In these bold, dynamic portraits, seemingly surreal worlds are created and explored by the subjects, filling the ground floor with vibrant colour and life. Exploring mythology and fantasy, belonging and truth, Atong Atem continues her exploration of identity, and the ways in which we construct images and stories to understand ourselves and our surroundings. Atem’s portraits reference the work of 20th century African studio photographers Malick Sidibe, Philip Kwame Apagya and Seydou Keita to create a visual representation of a relationship to culture. She was drawn to their work as an alternative to ethnographic and colonial images of Black people which she encountered in the history of photography on the African continent. This movement of photographers emerged from a desire to document themselves and their communities on their own terms. Artist Bio Atong Atem is an Ethiopian born, South Sudanese artist and writer living in Narrm/ Melbourne. Atem’s work explores the inherent intimacy of portraiture and photography as well as the role photographers take as story tellers, interrogating photography as a framework for looking at the world and positioning people in it. She takes framing into a fantastical direction with the small portals over the subjects’ faces, inviting the viewer to look at them through a surreal and constructed lens. Atem references the works of 20th century African studio photographers Malick Sidibe, Philip Kwame Apagya and Seydou Keita to create a visual representation of a relationship to culture. She works primarily with photography, video and textiles to explore migrant narratives and postcolonial practices in the African diaspora, the relationship between public and private spaces and the exploration of home and identity through portraiture. Atem has exhibited her work across Australia, including National Gallery of Victoria, Art Gallery of New South Wales, National Portrait Gallery, Immigration Museum, Gertrude Contemporary and Australian Centre for Contemporary Art. Atem has at international art fairs including Photo London 2023, Photo Basel 2022 and Vogue Fashion Fair in Milan.  Atem has exhibited internationally at the Tate Modern, London, and Wereldmuseum in Rotterdam, C/O Berlin and with PHOTO Australia at the Victoria and Albert Museum (V&A). Atem has also exhibited in the Africa Fashion exhibition at the National Gallery of Victoria, which was launched and curated by the Victoria and Albert Museum (V&A).  Atem was the recipient of the inaugural La Prairie Art Award from the Art Gallery of New South Wales in 2022 and the National Gallery of Victoria and MECCA M-Power scholarship in 2017. Her work is held in numerous collections including the National Gallery of Victoria, the Art Gallery of New South Wales and the State Library Victoria and the National Portrait Gallery.

non-fiction...

Photograph of WH Greaves at the time he was appointed Town Clerk of St KildaBlack and white photograph on photographic paperwh greaves collection, greaves, city of st kilda

non-fiction...autobiography, alexandra hasluck

110 pages : illustrations, portraits ; 29 cm.non-fictionFrom Municipality to City: Chairmen & Mayors of Kew 1861-1994 is the result of a collaborative history project completed by members of the Kew Historical Society. Th text includes a contextualised series of illustrated biographical and autobiographical profiles of the former civic leaders of Kew. The profiles explore the political, social, cultural and economic history of Kew from the earliest years of European settlement to the amalgamation of Kew into the City of Boroondara in 1994.kew (vic.). council -- history, mayors -- victoria -- kew -- biography, kew (vic.) -- history

Studio portrait of Amy Medhurst taken in 1904The Medhursts were a Greensborough pioneer family.Studio portrait, circular shape, mounted on heavy card.Studio name "The Allan Studio" printed on front of mount. Name of subject handwritten on back of mount.amy medhurst

VX37836 Andrew Keith GUY - Refer Cat No. 131P.Photograph - sepia coloured portrait.portrait, soldier, ww2

Graham Berry arrived in Victoria in 1852. In 1854 Berry sat on one of the juries which acquitted the Eureka rebels, and next year became secretary of the Prahran Reform LeaguePortrait of Sir Graham Berrygraham berry, politician, portrait

Photograph of a portrait of C.C. Shoppee.portrait, c.c. shoppee, mayor

Black & White portrait of George Berry dontaed by John Mills from the estate of Bernard Grayden.Black & White portrait of George Berrygeorge berry, john mills, bernard grayden

Portrait photograph of singer Julie Anthony, most likely supplied for inclusion into a Carols by Candlelight program.B/W portrait of Julie Anthonycarols by candlelight, julie anthony

Black and white photograph (2 copies). Two oval portraits of man and woman. Appears to be taken from newspaper. Caption beneath portrait reads: "Mr. and Mrs. Kennedy- Pioneers and Pillars of the United Free Methodist Church."

Biography of Sir William Stawell.Blue Paper dust jacket cover. with print. Oval Portrait of a man's head.Lives of the Australian Chief Justices. (in capitals printed in background) Head and Shoulders oval portrait of Sir William Stawell. in the centre of cover.stawell, law

Portrait of Alexina Duncan (nee Butcher) who was the wife of David Duncan, the first treasurer of the Port Phillip Farmers' Society in 1848. The Port Phillip Farmers' Society eventually became Melbourne Royal. The painting is part of a pair with a portrait of David Duncan.Oil Portrait In Heavy Elaborate Gilt Timber FrameON BRASS PLATE - PRESENTED FOR ALEXINA DUNCAN BUTCHER BY HER FAMILY THE ORIGINAL AUSTRALIAN ANCESTORS ALEXINA DUNCAN WIFE OF DAVID DUNCANrasv, duncan, alexina duncan, treasurer, port phillip farmers' society

The Melbourne artist Alma Agnes Marion Figuerola, was the daughter of Juan Pedro Narciso Figuerola (1869-1919) and Alice Lucinda Walker Hanson (1889-1969). Each of their three daughters grew up to be involved in the arts: Alma as a painter; Carmen Irene (1906-1993) as a short story writer, poet and teacher of dancing; and Sylvia (also Silvia) Lyla Alice (1911-1992) as a composer and cellist. The first art lessons Alma Figuerola received were with Oscar Binder. Later she attended the art school established by the Melbourne 'tonalist' [Duncan] Max Meldrum (1875-1955). She graduated from his school in 1920, participating in her first group exhibition in the same year. Solo exhibitions of her work were to be held in 1933 at the Meldrum Gallery in Elizabeth Street, in 1937 and 1945 at the Athenaeum Gallery at 188 Collins Street, and in 1951 at Georges Gallery in Collins Street. Throughout her extensive career she participated in group exhibitions, usually with artists of the Meldrum School, and as a member of the Twenty Melbourne Painters, of which she was invited to become an associate in 1935. In 1953, her portrait of Professor ES Hills was entered in the Archibald Prize Competition of the Art Gallery of New South Wales. A resident of Kew from the 1930s - 51 Studley Park Road, often with her mother, her sister Carmen, or both - from c.1942 until her death she lived at 'D’Estaville', 7 Barry Street. From the late 1930s she is recorded as actively contributing to the arts at a local level. In 1939 and 1940 she participated in art exhibitions at the Hawthorn Municipal Library organised by Jessie Carbines. From 1944 to 1951 she co-organised successive Kew Arts Festivals, initially in the Presbyterian Church Hall in Highbury Grove and later at the Recreation Hall in Wellington Street. A foundation member of the Kew Historical Society in 1958, Alma Figuerola remained an active member of the Society until her death on 8 December 1970. She predeceased her two sisters who both died in the 1990s and who are buried at Andersons' Creek Cemetery in Warrandyte.Photograph of an oil painting of a woman which may be of Alma Figuerola. The photo was in the personal photo album of the artist. alma figuerola album, arists - kew (vic), artists - meldrum school, occupants - 7 barry street - kew (vic)

Married Dennis Flatman, died 14.3.1908 aged 75. Head and shoulders portrait photograph.sepia portrait, unmounted, original, good conditionJane Flatman (nee Webb) married Dennis Flatman Jane died 14-3-1908 75 years

Vincenzo Galea was an Italian POW in Camp 13 Murchison. This portrait of Valma Paterson was painted from a photograph supplied by her father George Paterson, a Hygiene Officer with the Australian Army. Oil Portrait on canvas. Olive green background. A young lady with short dark brown hair. Gold highlights near centre part. Dark brown eyes and red lips. Wearing a light pink top with pleats on shoulders.V Galea 23/11/45camp 13, paterson, valma, george, murchison, vincenzo, galea, portrait

Internet Research materialRelevant research material 1918 World War 1Internet Research printouts of World War 1 details - General Sir John Monash portrait, Maps of Battles etcGeneral Sir Jon Monash portrait and details of service, Maps of Battles of Wold War 1 1918 world war 1 - 1918 internet research printed material australian at war 1918

Lady Mayoress of St Kilda 1888-1889, standing studio portraitsepia studio portrait, mounted, original, fair conditionMrs S E Jeans Lady Mayoress 1888-1889

This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Watercolour portrait of a woman. art, artwork, neville bunning, portrait

Neville Bunning taught Ceramics at the Ballarat Technical Art School, a division of the Ballarat School of Mines. Famed portrait of a man.neville bunning, artwork, portrait, available

Pte. William Bailey, Service No. 8/A 1st AIF 31 Batt. KIA 25 October 1916 in France. Buried AIF burial ground, Flers, France.Photograph - on cream cardboard, sepia, full length portrait of a soldier.R. McGeehan, Photographer, The Central studios 57 Elm Grove, Ripponlea, Melbourne.ww1, portrait

Studio portraits of John Mitchell [child] Mrs Mary Mitchell, Mrs Mary Mitchell [Top Right] and Henry Mitchell [Bottom Right] and of Hailes Street Greensborough.4 studio portraits, sepia.Names written on back.mitchell family, henry mitchell, john mitchell, mary mitchell

A digital copy of a black and white portrait of Nicholas John Caire.A digital copy of a black and white portrait of Nicholas John Caire. Nicholas John Caire was born in 1837 in Guernsey. He arrived in Adelaide about 1860 along with his parents who encouraged his early interest in photography. He opened a studio in Adelaide in 1867 after traveling extensively throughout the Gippsland taking photographs. After marrying in 1870 he moved to Talbot in Victoria until 1876 when he opened a studio in the Royal Arcade in Melbourne. After 1885 Nicholas John Caire gave up his city work and made his home in South Yarra and devoted the rest of his life to outdoor photography, specializing in the bush, the gullies, and the mountains of south-eastern Victoria. nicholas john caire

A digital copy of a black and white portrait of Nicholas John Caire.A digital copy of a black and white portrait of Nicholas John Caire. Nicholas John Caire was born in 1837 in Guernsey. He arrived in Adelaide about 1860 along with his parents who encouraged his early interest in photography. He opened a studio in Adelaide in 1867 after traveling extensively throughout the Gippsland taking photographs. After marrying in 1870 he moved to Talbot in Victoria until 1876 when he opened a studio in the Royal Arcade in Melbourne. After 1885 Nicholas John Caire gave up his city work and made his home in South Yarra and devoted the rest of his life to outdoor photography, specializing in the bush, the gullies, and the mountains of south-eastern Victoria. N.J. Cairenicholas john caire

If you can provide information on this artist or artwork please use the link below. This item is part of the Federation University Art Collection. The Art Collection features over 2000 works and was listed as a 'Ballarat Treasure' in 2007.Abstract portraitart, artwork, horsham campus art collection, portrait, horsham student collection

This is a portrait of Goldie Warren, aged at approx. 22-23 years old. She was the owner of Myrlebank for many years.A portrait of a young woman holding a bunch of flowers.people, warren, accommodation, myrtlebank

No context or information is known about this portrait. It is believed to be of a Strathfieldsaye Shire Councilor because it was hanging in the Strathfieldsaye Shire Hall.Oval black and white head and shoulder portrait of male wearing a shirt, vest and jacket. Flowers pinned to lapel. The portrait has an oval frame and is glazed. Small handwritten card label loose under glass with 'Vincent Kelly Bendigo' written on it.shire of strathfieldsaye

An unidrntified portrait within the photo collection.Oval photographic portrait in a square mount of an unidentified woman, circa 1900-1910photographs, portraits

John and his brother, William were the first real settlers on Phillip Island.Black and white portrait of John David McHaffie.john david mchaffie, portrait, photographs