Showing 17679 items
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St Patrick's Old Collegians Association (SPOCA)
Photograph - Students, 1940s
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St Patrick's Old Collegians Association (SPOCA)
Photograph - SPOCA, Annual Dinners
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Melbourne Tram Museum
Document - Report, J Andrews, Cross City Linking and Box Hill Extension, 9/1991
Report by J Andrews, Kew Depot ATMOEA delegate dated 24/9/1991 about the possibility of cross linking some tram routes and issues or objections raised, looking at specifically Kew Depot routes, 42, 48 and 78/79, includes comments on route 75. A second document looks at the possibly extension of the Mont Albert route to Box Hill and the advantages of this, including the politics. This extension did occur in 2003.Yields information about the early 1990s proposal to link cross city tram routes.Reports - set of 7 A4 sheets stapled in top left hand corner,tramcars, tramways, cross linking, box hill, kew depot, route 42, route 48, route 79, linking routes -
Melbourne Tram Museum
Document - Specification, Melbourne & Metropolitan Tramways Board (MMTB), "4-5 Ton Chassis for motor bus breakdown truck", 1945
The document details the tender conditions, specification, schedules for both the vehicle and tender - for a "4-5 Ton Chassis for motor bus breakdown truck". Notes that the existing truck's crane and towing gear would be removed from the existing truck and fitted to this new vehicle. Tenders were to close on 2/7/1945.Yields information about the MMTB breakdown truck for buses.Document - 3 Foolscap sheets - duplicated, stapled in top left hand corner.mmtb, tramways, contracts, purchases, workshops, buses, breakdowns -
Melbourne Tram Museum
Document - List, Dale Budd, "MMTB Stored cars, 20-7-1969
Handwritten list detailing tramcars stored at Hawthorn tram depot (14), Thornbury depot (incomplete), Preston workshops, work cars in Preston yard and the breakdown training car at South Melbourne depot. List dated 20-7-1969.Yields information about stored tramcars during July 1969.Quarto ruled sheet with handwritten list, punched holes on left hand side.tramways, mmtb, tramcars, stored trams, hawthorn depot, thornbury depot, breakdowns, preston workshops -
Melbourne Tram Museum
Document, The Met, "Moomba Festival 1996 Met Tram", 2/1996
The document titled "Moomba Festival 1996 Met Tram" provides an outline of the Moomba event, tram service provision, rosters for CSEs and Operational Officers, Operational Requirements and Event debrief. Has a program of events, altered service arrangements, and notes the stoppage of trams for 3 minutes during fireworks. Prepared by Malcolm Johnson, Co-ordinator CBD Services Feb. 1996.Yields information about tram operations during the 1996 Melbourne Moomba Festival.Document - 17 A4 photocopied pages, stapled in top left hand corner.moomba, the met, operations, events -
Melbourne Tram Museum
Document - Keynote Address, Kevin Shea, "Even our Public Transport is Multicultural", 1988
Keynote address by Kevin Shea, CEO of The Met, on Public Transport in Australia, titled "Even our Public Transport is Multicultural" - Bicentennial Conference 1988. The paper looks at Australian Multicultural heritage and its influence on public transport and community attitudes. Also looks at the changing economic relationship with the rest of the world, technological change, and their implications. Includes unionism, wages, American influences, and the sprawl of the cities.Has a close association with the author, Kevin Shea.Set of 15 A4 printed sheets - was stapled in top left hand corner.conferences, kevin shea, public transport, the met -
Melbourne Tram Museum
Document - Handout material, Swanston Trams, "Swanston Team Talk 2/00", 2000
Swanston Trams Team talk hand out notes - Oct. 2000, looking at performance for August and September, customer feedback, new timetables (of 1994), tram attendants and their roles, improving performance, branding, and new brand logos - introducing M>Tram, and M>Train. Was part of the National Express Group at the time.Demonstrates Swanston Tram's team talk and methods of the time.Set of 9 A4 printed sheets - was stapled in top left hand corner.public transport, swanston trams, national express, tramways, melbourne, m>tram -
Melbourne Tram Museum
Document - Notice, "New type pass for Traffic Officers", 11/1963
Document - "New type pass for Traffic Officers" - issuing a new metal pass for Traffic Officers - has a photo of the pass with details of who will receive one. Notes the partial withdrawal of the type with two triangles within a circle that would continue to be used by Official and Clerical staff. Dated 8/11/1963, signed by R C Drummond Traffic Manager. See items 397, 577 and 7082 for examples. Yields information about the timing of the issuing of a new type of pass for traffic officers and details of the issue.Document - single foolscap duplicated sheet with two punched holes on left side.tramways, badges, officers, mmtb, passes -
Melbourne Tram Museum
Letter, Met Tram, "Southbank Tram Depot Time Capsule Ceremony", Oct. 1996
Invitation to attend the "Southbank Tram Depot Time Capsule Ceremony" - to be held on 3/10/1996 by the Minister of Transport Alan Brown and Managing Director of Met Tram Russell Nathan. Provides a list of items to be placed in the time capsule.Yields information about the 1996 Time capsule to be opened in 2046 at Southbank depot.Letter or invitation - 3 A4 pages stapled in top left hand corner.tramways, southbank depot, time capsule, invitation, the met, met tram -
Melbourne Tram Museum
Document - Operations Plan, Yarra Trams, "Track Work Port Junction - Route 96", Feb. 2009
Document prepared for Yarra Trams staff to provide an operations plan for the reconstruction of Port Junction, route 96, Feb. 2009. Has a table of contents. Demonstrates a Yarra Trams operations plan.Document - 35 pages, full colour stapled in top left hand corner.tramways, route 96, port junction, trackwork -
Tramway Heritage Centre
Photograph Album (part of), Ray Pearson's Photo Album - Trams of Victorian Railways, Ballarat, Bendigo, Geelong
Page 10 of Ray Pearson's Photo Album. Brown card page with four photographs (landscape format) placed on page using metallic look and black decorative photo corners. The photographs depict the driving of the first spike into tracks on the St Kilda electric railway, and trams. Hand written inscriptions are located between the top and bottom photographs and under the bottom left photograph.Hand written inscription in white-out or white pen between top and bottom photograph: COUNCILLOR T. BENT DRIVING 1ST SPIKE ON ST KILDA ELECTRIC RLY Hand written inscription in biro at base of page beneath bottom left photograph: NO 1melbourne tramways, councillor t bent, st kilda electric railway, historic tramways event -
Melbourne Tram Museum
Photograph - Black & White Photograph/s, Herald and Weekly Times, 26/06/1967 12:00:00 AM
Photographs, Black and White, of: "South Melbourne Depot - re "Our World" TV programme. Hosing the yard to produce a wintry affect. W5 774 at left, then 980, 834, 955, 940. Monday 26/6/67" Herald and Weekly Times photograph with Copyright stamp on rear. The TV programme was the first world wide made through new overseas satellite systems.In ink on the rear: Keith Kings stamp and number S-A-1082 "South Melbourne Depot - re "Our World" TV programme. Hosing the yard to produce a wintry affect. W5 774 at left, then 980, 834, 955, 940. Monday 26/6/67"trams, tramways, south melbourne depot, tv broadcasts, w5 class, sw6 class, tram 774, tram 980, tram 834, tram 955, tram 940, pcc class -
Nillumbik Shire Council
Painting: Adriane Strampp (b.1960 Wisconsin, USA), Adriane Strampp, Into the Night, 1987
Strampp lived and worked at Clifton Pugh's artist colony Dunmoochin from 1980 to 1985. 'Into the Night' is Strampps' "own marriage painting". The wedding dress and horse, "a symbol of virility and passion" represents Strampp and the background landscape was inspired by her stay in Somerset, England. The cliff edge on the left symbolises "an audacious step into the future." The painting "is of a bride, passionate yet absent, about to embark upon a new journey in life, and of the voyage ahead. It is about acknowledging the past, and having the courage to move forward. To take risks". Strampp was largely influenced by both the new German Neo-Expressionists of the time and by English artist John Walker, which is evident in this painting. Her work took on popular stylistic trends and themes of the time, which included a painterly aesthetic and an energetic application of the medium, which transferred to an emotional and or personal connection to subject matter that was communicated symbolically. Strampp is an artist of national significance. This work encompasses themes and a style of painting (Neo - Expressionism) that was prevalent during the time of its making in the eighties. This work represents a transition from Strampp's highly regarded early paintings of heroic horses in the mid to late 1980’s to her highly regarded paintings of contemporary wedding and/or armour-like bodices dresses of the 1990s. Both the 'horse' and 'dress' were often set in empty backgrounds or dreamy/foreboding landscapes. Painted in oil on linen (x2) in a 'Neo-Expressionist' style, 'Into the Night' depicts a ghostly white horse to the right of the painting looking away from a ghostly white wedding dress to the left of the painting. The dress has sprouted white wings and is adorned with bows on the bottom edge of the dress and roses on the sleeves. The dress seems full bodied although there is no figure. The dress and horse are placed in the foreground on a stage like platform with a white curtain framing the picture to the right, and a black ladder and brown cliff edge framing the picture to the left. The background depicts a foreboding and dark cloudy sky and seascape with a firery red landscape burning on the horizon. Signed low right (1988.7b VA) with brush in purple (light) 'Adriane Strampp 87'. into the night, neo expressionism, wedding dress, horse, symbolism, painting, seascape, dramatic, emotional, poetic, strampp -
Stawell Historical Society Inc
Photograph, Mr W.H. Mitchell Grocery Shop Cnr. Patrick & Sloan Streets c1916
W.H. Mitchell (William Henry Mitchell) Grocery Shop Cnr. Patrick & Sloan Streets. Note soldier in uniform. Horse and Cart. c 1916. Photo Sheppherd & Co., Photographers Handwritten on the back, W. H. Mitchell Stawell Left to right Horse and Cart, J. Mitchell, Soldier Chiverton, R. W. Gilchrist, R. McL. Gullan Chaff food driver Harold Ransom ? Two photographs, one original the other a copy. The photo shows a group of 5 men standing outside a grocer shop. Two have aprons on and one in soldiers uniform. A horse and cart standing along side veranda.W. H. Mitchell. Grocer, & C. Sheppherd & Co., Photographers hand written on the back. W. H. Mitchell Stawell Left to right Horse and Cart, J. Mitchell, Soldier Chiverton, R. W. Gilchrist, R. McL. Gullan Chaff food driver Harold Ransom ? stawell ww1 -
Montmorency/Eltham RSL Sub Branch
Uniform - Jacket, Service Dress RAAF, RAAF Service Dress Jacket, 1972
This uniform belongs to RAAF Squadron Leader John Haines. The decoration and campaign medals are the Australian Service Medal, Defence Force Service Medal, RAAF Long Service Medals and the UNEF II (Egypt and Israel)John Haines was the President of the Eltham RSL. At a later date he served on the Montmorency RSL.Squadron Leader’s Service Dress Jacket made of blue wool polyester blend with a blue rayon lining. At the top of each sleeve there is a woven insignia of the Royal Australian Air force. It has 4 larger gold RAAF buttons and 2 smaller gold buttons on the front chest pockets. The jacket has two pockets on the lower half of the jacket. On each lower sleeve there is a Squadron Leaders rank insignia. Above the right pocket there is silver name tag. Above the left pocket there is a ribbon of campaign medals.Silver badge with the name “Haines” Ribbon markings from left to right Australian Service Medal, Defence Force Service Medal, RAAF Long Service Medal, UNEF II (Egypt and Israel)raaf, john haines, squadron leader -
Wodonga & District Historical Society Inc
Decorative object - Sarah Coventry jewellery pin for 15 years service, c. 1970s - 1980s
Sarah Coventry Pty. Ltd. was a North American jewellery company that was established in 1949 by the Stuart family as part of Emmons Jewelry, Inc. It began operations in England and Australia in 1968, and in Australia it moved from Carlton in Melbourne to Wodonga in 1969. The premises were originally on High St. in Wodonga, but a new warehouse was built in Melbourne Rd. later in 1969. It was a direct selling jewellery business using a party-plan model similar to Tupperware and Avon. The sales reps or 'Hostesses' were provided with jewellery samples in demonstration kits, which they displayed at jewellery parties in their homes. The designs for jewellery such as brooches, necklaces, earrings, chokers and bracelets were purchased from freelance designers and jewellery manufacturers rather than in-house designers. In 1979 Sarah Coventry Pty. Ltd. in Wodonga was bought by three Australian businessmen, including Wodonga local Jim Sawyer, and continued to sell jewellery under the name "Sargem Pty. Ltd”, for several more years in the 1980s. As part of the Sarah Coventry collection, the pin has local significance with the decentralised commercial development of regional centres such as Wodonga in NE Victoria, as well as national and international significance from the perspective of social and economic developments for women after World War II. The direct selling party-plan business model Sarah Coventry was based on is also considered the first of its kind for jewellery.Small rectangular gold metal pin with a small pearl inlay on the proper left side for 15 years service. The 10 K stamp on the back surface suggests it is 10 karat gold.The abraded areas on the clasp on the back expose underlying silver coloured metal indicating that the clasp is plated. "Sarah / SC / 15 / YRS / Coventry" on the front surface. "cTo ® / .... 10K" stamped in the back surface on the lower proper left side indicating 10 karat gold. The (®) symbol indicates that the manufacturer's mark is federally registered with the US Patent and Trademark Office. The 'cTo' is the trademark by O. C. Tanner Jewelry Co. in Salt Lake City, U.S.sarah coventry, jewellery, wodonga, costume jewellery, vintage fashion jewellery, pin, jewellery pins -
Glenelg Shire Council Cultural Collection
Painting, J. Trangmar Mayor, n.d
UnknownPortrait of a man in dress uniform (navy blue suit, gold cuffs and epulets, belt and sash, with dress sword hanging in sheath on his left hip). He has white hair and a beard and is looking out of the frame to the upper left. His right elbow is resting on three books on top of a stone plinth. To far left of image is a domed uniform hat with an insignia on the front and a spike on top. Background is a modulating colour field: green/brown on left to darker browns and reds on right. Framed in ornate wooden frame.Front: J. Trangmar Esq. Mayor (brass plate affixed to lower centre front of frame). -
Bendigo Historical Society Inc.
Photograph - BENDIGO ADVERTISER COLLECTION: SPORTS STAR AWARDS PRESENTATIONS
Black and white photographs, a collection of sports award photographs. 1984-85 Sports Star Winners. Faith Leech(second from left). Ron Casey(extreme right). c, Helen Greenwood(front row third from left), Lisa Curry(front row 4th from left). John Cain(fifth from left. d,e, Ash.written on back of photo).f,g, (dated march 14 1987 on back of photo). h. Alan Besley, unknown, John Cain.recreations, sports, awards -
Glen Eira Historical Society
Album - Album page, Craigellachie, 273 Orrong Road, Circa 1972
This photograph is part of the Caulfield Historical Album 1972. This album was created in approximately 1972 as part of a project by the Caulfield Historical Society to assist in identifying buildings worthy of preservation. The album is related to a Survey the Caulfield Historical Society developed in collaboration with the National Trust of Australia (Victoria) and Caulfield City Council to identify historic buildings within the City of Caulfield that warranted the protection of a National Trust Classification. Principal photographer thought to be Trevor Hart, member of Caulfield Historical Society. Most photographs were taken between 1966-1972 with a small number of photographs being older and from unknown sources. All photographs are black and white except where stated, with 386 photographs over 198 pages. From Victorian Heritage Database citation for HO40 Craigellachie 2b & 2c Lynedoch Avenue Caulfield North https://vhd.heritagecouncil.vic.gov.au/places/35209 as at (28/10/2020) Craigellachie" is situated at No. 2B Lynedoch Avenue, Caulfield North, and was built for the noted investor, pastoralist and politician, William Pearson, not earlier than 1864 and possible in 1876, undergoing several substantial and contributory extensions during the nineteenth century. It is historically and aesthetically significant. From Victorian Heritage Database citation for HO40 Craigellachie https://vhd.heritagecouncil.vic.gov.au/places/35209 as at (28/10/2020) It is historically significant (Criterion A) as the Melbourne home of William Pearson, MLA, MLC and principal shareholder in Walhalla's Long Tunnel Extended Gold Mining Co. which sustained the township well past the turn of the twentieth century and occupied fifth place amongst Victoria's richest mines. It is aesthetically significant (Criterion E) for its capacity to demonstrate Pearson's continuing financial success throughout the mid to late nineteenth century, the additions associated with the tower being most noteworthy as an example of the lasting appeal of the Italian Style, popularized in the pattern books of the day. The Ailanthus altissima (Tree of Heaven) is significant as an outstanding example of a species that is rare in cultivation, as well as for its very high aesthetic value. The Araucaria bidwilli is notable as a fine example of a species infrequently planted in Melbourne and rarely found in private suburban gardens.Page 161 - four photographs of Craigellachie dining room Handwritten: CRAIGELLACHIE DINING ROOM [top left] / Neg 218 1973 [under top left photo] / Neg 217 - 1973 [under top right photo] / Neg 216- 1973 [under bottom left photo] / Neg 215 1973 [under bottom right photo] / 161 [bottom left]trevor hart, orrong road, curved windows, italianate, mansion, 1870's, william pearson, inkerman street, decorative plaster work, rendered walls, moulded ornaments, 1860's, lynedoch avenue, classical style, caulfield north, craigellachie, land subdivision, late victorian style, dining rooms, ceiling roses, furnishings, fireplaces, st kilda east -
Melbourne Legacy
Photograph, Sir Edward Dunlop, 1986
A large poster of Sir Ernest Edward "Weary" Dunlop, AC, CMG, OBE (12 July 1907 – 2 July 1993). He was an Australian surgeon who was renowned for his leadership while being held prisoner by the Japanese during World War II. He was involved with Legacy on numerous occasions - including a dinner with Clive James in 1993.When he passed away in 1993 there was a tribute in the Answer. Unknown when the photo was taken - perhaps the 1940s (Note; the colour patch on the upper arm.) Photo has possibly been taken on Anzac Day. (Note; Anzac Day badge on left lapel of battle dress jacket and sprig of rosemary rising above decorations pinned on right chest of battle dress jacket.). The Technical Bookshop were tenants in the shopfront premises of Legacy House for many years. This could have been advertising material for Weary Dunlops War Diaries which were published by Penguin in 1986, presumably the poster was given to Legacy in December 1990 when no longer required in store.This shows the Technical Bookshop had a good relationship with Legacy and understood the connection between Weary Dunlop and Legacy.Coloured photo of Sir (Ernest) Edward "Weary" Dunlop that was used to promote a book about him. Reverse side, a Christmas message to Legacy, written in blue texta. Penguin publishing company logo appears in the bottom left hand corner.Reverse side, handwritten in blue texta "To Legacy. Merry Christmas love Technical Bookshop xxx. 1990"dunlop, portrait -
Mission to Seafarers Victoria
Letter - Correspondence, 1947
Quinn CollectionBuff-coloured typed air-letter 0366a1) written on board S.S.Morgenster, at sea, dated 28/12/47. There are two air mail stickers attached - one to the upper left edge and the other to the upper left side. Air letter is addressed to Mrs S Quinn, C/- Mrs Blackmore, 140 Brunswick Road, West Brunswick, Victoria and stamped with a blue Correo Aereo Replublica Argentina stamp.letters-from-abroad, quinn, s.s.morgenster, 1947 -
Federation University Historical Collection
Photograph - Photograph - Black and White, Ballarat Teachers' College Staff, 1947
This copy was made by the class of 1947, probably for use at a Ballarat Teachers' College ReunionBlack and white photograph showing the staff of the Ballarat Teachers' College. The photograph is taken in the grounds of Dana Street Primary School. Standing left to right: ?, ?, ?, Alan Sonsee Sitting left to right: ?, Mr Lord, Monica Millerballarat teachers' college, dana street primary school, lord, sonsee, miller, monical miller, dana street state school -
Glenelg Shire Council Cultural Collection
Photograph - Photograph - Portland Harbour, n.d
Port of Portland Authority ArchivesBack: Border ruled in pencil. Top border '(15) P22' in pencil Bottom '24 ems' - in pencil '67%' centre in blue pencil 'Erecting steel framework for the new transit shed on No 2 Quay' - top, black biroport of portland archives -
Bendigo Historical Society Inc.
Photograph - BASIL MILLER COLLECTION: TRAMS
Black and white photograph of tram 25s. Oil drums to left and car in background left. Inscriptions on reverse: written in blue ink(11). Stamped in blue l. b. Manny Collection Photo. No. 742(in blue ink).person, individual, basil miller -
Clunes Museum
Photograph, KODAK, 1999
VIEW OF POWDER MAGAZINE USED IN MINING DAYS TO STORE EXPLOSIVES. BUILDING MATERIALS SOLID BRICKCOLOURED REPRINT PHOTOGRAPH OF POWDER MAGAZINE INTERIOR. SITUATED IN A PADOCK ON SMEATON ROAD APPROX. 2 KM. FROM TOWNSHIP ON LEFT HAND SIDE. SMALL WINDOW IN LEFT HAND WALL SOLID STEP LEADING TO RECESS.local history, photography, mining, powder magazine -
Whitehorse Historical Society Inc.
Photograph, Whitehorse Road, Mitcham
Coloured photograph of Whitehorse Road, Mitcham. Lights are at the junction of Whitehorse and Mitcham Roads and traffic on left is heading east towards Ringwood. Church on the left is the Mitcham Anglican Church, which is on the corner of Whitehorse Road and Edwards Street.whitehorse road, mitcham -
Lakes Entrance Regional Historical Society (operating as Lakes Entrance History Centre & Museum)
Photograph, 1910 c
Also one enlargement black and white 16 x 25.5 cmBlack and white photograph showing steamer Dargo proceeding along the Sale Canal. Shows houses in left background and front of smaller boat on right side, farmland in background, bush on bottom left of photo. Sale Victoriajetties, religion, ships and shipping, waterways -
Kew Historical Society Inc
Photograph, Staff, Kew Mental Institute, 1907
Group photograph of staff of the Kew Mental Institute (Kew Asylum) including Dr Joseph Hollow.The following individuals in the photograph are identified on the reverse: Back Row 2nd from left J McKie (Pharmacist), 4th from left Mr H. Oxlade (Accountant), 8th from left Mr T. Walsh. Front Row: Left Mr. Morrison, 2nd from left Mr Vallance, 4th from left Dr. Hollow. Inscription on reverse: "Mr McKie With Best wishes (illegible), Kew H.I. {Kew Hospital for the Insane], April 1907". [NOTE: A descendant of Mr H Oxlade has suggested that he is the man 5th from left in the back row]kew lunatic asylum, kew mental institute, dr joseph hollow -
Glenelg Shire Council Cultural Collection
Drawing, Blue Wren. Golden Whistler. Eastern Spine-Bill, n.d
Drawing of three birds perched on twigs, with two twigs at top right and bottom of image. Bird at top left is blue, black and white, with long blue tail feathers. Bird at centre has yellow front with black head and white under beak and on neck. Tail feathers and wings are grey. Lower bird has red belly, white feathers under chin with red markings, black head and tail feathers, red patch on back and blue-black wings. Mounted in grey matt under glass in wooden frame.Front: (no inscriptions) Back: 1. Blue Wren. 2. Golden Whistler. 3. Eastern Spinebill (ink and coloured pencil). Collin E. Woolcock (upper left) (sticker, black pen).