Photos during Badge Week in September 2004, the poster says: "Buy a Badge", with an image of the Widow and Children statue.. Various badge sellers making sales at Parliament Station and nearby streets. One is an army man with the name of Brough from his badge (see also 00698).A record of fundraising.Colour photo x 8 of various badge sellers.Printed on the back "legacy appeal, fundraising, badge week

Photos of Legacy Widows at a luncheon function after the Widows Sunday ceremony at the Shrine and a service at a church. This is an annual event for Legacy widows at the start of Legacy Week, which is the first week in September. The photos show tables of widows at lunch, the Governor of Victoria, John Landy, and his wife, Lynn (in deep maroon suit), are in some of the photos talking to the ladies. Melbourne Legacy Widows' Club president Margaret Armstrong is standing near the Governor in some photos. President Geoff Webb is also talking to the widows. Same event as other photos of 2005 (00711, 00712). The venue is possibly ZINC in Federation Square according to a post it note.A record of a event for the Legacy widows and the Governor being involved as patron of Legacy.Colour photo x 10 of widows at a luncheon following the Shrine ceremony.Printed on the back widows, governor of victoria, widows' sunday

Photos during Badge Week in September 2008. Various badge sellers around Melbourne, some of them in a Army or school uniforms. Some include President Graeme Standish.A record of the fundraising for the Legacy Appeal in 2008.Colour photo x 8 of various badge sellers in Badge week.Printed on the back No.< > Clarendon Photos 1819 which is the frame numbers and place of processing. Negative numbers 2, 4, 8, 10, 12, 15, 17, 20 (see also 00768).legacy appeal, fundraising, badge week

Photos during Badge Week in September 2008. Photos show the preparations inside Legacy House with President Graeme Standish briefing a group of school children, and defence personnel.A record of the fundraising for the Legacy Appeal in 2008.Colour photo x 4 of various badge sellers in Legacy House for Badge week.Printed on the back No.< > Clarendon Photos 1820 which is the frame numbers and place of processing. Negative numbers 3A, 5A, 8A, 10A (see also 00767, 00771, 00772, 00773, 00774).legacy appeal, fundraising, badge week

Photos during Badge Week in September 2008. Photos show the preparations inside Legacy House with defence personnel sorting money and collection tubs.A record of the fundraising for the Legacy Appeal in 2008.Colour photo x 4 of Legacy appeal tins and trays and helpers in Legacy House in Badge week.Printed on the back No.< > Clarendon Photos 1821 which is the frame numbers and place of processing. Negative numbers 9A, 14A, 15A, 17A (see also 00767, 00770, 00771, 00772, 00774).legacy appeal, fundraising, badge week

This "mixing" bowl was used in a period before electric food processors and mixers were readily available(1940's). Basic food ingrediences requiring mixing such as cakes scones and bread had to be hand blended.This mixing bowl is very significant to the Kiewa Valley andrural regions because it details not only what kitchens, be they commercial, domestic or rural camp, required to be stocked with but also a period in time when electrical goods such as blenders were not on in production and electricity was not available.This bowl is made from steel and has a green enamel covering. The rim of the bowl has a black border to highlight its edge.nilmixing bowl, kitchen

These large mechanical parers are generally referred to as 'commercial' apple parers. However, they were used in the kitchens of large households, as well as hotels and by commercial apple processors. These are fascinating contraptions, particularly when seen in motion.Cast iron mechanical parer on a wooden base, referred to as a 'commercial' apple parer. Comprised of cams, gears, levers and springs.Rival No. 296. Pat. June 23 1888.apple corers, apple peelers

These large mechanical parers are generally referred to as 'commercial' apple parers. However, they were used in the kitchens of large households, as well as hotels and by commercial apple processors. These are fascinating contraptions, particularly when seen in motion.Cast iron 'Dandy' apple parer, corer and slicer on a wooden base. Mechanically complex with cams, gears and levers.Goodell Co. Antrim NH Pat. Nov. 16 1886 Mar. 13 and May 8 1888apple corers, apple peelers

These large mechanical parers are generally referred to as 'commercial' apple parers. However, they were used in the kitchens of large households, as well as hotels and by commercial apple processors. These are fascinating contraptions, particularly when seen in motion.Cast iron assay apple parer and corer, mechanisms with cams, gears and levers operated by cast iron and wooden handle. Mounted on a wooden base, with Donvale printed on it.Bonanza made by Goodell Co, Antrim NH USA Numbers 43, 13, 40, 23 (on different parts of the mechanism)apple corers, apple peelers

The Grey Shrike-thrush is considered to be one of the best songsters in Australia, with hundreds, if not thousands, of different songs. The song has been described as glorious, pleasing and melodious, with sweet, mellow, rich and liquid notes. Whilst pleasant to humans, the song are less harmonious for nest birds, often hunted by the grey shrike-thrush. It has a varied diet consisting of insects, spiders, small mammals, frogs and lizards, and birds' eggs and young. Grey Shrike-thrushes most of Australia (with the exception of arid areas) and southern New Guinea. This specimen has been mounted in an accurate fashion. This specimen is part of a collection of almost 200 animal specimens that were originally acquired as skins from various institutions across Australia, including the Australian Museum in Sydney and the National Museum of Victoria (known as Museums Victoria since 1983), as well as individuals such as amateur anthropologist Reynell Eveleigh Johns between 1860-1880. These skins were then mounted by members of the Burke Museum Committee and put-on display in the formal space of the Museum’s original exhibition hall where they continue to be on display. This display of taxidermy mounts initially served to instruct visitors to the Burke Museum of the natural world around them, today it serves as an insight into the collecting habits of the 19th century.This specimen is part of a significant and rare taxidermy mount collection in the Burke Museum. This collection is scientifically and culturally important for reminding us of how science continues to shape our understanding of the modern world. They demonstrate a capacity to hold evidence of how Australia’s fauna history existed in the past and are potentially important for future environmental research. This collection continues to be on display in the Museum and has become a key part to interpreting the collecting habits of the 19th century.This Grey Shrike-thrush specimen is a mostly grey coloured bird, with the plumage around the shoulders a little browner. The underside and neck is paler, off-white with a white ring around the eye. The eyes are made of glass which is a brown colour and replace the original which do not survive the taxidermy process. This specimen stands upon a wooden platform and has an identification tag tied around its leg.27a / Harmonious Shrike-Thrush / See Catalogue Page 12 / taxidermy mount, taxidermy, animalia, burke museum, beechworth, australian museum, skin, bird, australian birds, thrush, grey shrike-thrush, harmonious thrush, colluricincla harmonica

Newspaper article titled Life Processes - Auckland Research - Work of Two Doctors. Bendigo Advertiser, Friday, June 6, 1940. Article mentions metabolism, Electricity in the Body, American Research, Electrically Altered Water and Two Hundred Cases Tested. Also four other articles, one dated July 30, 1941 mentioning metabolism and Scalebuoys. Two articles have several copies.sciences, instruments - general, scalebuoy, bill ashman collection - correspondence, the bendigo advertiser 6/6/1940, metabolism, dr george crile, rockefeller foundation, auckland hospital board

The Bocian is a versatile training sailplane that first flew in 1952. The type has been modified in several respects over the course of production by SZD (tailplane and rudder in particular). About 600 have been built; many for export to 27 countries (including Australia). The aerobatic capability and fine performance (best glide ratio of 26) has enabled the Bocian to be used to train competition pilots as well as those of lesser experience. Many world gliding records were set in the 1950s and 1960s in Bocian gliders. The Museum’s example is a type D test flown in Poland on 3 and 4 April 1963. It was imported into Australia in September 1963 by Austerserve Pty Ltd. The first owner was the Alice Springs Gliding Club and the glider had name “Cumulus” painted on the side of the fuselage (since removed). The glider had recorded 726 hours 46 minutes flying time from 2138 launches as at July 1967 when it was transferred to the Darwin Gliding Club. It appears that the glider was damaged in June 1968. The substantial repairs to the fuselage, both wings and tailplane and other minor repairs were completed on 13 October 1968. The glider continued flying with the Darwin Gliding Club until August 1969 at which time the service to that club amounted to 59 hours 7 minutes flying time from 348 flights. Between August 1969 and August 1976 no flights are recorded in the logbook. It is understood that on its last flight at Bachelor, south of Darwin in the Northern Territory (August 1969) it was severely damaged when it crashed after spinning while being auto-tow launched (although this is not expressly mentioned in the logbook). Reg Hancock purchased the damaged glider and rebuilt the port wing and restored it to airworthy condition (September 1976). It was then transferred to Colac, Victoria, and used by the Colac Gliding Group at the Yeo airfield until February 1981, adding another 153 hours from 403 flights to the glider’s record. After airworthy inspection in September 1982 the glider was used by the Geelong Gliding Club until 1983 (logbook details not held). The 20 year survey was then due and the glider fell out of service. In the course of the most recent restoration attempt it was discovered that the glue used in construction had deteriorated and that it was no longer feasible to bring it back to an airworthy condition. Subject to restoration, this exhibit may be representative of the 1950s - 1960s Bocian two seat sailplane typeThis exhibit is a large two seat glider /sailplane of wood and fabric construction. All components are present with the exception of instruments. However, at the time that the aircraft was transferred to the Museum it had been taken apart for major restoration work. As received it is stripped of the top coats of paint and a number of components (including, amongst others, tip fairings, nose cone and cockpit elements) that were removed for facilitating the repair process. The glider, serial number 803, was registered as VH-GNLaustralian gliding, glider, sailplane, bocian, cumulus, alice springs gliding club, darwin gliding club, colac gliding group, geelong gliding club, hancock

Photocopy of a detailed report prepared for the Nunawading City Council on the vegetation, fauna and management of Antonio Park. Lists of 320 plant species were made. A broad indigenous community: 'Grassy Open Forest' is described. Lists of butterflies, reptiles, birds and mammals. Weed infestation and degradation processes are identified. A range of management issues are identified and recommendations made. ca 120 pages. Photographs. Plans.Photocopy of a detailed report prepared for the Nunawading City Council on the vegetation, fauna and management of Antonio Park.antonio park, mitcham, animals, native plants, birds, wildlife

Yields information about the method for formalising the swapping of shifts between crews, in order for management purposes. Required signatures of both parties and approval by the Traffic Clerk.Duplicated SEC form titled "Application for Permission to Exchange Duties", form number S.115. Printed by a typed stencil or Gestetner process on duplicating paper. Headed SEC, Ballarat Tramways. Used for crews to formally seek approval for an exchange of shift or an exchange of days off with another crew, for a specific change of shift of with another shift. 2nd copy added 11/1/2007.trams, tramways, sec, rosters, crews, personnel

Thirty Six page, book sewn within brown Rexene heavy card covers with paper sides. Titled "Melbourne and Metropolitan Tramways Board / Curriculum of Training for Electric Car Drivers / 1955". Outlines the various process for appointing and training tram drivers, testing, paper work, follow up, probationary period, training records, and general procedures. Also details instructions to Trainer Drivers. On the inside cover in ink "Ballarat Tramway Preservation Society Catalogue No. 306" in ink. and in pencil on top corner of title page in pencil "? officer" trams, tramways, drivers, mmtb, instructions, training

Kodachrome Transparency - 35mm slide - cardboard mount, with one side with red border and words "Kodachrome Transparency / Processed by Kodak" top and bottom. Photo taken by Ben Parle 5/4/1958. Has slide No. "3" stamped in red in top corner and date stamped on slide. Photo of No. 19 westbound in Sturt St. at the intersection of Raglan St, with the City Brigade Hotel in the background. "Sturt St" "-5 APR 1958"tramways, trams, sturt st, raglan st, city brigade hotel, tram 19

Kodachrome Transparency - 35mm slide - cardboard mount, with one side with red border and words "Kodachrome Transparency / Processed by Kodak" top and bottom. Photo taken by Ben Parle 5/4/1958. Has slide No. "13" stamped in red in top corner and date stamped on slide. Photo of the "junk yard" at the back of the depot, showing old wheel sets, truck parts etc. "Depot Yard Ballarat" "-5 APR 1958"tramways, trams, wendouree parade, depot, ballarat depot

Kodachrome Transparency - 35mm slide - cardboard mount, with one side with red border and words "Kodachrome Transparency / Processed by Kodak" top and bottom. Photo taken by Ben Parle 8/4/1958. Has slide No. "20" stamped in red in top corner. Photo of Ballarat No. 31, inbound, about to cross Dawson St. Tram has the destination of Mt. Pleasant. A bogie tram is in the background. "Sturt St Ballarat 8-4-58"tramways, trams, sturt st, dawson st, tram 31

Kodachrome Transparency - 35mm slide - cardboard mount, with one side with red border and words "Kodachrome Transparency / Processed by Kodak" top and bottom. Photo taken by Ben Parle 8/4/1958. Has slide No. "20" stamped in black in top corner. Photo of a Ballarat bogie tram running through the Gardens area, in Wendouree Parade. Photo taken from the Botanic Gardens area. "Botanic Gardens Ballarat" / "8-4-58"tramways, trams, wendouree parade, gardens loop

Two page foolscap- stencil duplicated form for information, proposed programme for AETA, Easter 1961 Convention in Adelaide- was shown for the 1960 Convention as heading, but should have been 1961- Correct elsewhere. Shows travel arrangements, fares, hotel costs, time. Two sheets stapled together. Printed using the stencil/duplication process. Image of document added 5/9/13. aeta, adelaide, booking form

Single sheet of A4 white paper, printed both sides and folded to A5 size titled, and a A3 version, folded to A4 "A Short History of the Black Rock Trams", written by David Frost, 1st Edition, 2001. Printed by photocopying process. Published by the Sandringham and District Historical Society, has photographs, drawings, map and history of the tram line. The line was operated by the Victorian Railways.trams, tramways, black rock, vr, sandringham, melbourne, beaumaris

Memorandum printed using a duplicator process onto a foolscap sheet titled "Accident Prevention" from the Traffic Manager to All Traffic Officers, dated 18/9/1957, providing a review of the accidents for 1956 and 1957 year ends for both trams and buses. List the various types of accidents, injuries, falls, collisions, employees and public. Signed B. H. Misson as Traffic Manager.trams, tramways, mmtb, accidents, reports, collision

"An account of research studies and mill processing trials on four apparel wools"- J H Wakelin and W von Bergen 1953 : Wool research project, summary report for the period October 1948 to October 1952.merino sheep wool - characteristics wool - chemistry textile research textile calculations textile fibres, dyeing, spinning, carding, yarn - worsted, merino sheep, wool - characteristics, wool - chemistry, textile research, textile calculations, textile fibres

This card is the fifteenth in a set of 16 information cards produced by the Stamina Clothing Company re: Australian Woollen Mills as give aways. It looks the process of dry blowing the cloth, which fixes the width and imparts lustre.Card no. 15 from the Crusader Mills information card set, c.1945-55. Verso of card no. 15 from the Crusader Mills information card set, c.1945-55.No. 15 Dry blowing at the Crusader Mills.textile finishing, australian woollen mills pty ltd stamina clothing company

Review of outline for proposed Building Industry film. Boyd suggests changes to the representation of the Master Builder through a description of their responsibility to organise the many trades and techniques in the building process. He rewrites an alternative simplified opening.Typewritten, carbon copy, foolscap, 1 page.louis mumford, master builders, building industry film, the city speaks

The Bruck Inhaler is a modification of the Clover Inhaler, designed by Lambert Bruck. Bruck added a glass dome which enabled the level of ether to be monitored during administration. This was a revolutionary change as it removed guess work from the process.The Bruck Inhaler is a historically, aesthetically and scientifically significant piece. The basic design is based on the Clover Inhaler, but with a rounded bottom. The idea of a glass viewing window was possibly inspired by Wilson-Smith Inhaler. The Bruck Inhaler is historically significant as it is the first inhaler to be made with a completely clear lower glass section. This improved the usability for the ether administrator, and eliminated much of the guesswork associated with dosage and ether levels, which in turn improved the patient experience. This piece provides a strong local link to both anaesthetic and general medical practice at the turn of the century. The design is credited to Ludwig Bruck of Sydney, and was presumably manufactured in the same area. Bruck, as the attributed designer, holds much relevance to the significance of the object, as connected with him is much historical information about the social context of medical practice. Ludwig Bruck was a prominent figure in the medical industry. He started his medical career in Sydney as a Medical Transfer Agent, and later owned a shop at 16 Castlereagh Street, Sydney. This business is listed in the 1903 Register of Firms as a Medical Agent and Importer of Medical Instruments and Books. Bruck was vocal as a journalist and published analyses of medical statistics, as well as the well known Australasian Medical Dictionary and Handbook, which included the “List of Unregistered Medical Practitioners”. Ludwig Bruck was an immigrant. He was of German descent, which placed him in a precarious position within Sydney society during the turn of century. Bruck conducted several public conversations with prominent members of the Australian Natives Association through the Sunday News in regards to his disagreement of the employment of medical practitioners by the ANA specifically to corroborate their health insurance policies. He was also a stalwart supporter of the Australian arm of the British Medical Association, being the publisher of the first and subsequent editions of The Australian Medical Gazette. Bruck chose to end his life with a combination of poison and chloroform on 14 August 1915, after being accused of trading with the enemy during World War One. His suicide note stated his horror at leaving his business partner to deal with the tarring of his reputation as the reason for his decision. The Bruck Inhaler has aesthetic significance as it is a beautiful example of turn of the century surgical design and craftsmanship. Aseptic methods of surgery were well known by 1909, and the aesthetic design of the Bruck Inhaler conformed to these principles. The ability for the surgeon to unscrew, clean and sterilize each part of the Inhaler contributes to the streamlined design of the piece. The Buck Inhaler holds scientific significance. There is the capacity for further research to be undertaken on the object. Geoffrey Kaye often collected multiple examples of equipment, usually one for reverse engineering and another for teaching. There are currently two examples of the Bruck Inhaler in the collection, presenting an opportunity for further technical research on the object. The inhaler is oval shaped with one half made of glass to allow observation of the ether level. A vertical cross tube, 22mm in diameter passes between the face-piece and the bag [missing]. There is a stopcock for admission of oxygen or nitrous oxide opposite the bag attachment. There is a central tube, 28mm in diameter, with controllable ports on either side. There is also a tear-drop shaped fask mask.Hand engraved on side of base: L. Bruck / Sydneyclover, joseph, bruck, lambert, inhaler, rebreather, nitrous oxide, oxygen, williams, probyn

This machine uses a series of combs attached to bars that move with increasing speed away from a starting point. This draws-out and aligns the wool fibres to produce a gilled top. The gilling process is also used in other positions along the worsted production line. A gill box draws and combs the fibres prior to spinning. Gold plaque on display with machine until 2018 read: G.H. Mitchell & Son, Adelaide have celebrated 125 Years of involvement with the Australian Wool Processing Industry by contributing the funds necessary to restore The Carding Machine, Noble Comb & The Gill Box.Gill box. Green painted steel.Deutscher / Spinnereimaschinenbau / Ingolstadt / 1963deutscher spinnereimaschinenbau ingolstadt, gilling, gill box, textile industry, wool processing, factory, machine, mills, spinning, fibre, comb

A group of badge sellers in school uniform with Legacy tins and badge trays. Legacy widows' fundraising stall outside Legacy House. For many years the widows would run a craft stall for Badge Week in September. Names and date unknown. (with other photos in a plastic sleeve marked with badge day 2001).A record of fundraising.Colour photo x 2 of badge sellers and craft stall outside Legacy House.00510.1 printing on the back "legacy appeal, fundraising, badge week

David Miller (Dave) Mair (1879-1938) married Lily Vipond Deakin (1890-1945) in 1910. They had 5 children: Geoffrey David (1913-1970), Beryl (1916-1976), Gwynneth (1917-1997), Isabel Lillian (1921-1997) and Shirley Inez (1928-1968). Personal communication from Laurie Newton, Beryl's daughter: Dave and Lily initially lived in East Melbourne after they married. Dave walked across the gardens to work at the MCG. He never drove or owned a car. Geoffrey, Beryl and Gwynneth were born in East Melbourne. They subsequently moved to Louise Avenue, Mont Albert and Isabel may have been born while they were there. Later they purchased 20 Barton Street, Mont Albert. Shirley was born after they moved to Barton Street. Electoral roll details: 1919 68 Park Street, Hawthorn 1922 24 Louise Avenue, Mont Albert 1924 20 Barton Street, Mont Albert Dave Mair was a very keen sportsman. This is part of a large donation of material from the Deakin, Mair and Young families. The Deakin, Mair and Young families had many connections with Mont Albert and Surrey Hills.A sepia photo of a family posed informally in a garden. The woman is seated on a cane chair holding the youngest child with one girl standing to her left and a girl and boy standing to her right. The man is standing behind her with only his face captured in the photo. The infant and the girl to the right have moved and their faces are blurred. The house in the background is of block-front construction with simple fretwork to the veranda.On rear: "Beryl Dad Isabel Mum / Gwen Geoff / at Louise Avenue / Mont Abert" in blue biro. Thought to be Beryl Mair's handwriting. Photographic processing stamp in blue ink "54 P"barton street, children, lily vipond deakin, lily vipond mair, beryl mair, isabel mair,, gwynneth mair