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Villa Alba Museum
Photograph - Exterior wall, c.1987
Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of exterior walls of Villa Alba with added building, later demolished, at left.villa alba museum, conservation photographs, victorian architecture, cement render -
Villa Alba Museum
Photograph - Slate roof at the rear section of Villa Alba, c.1987
Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of slate roofs on the rear section of Villa Albavilla alba museum, conservation photographs, victorian architecture, slate roofs -
Villa Alba Museum
Photograph - Rear door with wooden canopy, c.1987
Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of a rear door covered with a wooden canopy. Wooden flawier door subsequently removed. villa alba museum, conservation photographs, victorian architecture, external doors -
Villa Alba Museum
Photograph - Rear door from the alcove of the housekeeper's room, c.1987
Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of the painted wooden door leading from the alcove of the housekeeper's room at the back of Villa Alba.villa alba museum, conservation photographs, victorian architecture, external doors -
Villa Alba Museum
Photograph - Painted external door, c.1987
Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of a raised painted wooden door at the back of Villa Alba.villa alba museum, conservation photographs, victorian architecture, external doors -
Villa Alba Museum
Photograph - Exterior cast iron pipe beside louvre window, c.1987
Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of cast iron exterior water pipes located beside a glass louvre window.villa alba museum, conservation photographs, victorian architecture, louvre windows, drain pipes -
Villa Alba Museum
Photograph - Exterior pipe obscured by foliage, c.1987
Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of cast exterior water pipe party obscured by vegetation.villa alba museum, conservation photographs, victorian architecture, drain pipes -
Villa Alba Museum
Photograph - Waste water pipes, c.1987
Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of numerous pipes, all installed during the period when the house was owned by the Royal Women's Hospital as a home for nurses (1950-1974). The pipes extended from a bathroom installed at the end of the first floor hall, running along the box gutter to the rear of the building. [The pipes were removed in subsequent restorations].villa alba museum, conservation photographs, victorian architecture, drain pipes, waste water -
Villa Alba Museum
Photograph - Exterior pipe work, c.1987
Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of numerous pipes, all installed during the period when the house was owned by the Royal Women's Hospital as a home for nurses (1950-1974). The pipes extended from the roof and from rooms used as washrooms on the first floor.villa alba museum, conservation photographs, victorian architecture, drain pipes, waste water -
Villa Alba Museum
Photograph - Arched entrance to portico, c.1987
Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of one of two arched entrances to the portico on the ground floor with the main entrance door. Above this raised portico is the central tower at the front of the house. villa alba museum, conservation photographs, victorian architecture, porticos, towers, romanesque revival arches -
Villa Alba Museum
Photograph - Arched entrance to portico, c.1987
Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of one of two arched entrances to the portico on the ground floor with the main entrance door. The cement render is detailed to resemble stone block work.villa alba museum, conservation photographs, victorian architecture, porticos, towers, romanesque revival arches, cement render -
Villa Alba Museum
Photograph - Ground and first floor windows, c.1987
Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of one of two arched, rendered widows with later additions such as exterior drain pipe and gate.villa alba museum, conservation photographs, victorian architecture, cement render, windows -
Villa Alba Museum
Photograph - Slate roof and guttering, c.1987
Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of one corner of the slate roof with evidence of slipped slates, rusted and blocked galvanised guttering and encroaching trees. This section of the roof is in the north west corner of the house.villa alba museum, conservation photographs, victorian architecture, slate roofs, gutters -
Villa Alba Museum
Photograph - Rendered chimney, c.1987
Built for William and Anna-Maria Greenlaw in the early 1880s, and with interiors decorated by the Paterson Bros, Villa Alba remained in private ownership until 1949. From 1950, the house was owned by a number of institutions. By 1984, the Villa Alba Preservation Society had been formed, and three years later, the Mount Royal Hospital granted a 25-year lease to Kew Council. In 2004, the title to Villa Alba was passed by the Victorian Government to The Villa Alba Museum Incorporated. The Museum, at 44 Walmer Street, Kew, is now a cultural institution committed to the collection, study and display of 19th century interior decorative finishes, and the components of 19th and 20th century interior decoration.This is one of a number of historically and aesthetically significant photos of the interiors and exterior of Villa Alba when it was still owned by the Mount Royal Hospital, showing twentieth century accretions and deterioration of the historic fabric of the building. This was a benchmark survey against which future conservation and restoration activities can be measured.In December 1987, Mockridge Stahle & Mitchell Pty Ltd Architects prepared ‘Villa Alba Survey: A Report on the fabric for Mount Royal Hospital’ of which this photograph is a part. Photo of one chimney on the south west corner of the house. The distinctive rendering of the chimney cornets with the welsh slates used on the roof. This chimney services the fireplaces in the dining room and the second and third bedrooms. villa alba museum, conservation photographs, victorian architecture, slate roofs, chimneys -
Forests Commission Retired Personnel Association (FCRPA)
Roll of Honour, State Forest Department
Honour boards and rolls were erected in many local schools, halls, churches and offices as a means of acknowledging the commitment made by the community to the military forces. The criteria used for inclusion of names on an honour board were determined by those creating the board and can vary. This board lists the names of 20 people from the State Forests Department who enlisted in WW1. The most significant name is Albert Jacka VC who was perhaps Australia’s finest fighting soldier, and has the honour of being the first Australian to be awarded the Victoria Cross during WW1, the highest decoration for gallantry in the face of the enemy. Most of the other names have been researched.Roll of HonourMembers of the Forest Service of Victoria who enlisted & went to The Great War 1914 - 1919 -
Warrnambool and District Historical Society Inc.
Book, Glimpses of South America, 1882
This book was given as a Sunday School prize to James Cassady. The donor was William Wines. The Wines families were pioneers in the Woodford district. James Cassady was the son of William and Elizabeth Cassady and the family lived at Boughton on the Merri River (near Cassady’s Bridge, Caramut Road today). This property was established about 1845. Charley and Joe, whose names have also been written in the book, were James’ brothers. This book is of interest because it belonged to James Cassady, the son of pioneer settlers in Cassadys’ Bridge/Woodford area. This is a hard cover book of 220 pages with 32 extra pages at the back of the book giving information on other books produced by the same publisher. The cover is grey-green with gold lettering, green and black floral decorations and gold images of two men on horseback and a South American Indian chief. The spine is torn away at the top and the cover and pages are stained and crumpled. There are many black and white illustrations throughout the text, with the frontispiece protected by a piece of tissue. The inscriptions are handwritten in black ink and pencil.‘Woodford Sunday School presented to James Cassidy (sic) by his well-wisher William Wines’ (this is re-written underneath in pencil with the correct spelling of ‘Cassady’) ‘Chaley cassady, boughton, merri river (sic) “Joe’ james cassady,, boughton, william wines, woodford sunday school, history of warrnambool -
Warrnambool and District Historical Society Inc.
Functional object - Door plates and key hole covers
These items come from the house "BIRCHWOOD" in Koroit Street, Warrnambool belonging to Dr. Angus and family. Dr. William Roy Angus (1901-1970) practised in Warrnambool from 1939 to 1970. In his later years Dr. Angus was an important ophthalmologist. He was prominent in Warrnambool in both medical and community affairs. The Angus home "BIRCHWOOD" at 214 Koroit Street (the site of the Warrnambool Police station today) was noted for its beautiful garden, lawns and croquet court and used as a meeting place and entertainment centre for vice-regal personnel and community organisations.These items are of considerable interest as they are connected to a well known doctor in Warrnambool and a notable house..1,.2,.3 These are three wooden door plates with a fine ridged front and a curved top and base. They have four holes to be used with nails to attach to the door. .4, .5 These are two wooden key hole covers with half spherical shapes at the top, ridging and carving towards a tapered base. .4 has a brass circular plate at the back with two small decorations protruding at the top. The screw attaching it to the front is broken..5 As for .4 but the brass section is missing and the screw is intact..2 East side door, front passage. .3 West side door dr. angus warrnambool, birchwood warrnambool, door plates, key hole covers, warrnambool, warrnambool history -
Ballarat Clarendon College
Book, Frederick Warne and Co, The decline and fall of the Roman Empire: Volumes I-III, Prior to the book prize awarded at Christmas, 1882
The three volumes were awarded to Fanny Cadden in 1882 for a Wanliss Prize in History in the sixth form. Fanny entered Ballarat College in 1879 at the age of 13. Her brother, Charles, entered in 1881 at the age of 14. In the original register parent/guardian is listed as Simon Cadden, and the address as Alfredton.During 1877 - 1891 Ballarat College accepted enrolments from female students. The school holds the original register of this period and notes that Fanny Cadden entered the school in 1879 at the age of 13. Presbyterian educators placed great value on a classical education matched with diligence in study. Book prizes were highly regarded and academic success admired. In the school’s early years prizes were ordered direct from London and had the school crest embossed in gold on the front or back cover. Many of the prizes given in early years were returned to the school to equip the Weatherly Library when it opened in 1936. Each volume is bound in brown half calf and marble cloth, college crest embossed on front cover with six raised bands on spine with gilt decoration and gold lettering on the second and third bands. End papers and edges marbled, volume I has a black and white frontise piece. Slight foxing on pages. Book plate only on Volume I. Volume I (000147.1): 768 p., volume II (000147.2): 803 p., volume III (000147.3): 828 p.Book plate inside Volume I front cover: college crest/ History/ Wanliss Prize,/ Sixth Form./ Awarded to/ F Cadden/ CHRISTMAS, 1882.1882, book-prize, ballarat-college, fanny-cadden, charles-cadden, simon-cadden. -
Glenelg Shire Council Cultural Collection
Painting, Alan Wilson, Crumpets, 1991
Exhibition, CEMA 1991.View of beach with crumpets in foreground and hills and cliffs in background. Scene sweeps up to the right of image. Sea is breaking over several boulders along shoreline. Far out to sea the water's colour is dark green and indigo, arond a rocky island. Sky is pale blue with violet clouds near horizon line and white wispy clouds above. Mounted in a double matt (white on violet) and framed under glass in decorative wooden frame with gold decoration and paint.Front: (no inscriptions) Back: Alan Wilson. "Crumpets". Hollands framing sticker (lower centre). Oils-on canvas on ply. 1991. (lower right) (pen) 1991 (lower centre) (pencil). -
Glenelg Shire Council Cultural Collection
Domestic object - Doll's tea Set, n.d
Porcelain plate with stamped relief pattern around edges. Transfer image of a violet in centre of plate. Glazed with green glaze around edge, white elsewhere. Porcelain teacup with stamped relief pattern and transfer of violets and green leaves. Gold paint highlights design elements and rim of teacup. Green glaze in decoration, clear/white glaze elsewhere. Items measures: Plate: Dia: 9.7 Depth: 1.2, Saucer: Dia 8.6, Cup: Dia Top: 5.5 Dia Base: 2.2 -
Flagstaff Hill Maritime Museum and Village
Accessory - Gold Cross, Bef. 01-06-1878
The gold cross was discovered by Victorian scuba diver Julie Wilkins, who had already experienced more than 500 dives in Australia and overseas. She was holidaying in Peterborough, Victoria, and looking forward to discovering more about the famous Loch Ard ship, wrecked in June 1878 at Mutton Bird Island. The fast Glasgow-built clipper ship was only five years old when the tragedy occurred. There were 54 people on board the vessel and only two survived Julie's holiday photograph of Boat Bay reminds her of her most memorable dive. Submerged in the calm, flat sea, she was carefully scanning around the remains of the old wreck when, to her amazement, a gold coin and a small gold cross suddenly came up towards her. She excitedly cupped them in her hands, then stowed the treasures safely in her wetsuit and continued her dive. She soon discovered a group of brass carriage clock parts and some bottles of champagne. It was a day full of surprises. The items were easily recognisable, without any build-up of encrustations or concretion. Julie secretly enjoyed her treasures for twenty-four years then packed them up for the early morning train trip to Warrnambool. After a short walk to Flagstaff Hill Maritime Museum and Village. Her photograph was taken as she handed over her precious find, she told her story to a local newspaper reporter, lunched a café in town then took the late afternoon train home. Her generous donation is now part of a vast collection of Loch Ard shipwreck artefacts, including the gold watch and the Minton Majolica model peacock. The small decorative cross dates back to on or before 1878, when the Loch Ard had set sail. The loop and ring have been added, perhaps as a pendant, pocket watch accessory or similar purpose. It may have been worn for ‘good luck’ or a ‘blessing’ on the long journey to Australia, where ships had to carefully navigate the treacherous Bass’s Strait before arriving at their destination of Melbourne. Sadly, many met their fate on that short stretch of ocean aptly named the Shipwreck Coast. The cross is very recognisable even though it was exposed to the wrecking of the ship, its consequent movement, and the sea's turbulence. Its scratched, pitted and worn condition, and the damage near the loop, is part of its story. The red-brown-black discolouration is similar to that found on other gold coins, sometimes called the ‘corrosion phenomena’. Studies suggest the possible cause is contaminants in the minting process reacting to the coins’ environment. Three edges of the cross have slightly raised narrow ridges of gold which could have been cause by the gold being cast liquid gold into a mould.This gold cross pendant is significant as a symbol of Christianity, a sign of hope and safety, and a sample of the religious following on board the Loch Ard, although not everyone wears a cross for this reason. This cross is a sample of jewellery owned by people migrating to Australia in the late 19th century. The cross and the guinea recovered together from the wreck of the Loch Ard are made of gold and help interpret the financial status of some of those on board.Gold cross; yellow gold with decorative hand engraved foliage design on the front, fitted loop and ring on top. The simple Latin or Roman variation of the cross, with an elongated vertical arm, has no figure on it and the reverse has no decoration. The right, left and base edges have sections of narrow, long slightly raised ridges. The top edge has remnants of red-black colour. Victorian era cross, ca. 1878. The cross was recovered from the wreck of the ship Loch Ard.Engraved foliage design. Slightly raised long ridges on sides and base edges. flagstaff hill maritime museum and village, warrnambool, great ocean road, shipwreck coast, gold cross, religious cross, religious trinket, religious jewellery, engraved cross, cross pendant, cross with ring, victorian era, 1878, antique cross, crucifix, religious symbol, christian symbol, christian jewellery, contamination phenomena, gold corrosion, good luck, lucky charm, blessing, pendant, loch ard, wreck of the loch ard, mutton bird island, peterborough, scuba diver, 1980s, shipwreck artefact, relic, latin cross, roman cross, pectoral cross, julie wilkins -
Bendigo Historical Society Inc.
Photograph - FOUR MEN WITH MOUSTACHES, DRESSED IN SUITS
Black and white photograph, outside. Four men all with moustaches. Dress (left to right) trilby hat, frock coat, dark trousers, pale waistcoat. Bowler hat, three piece dark suit. Trilby hat, three piece striped suit. Boater 3 piece striped suit. All have some lapel decoration. Grass in foreground. Sports ground and buildings at back. Mounted on cream board. Inscriptions: On back - 'WH Robinson, Photograph, Mundy Street, Bendigo'.WH Robinson, Mundy Street, Bendigoperson, group -
Bendigo Historical Society Inc.
Document - CAMBRIDGE PRESS COLLECTION: LABEL - LYNN'S ALL GOLD TEA
Sheet with the four side labels for a packet of tea. The first is printed in gold and dark blue and refers to the tea. The second and fourth are the same with Lynn's All Gold Tea in white with a gold border on a dark blue background. Floral decoration each side of Tea. Has gold border. The third has the name, D. J. Lynn & Co. Penola. Phone 20 and the weight. Printed in dark blue with gold and dark blue border. The gold border has a flower in each corner.business, printers, cambridge press, cambridge press collection, d j lynn & co -
Bendigo Historical Society Inc.
Document - FOSTER AND WILSON COLLECTION: CERTIFICATE AUSTRAL LITERARY AND DEBATING SOCIETY, 1907
Certificate from Austral Literary and Debating Society's Annual Musical Elocutionary & Literary Competitions in Bendigo 1907. Certificate is printed on thick cream cardboard. A wide plain border surrounds a coloured ornate certificate of mainly pink and green. Decoration is of cherubs and muses, fleur de lys, scrollwork and ferns. Certificate for First Prize was awarded for Piano Duet and was won by Miss Kathleen Foster. Certificate is signed by President E S Cahill and General Secretary Thomas Byrne.Austral Literary and Debating Societydocument, certificate, music -
Bendigo Historical Society Inc.
Document - FOSTER AND WILSON COLLECTION: CERTIFICATE AUSTRAL LITERARY AND DEBATING SOCIETY, 1907
Certificate from Austral Literary and Debating Society's Annual Musical Elocutionary & Literary Competitions in Bendigo 1907. Certificate is printed on thick cream cardboard. A wide plain border surrounds a coloured ornate certificate of mainly pink and green. Decoration is of cherubs and muses, fleur de lys, scrollwork and ferns. Certificate for First Prize was awarded for Piano Duet Under 18 and was won by Miss Kathleen Foster. Certificate is signed by President E S Cahill and General Secretary Thomas Byrne.Austral Literary and Debating Societydocument, certificate, music -
Bendigo Historical Society Inc.
Document - FOSTER AND WILSON COLLECTION: CERTIFICATE AUSTRAL LITERARY AND DEBATING SOCIETY, 1906
Certificate from Austral Literary and Debating Society's Annual Musical Elocutionary & Literary Competitions in Bendigo 1906. Certificate is printed on thick cream cardboard. A wide plain border surrounds a coloured ornate certificate of mainly pink and green. Decoration is of cherubs and muses, fleur de lys, scrollwork and ferns. Certificate for Second Prize was awarded for Piano Solo Under 16 and was won by Miss Kathleen Foster. Certificate is signed by President E J Vigau? and General Secretary Thomas Byrne.Austral Literary and Debating Societydocument, certificate, music -
Bendigo Historical Society Inc.
Document - FOSTER AND WILSON COLLECTION: CERTIFICATE AUSTRAL LITERARY AND DEBATING SOCIETY, 1907
Certificate from Austral Literary and Debating Society's Annual Musical Elocutionary & Literary Competitions in Bendigo 1907. Certificate is printed on thick cream cardboard. A wide plain border surrounds a coloured ornate certificate of mainly pink and green. Decoration is of cherubs and muses, fleur de lys, scrollwork and ferns. Certificate for Second Prize was awarded for Piano Duet Under 18 and was won by Miss Kathleen Foster. Certificate is signed by President E Cahill and General Secretary Thomas Byrne.AUSTRAL LITERARY AND DEBATING SOCIETYdocument, certificate, music -
Bendigo Historical Society Inc.
Document - FOSTER AND WILSON COLLECTION: CERTIFICATE AUSTRAL LITERARY AND DEBATING SOCIETY, 1908
Certificate from Austral Literary and Debating Society's Annual Musical Elocutionary & Literary Competitions in Bendigo 1908. Certificate is printed on thick cream cardboard. A wide plain border surrounds a coloured ornate certificate of mainly pink and green. Decoration is of cherubs and muses, fleur de lys, scrollwork and ferns. Certificate for Second Prize was awarded for Piano Duet Under 17 and was won by Miss Kathleen Foster. Certificate is signed by President E Stapleton and General Secretary Thomas Byrne.AUSTRAL LITERARY AND DEBATING SOCIETYdocument, certificate, music -
Bendigo Historical Society Inc.
Document - FOSTER AND WILSON COLLECTION: CERTIFICATE AUSTRAL LITERARY AND DEBATING SOCIETY, 1905
Certificate from Austral Literary and Debating Society's Annual Musical Elocutionary & Literary Competitions in Bendigo 1905. Certificate is printed on thick cream cardboard. A wide plain border surrounds a coloured ornate certificate of mainly pink and green. Decoration is of cherubs and muses, fleur de lys, scrollwork and ferns. Certificate for Second Prize was awarded for Piano Duet Under 16 and was won by Misses Kathleen and Mary Foster. Certificate is signed by President Frank ? and General Secretary Thomas Byrne.AUSTRAL LITERARY AND DEBATING SOCIETYdocument, certificate, music -
Bendigo Historical Society Inc.
Document - FOSTER AND WILSON COLLECTION: CERTIFICATE AUSTRAL LITERARY AND DEBATING SOCIETY, 1908
Certificate from Austral Literary and Debating Society's Annual Musical Elocutionary & Literary Competitions in Bendigo 1908. Certificate is printed on thick cream cardboard. A wide plain border surrounds a coloured ornate certificate of mainly pink and green. Decoration is of cherubs and muses, fleur de lys, scrollwork and ferns. Certificate for Second Prize was awarded for Piano Duet Under 17 and was won by Miss Kathleen Foster. Certificate is signed by President J E Stapleton and General Secretary Thomas Byrne.AUSTRAL LITERARY AND DEBATING SOCIETYdocument, certificate, music