non-fictionWomen interior decorators of the 1920s and 30s and their contribution to the Arts and Crafts movement in Britain, The Glasgow School of Art and The Bauhaus School..industrial design, craft, wallpaper, weaving, furniture, design theory, architecture

Black and white text on cover and throughout non-fictionOverview of funded and non-funded organisations focused on women's rights, and the diversity of the South Australian Women's Liberation Movement through interviews and social history. Essays written by artists, writers and women working in women's services.suffrage, voting rights, violence, communism, activism, pascifism

non-fictionProfessor of Art Linda Nochlin, and critic and art historian Thomas B. Hess respond to the question "Why have there been no great women artists?'. Nochlin writes of 'the women question' in art and beyond, addressing barriers in education and art schools negating full participation or studying the nude, the limiting definitions of 'greatness', domestic demands and class, and maintains it is the institutional structures that are the key to equality, and it is these which should be challenged and reformed. Hess addresses wrong attribution, the studio system, the relative freedoms in the Middle Ages before the Renaissance emphasised the male genius ideal and self confidence. Ten replies from artists follow, mainly responding to Nochlin's treatise. Elizabeth Baker, writes the final essay, charting the changes in regards to representation including issues surrounding quotas, recognition, the debates surrounding the contested definitions of female and feminist artists.and the frequent lack of support by female dealers, critics and curators.essays, feminism, studio practce, art history, gender, politics, discrimination, museolgy, curatorship, identity

Booknon-fictionIllustrated overview of women artists from 5th - 20th century including European, British and American artists. A chapter on Chinese artists states that Chinese women's contribution to the arts ' beginning around 3000 BC.'painting, portraiture, sculpture, textiles, photography

Booknon-fictionSixteen illustrated essays by various writers on the works and practice of women surrealists working in Europe, the United Kingdom and the United States in the 20th century.surrealism, merit openheim, leonora carrington, valentine hugo, remedios varo, leonor fini, elléouët

Booknon-fictionIllustrated feminist overview of women artists from the Middle Ages to the late 20th century, practising predominantly in Europe, United Kingdom and the United States.painting, sculpture, performance, feminism, collage

Booknon-fictionFollowing an introduction from the editors of Art-Rite are 12 essays by Judy Chicago discussing feminist art history, academic perspectives, contested issues, projects and exhibitions, and 18 monographs on specific artists, plus two fictional pieces.art history, criticism, gender, contemporary, feminism, joan mitchell, judy chicago, faith ringgold, louise bourgeois, adrian piper, eva hesse, performance

Booknon-fictionAnthology of articles on the history and theory of community arts in Australia written by artists and artsworkers involved. community arts, collaborative practice, art history, political art, community arts network, aboriginal land rights

Booknon-fictionSeventeen essays covering every major art period from the ancient Egyptian to the 1970s presenting an alternative history of Western art history.representation, the male gaze, portraiture, the nude

Booknon-fictionAn examination of the relationship between representations of ancient and contemporary goddesses, and how they are used by contemporary artists.pre-history, spirituality, frida kahlo, judy chicago, religion, mythology, anna mendieta, ritual, sacred at, women's movement

Explores the images childhood - common, sacred, controversial -from the 18th-century portraits to today by Sir Joshua Reynolds to greeting cards by Anne Geddes, from the ambiguous photographs of Lewis Carroll to those of Sally Mann.     •     Publisher has copyright anne geddes, sally mann

Booknon-fictionArising from research for an exhibition of the same name, which toured Australia 1981- 1982 the book covers the work of 45 amateur and professional photographers and their lives as innovators and travellers. Many of the works come from private collections and have not been previously published.self portraiture, self-portraiture, pictorialism, home magazine, studio photography, melbourne society of women painters and sculptors, olive cotton, ruth hollick

Booknon-fictionHistory of the Society, founded in 1902, told through the stories of three generations of artists. Includes original research, unpublished primary sources and photographs and over 300 biographies of members. china painting, portraiture, self-portraiture, flower painting, sculpture, print making, art and craft

non-fictionEssays on feminist art, art history, criticism and museum practices in 1990s Australia by writers, academics, artists.indigenous art, political art, gender, represenation, museology, photography, installation, graphic design, collaborative practices

non-fictionA study of the field of Community Arts in Australia and the history of the Community Arts Board.community arts, art and working life, community arts board, community arts network, australia council, trade unions, murals, posters, activism, arts funding

non-fictionA history of the authors life as an artist, teacher, and political activist in Australia.trade unions, social realism, communist party of australia, peace art, australia council, community arts, art and working life, international co-operation art award, cpa, political cartoons, cabramatta and districts art society, noel counihan, contemporary art society of victoria

James Tyson (8 April 1819 - 4 December 1898) purchased Heyfield Station from the Firebrace family in the late 1860s. Tyson referred to Heyfield as his "cabbage patch". Tyson was famous for insisting his workers were accommodated at the same standard as he was, and arranged for George Drew (1834-1892) and his family to come to Heyfield from his home station at Deniliquin to make bricks for the homestead and for the workers quarters. As far as can be ascertained they arrived in 1868, and selected land that became known as the Brick Yard. After making the bricks for Tyson he operated as would any normal brickmaker. George carried on the business until his death, with it being then operated by his sons Jack and Henry. Many buildings in the district contain Drew bricks, which are sometimes smaller than normal bricks. The most accessible example is the first Anglican Church of 1874, now in the school grounds.This brick has historical significance as an example of one of the early bricks made by the family, similar to those made for James Tyson, an important figure in Australian history. It has community significance as the story of the Drew family (who still remain in Heyfield) provides the community with a strong link to Tyson. The family has remained linked to the Anglican Church (having made the bricks for the first church), as well as being active in the wider local community.A single clay brick with two thumbprints in diagonal corners, ends glazed.brick industry, brickmaking, bricks

Pale green folded program for the Solemn Pontifical Mass when the altar was dedicated in November 1984. Also includes a short history of the church.religion - roman catholic church (st josephs)

St James Church, "Church of the Pioneers", was the first Church, first Anglican Church, and is the oldest building in Melbourne. The foundation stone was laid in 1839 by the Superintendent of the District of Bourke, Charles La Trobe, later Governor of the Colony of Victoria. The Church was opened in 1842 and the first Bishop Charles Perry was installed in the Cathedral in 1848 when its status changed to that of Cathedral. Its status changed back to that of a Parish church after 1891 when St Paul's Cathedral in Swanston Street was opened. St James is known as the "Church of the Pioneers" as it served as the place of worship, marriage, baptism and burial of many of the first families in the District of Bourke and the Colony of Victoria. St James Old Cathedral is of the most important historic value to the community of Victoria and to the Australian nation as the first Anglican Church founded within 4 years of the settlement of Melbourne. It represents and conserves the very earliest history of white settlement in Victoria and preserves the church associated history of the Pioneer families of Victoria in its collection of original records and artefacts. Late Neo-Georgian style stone church building with bluestone footings. Octagonal upper one storey bell tower housing eight bells supported by two storey square towers. Body of church has sloping roof and 4 stained glass ornamental windows on each of west and east sides with decorative sanctuary window to the north. Decorative Portico with columns on the north outside elevation. National Trust Commemorative plate on outside wall to right of east entry door.

The Presbyterian Church owned three lots of land bounded by Pakenham Road and the northern side of Dorchester Road, between 1927 and 1964. Providence House opened in 1927 as a peaceful country rest home for “tired mothers” from the inner suburbs, and their children. It was also used, at different times, for kindergarten groups and in 1955 for a girls Bible Class for Easter “studies, fun and fellowship.”Cockatoo had several guest houses which took paying guests. Providence House did not charge fees, but is the best-documented of the large houses which provided accommodation.Framed regulations for the Presbyterian Church of Victoria's Providence House in Cockatoo.providence house, cockatoo victoria, presbyterian church, regulations,

The Presbyterian Church owned three lots of land bounded by Pakenham Road and the northern side of Dorchester Road, between 1927 and 1964. Providence House opened in 1927 as a peaceful country rest home for “tired mothers” from the inner suburbs, and their children. It was also used, at different times, for kindergarten groups and in 1955 for a girls Bible Class for Easter “studies, fun and fellowship.”Cockatoo had several guest houses which took paying guests. Providence House did not charge fees, but is the best-documented of the large houses which provided accommodation.Framed landscape design plan under glass, with detailed plant listings. Original watercolourDonated by Victoria & Digby Newcombe 2003presbyterian church, rest home, landscape plan, garden design, cockatoo victoria, providence house, black n.c,

non-fictionThe story of the first 100 years of St. John's Church of England, Cranbourne, Victoria.st. john's church of england cranbourne (vic.), cranbourne (vic.), church histories

Black and white photo: four sisters of the Poor Clare order (Bendigo Community of Poor Clare Colletines) which is situated at 18 Edward's Road, Kennington, 3550. Three nuns seated at long desk, one standing. Nuns are dressed in full robe and veil. Appear to be engaged in a drawing activity. Labrador dog sitting in front of desk. Written on back of photo in blue ink 'Painting'.church, diocese of bendigo, poor clare order

A cream souvenir programme with red print with the word 'Reunion' in large print. This is the Bendigo Teachers' College Ex-Students' Association Reunion held on the 1st - 3rd September, 1956. It included a visit to the football at Queen Elizabeth Oval, church, games, picnic, dance, dinners, hike and games. A copy of the dinner menu is also included in the programme. On the back of the programme is an advertisement for 'Rechters' and a place for autographs.bendigo, education, bendigo teachers' college, la trobe university bendigo collection, collection, reunion, bendigo, education, tertiary education, bendigo teachers' college, sports, entertainment, recreations, students, ex-students, menu, hospitality, bendigo teachers' college ex-students' association, souvenir, programme, program, advertisements

Black and white photo: Poor Clare sister placing bread in oven - or to prove. Possibly altar bread. Sister is dress in full robes, apron over top. On back of photo in blue pen 'Tray of bread' Convent situated in Edwards Road, Kennington. 3555.church, diocese of bendigo, poor clare order

Black and white photo: Poor Clare sister holding altar bread prior to placing in a 'press'. Sister is wearing full robe, apron over top. Poor Clare convent is located in Edwards Road, Kennington, 3555.church, diocese of bendigo, poor clare order