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4th/19th Prince of Wales's Light Horse Regiment Unit History Room
Video Cassette Tape, J Williams, ABC Television News Coverage of PWLH 130th Anniversary, 4 Nov 1990
VHS tape of ABC coverage of the Regiment's 130th anniversary display at the then RHQ at George Street, Fitzroy, Victoria. It includes raw unedited takes and an edited versionceremonial, vhs -
Orbost & District Historical Society
woman's lace collar, c. 1900
Mrs John Draffin was the wife of a Shire President of Orbost Shire Council. She is reported to have made this lace herself. The design might have been copied from a book of laces.Associated with the wife of an early resident of Orbost who was Shire President. A large white cotton lace collar, roughly rectangular in shape, made from tape lace and with decorative infills. This collar is very pretty and beautifully made. tape-lace lace-collar women's-clothing -
Orbost & District Historical Society
book / colection, early 19th century
George Cruikshank (27 September 1792 – 1 February 1878) was a British caricaturist and book illustrator.. His book illustrations for his friend Charles Dickens, and many other authors, reached an international audience. George Cruikshank was inventive. In the 1800's, puns and other forms of word-play were loved by all. Some of these illustrations come from his 'Scraps and Sketches' album, published for adults in 1832, though the drawings were done between 1828 and 1832. Volumes of George Cruikshank's Scraps and Sketches were intended to be cut and pasted in home-made albums and scrapbooks; George Cruikshank was a well-known British caricaturist and book illustrator. This item represents this popular art form of the early to mid 19th century.A collection of artworks (copies of etchings) of George Cruikshank. They are bound together with masking tape. The pages are dated 1828-1823. They are satirical cartoons printed in black ink.on front : "V BROOME with CANN RIVER crossed through ORBOST 78 PERRY ST 5154 2855" -
Federation University Historical Collection
Book, Roger G. Porteous, Victorian Land Freeholders
Green soft covered book with green tape spine. The book includes names and dates of the first land freeholders listed on Ballaarat and district Parish Maps. -
Flagstaff Hill Maritime Museum and Village
Tape measure
James S Steele tool boxTape measure steel 66 feet long. Made by Henry Boker, Germany. Leather covered case with brass trimmings 100mm diameter 22mm wideflagstaff hill, warrnambool, shipwrecked-coast, flagstaff-hill, flagstaff-hill-maritime-museum, maritime-museum, shipwreck-coast, flagstaff-hill-maritime-village -
Port Melbourne Historical & Preservation Society
Photograph - Photocopy, Port Melboune United Juniors, Premiers, Allan Studio, Port Melbourne United Juniors Premiers1947-1949, 1949
Port Melbourne United Juniors Premiers1947-1949 = two poor photocopies from a damaged photograph of football team (names printed at bottom), taped togetheron back 'This came from Tom Hills but has not been included in the Archive'sport - australian rules football -
Port Melbourne Historical & Preservation Society
Book, Port Stories, Jul 2000
The book was launched at the Liardet Community Centre in July 2000'Port Stories', a plastic bound, 84pp book of taped and written stories, poems and artwork produced by participants in programs at the Port Melbourne Neighbourhood House in 2000.arts and entertainment - community arts -
Clunes Museum
Map, Township of Clunes - Parish of Clunes - County of Talbot
Map of Clunes Township in 1951Photocopy of map, (comprising a number of A4 sheets taped together) showing Lot numbers and names of landholder. Reference Gaz 1951.1480. Scale measurement is in "chains"Niltownship of clunes map, 1951 -
Tatura Irrigation & Wartime Camps Museum
Book - Autograph
Used as type of autograph book. 1st entry Mrs Hainbirger, on the occasion of the dedication of the German War Cemetery at Tatura, Sunday 16th November 1958Small dark green vinyl covered memo book with signatures/autographs. Spine has been reinforced on outside by strip of biscuit coloured adhesive tape.Memorandum on cover. Judith Mitchell, Tatura Vic.hainbirger, german war cemetery, tatura, internment camps, autographs -
Whitehorse Historical Society Inc.
Document, Notes on E. E. Walker, 1992
Rough notes taken from tape of talk by Ruth and Dora Jamieson on 3 April 1992 [on E. E. Walker].Rough notes taken from tape of talk by Ruth and Dora Jamieson on 3 April 1992 [on E. E. Walker]. With notes on Walker family history.Rough notes taken from tape of talk by Ruth and Dora Jamieson on 3 April 1992 [on E. E. Walker].walker, edgar edwardes, australian tesselated tile co. pty. ltd., walker, alexander -
Whitehorse Historical Society Inc.
Clothing - Petticoat
White cotton half petticoat with blue ribbon threaded through eyelets. Three layers of crochet lace on overlap at hem edging. Tape ties at waistcostume, female underwear -
Northern District School of Nursing. Managed by Bendigo Historical Society Inc.
Photograph - School 85 - 1975
School 85 - 1975 - 1977 - 85 Students in day clothing. Don Semmens Bendigo photographer -Tutors listed Jenny Stimson, Jack Hutley, Pam Ryan, Frank Sheehan Ron Webb.Colour Photo in White holder held by opening in the corners. Yellow tape marks on all corners - 58 people in photo - Lawn at front and building at backDon Semmens - Photographic studio on back. Names of Tutors on back nursing history, nurse training -
Tennis Australia
Racquet, Circa 1985
Badminton racquet. Unbranded. Metal with nylon strings. Red grip tape. Text on shaft states: 'Tempered Steel Shaft'. Materials: Metal composite, Nylontennis -
Melbourne Legacy
Negative - Glass plate, Annual Demonstration, Not known
Photograph of a Legacy Demonstration at the Melbourne Town Hall. Throughout the year Melbourne Legacy provided classes for Junior Legatees such as dancing, gymnastics and eurythmics, the Demonstration was an annual event to showcase their skills. Melbourne Legacy conducted Annual Demonstrations / Parades from 1928 through to the 1980's, usually held at Melbourne Town Hall or Olympic Pool Stadium. The beautiful costumes were made by members of the Junior Legacy Mothers' Club and the Melbourne Legacy Wives' Association. A record of a Junior Legacy Demonstration.Glass negative of a photo taken at a Melbourne Junior Legatees Annual Demonstration at the Melbourne Town Hall. Year unknown. Glass edge is covered by brown tape.junior legatee, annual demonstration -
Tennis Australia
Racquet, Circa 1990
A Dunlop Power SL, graphite/composite squash racquet with open throat. Materials: Graphite, Plastic, Nylon, Leather, Adhesive tape, Ink, Composite Materialstennis -
Tennis Australia
Racquet, Circa 1979
An unstrung Rossignol Lady Pro Tournament tennis racquet. Materials: Wood, Ink, Glue, Lacquer, Metal, Leather, Plastic, Fibre, Plastic, Adhesive tapetennis -
Tennis Australia
Racquet, Circa 1975
A Kmart All Pro Super tennis racquet. Materials: Wood, Ink, Glue, Lacquer, Metal, Nylon, Enamel, String, Leather, Adhesive tape, Plastictennis -
Tennis Australia
Racquet, Circa 1994
A Gamma 'Cyclone 21 XL' tennis racquet. Handle wrapped in clear plastic wrap. Materials: Metal composite, Plastic, Adhesive tape, Nylon, Leathertennis -
Tennis Australia
Racquet, Circa 1989
A Kuebler 'Resonanz Inertial' tennis racquet. Clear plastic vacuum sealed over handle. Materials: Metal composite, Plastic, Adhesive tape, Nylon, Leathertennis -
Tennis Australia
Racquet & cover, Circa 1987
A Dunlop 'McEnroe SL' tennis racquet, with vinyl cover. Materials: Leather, Adhesive tape, Nylon, Ink, Plastic, Metal, Graphite, Vinyl, Metal, Inktennis -
Tennis Australia
Racquet, Circa 1978
An unstrung Dunlop 'Turbo 660' tennis racquet, with split shaft frame, and black plastic bridge. Materials: Metal, Plastic, Leather, Ink, Adhesive tapetennis -
Tennis Australia
Racquet, Circa 1990
A Wimbledon 'Nova Oversize' tennis racquet with PGS (Polymer Grip System). Handle wrapped in clear plastic. Materials: Graphite, Nylon, Plastic, Adhesive tapetennis -
Tennis Australia
Racquet, Circa 1984
A Sportime 'Maximum' tennis racquet, with Wilson 'Championship' nylon strings. Materials: Graphite, Composite Materials, Paint, Plastic, Leather, Adhesive tape, Ink, Nylontennis -
Tennis Australia
Racquet & cover, Circa 1983
A Donnay 'Bjorn Borg Horizon Graphite Midsize' racquet and vinyl cover with zip Materials: Metal composite, Plastic, Adhesive tape, Leather, Nylon, Vinyltennis -
Tennis Australia
Racquet, Circa 1968
A Wilson 'Jack Kramer Autograph' racquet. Autographed by Jack Kramer in black marker. Materials: Wood, Paint, Leather, String, Adhesive tape, Nylon, Plastictennis -
Tennis Australia
Ball container, Ball, Circa 1975
A Stomil (Poland) tennis balls box, containing all three original balls. Materials: Ink, Cardboard, Paper, Rubber, Synthetic material, Adhesive tapetennis -
Kilmore Historical Society
Tree Last
Left foot, 2 part polished wooden last, heel and main last stuck together with tape. metal peg drilled into top hollowed in instep "L" stamped into outer aspect of main and heel wood -
Melbourne Tram Museum
Functional object - Run Number Plate, Melbourne & Metropolitan Tramways Board (MMTB), Doncaster D118, 1970's?
Used by Doncaster bus depot to indicate to Inspectors and other staff the allocated run or timetable trip for a particular service. Was displayed in the front window of the vehicle.Demonstrates a MMTB Run Number plate used on both trams and buses.Run Number pressed plastic sheet with rounded corners, off white or cream sheet with the letter "D" and number "118" using a red adhesive tape.trams, tramways, mmtb, timetables, buses, doncaster depot -
The Beechworth Burke Museum
Drawing, Ernest Marcuse, Beechworth I, c1972-1976
Ernest Heinrich Marcuse was born on the 1st of December 1900 to Hedwig and Siegmund Marcuse in Berlin Germany. While Marcuse's artistic talent was apparent from a younger age, his earliest existing artwork was from when he was approximately 20 years old. Ernest's formal art training commenced in 1918 with a three year course at the Berlin school of Interior design. After completion he found work until 1924 when Germany's Great Depression took effect. To broaden his career opportunities he undertook a further 12 months study of fashion, drawing and advertising at Berlin's Reiman school of art. From 1925 to 1934 Ernest was primarily a freelance press artist specialising in industrial, architectural and figurative drawing. Prominent newspaper The Berliner Morgenpost was his largest client along with Gross Deutsche Rundfunaustellung (Germany's organisation for major trade shows). During this period he would create many significant works. Two months after Hitler and the Nazi part came to power in 1933, Ernest received a life changing letter stating that being Jewish he could no longer continue employment in Germany. Up until 1938 he would only be able to undertake private commissions and occasional unofficial work as a book illustrator and games designer. This was by arrangement with non Jewish artists who claimed his work as their own, they would then share the income with Ernest. With increasing unrest in Germany during late 1938 Ernest decided to move to London and there he married his girlfriend Lotte. In late 1939 Ernest and Lotte Marcuse embarked on an eight week journey to their new home in Australia where they had been accepted as refugees. Shortly after arriving in Australia Ernest presented his portfolio to an editor at the Argus newspaper and gained employment as a war events illustrator. He soon became well respected and known in particular for his detailed illustrations and cross sections of ships , artillery and aircrafts. His detailed depictions of battles were displayed on the front pages of The Argus newspaper on a number of occasions. In May 1940 as the war intensified Ernest was dismissed from The Argus newspaper due to his Australian government classification of 'stateless person of enemy origin' and was considered a potential security risk. The editor of the time commented "don't blame us, blame Hitler". Marcuse then began to establish himself as a commercial artist. Ernest was de-classified as a 'stateless person of enemy origin' and in early 1942. The Australian army heard of Ernest's artistic abilities and began to utilize his designs for visual training aids and posters. Ernest became Private E.H Marcuse V377746, his first army posting was as staff artist at The infantry officer's training school at Bonegilla. When off duty he was inspired by the beauty of the surrounding area creating the works in North east Victoria 'Kiewa river bridge', 'Hume weir', ' Dried up river bed' and 'Hawksview gold reef mine' from his 1942-1943 period at Bonegilla Victoria. Ernest returned to the area to create drawings and paintings from 1948 to 1983 in locations including Bright, Wandilligong, Bogong High plains and Wallace's Hut, Mt Buffalo, Beechworth, Pretty valley, Kiewa Hydro, Yackandandah and Bontherambo homestead. These sketches were often completed on location, photographs were also taken onsite to assist the works back at the studio. Occasionally Marcuse also painted in the field. Ernest's preferred choice of medium was pencil and ink. Up until 1952 he would often incorporate watercolour into his work. Later into his career he began introducing pastels, acrylic and mixed media. In earlier years Ernest Marcuse often signed his work Mar, later on the signing of works ranged from Marcuse, E.Marcuse, Ernest Marcuse, EHM or simply EM . If a work was considered incomplete or Marcuse did not like the work it would remain unsigned. From Bonegilla Marcuse was transferred to Woodside South Australia before his final posting in Melbourne until the end of 1945. Ernest's work from within his army posting 'Troop Train at Night' from his 1945 exhibition Australia at War are part of the permanent collection at Canberra's War Museum. Between 1946 and 1969 Ernest largely worked from home and concentrated on a career as a freelance commercial artist and graphic designer. During that time he created work for well known household names including CRA/Conzinc, Vacuum oil (Caltex), Cottee's Brand (Schweppes and Heinz), Home Beautiful magazine Fulton garden supplies, International Iveco trucks, Ego pharmaceuticals, QV and Sunsense. After retirement Ernest concentrated on his true love of fine art and focused on painting images of personal interest both across Australia and Internationally. Earnest never drove a car. He would often walk or use public transport or enlist in the help of family or artist friends to drive him. Throughout his career Ernest Marcuse's artworks were purchase by private collectors these included ACTU, Melbourne City council, Holland Constructions, Melbourne Metropolitan Tramways Board, GJ Coles and Australian Resources Bank. Ernest Marcuse permanent collections can be viewed at The National Gallery of Victoria , Sydney Jewish Museum, Jewish Holocaust Centre Melbourne, Canberra's War Museum, City of Melbourne, Shire of Yarra ranges and now the Burke Museum. © 2020 Art by Marcuse https://www.artbymarcuse.com.au/aboutDonated to the Burke Museum through the Australian Government's Cultural Gifts Program by Peter and Evelyn MarcusePen and coloured pencil landscape drawing on paper.Obverse: MARCUSE / B.worth (in pen) Reverse: BEECHWORTH NOSTALGIA / BW – 01 (crossed out) / B2 / CORNER CAMP + FORD STREET / (on masking tape) 001 (pencil) ernest marcuse, marcuse, art, artbymarcuse, beechworth, burke museum, indigo shire, landscape, illustration, drawing, pen and pencil, australian army, war events illustrator, the age, the sun, the argus, germany, refugee, industrial drawing, architectual drawing, figure drawing, berliner morgenpost, grosse deutsche rundfunaustellung, berlin’s reiman school of art., cultural gifts program -
Kiewa Valley Historical Society
Sheets 7 and 8 of a set of 10 sheets of photographs of the Kiewa area, 1948 - 1950's
These photographs are a pictorial and historical record of the photographer, Ronald George Thorn, of his days as an engineer with SECV. He worked in the Kiewa area as a cadet engineer from 1948 to 1950 and then in 1953 to 1956 as an electrical engineer grade 2.The photographs tell the story of one mans involvement in the construction of the Kiewa Hydro Electric Scheme during his employment with the State Electricity Commission of Victoria.A foolscap sized sheet of light weight cardboard with 3 photographs (black and white) adhered to sheet 7 and 8 black and white photos adhered to sheet 8. Number 7 is handwritten in ink on a small square of white paper and adhered to the page by sticky tape. Number 8 is also written as above and adhered to reverse side.engineer, kiewa, secv