Deep red board cover with an etching of a boy and his dog in black and green on the cover and blank back - 128 pagesfiction

Colour Photograph; Sunet from Big Hill Looking toward the Grampiansbig hill

In 2020 during the period of lockdown due to COVID the National Wool Museum asked their volunteers to make and donate blocks made from a variety of materials found in their homes, for an ISO quilt. The NWM reached out to the patchwork and quilter community to find a local quilter to sew the donated blocks together. The quilt is sewn together and quilted by Judith Oke, 2020-2021. Judith is a local patchwork and quilter and a member of Geelong Patchwork & Quilters Guild. Through the process she was inspired by the tradition of wagga quilts, where bits and pieces are stitched together, sometimes lined with whatever the sewer found available, such as clothing and sacking, to provide warmth. In construction of the finished quilt the challenge was combining 10 inch blocks made from a variety of materials, with uneven sizing. The aim was to combine these very different blocks into a harmonious whole. To this end a light and dark pattern was planned, with the blocks to be sewn onto a blanket. The choice to layer the blocks over each other, rather than sew an even seam was aimed at emphasizing the make do nature of these ISO blocks. Due to the weight of the blanket a decision was made to sew the blocks onto a base before the whole was stitched onto the blanket. The blanket was sourced from NWM donations. The rich, red of the blanket provides a bright, warm background for the colourful squares. Some of the light weight blocks were backed with iron-on interfacing to strengthen them for sewing. The edges of two of the woven squares were blanket stitched with knitting wool. The 10 inch donated blocks/squares were machine sewn to a cotton sheet base, with liberal use of blanket stitching, as the blanket was too heavy to sew the blocks directly onto the blanket. The base with squares was then machine sewn onto the red blanket backing.Various multi coloured and designed patchwork squares sewn onto a red woollen blanket. isolation, covid, quilt, wool

This jacket is by the prolific spinner and weaver Jean Inglis. It has been woven with a warp of commercially brought wool & a weft of hand spun Corriedale. It is completed in a Swedish lace style of weaving. The highlight of the jacket is the blue section of fabric on the top left shoulder of the wearer, which works down to the bottom right hip. This pattern looks like long thin individual separate sections of fabric stitched to the jacket; however, only one section of fabric has been added. A dying technique has been utilised to give the appearance of multiple sections. This Japanese dyeing technique is called Shibori, “to wring, squeeze or press". It is a manual tie-dyeing technique, which produces several different patterns on fabric. The specific pattern on this fabric is known as Kumo Shibori. It utilises bound resistance. This technique involves folding sections of the cloth very finely and evenly. Then the cloth is bound in very close sections. The result is a very specific spider-like design. This design requires very precise technique. Specific to this jacket, the fabric for the dyed section was made with the same fabric as the rest of the jacket. A section of the excess fabric was concertina wrapped around a 100mm pipe and tied up before dying. This gives the consistent straight blue lines, with no bleed from the dye. The sections were then sewed into the jacket with the occasional sequin added for additional decoration and glamour. The jacket won 1st prize at the 1988 Geelong Show. Jean was assisted by the dress maker Ruth Randell with some of the design and sewing. Jean always found sewing “a bit of a bore”. The jacket also has an attached swing tag. It was added to provide information to the judges at the Melbourne Show on how the jacket was created. It comes complete with Jean’s self-proclaimed terrible handwriting. It was donated to the National Wool Museum in 2021.Cream singled breasted jacket with no overlap. The jacket has no column of buttons for fastening, or lapels. It is designed to be plain, to not draw attention. The jacket is highlighted by the Shibori dyed waves on the top left shoulder of the wearer, which works down to the bottom right hip. This blue dyed section of fabric is dotted with the occasional blue sequin. Internally, the jacket features a white silk lining for comfort. The jacket ends in a straight cut hem, including at the cuffs. The jacket has an attached swing tag. The swing tag is cream with a printed thin black boarder. Within the boarder, handwriting in black ink is found. It has a hole punch in the top left corner of the swing tag for attaching to the jacket.hand spun, hand weaving, textile design, textile production, shibori, kumo shibori

With Compliments of the Council of the Shire of Ballaratcraft, ballarat rsl, ballarat

Yields information through a photograph of the transportation of Ballarat No. 36 for Tourism Week in September 1971, possibly called via the home of the truck driver in Ligar St. Two large format (42mm square approx. colour positive film) within a Kodak Ektachrome Transparency (50mm sq) of Ballarat tram No. 36 enroute to Melbourne, making a house call in Ligar St Ballarat. Has the advertisements for Melbourne in position. See also Reg item 3503 of tram in Melbourne and 3432 for newspaper clipping.On both slides "14/9/71" and "Tram in Ligar St"ballarat, tramways, trams, melbourne, tourism, mmtb, ligar st, tram 36

Letter seeking the name of a possible Ballarat tram driver, Harry ? who served a batman to a Doctor during World War 1. Unable to source the name - correspondence attached. Unfortunately no surname. Papers attached.Various correspondencetrams, tramways, crews, ballarat, world war 1

The Otways Quilt is believed to have originated with the Perkins family, landholders in the Beech Forest area. Some of the names or initials on the quilt have been tentatively identified with other farmimg families in the same district.A rectangular quilt hand embroidered in white on 20 square panels, with the names or initlals of settlers in the Otway district, and surrounded with an edging of floral embroidery. It is made of polished cotton backed with cotton sheeting.quilt, beech forest, otway, needlework, perkins

Early gold-rush building, originally Brewery, next to Gong Reservoir (early water source for township). Building since converted to residence.Record of early building as of mid 1930'sLaser copy of hand-tinted photograph of Old Brewery and Gong Reservoir Buninyong, c 1935, fields rising behind, tall treees, partially obscured house.building, buninyong, brewery, industry, landscape

This cot cover insert was made during the 1929 depression an a time of financial hardship. It was made by Jean Hepner's Grandmother from used woollen garments. They were hand stitched on to an old woollen blanket. The quilt was used by at least five of the seven children born in to this family and also by grandchildren in later years. It was used with assorted covers which were replaced when needed.Child's cot cover insert (wagga) made from discarded woollen garments such as socks, stockings and vests and stitched in multiple layers on to a woollen blanket. It is mostly cream in colour with patches of blue and brown.quilting, history, depression era, wagga, geelong, quilting - history

Mary Joyce Abbott made the quilt in 1972 in Bendigo. The quilt was constructed on Mary’s old Singer sewing machine with knee-action drive. Mary gifted the quilt to her daughter Sandra who used it on her bed for about a decade then retired it when she purchased her first doona. Mary was an excellent seamstress and a very early winner of Melbourne Show quilt prize with two single log cabin style quilts. In the mid-1980s Sandra roughly stitched Mary’s name and the date onto the back of the quilt.The quilt is constructed out of crazy quilt blocks, machine sewn, and made from factory offcuts of velveteen in a kaleidoscope of colours. The top end has squared edges and the bottom end has rounded edges.Mary Abbott \ 1972 (sewn into back of quilt)quilts, textiles, bed, sewing

Ill, p.410.non-fictionA history of the individuals who contributed to Venetian historyvenice - history, venice - art

Ill, p.422.non-fictionA history of the individuals who made Florenceflorence - history, savonarola, dante

Hilly coastal view with ocean and hills in the background

Hand made, Irish crocheted.Round, white doily with 10 embroidered flowers in the cotton hand-crocheted surround.doilies, table linen.

"Told to the Children Series", edited by Louey Chisholm. Mary MacGregor (1872 - 1961), b. Ontario Canada. Author of several novels and biographies. Books of Monica Smith (nee Turner) donated by her daughter, Joan Smith. Descendants of early Kilmore pioneering business families. the Morrissey and Hartnell families.Brown paper on board cover with colour plate pasted on front. Missing dust jacket. Slightly worn edges. Evidence of earlier hinge repair front & back. Slightly ragged appearance to page edges. Binding tight. Eight colour plates all present in good condition. Probable First Edition, undated, 1906.116 pp. Good condition.On front flyleaf, 'Monica Turner/1909'.children's literature

First published 1862. This reprint 1908 for 'The People's Library'.Red cloth-bound hardcover book, spine decorated in gilt. Binding tight and square. 463 pp. Good condition.Half title page at top, 'R. Hiscock', handwritten cursive.adult fiction., whitburgh cottage collection

Small red leather-bound book with title in gilt lettering on front cover. Small tears to upper front & back covers, some whitish spotting and three regular looking indentations to front cover. Partial hinge joint break at rear cover. Several birthdays recorded throughout. Wear, staining, & mildew to outer perimeters of most pages. Fair - good condition.fictionChildren's birthday book with front coloured book plate & black & white line illustrations & verse throughout. Alternate pages allow for recording birthdays.sugden, birthday book, children

A grey children's book with the title Ben Froggatt; or Little Lonesome printed in gold lettering on the front cover surrounded by black illustrations of plants, a highly patterned wide diagonal stripe with a circle at the bottom right showing inside it a boy looking at another boy lying on the ground. The back cover has a large black drawing of a plant. The spine has the title in gold at the top. There are some full page black and white illustrations and a list at the back of suggested books to read and give for Presentations. Some damage to pages and tanning. 151p.fictionA story about two young orphaned boys who have to make their way in the world. They have strong religious teachings from their grandmother and after she dies they struggle to survive. Through various hardships the main character Ben manages to make something of his simple life, marries a girl he adores and eventually is reunited with his long lost brother who has mended his ways.children's fiction, religious fiction

Off-white, muslin pillow sham with shadow embroidery depicting flowers, leaves, a bow and two butterflies in opposite corners. It has a 10 cm. wide scalloped, white lace border.bed linen., bed accessories.

Ill, p.162.non-fictionShort stories of Ireland history for children.childrens stories - ireland, irish fiction

p.274, ill.non-fictionLife under the bread tax operating in Ireland in the 1840s.ireland - economic conditions, irelend - social conditions

Index, ill, p.196.non-fictionA critical and interpretive study of artistic representation of our ladyreligious interpretation, religious art

Index, ill, p.174.non-fictionA critical and interpretive study of artistic representation of Jesusreligious interpretation, religious art

284 p.fictionfiction