Chip carving was a popular hobby/pastime from the arts and crafts movement of the 1890s and remained a popular folk art until the 1920s.This is an example of a popular folk art hand-carved chair made in Australia in the early twentieth century.Hand-carved timber chair, by an unknown enthusiast in the Warrnambool area. Made using the 'chip carving' technique, with whorls and star design in relief on the seat. The timber finish has been given an ebonised tone. Chip carvings

The camp Street Action Plan aimed to create a vibrant focus of community life, arts and culture in the heart of Ballarat. It included the relocation of the University of Ballarat Visual and Performing Arts from Mt Helen to the Camp Street precinct. Key sits were the Ballarat Post Office, former Ballarat Library, Victorian Business Centre, Police stations, Ballarat fine Art Gallery, field Street Car Parks. Rring bound booklet with clear plastic cover.arts academy, camp street precinct, alfred deakin place, former ballarat mining exchange, mining museum, art gallery of ballarat

Statue of Ruth is a religious reference to the harvest and to the importance of motherhood. Ruth was sculpted by Charles Summers a central figure in Australian art from the mid 19th Century. Summers was a founder of the Victorian Society of Fine Arts in 1856 and in 1863 he became a member of the commission of inquiry into the promotion of the fine arts in Victoria. He created many portraits and busts and is known for his bronze depiction of Burke and Wills in MelbourneThe sculpture is of historic and aesthetic significance to the people of BallaratMarble sculptural depiction of the biblical figure RuthPresented to the City of Ballaarat by the following citizens./ H F Elliot Mayor/ The Hon E Morey MLC/ Cr C B Retallack/ Cr J Heinz/ Cr C C Shoppee/ J N Wilson/ T Stoddart/ ruth, harvest

A poster advertising the performing arts production of 'The Women of Troy' by Euripides; presented by University of Ballarat Arts Academy 2nd Year Performance Company. Translated by Nick Enright. It was performed at the PO Box Theatre on the corner of Sturt Street and Lydiard Street, Ballarat. Entry via Sturt Street Lane. There were four nightly performances starting at 8.00pm and one Sunday performance at 5.00pm. Tickets purchased via MajesTixOriginal Poster women of troy, university of ballarat arts academy, nick enright, euripides, po box theatre, majestix

Maryanne COUTTS (1960- ) Born Australia Maryanne Coutts studied at the Victorian College of the Arts (VCA), The University of Melbourne, 1979 -1981, the University of NSW (UNSW),1984 and achieved a PhD at Federation University Australia in 1999. She has exhibited extensively throughout Australia and internationally including UK, Spain and Thailand and is currently Head of Drawing at the National Art School, Sydney. Dr Maryanne Coutts was the first successful Visual Arts PhD from the Federation University Arts Academy. She won the Portia Geach Memorial Award in 2007. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Maryanne COUTTS (1960- ) This work by Maryanne Coutts was undertaken during her Doctorate undertaken at the University of Ballarat (a predecessor of Federation University). Here thesis. 'Using narrative strategies in contemporary figurative painting', applies an analysis of narrative, its elements, strategies and devices to figurative painting within the practical project of producing visual narrative fiction. art, artwork, maryanne coutts, coutts, thesis, phd, doctorate, oil on canvas, alumni

Anne SAUNDERS (1955- ) Born Edinburgh, Scotland Arrived Australia 1977 Anne Saunders graduated from a Duncan of Jordanstone College of Art, Dundee, specialising in Illustration and Printmaking, and graduated with a Master of Arts (Fine Arts) by Research from La Trobe University Bendigoand in 1995. She is a former Senior Lecturer at the University of Ballarat Arts Academy (later Federation University), first appointed in 1987 as lecturer in Drawing and Printmaking, and in 1999 she was appointed Senior Lecturer in Drawing and Studio Co-ordinator. Anne Saunders retired from the University of Ballarat in 2010. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Framed abstract painting.art, artwork, saunders, university of ballarat, anne saunders

Anne SAUNDERS (1955- ) Born Edinburgh, Scotland Arrived Australia 1977 Anne Saunders graduated from a Duncan of Jordanstone College of Art, Dundee, specialising in Illustration and Printmaking, and graduated with a Master of Arts (Fine Arts) by Research from La Trobe University Bendigoand in 1995. She is a former Senior Lecturer at the University of Ballarat Arts Academy (later Federation University), first appointed in 1987 as lecturer in Drawing and Printmaking, and in 1999 she was appointed Senior Lecturer in Drawing and Studio Co-ordinator. Anne Saunders retired from the University of Ballarat in 2010. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007. Framed abstract painting.art, artwork, uinversity of ballarat, anne saunders, saunders

In July 1909, a modest 12-page booklet was put together by members of the fledgling Old Ruytonians Association (ORA) and distributed to the Ruyton Girls' School community. It was one of their first projects, and their aim was to nurture continuing interest in the School among former and current students. They named it "The Ruytonian." At first, The Ruytonian was produced twice yearly, and always bore a plain cover with a simple name banner. Initially, it was the work of volunteer editors from the ORA, but in 1913 they handed the publication over to the first student editors, Esther Gibson and Lucy Tickell. Since that time, the style and content of The Ruytonian has continuously evolved. The biggest shifts occurred in 1942 when it transitioned to a yearly publication, and in 1969 when it moved to a larger A4 format with a cover image specifically selected for that year.The record has strong historic significance as it pertains to the fourth oldest girls' school in Victoria, Australia. Ruyton was founded in 1878 in the Bulleen Road, Kew, home of newly widowed Mrs Charlotte Anderson (now High Street South). Thus, the record can be used as a reference example for research into Victorian school history. The record's significance is further enhanced by its exceptionally well-documented provenance, having remained the property of Ruyton Girls' School since its production.Colour publication printed on white paper. 100 pages.Front Cover: Ruyton / YTONIAN / ON TIME / AND ON / er Pre Prep pages 6-9 | Local and World Affairs 1 page 20 | The Company We Keep page 37 | Travel pages 49-51 | Local and World Affairs 2 pages 68, 69 | Opinion page 89 / Review 1 page 10 | Lyceum 1 page 21 | Review 2 pages 38, 39 | Contributors pages 52, 53 | Debate pages 70, 71 | Lyceum 2 pages 90, 91 / The Arts 1 pages 11-17 | Education pages 22-35 | The Green Guide 2 page 40 | Business Day pages 54-59 | The Arts 2 pages 72-75 | The Share Market page 92 / Sports 1 pages 18, 19 | The Green Guide 1 page 36 | The Arts 2 pages 41-48 | Domain pages 60-69 | Sport 2 pages 81-88 | Round up page 93 / BUDGET /ruyton girls' school, the ruytonian, kew, old ruytonians association, yearbook, school, publication, girls school, junior school, senior school, journal, students, teacher

Mr. James Jamieson was a member of the Nicholson Street Wesleyan Church, Lay Treasurer of Conference and a Fellow of the Society of Science, Letters and Arts, London.Matte, sepia, head and shoulders, portrait image of Mr. James Jamieson on card.jamieson j., lay treasurer, methodist

This project is assisted by the Australian Council ,the Federal government's Arts Funding advisory body and has been generously supported by the playbox theatre company Black and white pamphletwoman thy name is, athenaeum theatre two, program, programme, maggie millar, maud clark, june jago, kerry o'reilly

Eugene Onegin an opera in three acts was performed at the Arts centre, Melbourne, by Opera Australia singers, and chorus, sung in Russian with English surtitles. One page A5 double-sidedText on both sides. The King and I side one; Eugene Onegin side 2eugene onegin, opera, jacqueline dark, oa, arts centre, tchaikovsky, singers, nicole car, paulo szot, sian pendry, dominica matthews, kanen breen, james egglestone, jonathan mccauley, adrian tamburini, daniel sumegi, dean bassett, emily ranford, sam colbey

These two flyers concern the Warrnambool Mechanics' Institute Exhibition of Arts and Manufactures held in the Orderly Room over eight days in 1879-1880. The exhibition aimed to encourage local industries and to stimulate young people to manufacture and exhibit specimens of their skills in the various industries and arts. The admission was one shilling for adults and half price for children under 14. The exhibition was not very profitable with only seven pounds going into the Mechanics' Institute funds. These two flyers are of some interest as mementoes of a minor exhibition of arts and manufactures held in Warrnambool in 1879-1880.1 a single sheet of paper with black printing on a faded pink background .2 a single sheet of paper with black printing pasted on a piece of lightweight cardboard. The edges of the sheet of paper are torn.warrnambool exhibition 1879-1880, mechanics institute, warrnambool exhibition 1880, nullawarre state school

Terry DAVIS Awarded a Bachelor of Arts (Hons) Art and Design, North Staffs Polytechnic, UK; Master of Arts Humanities, Flinders University of South Australia; and Doctor of Philosophy, Humanities, Monash University, Victoria. Terry Davies was an artist-in-residence at the University of Ballarat (now Federation University) in 2011. This item is part of the Federation University Art Collection. The Art Collection features over 1000 works and was listed as a 'Ballarat Treasure' in 2007.Ceramic bustart, artwork, terry davis, ceramics

Adrian MAURIKS (1942-2020) Born Holland Arrived Australia 1957 Adrian Mauriks completed Undergraduate and Post Graduate at the Victorian College Of The Arts, Melbourne, Victoria between 1972 and 1978. In 1978 Adrian Mauriks was appointed to the School of Visual Arts at the Gippsland Institute of Education in Churchill (now Federation University). He lectured in a number of univeristies before retiring in 1996, including the University of Ballarat (now Federation University)Timber made of painted cypress pineadrian mauriks, sculpture

Juli HAAS (26 April 1952- 02 March 2014) Born Melbourne Juli HAAS (1952-2013) Born Melbourne Juli Haas mainly produced watercolours, artist’s books and limited edition prints using the printmaking technique of Drypoint. She often explores the lives of everyday people with her work often portraying the darker side of human nature in an interior world filled with fantasy and absurdity. Themes throughout her work incorporate the use of childhood memory, place and a sense of personal history. Inspiration is derived from observing her own environment, which is then developed into a portrayal of the absurdity and drama of everyday human situations. Haas applies layers of intense and vibrant colour, which also serves to reinforce the narrative element that runs through the work. The psychological drama that informs this narrative exposes the darker side of life, expressing elements of anger, violence and isolation. Juli Haas obtained the following qualifications: * 1994-95 Master of Arts (Research). Monash University, Victoria * 1989-90 Graduate Diploma of Arts (Visual Arts), Monash University, Victoria * 1987-89 Bachelor Of Arts (Visual Arts), Gippsland Institute of Advanced Education, Victoria (now Federation University Australia) * 1971-74 Fine Arts, Caulfield Institute Of Technology, Victoria. Haas exhibited in most states of Australia and participated in numerous group shows. She is represented in most major Australian collections including the National Gallery of Australia. Career highlights include winning the Sir John Sulman prize in 1995 at the Art Gallery of NSW and in 1994 and 1997 the Martin Hanson Memorial Works on Paper Prize. In 2008 her artist’s book A Wife Of Silver was acquired for the Public Art Collection of the Arts Centre Melbourne as part of the Maxwell and Merle Silver Bequest. Career highlights include winning the Sir John Sulman prize in 1995; and in 1994 and 1997 the Martin Hanson Memorial Works on Paper Prize. Framed limited etching by Julie Haas. juli haas, gippsland campus, churchill, gippsland institute of advanced education, alumni

Cyril Hayward came with his wife Joyce to Warrnambool from England in 1955. For 30 years he and his wife were dominant figures in the performing arts organizations in Warrnambool. Cyril Hayward was a leading figure in the Warrnambool Theatre Company as an actor, stage manager, electrician, technician and the person who did any other job that needed to be done. He was a Life Member of the Theatre Company and President of the Warrnambool branch of the Victorian Arts Council, organizer of the weekly talking newspaper for the visually impaired, a tutor for the local Adult Literacy Scheme, a founding member of the Warrnambool Probus Club and was on the building committee for the development and building of the Performing Arts Centre in Warrnambool. The Warrnambool City Council gives Citizenship Awards annually.This is a significant item because it was an award received by Cyril Hayward, a prominent person in the Warrnambool Arts scene for 30 years.This is a bronze-coloured medallion presented to Cyril Hayward as a citizenship award in 1982. It is circular in shape with the crest of the City of Warrnambool on one side and a laurel wreath with inscriptions on the other. It has a ring at the top for hanging the item. It is in a black leather box lined with red velvet and white silk and includes a small metal stand to display the medallion. Medallion – City of Warrnambool, Dieu et Mon Droit, By These We Flourish Citizenship Award, Cyril Hayward, 1982, Stokes Melb. Box – Stokes(A/Asia) Limited, Melbourne, Australia, estd. 1856 cyril hayward, warrnambool city council

Nicholas Nedelkopoulos is an established artist, his work is represented in the Metropolitan Museum of Art, New York, the National Gallery of Australia and in numerous International and Australian Public and Private Collections. His work has been included in major historic exhibitions: the National Gallery of Australia's Federation touring exhibition, The Australian Bicentennial Folio and Victoria's 150th Anniversary exhibition curated at The State Library of Victoria and National Gallery of Victoria. He has a Diploma of Fine Arts from Victorian College of the Arts, a Master of Fine Art from the University of Melbourne (Victorian College of the Arts) and has a Doctorate from Monash University. Nedelkopoulos' work is based strongly in graphic tradition which can be seen throughout all of his media.'The Sneeze' alludes to a feverish response, an irritation, a period of temporary discomfort, or a sign of sickness. On a visit to Eltham in 1995 Nedelkopoulos became aware of the disquiet felt by many residents because local government was not in the hands of elected representatives. 'The Sneeze' is an allegorical work, which serves as a reminder of this period in our municipal history. Nedelkopoulos has constructed an environment similar to a theatre set in which every element is a symbol to be deciphered. Whether you read the red-nosed figure as democracy being challenged by the political circumstance, as representing the unelected commissioners surrounded by the criticism of the community, or as another player in the story, to unravel the meaning of individual elements will provide direction and add weight to your interpretation. Without knowledge of the artist's intention the work can convey quite straightforward messages and responses. For example, the misery of hayfever in Spring, or how germs spread from a single sneeze. Such ideas are relevant and provide the metaphoric basis for a more in-depth analysis.Pastel drawing on paper. Image depicts a small black figure with a small monkey on a lead. The figure has a red nose to which he is holding a tissue. He is walking through what appears to be a flowering forest.nedelkopoulos, the sneeze

The 'Collaboration of Commonality and Difference' has its conceptual roots in teh notion that only when we accept and nurture both commonality and difference, can we, humankind, foster unity. With the acceptance and nurturing of commanality and difference, peoples of the world are afforded equal validity for a collaborative approach towards peaceful resolution and possible unity. Integral to the conceptual foundation of the work is the use of papers sourced from around the world. Paper is at once universal and individual, and in this instance is representative of humanking. The jigsaw design draws on the understanding that each piece is integral to the creation and resolution of the whole. Commanality is suggested through repetition, however, no two pieces are the samem emphasizinf the beautym strength and validity of difference. Established in 2004, generously supported by George Lucato, the Lucato Peace Prize was an annual acquisitive art award open to all enrolled Federation University Australia tertiary students and all senior secondary students enrolled at any City of Ballarat secondary school or college. Prizes were awarded to the applicants whose work best illustrates or expresses the idea that 'peaceful alternatives are always preferable to armed confrontations'. First prize of $2250.00 was awarded to Cassandra McArthur for her work, Commonality and Difference, 2014, and it was the last Lucato Peace Prize Awarded after the death of George Lucato in 2014. Cassandra McArthur was undertaking a Bachelor of Visual Arts (Fine Arts) at the Federation University Arts Academy when this artwork was produced. Winner of the Lucato Peace Prize 2014 artists, artworks, sculpture, mcarthur, cassy mcarthur, lucato peace prize, alumni

Donna MARCUS (1960- ) Featuring instantly recognisable kitchenware Donna Marcuus transforms them with colour and placement to create sculptural installations. The individual elements in each work, originally produced in the 1950s and 1960s, are transformed and trigger memories and personal memories through experience of the items in a different, earlier context. In 1981 Donna Marcus was awarded a Bachelor of Visual Arts from the Tasmanian School of Art, followed by A Master of Arts (Visual Arts) from the City Art Institute (University of New South Wales). In 2006 Donna Marcus received a PhD from Monash University in Melbourne, Victoria. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Anodised aluminium sculptural pieces made from old cookware. The 'Cities' that Donna Marcus depicts in anodised aluminium reflect the artist's travel and history. These urban representations draw on memories from home and more particularly, the kitchen. art, artwork, donna marcus, sculpture, annodised aluminium

Originally Luth's General Store purchased from John Flug in 1875. Renovated and enlarges several times over the years. Business sold to Wignall's in 1971, then O'Donnell's, Currans, Carroll & H?son and Graeme Paterson purchased the building in 1986. Part of streetscape series done for the Sire of Charlton 1987.Colour photograph showing the single storey Foodmaster SUPERMARKET building. Red, white and blue signage on the verandah reads O'DONNELL'S LICENCED SUPERMARKET, and WOOL Haberdashery ARTS & C. Three entrances and four large windows. Windows covered in advertising posters. Six cars parked in front of the building. Edge of white, two storey building on LH side of photo. Three cars in lower part of photo.luth's, john flug, wignall's, o'donnell's, curran's, carroll, graeme paterson

a$ sized year book published by Williamstown High School to commemorate the Year 12 cohort of 2007. 114 pages, the book contains profiles and photographs of most of the year 12 students of 2007. Academic, sporting, camp and arts achievements are included as is a look back at this group when they started school at WHS in year 7. Many photographs, some colour are also included. Copy in DVD format also included.williamstown high school, 2007, school yearbook, year 12 2007

Framed watercolour featuring a coastal landscape titled "Mallacouta" painted by Owen Trenbath. Brown timber frame with painted gold inside edge. Cream card window mount and lined border. Gold edging on frame. Note: Item approved for deaccession August 2023. SGSC will now follow deaccession procedures as outlined in the Arts and Civic Memorabilia Collection Policy - https://www.southgippsland.vic.gov.au/downloads/file/2763/arts_and_artefacts_collection_policy_c69.

Framed oil painting titled: "Natures Bounty" painted by Joanna Miles. Features still life of fruit, vase of flowers, ceramic bottle and dish on cloth covered table. Decorative gold painted wood frame. Note: Item approved for deaccession August 2023. SGSC will now follow deaccession procedures as outlined in the Arts and Civic Memorabilia Collection Policy - https://www.southgippsland.vic.gov.au/downloads/file/2763/arts_and_artefacts_collection_policy_c69.

Diamond Valley Arts Society members displayed their work at the Society's annual display. Sculptors Ellen Jenkins and Kaye Steventon had their work on display.News clipping, black text, colour image.diamond valley arts society, kaye steventon, ellen jenkins

Editorial, Obituary, Personal, Fumes from the Lab, Arts & Crafts Gossip, Sport, Echoes of the Past, Commercial Notes, Geelong Trip, The Junior TechsRed soft covered magazine of 48 pages. Artwork * The Familiar Spirit - Lino cut - By Colvin Smith * Zipp - By Colvin Smith * Puss - By Colvin Smith * Jean - By Colvin Smith * Pen and Ink Sketch - By Don Refshauge * Alice - By Colvin Smith * Joe - By Colvin Smith * Enormous cheek shown by Walters - By James Allan * Here is a fair maiden all forlawn - By Levi Molineux * Lend us one till Monday - By Levi Molineux * The Ratter - By Levi Molineux * Silence is golden - By Jimmy Wright * Glimpse of assaying room - By Geo Crawley * Boy and Girl with umbrella and puppy - By D.W. * Vic Hunt - By Don RafshaugeSigned on front cover by H. Darbyballarat school of mines, magazine, a. e. williams, m. wilson, a. bosher, r. elsworth, dr. j. r. pound, a. w. williams, c. l. smith, k. windsor, j. curran, j. walters, j. skelton, f. whitworth, r. w. morrison, n. baker, e. h. schache, p. f. chaplin, don refshauge, corinne rockwell swain, h. maddern, a. raworth, k. jones, r. nimon, j. allan, f. longhurst, s. hillman, f. penney, f. faram, c. martin, j. muntz, a. gray, k. keith, p. mcgregor, n. graham, d. ferguson, w. usebach, j. capuano, d. flynn, e. george, o. lyons, m. kelley, e. curnow, m. bettles, j. corbett, i. davidson, c. dulfer, a. watson, j. p. elsworth, l. b. evans, w. hughes, a. collins, j. pittard, geo. crawley, edith curnow, fred longhurst, olga dulfer, nornie gude, jesse hopwood, stan hillman, levi molineux, hester darby, hector ashley, howard beanland, yallourn technical school, henry kum yuen, edwin a. brophy, r.s. russell, e.h. schache, a. perry, h. koeford, l.b. evans, w. hughes, a. colling, f. sparkman, r. falla, w. hughes, j. pittard, a. collins, a.w.steane, r. morrison, e. steane, c. ellis, k. butler, b. titheridge, a. collins

Booknon-fictionCharts the intersection of the women's art movement with women's art, and the increased visibility of women artists from the 1960s into the 1970s in Australia.portraiture, feminist art practice, performance art, political art, art and craft, thancoupie, jill orr, vivienne binns, collective art, erica mcgilchrist, mickey allan, ann newmarch

Reports of three awards - one to Arthur Boyd (arts), Prof Douglas Pike (humanities) and Prof Robert Brown (sciences) made by Britannica Australia.A and date handwrittenarthur boyd, walsh st library