, Mitcham for the Eastern Freeway Extension to ensure that any Aboriginal and historical sites were suitably managed.An archaeological monitoring program at Deep Creek and Loughnan Roads, Mitcham for the Eastern Freeway Extension is reported to ensure that any Aboriginal and historical sites were suitably managed.non-fictionThe report on an archaeological monitoring program at Deep Creek and Loughnan Roads, Mitcham for the Eastern Freeway Extension to ensure that any Aboriginal and historical sites were suitably managed.deep creek road mitcham, archaeological sites, loughnan road ringwood -
Tarnagulla History Archive
News clipping: The Local Aborigines, The Local Aborigines, July 21, 1981
Murray Comrie Collection. Two copies of a single page of The Advertiser (Maryborough) newspaper of July 21, 1981 with article titled 'The Local Aborigines' by non-Aboriginal historian John J. Alderson. central victoria, dja dja wurrung, djadja wurrung, djadjawurrung, indigenous history, indigenous australians, traditional owners -
Peterborough History Group
Book, Australian Aborigines: the languages and customs of several tribes of aborigines in the Western District of Victoria, Published 1981, First published 1881
Information about local aboriginal tribesDoesn't specifically refer to Peterborough but explains early aboriginal culture and their relationship to the coastHardcover 111 page book with 104 page of annexures and index. Introduction by Jan Critchett, Warrnambool Institute of Advanced Education.Adhesive book plate with the name H W Grimwade.peterborough pre history, kirrie wurung, kaawirn kuunawarn, hissing swan aborigines, kirrae wurung, yarruun parpur tarneen -
Unions Ballarat
Aboriginal workers: Special issue of Labour History #69, Various authors, 11/1995
History of Aboriginal workplace issues in Australia.Indigenous/Aboriginal workplace conditions.Book; paper.Front cover: authors' names and title.btlc, ballarat trades and labour council, industrial relations, indigenous issues - aboriginal, work -
Tatura Irrigation & Wartime Camps Museum
Document, Loveday Internment Camp, after 25th June 1944
One of the many generous gifts of Gerd Aberle.A four page document, each in its own clear plastic envelope, school report written in the German language. A clear plastic front cover, red border left hand side and back cover redThe subject as indicated above. Students name, years attended and the 9 subjects and results unless translations shows otherwise. In English on the left hand border Loveday Internment Camp School Records. Donor Gerd Aberle.gerd aberle, loveday internment camp, loveday internment camp education -
Bendigo Historical Society Inc.
Booklet - Comic play, S. Knowles
Booklet owned by Arthur Baggaley, Fruiterer, who lived at 15 Forest Street, Bendigo. His business 'C.A. Baggaley & Son' was at Covent Garden, Mitchell Street, Bendigo. Arthur was born in Bendigo in 1903 to Charles Arthur Baggaley and Ada (Mallon). He married Evelyn May Grigg. Arthur died in September, 1993.Six page booklet, on front cover: Laughable Dialogues for School and Public Entertainments, Social Gatherings, &c, &c, (free from objectionable language and incident) by S. Knowles, No. 13 "Is Marriage a Failure?'.Baggaley CollectionOn front cover overwritten on text "A. Baggaley, Forest Street, Bendigo'.fruiterer, confectioner, business, mitchell street, covent garden, entertainment, play script, marriage -
Expression Australia
Book, Adult Deaf Society of Victoria Bristol 1981
A report on Sign Language and Interpreting Symposia Bristol 1981 by J W FlynnGreen cover, 29.5cmHx21cmW, 52 pagessign language and interpreting symposia bristol 1981, j.w, flynn -
Uniting Church Archives - Synod of Victoria
Photograph, Charles Harris, 07/1988
"School at Hall's Gap studies holistic Aboriginal theology" - article by Tim Angus - "Participants at a school of Aboriginal Theology were challenged to take up a new partnership in mission by the Rev. Charles Harris, president of the Uniting Aboriginal and Islander Christian Congress… Charles Harris gave a quiet and determined witness to the power of the Gospel to free his people to become agents of their own destiny in spiritual, cultural and political terms."Head & shoulders, dressed casually."Rev. Charles Harris"harris, charles, aboriginal and islander christian congress -
Orbost & District Historical Society
black and white photograph, early 20th century
Ellen Thomas was an Aboriginal woman who lived in Newmerella. George Thomas who lived with his family at Newmerella on Grand View Road until the 1950's. The family was a very well-respected local Aboriginal family.The Thomas family were early residents of Newmerella.A black / white portrait photograph of a lady in a long-sleeved top and long skirt. The photo is oval -shaped and mounted in a light grey card.on back - Ellen Thomasthomas-ellen -
Victorian Interpretive Projects Inc.
Photograph - Colour, Clare Gervasoni, Mount Franklin From Franklinford Cemetery, 2015, 25/10/2015
The Mt Franklin Aboriginal Protectorate was in the shadow of Mt Franklin. Edward Stone Parker, the Assistant Protector of Aborigines in charge of the Mt Franklin Protectorate is buried in the Mt franklin Cemetery, along with a number of the Aboriginal people from the protectorate.Two images showing the pine covered Mount Franklin from Mount Franklin Cemetery.mount franklin, mt franklin, mt franklin aboriginal protectorate, edward stone parker, e.s. parker, mount franklin protectorate -
Greensborough Historical Society
Booklet, Understanding the Dreaming: the basic tenets of Wandjinist religion, by Jim Poulter, 2015c
Discussion of aboriginal religion, often called "The Dreaming".6 p. typescriptaborigines -
Bright & District Historical Society operating the Bright Museum
Axe Stone
Presence of Aboriginal people and their activities in Buffalo RiverAboriginal axes are relatively uncommon in North East Victoria and provide evidence of presence and exploitation of resourcesground edge stone axe with some edge damage and edge polish on working edge and flat opposite edge. axe, aboriginal artefact, buffalo river -
Ballarat Heritage Services
Photograph - Photograph - Colour, Clare Gervasoni, Former Franklinford Church, 2015, 25/10/2015
Franlinford is associated with the Mt Franklin Aboriginal Protectorate. Photograph of a brick building - the former Mt Franklin Church, and associated plaque.franklinford, religion, church, e.s. parker -
Federation University Art Collection
Work on paper - Printmaking - Silkscreen, Lin Onus, 'Walawala Garrkman' by Lin Onus, 2001
Lin ONUS (1948-1996) Language: Wiradjuri / Yorta Yorta Lin Onus played a pivotal role in the recognition of Aboriginal art as an expression of a contemporary and dynamic living culture. Prior to his premature death at just 47 years of age he was a prominent, strident, yet non-confrontational agent in renegotiating the history of colonial and Aboriginal Australia. His father, Bill Onus, was the founder of the Aboriginal Advancement League in Victoria and a prominent maker of artefacts in Melbourne. As a young Koori growing up, Lin lived in a cultural environment that included exposure to visiting Aboriginal artists, including Albert Namatjira. He began his artistic life assisting his father in decorating artifacts, went on to develop skills working with metal and painting with air brush as a panel beater; and by 1974 he was painting watercolors and photo-realist landscapes. In the 1970's he completed a set of paintings on the first Aboriginal guerrilla fighter Mosquito, which holds pride of place on the walls of the Advancement League in Melbourne, to this day. Lin Onus was a largely self-taught artist. Particularly important in his development was his visits to Garmedi (Arnhem Land) starting in 1986. Jack Wunuwun, the Yolngu artist, introduced him into the Murrungun-Djinang clan and gave him permission to use some of traditional images in his paintings. His cultural education on the Aboriginal side was also provided by visits to Cummeragunja with his father, and stories told by his uncle Aaron Briggs, known as 'the old man of the forest' who gave him his Koori name - Burrinja, meaning 'star'. They would sit on the banks of the Murray River within view of the Barmah Forest, Lin's spiritual home, the subject of many of his later paintings and his final resting place. Lin's father had been of the Yorta Yorta people from the Barmah Forest country, and Lin also used images from this area in his paintings. The images in his works include haunting photorealist portrayals of the Barmah red gum forests of his father's ancestral country, and the use of rarrk cross-hatching-based based painting style that he learned (and was given permission to use when in Arnhemland). His painting Barmah Forest won Canberra's national Aboriginal Heritage Award in 1994. (http://www.cooeeart.com.au/aboriginal_artist/lin_onus/A, accessed 18 May 2015) This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Framed limited edition silkscreen.Signed 'Onus' lower right (posthumously by Tiriki Onus) Edition 68/80art, artwork, lin onus, onus, printmaking, screenprint, aboriginal, dreaming, frogs, available -
Moorabbin Air Museum
Manual (item) - SNECMA Service Equipment Characteristics, Materiels de Servitude Fiches de Carateristiques
French-language manual probably relating to the maintenance of ATAR engines, used in the Mirage III -
Tatura Irrigation & Wartime Camps Museum
Books (Exercise), 1940's
Books used by AF Menz as a student of Japanese language at classes conducted in Camp 1.13 exercise books (3 Modern Exercise Book, 9 Sovereign Exercise, 1 St. George Exercise Book) and 1 black cover bookww 2 camp 1, education, books, school, educational -
National Vietnam Veterans Museum (NVVM)
Plaque, Otway
Red veneer wooden shield with gold bordered emblem featuring royal crown above a seal in blue centre and aboriginal weapons below, Motto "Vincet Amor Patrie"plaque, otway, aboriginal -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Book, Adams John, Butlers Woods Point and Gippsland General Directory 1866, 1987
A collection in words and pictures of the events and people that have made the history of the Shire of Bairnsdale, from the Aboriginal, pastoral, settlers to the many aspects of life in the towns and rural areas in 1987settlers, schools, religion -
South Gippsland Shire Council
Print, Framed, The Gathering
Monoprint - Mounted and framed titled: "The Gathering" Colour painting featuring three Tasmanian tigers in the foreground, one in the background near trees painted with various decorative Aboriginal patterns. -
Surrey Hills Historical Society Collection
book, Early history of Wattle Park, Surrey Hills 1853-1915, 1984
Author: Alan Judge Holt amassed a significant collection of historical material related to the Surrey Hills area. Born in Moonee Ponds in 1912 to Edmund Holt and Ellen Ruby Sutton, he married Edna Jean Pallot in 1937. They lived at 62 Broughton Road, Surrey hills, had 3 sons and were strongly associated with the Surrey Hills Methodist Church. Alan was Secretary of the Victorian Lands Department and in his spare time recorded the occupancy of every property in Surrey Hills and Mont Albert at the beginning of each decade from 1890 to 1980. His collection of files and individual cards covers people, places, churches, clubs, businesses and other organisations in the area. Alan used this information to give talks and tours of the area and gifted his material to the local history collection through Jocelyn Hall.A spiral bound manuscript which includes a physical description of Wattle Park as well as covering aboriginal occupation, pastoral and timber cutting, the original purchasers and locations of neighbouring farms.back creek, wattle park, delany's paddock, cleary's paddock, blood's paddock, conran's paddock, udimore lodge, (mr) george thomas usher, (mr) orlando fenwick, phoenix grange, (mr) john filson, (mr) denis delany, (mr) john crimp, (mr) james atkinson, (mr) john lawler, (mr) henry de carle, (mr) walter craig, (mr) daniel dunn, (mr) frederick goyder, (mrs) eliza welch, metropolitan tramways, d h dureau, (mr) robert beckett, (mr) alexander gerald proudfoot, (mr) james conran, (mr) thomas blood, (mr) william smith, payne and glass -
Federation University Art Collection
Painting, [Water Creatures], 2014
Wayne C. Wemba Wemba This work was donated to the student engagement team at Mount Helen. Aboriginal dot painting featuring a turtle, fish, and crocodile. If you can assist with information on this artist or artwork please make contact using the email link below right.aboriginal, turtle, fish, crocodile -
Dutch Australian Heritage Centre Victoria
Wall Tile (Tegel)
Tiles are formed using the using the same tools as four centuries ago, namely a knife and a wooden mould with little nails in the corners. Afterwards, the imprints of the nails remain visible as minute points in the glaze. After the first baking, the tile is glazed. The wet glaze is imprinted with a charcoal powder design. Then the painter redraws the lines with a fine paint brush and uses his own craftsmanship to color with paints that are in fact glazes colored by a metal oxide. The second baking blends these colors with the layer of tin glaze. The result is a unique and beautiful tile. Tile design, making and baking is a traditional Dutch craft and continues today. The province of Friesland has its own traditions in the field of which this tile is a sample.Off-white pottery tile with blue coloured proverb in the Frisian language. There are also some blue glaze decorations in the four corners. On the back the brand name Harlingen Holland forms part of an imprint. There is also a hook for hanging.The proverb reads: "Doch dyn plicht en lit de lju mar rabje." (Do your duty and just let people talk). -
Slovenian Association Melbourne
Photo - Mt Macedon picnic, Slovenian picnic at Mt Macedon in 1959, 1959
Slovenians love gatherings and picnics. In 1959 buses took Slovenians to Mt Macedon, where they had a picnic with traditional Slovenian foods, game of volleyball, singing and having conversation in Slovenian language as well as meeting new friendsslovenian club melbourne, slovenian association melbourne, slovenian picnic, mt macedon -
Slovenian Association Melbourne
Photo of a gathering after a Mass, Slovenians gathered for the Slovenian Mass in Australian church in 50s, not known
Slovenian Mass was offered to Slovenians only at special occasions in the early 50s for there was no priest stationed in Melbourne until 1956. They sang Slovenian hymns, met new friends and spoke in Slovenian language. This mass occurred in Clifton Hill.slovenian mass, -
Victorian Aboriginal Corporation for Languages
Book, Hetti Perkins, Crossing country : the alchemy of Western Arnhem Land art, 2004
Hetti Perkins introduces this collection of reproductions of of Western Arnhem Land bark paintings, rock art, woven fibre art and wooden sculpture that was exhibited by the Art Gallery of NSW in 2004, emphasising the cultural foundations of the Kuninjku artists, their beliefs, artistic conventions and innovations. The book includes interviews with traditional rock and bark artists (including some language), and essays describing the connection of the people to the land, their spiritual beliefs and their art. There are also reproductions of works on paper and woven forms and an essay on the role of women in producing these art forms. An essay by Professor Jon Altmann is entitled "Brokering Kuninjku Art: Artists, Institutions and the Market. A chronolgy details the history of aboriginal art in the area, there are biographies of the artists whose works were included in the exhibition, a list of the works themselves, a glossary of place names, art terms, aboriginal, linguistic and anthropological terms, and a select bibliography. The list of contributors includes, as well as the two mentioned above, Dr Murray Garde, Apolline Kohen, Steven Miller, Cara Pinchbeck and Dr Luke Taylor.Colour photographs -
Greensborough Historical Society
Book, Jim Poulter, Sharing heritage in Kulin country:lessons in reconciliation from our first contact history, by Jim Poulter, 2011_
Australian Aboriginal social structure and culture, and their relations with Europeans.117 p., paperback.aborigines victoria, social structure -
The Beechworth Burke Museum
Animal specimen - Wombat, Trustees of the Australian Museum, 1860-1880
Wombats are short-legged, muscular, nocturnal marsupials that live in a wide variety of habitats throughout Australia. A common wombat can grow up to 1.2 metres in length and weigh up to 35 kilograms. The name “wombat” comes from the Darug language spoken by the Aboriginal Darug people, who originally inhabited the Sydney area. The wombat was first recorded in 1798 by explorer John Price on a visit to Bargo in New South Wales, however, wombats are depicted on Aboriginal rock-art that date back as far as 4,000 years ago. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum and the National Museum of Victoria, as well as individuals such amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century. This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century. Medium sized stocky wombat with a broad head and two muscular forelegs and two weaker hind legs that are met with long sharp black claws. The hair is long, thick and coarse in brown/yellow shades. The head features two small black eyes that have been made from glass, two short pointed ears and a bare nose pad. On wooden mount: BMM 5901 /taxidermy mount, taxidermy, wombat, animalia, vombatidae, burke museum, beechworth, australian museum, skin, reynell eveleigh johns -
Camperdown & District Historical Society
Photograph - Isabella Dawson with First Nations informants, c1865
Isabella Park Taylor, nee Dawson (1842-1929), friend of Western Victorian First Nations people, and student of their languages and customs. Isabella grew up at "Kangatong" (1844-1866) in the company of First Nations people and became fluent in their languages. With her father, James Dawson, she wrote the book "Australian Aborigines" (1881). Black and white photograph taken at "Kangatong", near Hawkesdale showing group of First Nations people in conversation with Isabella Dawson, seated on right with notebook in hand. Standing at left is Kaawirn Kuunawarn (also know as Hissing Swan and King David).James Dawson's daughter, Isabella, learning from the Aborigines on her father's station at "Kangatong" (From the original belonging to Miss M. Turner Shaw of S. Yarra. Copied by A.E. Jackson of Timboon.)cdhs, miss mary turner shaw, kaawirn kuunawarn, hissing swan, cdhsfirstnations -
Camperdown & District Historical Society
Photograph - Western District First Nations people with Isabella Dawson at 'Kangatong', c1865
Isabella Park Taylor, nee Dawson (1842-1929), friend of Western Victorian First Nations people, and student of their languages and customs. Isabella grew up at "Kangatong" (1844-1866) in the company of First Nations people and became fluent in their languages. With her father, James Dawson, she wrote the book "Australian Aborigines" (1881).Black and white photograph taken at "Kangatong", near Hawkesdale, of seven Western Victorian First Nations people all seated in conversation with Isabella Dawson, seated at right with notebook and pen in hand.cdhs, cdhsfirstnations