non-fiction"This book is dedicated to the seamen who supplied the physical link for trade and immigration in the development of the Colony". howard timbury, first fleet fellowship victoria, interest group, ship registers, genealogy, family history

CEMA Art Collection Part of "A Community View" 150 years in Portland Screenprint Exhibition Part of Angela Gee Residency 1983 and 1984Laminated screenprint of standing male from hips to head. The man wears a black suit, white gloves and has a moustache. Work has pink background with leaf and plant forms in greens, yellows and blues.Front: Portland Commemorative Print 5/20 A. Gee. The Undertaker's Assistant. John Cain signature Premier of Victoria. Back: 15

A detailed continuum of correspondence showing the progress of development in the district and the co-operation and cost sharing between the different shires to have work completed. This collection of letters provides a very good overview of issues and work covered in the early settlement days of the district. Cover is brown watermarked patterned cloth with tan suede binding and corners. Inside front and back covers is green and red patterned paper. Alphabetical index at the front. The ledger contains copies of letters which were written to local shires and lands Departments and relate mainly to matters of infrastructure and local government charges There are a number of invoices at the back of the book.: Letter Book No. on spine. Gold lettering on red. Serial numbers, signatures, engravings, dedications in books, manufacturing details or personal markingswarrnambool, warrnambool shire, hampden shire, mount rouse shire, geelong to belfast road, alfred davies, 1873-1875, shire correspondence

This book contains the report from the select committee on Castlemaine and Sandhurst water supply; with the proceedings of the committee, minutes of evidence and appendices. It also contains the report Of the Engineer-In-Chief of Railways, and reply of the Chief Engineer of Water Supply on the works constructed by the Victorian Water Supply Department, presented to both houses of parliament by His Excellency’s command. Ferdinand M. Krause, was a lecturer at the Ballarat School of Mines in Geology Mineralogy Mining Engineering and Surveying. He was a Fellow of the Geological Society and a Fellow of the Linnian Society. He was assistant engineer for the Ballaarat and Ballarat East Water Supply Committee and helped plan local reservoirs.A brown cloth hard cover, foolscap book with leather spine. Title is written in black on the title page. "Water Supply Reports" is engraved in gold on spine. It includes a table showing the monthly and yearly rainfall and shade temperature at Ballarat, 2nd February, 1885. It also includes two reports and two replies, a map No.7082.2 of Victorian Water Supply, Castlemaine and Sandhurst district general plan including lines of Aqueduct, Reservoirs. No. 7082.3 of Victorian Mining districts, Mining Divisions and The Gold Fields in 1866 - includes districts to be supplied under the Waterworks Act, 1965. It also includes: *Report of the Engineer-in-chief of Railways and Reply of the Chief Engineer of Water Supply on the works constructed by the Victorian Water Supply Department, 1869. * Coliban Water Scheme, 1864 * Ballarat and Ballarat East Water Supply (1869) including the Ballarat Water Supply List containing names of occupiers and nature of improvements on lands comprised within the proposed reserve of Gong Gong Reservoir, Ballaarat. At Warrenheip the names included: Honora McCallin, William Honan, C. McMahon, Patrick McMahon, J.P. Beach, J.H. Smith, Michael Nestor, Martin Quinn, Martin McIntyre, Robert Higgins, Coleman Kane, Robert Bond. At Ballarat: William Clarke, Richard White, John Hosking, Wesleyan Chapel, J. Hewitt, Robert McRobinson. At Bungaree: John Pullin, John Llewellyn. William Daw, Smith and Wynne, William Brough, A. Alexander. * Ballarat and Ballaarat East Water Supply report upon the advisability, or otherwise, of constructing a reservoir at the junction of the Yarrowee Creek and Gile's Creek, upon a site known as Gile's Reservoir (printed by Frank Pinkerton). This report has numerous notes written on it (most probably by Krause) and includes the capacity of Harry Beale's Reservoir, Pimcott's Reservoir and the Proposed Gong Gong Reservoir. * Statement as to the position of the Ballaarat and Ballaarat East Borough Councils in Connection with Water Supply, September 1869. * Ballarat and Ballaarat East Water Supply - General Statement upon the Ballaarat and Ballaarat east Scheme of Water Supply. Includes information on Moorabool reservoir, Harry Beale's Reservoir, Lal Lal Creek, Two Mile Creek, Beale's Dam, Yarrowee Creek, Gong Gong Reservoir, Kirk's Dam, Devil's Creek, Moorabool Creek. Additional handwritten notes (probably by Krause) * Engineer's Report on the resolution of the COmmittee of Water Supply, of the 7th July 1868. The report refers to the Country around Mount Warrenheip. Names mentioned are L. Abraham, Great North-West Gold Mining Company, Border Sawmills, Ferdinand Krause, Ohlfsen Bagge, W.H. Shaw, A signature by "Ferdinand M. Krause" at the top corner of the title page. A few pages have handwriting on the margins, it is believed to be his handwriting. water supply victoria, castlemaine directories, sandhurst directories, ballarat directories, james blackburn, edward wardle, daylesford water race, c j taylor, george avery fletcher, bagge, ohlfsen bagge, george foote, john h reilly, ambrose johnson, george francis, timber preservation, james forbes, alfred surplice, malcolm carmichael, robert adams, frederick hugh thomas, h o christerpherson, william downe, thomas lawrence brown, francis hadgson nixon, strangways, guildford, maldon, muckleford, lauriston, malmesbury, franklinford, walmer, strathloddon, downe, ferdinand krause, m7082, trentham, castlemaine, drummond, metcalfe, sutton grange, lockwood, ravenswood, mandurang, yandoit, c.h. ohlfsen bagge, moorabool reservoir, gong gong reservoir, harry beale's reservoir, pincott reservoir, frank pinkerton, water

Three soft covered Magazines - the Ballarat School of Mines Students' Magazine for 1953-5. .1) 1953 - The Coronation Number. Articles include: The Mining and Metallurgy Congress, Aboriginal research, Power from Water, Engineering Etiquette, Australian Art Images include: Queen Elizabeth 2, Ballarat Junior Technical School winning the Marching Competition, competitors in the Redex Trial. .2) 1954 - Articles include: Eureka Stockade; Working in East Africa and Canada, Greece, Images include; Craig's Hotel, Eureka Swimming Pool; Barry Jones, Harold Everett, "Tailspin" Taylor, Pastoral Skipton, Margaret McGregor, Nancy Rimmington, Janice Tonkin, First Roll Call in Girls' Junior Technical School .3) 1955. Articles include: Tales from Malaysia, Literary Society Images include; Craig's Hotel, Signatures: N.H. Andrews; J. Skuja: Alan E. Johnson, B.V. McDougall, L.J. Mathews, Daryl Schmidt, J, Collierballarat school of mines, tinney, faneco, jim john, dean, spiers, ngip, barrie smith, stewart rowe, elaine walton, stevens, max stevens, sawyer, ann mitchell, flavel, ingleton, bethune, blackburn, boag, brokenshire, carmichael, kirby, kinnane, alec kinnane, ludbrook, meagher, searl, sheppard, gillin, murray gillan, archer, beattie, bautovich, benjamin, buck, bunting, athol day, eddie, habel, heyes, maddox, phillips, schreenan, donald stevens, tinissen, whitcher, ian whitcher, mccallum, ryrie mccallum, marching competition, skuja, wilton, neil andrews, ellen freemantle, alan johnson, willey, graeme willey, mainwaring, diana mainwaring, mcdougall, little, margaret little, lance matthews, philp davis, eureka stockade, eureka swimming pool, pools, swimming pool, restarick, kempe, barry johns, harold everett, taylor, holmes, wendell holmes, skipton, john collier, collier, daryl schmidt, chris sanos, greece, andrews, doull, everett, seong, lockhead, pitzen, watts, technical school, junior technical school, girl's junior technical school, ballarat girl's junior technical school, baxendale, stan kisler, graham willey, murray, jim murray, grundell, cleland, furlog, ron furlong, judy johnson, russ whitcher, anita young, durant, malaysia, literary society, thurling, andrewartha, barnes, ditchfield, peter ditchfield, dunlop, kisler, mcneil, orgill, quinlan, saggers, bill saggers, seabrook, williams, paddle, graham, handmer, hetehrington, dow, pine, ballarat north junior technical school, william saggers

The Launch Master Frederick Heather was licensed to be Master of Launches within the Port of Launceston. Amongst the vessels that he captained was the S.S. ROWITTA. Fredrick’s son is one of the volunteers at the Low Head Pilot Station Museum, Frederick Heather is also related to a Harry Heather from Tasmania and was also a ship master, one of his ships being the "Alma Doepel", a sailing schooner built in 1903 and sailed by Harry for about 21 years until his death in 1937. Flagstaff Hill’s collection includes a painting of the Alma Doepel. SS ROWITTA: - The 1909 steam ferry, SS Rowitta, was installed as an exhibit at Flagstaff Hill in 1975 and was enjoyed by many visitors for 40 years. Rowitta was a timber steam ferry built in Hobart in 1909 using planks of Huon and Karri wood. It was a favourite of sightseeing passengers along Tasmania’s Tamar and Derwent rivers for 30 years. Rowitta was also known as Tarkarri and Sorrento and had worked as a coastal trading vessel between Devonport and Melbourne, and Melbourne Queenscliff and Sorrento. In 1974 Rowitta was purchased by Flagstaff Hilt to convert into a representation of the Speculant, a historic and locally significant sailing ship listed on the Victorian Heritage Database. (The Speculant was built in Scotland in 1895 and traded timber between the United Kingdom and Russia. Warrnambool’s P J McGennan & Co. then bought the vessel to trade pine timber from New Zealand to Victorian ports and cargo to Melbourne. It was the largest ship registered with Warrnambool as her home port, playing a key role in the early 1900s in the Port of Warrnambool. In 1911, on her way to Melbourne, it was wrecked near Cape Otway. None of the nine crew lost their lives.) The promised funds for converting Rowitta into the Speculant were no longer available, so it was restored back to its original configuration. The vessel represented the importance of coastal traders to transport, trade and communication in Australia times before rail and motor vehicles. Sadly, in 2015 the time had come to demolish the Rowitta due to her excessive deterioration and the high cost of ongoing repairs. The vessel had given over 100 years of service and pleasure to those who knew her. The licence is significant for its association with the Tasmanian early to mid-1900s passenger ferry, the S.S. Rowitta. It is connected to the history of the Rowitta, which was a large exhibit on display at Flagstaff Hill Maritime Village from the museum’s early beginnings until the vessel’s end of life 40 years later. The display was used as an aid to maritime education. The Rowitta represents the importance of coastal traders to transport, trade and communication along the coast of Victoria, between states, and in Australia before rail and motor vehicles. The vessel was an example of a ferry built in the early 20th century that served many different roles over its lifetime of over 100 years. Launch Master's License No 8 issued to Fredrick Heather to act as Master of a steam, oil or electric launch trading within the Port of Launceston. Date issued 13th February 1920. The license is printed with hand written details added.Handwritten on License "Master's" "Frederick Heather" "Master" "13th February 1920" Also two signatures (indecipherable) of Master Warden and Secretary.flagstaff hill, flagstaff hill maritime museum and village, warrnambool, maritime museum, maritime village, great ocean road, shipwreck coast, launch master's licence, rowitta, frederick heather, port of launceston, launch master's license, marine board of launceston, tarkarri, speculant, purdon & featherstone of hobart, passenger ferry 1909, vessel, charles street wharf launceston, sorrento

Timber framed red bordered signed print. 81/250 Mike Eggleston 2783957, depicting lunch break in rubber plantation and six soldiers at rest.'Respite in the Rrubber', Mike Eggleston 2783957, 81/250. On reverse are the signatures of D&E Pl/ 1 ARU Reunion, 2010.print, soldiers

Black and white drawing printed on thin card showing a Sundercut stump jump plough being worked with a team of six horses. A man sits on the plough, looking at the viewer. Appears to be a print-out on thin card. Has been cut out along printed lines.Handwritten on front bottom: 'Sundercut Stump Jump Plough 1925" Artists' signature under rear wheel on drawing: 'M. Caccianiga"stump jump plough, farm machinery

The subject of the painting, Dr Michael J Davis, was appointed ANZCA President in 1993 until 1995. The portrait was commissioned in 1996. Further information about Dr. M Davies can be found on Lives of the Fellows; http://anzca.online-exhibition.net/fellows/fellows-1992/michael-joseph-davies/Oil painting on canvas of the ANZCA President Dr Michael J Davies seated in front of a plain grey background wearing both the Presidential gown and medal. Set within a gold leaf frame with a brass plaque affixed to bottom centre of frame.[plaque] Dr Michael J Davies / President / 1993 - 1995 [Artist's signature lower left corner] Paul Fitzgerald / -1996-painting, anzca president, davies, michael, fitzgerald, paul

Hardcover w/Dust JacketRobin Boyd's Signature on the first page. Circles the words Durham Cathedral on page 3 as well as several margin notes throughoutwalsh st library

SoftcoverBlack ballpoint pen inscription on title page: 'Patricia / With love and best / wishes / John Button [signature] / 10/11/96'walsh st library

Hardcover, boxed set of three volumesAll three volumes have inscriptions inside front cover: 'For Patricia and John / With affection / Zelman Cowen [signature] / July 1987'speech, zelman cowen, walsh st library

Annie Jessup, an artist, was the youngest daughter of the well-known Australian self-taught artist, Alfred William Eustace. Like her father, Annie created some of her oil landscape paintings on gum leaves. Her older brother Sidney presented one of her paintings to the Chiltern Athenaeum together with his own timber collection.Annie Jessup, and artist, was the daughter of the well-known Australian self-taught artist Alfred William Eustace.Photograph of an oil painting on gum leaf by Annie Jessup, under glass on blue paper in a reddish plastic timber-look frame.Artist's signature on bottom right hand corner of photograph: Annie Jessup/ Myrniong Sticker on back: MADE IN/ CHINA/ FABRIQUE'AU/ CHINEannie jessup, gum leaf painting, landscape

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Black and white lithograph on paper depicting the elaborate stone and wrought iron (open) gate/ entrance to Pugh's artist colony 'Dunmoochin' situated at Cottles Bridge. Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, gate, fire, lithograph

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Black and white lithograph on paper depicting the elaborate stone and wrought iron (open) gate/ entrance to Pugh's artist colony 'Dunmoochin' situated at Cottles Bridge.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, sunlight, lithograph

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white (very dark image) detailing Clifton Pugh's garden at Dunmoochin.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, garden, lithograph

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white depicting the Print Studio at Dunmoochin.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, studio, lithograph

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60. This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white detailing the Artist's Gallery at Dunmoochin, located within bush surrounds at Cottles BridgeBottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, gallery, lithograph

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her Mother took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60. This lithographic print is one of a set of ten produced at Dunmoochin.Lithographic print in black and white depicting Gate # 1 at Dunmoochin. Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, gate 1, lithograph

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white depicting bushland and a pond reflecting light.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, pond, lithograph

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Print - lithographBottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, garden, evening, lithograph

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60.This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white (dark image) detailing the interior of Clifton Pugh's house at Dunmoochin. Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, interior, house, lithograph

Alice Blanch Chehovski was born in Queensland to a Russian mother and Polish father. When her father died leaving three small children to bring up on her own, her took them back to Russia to visit her own parents. In the following fateful year, Stalin came into power and the family was trapped by Russia closing its borders. At the age of twenty three, 1944, Alice entered Moscow's Institute of Decorative Arts and Applied Arts to study ceramics. Neither the subject of ceramics nor the academic drawing in fine pencil inspired her. At that time Moscow was surrounded by German troops, Russian culture was inhibited by the war and generally speaking it was not the time for arts. Alice said 'My soul and my hands were needed as a volunteer, to help the wounded soldiers survive'. Alice struggled through a lifetime of hardship and triumph before returning to her native land of Australia in 1981 at the age of 60. This lithographic print is one of a set of ten produced at Dunmoochin at the time of Clifton Pugh.Lithographic print in black and white (very dark image) depicting Chehovskis' cottage at Dunmoochin. Small cottage, bushland and shrubs.Bottom left of print: ed. no. '4/10' and work title. Bottom right of print: artist signature 'Alice Blanch '04'chehovski, dunmoochin, pugh, cottage, lithograph

Australia Post First Day Cover envelope. With 5 stamps depicting various Military scenes. Denominations from 41cents to $1.10.3 Postmarks - Dandenong 12th April 1990. Red Poppy with "The Anzac Tradition". Signature of "Weary E Dunlop" on front of envelope.

Contains details about his medical condition, personal details and information about his application rejection.Of historical significance.Official document. paper.Contains signature of Alban Pearce, details about his medical condition, personal details and details about his application rejection.world war i, ww1, enlistment, recruiting officer, australian imperial forces.

Identity card issued to Emily Foley in 1942. This type of card was issued to British subjects who were civilians. During World War II everyone in Australia was issued with a personal identity card and was required to report changes of address to the government. These cards were particularly important in the identification and monitoring of Aliens (non-citizen residents) , particularly non-Europeans and Asian residents. (Source: Museum Victoria)Local example of an identity card issued to a Kew resident.Identity card issued to Emily Elizabeth Foley of 89 Harp Road, East Kew. The card uses the for "C.R.3 - Civilian Registration British Subjects". it bears a Camberwell stamp on the front right corner. The Identity Card includes the following inscriptions: Front "V14 / F85 / 29268" Reverse Witness signature: "Ethel Foley" same address identity cards, world war 2 - ii, second world war 1939-1945, australia

Painted from the home (or front) paddock which ran south to the creek. The paddock was used for the cultivation of lucerne and maize crops in the lower regions while closer to the house where Ainwick Crescent is now situated, it was a burgeoning market garden for the cultivation of all varieties of vegetables. The large pines beyond, sheltered the farmyard on the west of Gardenia Road. That complex can be partly glimpsed on the left of the painting. This is a directly painted watercolour relying on the use of white paper and transparencies to impart a feeling of morning light. The figure is the artist's mother for whom the picture was painted. Provenance: Augusta Borrack (nee Ziebell) Collection, John Borrack CollectionWatercolour painting, depicting Ziebell's Farmhouse from the south (Thomastown and Mernda). Painting is mounted in a gold frame with cream board.Artist signature: John Borrack; Last Days at Ziebells "The Pines" Thomastown, 'Pro mea matre hanc picturan feci (In Memoria)'illustrations, watercolours, john borrack, ziebell, watercolour, painting

Faded brown cloth cover with embossed detailing on cover and spine 'Sparks and Sounds by J Whiteman ' xi; 195 pages ; Illus; 19cm;Handwritten inscription on front page '3' Stamp on various pages 'Kilmore Mechanics Institute Signature; ' Faithfully yours John Whiteman'kilmore mechanics institute library.

This Army Driving Licence was issued to Ernest James Richard McDonough. He served with Detachment A Squadron 3 Cavalry Regiment and 1/15 Royal New South Wales Lancers. Born 1925 and Died 31 November 2001. He served with 3 Calvary Regiment in Vietnam.A follow up Army Driving Licence held by 36970 Ernest James Richard McDonough who served with 3 Calvary Regiment during he Vietnam War.A white sheet of paper mounted on a dark tan cardboard and cloth cover. Australian Military Forces Army Driving Licence No. 56115. Issued to 36970 WO2 Ernest James Richard McDonough. The previous ranks of Sergeant and Staff Sargeant have been crossed out.Transcribed from AAF G11 No 42700. Details of vehicles qualified to drive, date, testing officer, Unit and Signature of Issuing Officer. mcdonough, 36970, aafg11