This article contains gives a summary his career, with short biography of his life.walsh st library

These two articles contain an announcement of Robin Boyd's death and gives a short summary his career, including tributes for various associates and others.walsh st library

This article contains an announcement of Robin Boyd's death on and gives a brief summary his recent activities.walsh st library

Hardcover"Boyd" written inside front cover. Robin Boyd entry on pg. 113walsh st library

Hardcoverwalsh st library

Includes 2 articles by Walter Bunning - "Aesthetics and War" p.71, "Rachel Forster Hospital" p.85. Walter Bunning was a prominent Australian architect and urban planner - a contemporary of Robin Boyd.walter bunning, rachel forster hospital, world war 2, walsh st library

Article titled "Flats on the Yarra at Toorak", about Roy Ground's Glover Court flats p. 72- 75.roy grounds, albert hanson, australian art, walsh st library

This volume features Glenunga Flats (1940) Armadale designed by architect Frederick Romberg, p 85.australian art, walsh st library

Hardcover, No Dust Jacketencyclopedia, australian biography, walsh st library

In May 1972 an alternative lifestyle festival gathering was staged on the Sunbury Village Green area. The sculpture, using recycled building materials, was displayed for the gathering.A black and white photograph of a sculptured monster which has been constructured from recycled building materials. It has been called the 'Growth Monster'. A woman and three children are looking at the art work.recycling, alternative lifestyle festivals, sunbury village green, george evans collection

The Kaolin Quarry at Bulla supplied Kaolin to the Northcote and Brunswick Pottery Works until it ceased operation at that site in the 1950s. The three arched bluestone bridge r3placed a ford crossing across Deep Creek, which along with Jacksons Creek flows into the Maribyrnong River.A black and white photograph of the Deep Creek and three arched bluestone bridge in the Bulla Township with the Kaolin Quarry in the background. One truck is crossing the bridge with a tanker approaching the bridge at the bottom of the Bulla Hill.deep creek, bridges, kaolin quarries, quarries, george evans collection

STAFF, PRESIDENT (P.C.ANDERSON), AMY HARDEN (LATER MARRIED R. COOK) SEC., L. HUTCHEON (CAMPBELL) (CHEF). J.HUTCHEON (GARDNER/HANDYMAN), D.SENDY (DOMESTIC STAFF MEMBER), MATRON D.V.BROWNE (MATRON), DR. CLIFFORD HUNT, SISTERS F. JONES (LUKE) AND TWO NURSESBLACK AND WHITE PHOTOGRAPH OF STAFF AND PRESIDENT OF CLUNES HOSPITAL. BACK ROW. UNKNOWN, P.C.ANDERSON, JOHN HUTCHEON, A. HARDEN (A.COOK), L. HUTCHEON (CAMPBELL), MIDDLE ROW - UNKNOWN, MATRON D. VALENTINE BROWNE, DR. CLIFFORD HUNT, O. SENDY. FRONT ROW. F. JONES (LUKE), UNKNOWN, UNKNOWNNillocal history, photography, photographs, hospital

BLACK & WHITE PHOTOGRAPH -PANORAMA OF CLUNES, TAKEN FROM HILL IN CAMERON STREET; BUILDINGS INCLUDE WESLEY CHURCH, POST OFFICE, TOWN HALL, R.C. CHURCH AND BUILDINGS IN FRASER STREET.local history, photography, photographs, clunes township

A finalist in the Shire of Eltham Art Awards in 1985. Born in Harrow, England, Graham Fransella studied at the Bradford School of Art, Yorkshire. He came to Australia in 1975. Graham Fransella lives and works in Melbourne and is represented by galleries across Australia.Fransella is an artist (printmaker) of national significance. “A feature of Fransella’s art is that it has an immediate visual simplicity, sometimes possessing the lucidity of graffiti-like directness, but this is attained through the most complex and intricate means. The surface on which he works is the arena in which he performs with an endless layering of marks, surfaces and signs. It seems that he surrenders to an intuitive process, one in which chance serves as an active collaborator. Ultimately his practice engages with the theory of the artist’s subconscious being allowed unbridled freedom of expression.” Sasha Grishin AM FAHA, in 'Gorgeous simplicity in signature themes: Graham Fransella', Sydney Morning Herald, April 5, 2014This etching depicts a busy and carefree day at the beach in bright colours of red and blue. The figures are drawn with spontaneity and simplicity, which is characteristic of Fransella's style. Figures are positioned in states of relaxation or bounce around beach scenes in joyful exuberance. eltham art award, etching, print, beach, figures

Produced with financial input from Australian oil companies for Victoria's 150th anniversaryStiff cover book with black and white photographs of Melbourne streets along with descriptive captions facing each photograph. Dates from1850's to early1900. Approx 60 pagesPhotography design Joe Murray Text Peter McIntosh

stawell

stawell ww1

Pamphlet issued by the City of Nunawading on Blackburn Lake Sanctuary, its history and development.Pamphlet issued by the City of Nunawading on Blackburn Lake Sanctuary, its history and development.blackburn lake sanctuary, woods, john, gardiners creek, lake road, blackburn, adult deaf and dumb society, herald learn to swim drive, blackburn swimming club, city of nunawading. parks and recreation department

These type of cigarette silks were included in WD & HO Wills cigarette packets to induce women in particular to take up smoking.|The Word 'Cartophilic?|It is believed that this unusual word was coined in the 1920s by Col. Bagnall, an Englishman, who was the father of the hobby of cigarette card and trade card collecting. It is thought to be a combination of a Latin word, 'carto' meaning 'card and the Greek word 'philic', meaning 'love'.- lover of cards. The term originally related to the collection of the two types mentioned, however, our Society has included postcards in the range of items collected by our members.|The Cigarette Card|The cigarette card began its evolution in the United States of America, in the early 1880s as a plain piece of cardboard used by tobacconists to protect the cigarettes which were sold in that era, not in packets, but loosely. A purchaser would buy his cigarettes then wrap them in paper around the small piece of cardboard, which acted as a stiffener. In fact, for many decades, cigarette cards were known as 'stiffeners' in the USA.|The card depicting 'The Marquis of Lome' is reputed to be the first known cigarette card issued. This is thought to have been in 1879. It did not take long for an enterprising entrepreneur to recognise the advertising potential of the cigarette card, and, very soon, the cards began displaying popular images, often in sets. This had the effect of youngsters, wishing to complete their sets, harassing their fathers to buy a specific brand of cigarettes. The kids who collected cards in the days when they were being issued in the cigarette packets, would hang around outside the local tobacconist's shop, pestering the men who had just bought a packet of cigarette, with the cry: 'can I have the cig can mister?'|It is a proven fact that, here in Australia during the 1930s, at least one set had one card deliberately withheld and issued very sparingly. This card is No. 86 (Mrs Jack Crawford) in the Carreras 'Turf Personality Series'. Thus, in a set of reasonably easy cards to get, this one card is a constant source of frustration for the collector, and as such, commands a premium when it comes to price. It is not hard to imagine the young collector nagging his to Dad to keep buying 'Turf' cigarettes to enable him to finish the set.|From small beginnings the cigarette card soon gave rise to a booming industry in itself. Artists and writers were|employed to produce the cards, which were miniature works of art and served as little encyclopaedia's for the children of the day. By the 1930s cards were being issued in the countless millions. It has been stated, in one book on the history of cards; that 450 million sets of a series produced and issued by the prolific issuer of cards in the United Kingdom, WD & HO Wills. As each set contained 50 cards you would need a calculator with a very long result window to see the answer to how many cards of that series were in circulation.|Australia's involvement would appear to have its beginnings with the English and American firms who shipped their tobacco products here and the cards of American Tobacco Company (ATC) are found in great numbers in early Australian collections; many featuring Australian subjects, e.g. 'Australian Parliament a 1901 issue. Earlier U.S. sets depicting Australians included Goodwin & Co's, so called. 'Australian Series' with cricketers and Australian Rules footballers who were on the sporting scene during the 1880s. The caption of one of theses cards reads:|'W.Hannysee. Captain Port Melbourne Football Club' which enables us to pinpoint the year of issue to either 1889 or 1890.|On the Australian scene the first local manufacturer who issued cards seems to have been The National Cigarette Company of Australia Proprietary Limited, whose 'Tally Ho' packets contained cards from a series of thirteen featuring the touring 'English Cricket Team 1897-8' Of the few Australian manufacturers who issued cards, only two companies issued more the two sets.|Undoubtedly the cards issued by the Melbourne firm Sniders & Abrahams (later Sniders & Abrahams Pty Ltd) are the 'jewels in the crown' of Australian card issues. They issued some thirty-three series, with numerous sub-series and allied issues such as metal badges, metal football shields, celluloid flags etc., which ensured that the hobbyist had a vast range from which to collect. Sporting themes – football, cricket, horse racing – dominate, indicating the Australians' love of sport and the outdoors was as strong in those earlier times as it is today. Military, animals and birds themes were also to the fore, with a touch of culture being provided by 'Shakespeare', 'Dickens', actresses and even classical 'Statuary'. Humour was not forgotten with 'Cartoons and Caricatures', 'Naval and Cricket (double meaning) Terms' and the 'Jokes' series. Art and history were covered by the artist, S.T. Gill's 'Views of Victoria in 1857' while the stereoscopic 'Views of the World' expanded the collectors' knowledge of the world as a whole.|The Sniders & Abrahams series began in 1904 and by 1919 the company was in decline and was eventually taken over by G.G. Goode & Co. Ltd. This company produced one set only, the highly collectable 'Prominent Cricketer Series' issued in 1924. During the early to mid-1920s, J.J. Schuh Tobacco Pty Ltd issued eight series, again containing the popular subjects of sport and war. At least two provincial tobacconists, Lentens of Bendigo and Baillies of Warrnambool, issued private football series. The last series of cards issued by a truly Australian firm was Dudgeon & Arnell's '1934 Australian Cricket Team'.|The Australian market was not neglected by the English companies with WD & HO Wills, Godfrey Phillips and Ogdens all making their contributions. By far the most active issuer was the long-established company Wills, whose 'Cricketers' of 1901 heralded the flood of Australian series, which continued into the mid-thirties.|The onset of the 1939-45 World War sounded the death knell of the cigarette card and very few post-war issues were made, certainly not here in Australia.|The Trade Card|The Trade Card is a non-tobacco item used by manufacturers to promote and advertise their products, in the same way that cigarette cards were. It is uncertain exactly when they were first produced, but in the USA, non-collectable cards were issued by firms in the early 1800s. These were more akin to a latter day 'business card'. It was not until the 1850s, when coloured and pictorial cards were issued to advertise and promote products that the Trade Card|became a collectable item. Many beautiful lithographic cards were produced in this early era and they are very mu sought after by collectors. By the 1870s the issues of Trade Cards became more prolific and it is from this era that more cards are seen.|Again, it is difficult to pinpoint the exact date of the first Australian Trade Card and it may be that the highly collectable and extremely rare 'American Candy Co's' - 'Pure Caramels' Australian Rules football card, issued i 1891, is the earliest series. This confectionery firm was located in Fitzroy, a Melbourne suburb. To date only two subjects have been seen.|Another early set was 'Flags', issued by F.H.Fauldings & Co. It featured testimonials of seven English cricketers who toured Australia with the 1894/5 Test team. Fauldings was an Adelaide based firm which manufactured medicinal toiletries, soaps and oils, using the distinctly Australian eucalyptus oil. During the 20th century a multitude of Australian businesses issued trade cards, with confectionery manufacturers such as Hoadleys, Allens, Sweetacres and Australian Licorice producing the majority of them. Again sporting themes dominated with the ever popular Aussie Rules football cards being the most numerous. Cricket issues ran a close second.|Apart from sporting cards, almost every subject imaginable was covered by the Trade Card, making it the most diverse and interesting branch of cartophilly. In contrast to the Cigarette Card, which had its demise prior to the Second World War, the Trade Card is still alive and well.|We all are aware of the long running 'Birds of Australasia' series put out by Tuck-fields Tea and 1 doubt if there is a kitchen drawer in Australia that has not got one or two of these informative and attractive cards floating about in it. These cards were first produced in the early 1960s and are still being inserted in that company's packets of tea. Such is also the case with Sanitarium Health Foods, manufacturers of the well known Weetbix, who began issuing cards, with a wide range of subjects, in the early 1940s and continue to do so.|The 1940s and 1950s saw the two breakfast food giants, Kornies and Weeties dominating the card scene. Kornies footballers were in production fora decade from 1948 to 1959. Four years later in 1963, we saw the start of four decades of Scanlens bubble-gum card issues, both football and cricket. In the mid 1990s, with the end of the Scanlens/Stimorol cards, the Trading Card came on the scene. These cards do not fit under the umbrella of the Trade Card, having been produced and marketed purely as a 'collectable' with no connection whatsoever to any product, which of course is necessary for an item to be classified as a Trade Card.|The earliest British postcard was issued in 1870 and was designed to send short messages; the stamp was printed on the card, therefore it did not require an envelope. It was considered by many to be lowering the postal standards because the texts were no longer private. However the cards were a great success as on the first day of issue in 1870, half a million passed through the London postal centre.|The first illustrated postcards are said to be those introduced by a French stationer in 1870. He realized that French troops fighting in the Franco-Prussian War needed to be able to send short messages to their families and designed a 'postcard' to suit the purpose. As many of the soldiers were illiterate they decorated their cards with sketches of their many activities at the front rather than writing; thus creating a picture postcard. Private enterprise soon saw the great financial possibilities of this new easy and attractive way of communication by post; also sending a postcard cost less than postage for letters. It was correctly assumed that postcards were likely to overtake letter writing in many instances.|Between 1875 and 1882 every state in Australia introduced official postcards, N.S.W. first and Tasmania last. Each state produced a simple type of postcard with a pre printed stamp allied to that state. The stamp side stated 'The Address Only To Be Written On This Side'; the reverse side sometimes carried a simple illustration or decoration with space fora short message, each state extolling their own state's virtues. In 1901, with the advent of Federation, the new Government became responsible for all postal services in Australia and produced postcards for sale in every state. With several mail deliveries each day in most towns, postcards were used for many purposes. One 1906 postcard, with an illustration of fruit, was sent from Mrs X in the morning to her greengrocer ordering her fruit and vegetables to be delivered that afternoon. Another lady asks her charlady to 'come this afternoon'.|Australian private enterprise also began selling pictorial postcards, most companies using the very experienced German printing works who were the worlds best in the field of lithography and fine detailed colour-printing. Many of these beautiful German cards still exist today, 100 years later. Australia did have a few fine printers but they were in the minority. Black and white postcards printed in Australia in the early 1900s were often of good quality e.g. postcards printed by 'The Bulletin', illustrating the works of 'The Bulletins' top artists.|Between c1903-09 The Melbourne company Osboldstone and Atkins etc. printed coloured reproductions of 46 J.A. Turner bush/rural life paintings, which were generally of good quality and became hugely popular and still sought after today. Like thousands of homes in Europe, Britain and U.S.A., many Australia homes had albums of cherished postcards, which were given pride of place for visitors to see and enjoy.|Postcard collecting remained popular but was changing with the times. About 1912 the Australian photographer George Rose of Melbourne began to produce topographical B/W real photographic postcards covering most of Australia and other photographers began to do likewise. These cards soon found their way into collections as well.|WWI and the horrors of war suddenly changed the world; postcards were still in great demand but the subject matter was far more serious. Thousands of postcards from the trenches in European war zones arrived in Australia to be included in family albums. Propaganda and recruitment messages were produced to encourage enlistment. Australian postcard producers began to create cards decorated with gum leaves, boomerangs, wattle etc., which were designed for sending to Australian troops serving overseas. Very few 'pretty' cards were available, as access to the Gentian printing works was no longer possible and exporting of postcards from Britain was very limited. By the end of WWI people had other more serious problems to contend with and the avid postcard collecting hobby declined, fold greetings took over and topographical photographic postcards became a small but steady income for the producers and newsagents etc. in every town.|Fortunately many of these old postcards still exist and are avidly collected by a new generation or postcard collectors. The Australian Cartophilic Society Inc. is one of four postcard/cigarette card organizations in Australia. They are, N.S.W. Post Card Collectors Society; Queensland Card Collectors' Society Inc. and West Australian Card Collectors|Society, and across the Tasman there is a New Zealand Postcard Society.|References:|Picture Postcards of the Golden Age A Collector's Guide by Toni & Valmai Holt. Picture Postcards in Australia 1898 - 1920 by David CookBox of Cigarette Silks ( 10 ) depicting animal motifs, which were placed in cigarette packets as an incentive for women in particular to smoke.|WD & HO Wills|Produced 1911 - 1917personal effects, smoking accessories, recreations, collections

On left of photo is the Rutherglen Hotel. On the right, in the foreground, is the Star Hotel, with the Rutherglen Sun newspaper office next to it.Black and white photograph of Main Street, Rutherglen, looking west from the High Street intersection. Written on back of photo: "In W.T. Mar 10. 1954. page 54. The Main Street Rutherglen 3/6" Rubber stamp on back of photo with copyright information.main street rutherglen, rutherglen hotel, star hotel, rutherglen sun, hotels

Black and white photograph of a group of people posing on the stairs outside the Memorial Hall, RutherglenWritten on back of photo: "In W.T. Mar 10. 1954. page 54. Shire Crs. & Staff of Rutherglen. Messrs. K.P. Meekcoms (Eng.) C.A. Ricketts sec. Miss F.M. Kendall. Crs. F. Schue. A.D. Campbell. A. Forbes. J. Terrill. Mr. J.L. Bales 'Pres.' Crs. W. Jaspar. C.J.G. Morris. Pres. H.C. Gill. S.J. Prentice. S.G. Williams. J.P. Francis." At top right on back: "3/6" On back: rubber stamp with copyright details.rutherglen shire councillors, soldiers' memorial hall, meekcoms, ricketts, kendall, schue, campbell, forbes, terrill, bales, jaspar, morris, gill, prentice, williams, francis

Photograph features the Commercial Banking Company of Sydney Ltd (Now the NAB) and the Rutherglen Hotel (Now Poachers Paradise Hotel)Black and white photograph of Main Street, Rutherglen, looking west from the High Street intersection.Written on back of photo: "In W.T. Mar 10. 1954 page 54. The Main Street, Rutherglen Vic" At top right on back: "3/6" On back rubber stamp with copyright information.main street rutherglen, cbc bank, nab, rutherglen hotel, poachers paradise hotel

After closing as a court house, the building was used for some years as the Medical Centre, and is now a private residence. The decorative buttresses have been removed.Black and white photograph of the Rutherglen Court House.Written on back of photo: "Rutherglen Court House" At top left: "7-3-1950" At top right: "2/6" On back rubber stamp indicating copyright.rutherglen court house, high street rutherglen

P.E. Chandler (brother of Royce Chandler the cooper) and Terry FitzgeraldBlack and white photograph of 2 men and working on a large wine caskWritten on back of photo: "P.E. Chandler - Terry Fitzgerald repairing a 500 gallon store cask at Lindeman's of Corowa. Terry would know about what year."terry fitzgerald, chandler family, cooperage, wine industry

Colour photograph of two cyclists reiding past Villa Parma in Hepburn Springs.hepburn springs, herald sun tour, cycling, villa parma, parma house